All Posts

WrestleMania 33 In Review: The Deadman Becomes Immortal

WrestleMania 33 was a show of two halves, front-loaded with work rate, punctuated by a preposterous slice of pseudo-reality TV, and with an ending that felt gratuitously melancholic more than triumphant, fond, or hard-won, even if it did mark the final brief chapter in the twenty-six-and-a-half year career of arguably the greatest and most beloved WWE superstar of all time. The…

Behind the Song: Chuck Berry – ‘You Can’t Catch Me’

‘You Can’t Catch Me’, one of Chuck Berry’s early singles, proved an unexpected commercial flop. It failed to chart upon its release at the onset of 1957 – despite being given prominence by the fledgeling rock and roll feature Rock, Rock, Rock!, which had opened in cinemas the previous month – briefly halting the run of success which Berry had enjoyed…

Capsule Movie Review: What We Do in the Shadows (2014)

What We Do in the Shadows Vampire Mockumentary | 85 Minutes | 2014 | New Zealand * Vampires on film are best taken seriously. As archetypes, strange and sad figures who permeate given spaces while proving difficult to grasp, they model for us fear, loneliness, and alienation, and are uniquely suited to expressive visual contrasts of light and dark. The great vampire films, Nosferatu (1922),…

A Brief History of the Modern Man’s Hat

In the final decade of the eighteenth century, impelled by the ideals of the French Revolution, the top hat replaced the tricorne as the vogue item of headwear for fashionable Europeans. Already popular in France where it would become part of the costume of the Incroyables, the first top hat in England has been credited to the Frenchman George Dunnage, a master hatter…