Style

Eau d’Hermès, by Edmond Roudnitska

Eau d’Hermès is one of Edmond Roudnitska’s lesser known and lesser celebrated masterpieces; sought and treasured in the undergrowth as Femme, for Rochas, and Diorissimo, Eau Sauvage and Diorella, all for Dior, bask in the sun. Femme was one of Roudnitska’s early perfumes, and the first he developed for Marcel Rochas, coming out months after the liberation of Paris, at the…

Pierrot Through the Arts: Deburau, Laforgue, Schoenberg and On

Pierrot, the sad clown, with white face and loose white blouse, expressing slowly and subtly and in the absence of and beyond words, emerged in the nineteenth century from his roots in stock comedies and pantomimes to become the embodiment of a certain artistic type, a specific strain of artistic emotion: sensitive, melancholy and solitary, and at once playful and…

2013 Oscars Best Dressed: The Definitive Analysis

2013 Oscars Best Dressed: The Definitive Analysis

In their lamentable haste to set the agenda and furnish the world with their opinion on the best and the worst Oscar garments, most publications released their merely subjective takes on this matter in the hours and days immediately succeeding the ceremony which marked the 85th Academy Awards. A week, or the best part of a week, may seem a…

‘Madame George’ and Guerlain’s Shalimar: A Portal to Perfumery

Asked and obliged to be concise, I would name Astral Weeks by Van Morrison as my favourite album, and ‘Madame George’ from Astral Weeks as my favourite song. This article isn’t intended as an extensive exploration of the album’s music or themes; it doesn’t recount my listening experiences of the song as a form of personal history; and nor does…