This wealth of travelling has seen a dearth of posts here, at culturedallroundman.com. I managed only one through the course of last month – an addition to my series of pieces on Vincent van Gogh – and despite its length, its scope, and its exceptional quality, I remain mildly repentant. Still, the two trips have given me a lot to think about, to show, and to write about, and a range of posts will appear here over the next few weeks containing photographs, depictions of interactions and of food, and considering the exhibitions of several of the museums I explored.
This post is a photographic summation, via Instagram, of the visit to Sweden. The first photograph views Landsförsamling church in Skellefteå from a distance; the second the lake in Järvträsk, Norrbotten. Then there comes Umeå’s Art Campus, and the Bildmuseet, part of an exhibition therein by Jacob Hashimoto, and the Ume river. We sit separately in front of our computers and together we see: Umeå Central Station; the University’s Lindellhallen; IKSU sports centre; and the area of Nydala around the Kinabron and Nydalasjön, including a photograph of me, from behind, daringly bounding from one rock face to another.
There is a view of Renmarkstorget in evocative black-and-white, a perspective on the Rådhus, and a photo looking over the Ume river, across the city’s several bridges. Onto Stockholm, appearing in turn are: the House of Knights; Storkyrkan and Storkyrkobrinken on Gamla stan; several cityscapes around Skeppsbron and Strömbron, including one of the Swedish Parliament; a photograph inside the Nationalmuseum at Konstakademien; and finally one from Strandvägen towards the island of Skeppsholmen. There are twenty-four photographs in all.