★★★½ (3.5 out of 4 stars) - More than mere confection, which by nature lies there enticingly and dwindles the more that we eat, and just like the titular cactus which sits on dental assistant Stephanie Dickinson's desk, cannily marking her transformation, Cactus Flower positively blossoms. The third film in three years from director Gene Saks - hot on the heels of two resounding Neil Simon success stories...
★★★ (3 out of 4 stars) - October Sky is a quaint coming-of-age picture utterly characteristic of this period in American cinema: polished but earnest, overtly sentimental, full of local colour, ostensibly presenting some hard-hitting themes without ever straying from the steely confines of quaint. It's in the same mould as films like The Cider House Rules and especially Billy Elliot, which it preceded by more than a year...
★★★ (3 out of 4 stars) - In The Sunshine Boys a pair of ageing and increasingly frail former comedians, Al Lewis and Willy Clark (George Burns and Walter Matthau), are brought together eleven years after their acrimonious separation in order to star one more time in a special for ABC. Veterans of the vaudeville circuit, their career together spanned forty-three years and six appearances on The Ed Sullivan Show...
★★★★ (4 out of 4 stars) - Instead Renoir produced a bawdy comedy with French airs and graces, which seems to share much in common with so many American films of the late thirties with their loose morals, gender distortions, and hedonistic flushes of romance. The inspirations may have been Marivaux and Beaumarchais, but in style and temperament The Rules of the Game rubs up equally alongside The Philadelphia Story and the screwball comedies of Howard Hawks.
★½ (1.5 out of 4 stars) - It would be naive to suggest that things were simpler back in the 1980s, but when it came to the movie preferences of adolescent males, they were less demanding at least. True it was the era of high concept film, of space operas and extra-terrestrials and all-action archaeologists, of darkening or neon-clad dystopias, of robots and terminators, of zombies and ghosts and gremlins...
★★★★ (4 out of 4 stars) - Chinatown is a detective story, loosely inspired by the California water wars which took place between the fledgeling city of Los Angeles and the surrounding Owens Valley in the early twentieth century. The pivotal figure in those wars was William Mulholland, the chief architect of the Los Angeles Aqueduct, whose career came to an abrupt end with the failure of the St Francis Dam in 1928...
★★★★ (4 out of 4 stars) - Barry Egan (Adam Sandler) owns a warehouse which manufactures and sells novelty goods - toilet plungers with supposedly non-breakable handles and so on - but channels all of his hopes into one venture: having carried out his research diligently, and as far as the vagaries of the promotion will allow, he has come to understand that by purchasing gross quantities of Healthy Choice pudding...
★★★½ (3.5 out of 4 stars) - Joel (Tom Cruise), a teenager coming towards the end of his time in high school, lives with his parents in a leafy Chicago suburb. He is good-looking and his parents are wealthy, but they are also demanding, and he subsumes a fluent strain of existential angst with worry over schoolwork and his future prospects. Beyond a litany of tests, he is involved in a Future Enterprises programme...
★★★ (3 out of 4 stars) - October Sky is a quaint coming-of-age picture utterly characteristic of this period in American cinema: polished but earnest, overtly sentimental, full of local colour, ostensibly presenting some hard-hitting themes without ever straying from the steely confines of quaint. It's in the same mould as films like The Cider House Rules and especially Billy Elliot, which it preceded by more than a year...
★★★★ (4 out of 4 stars) - In 9th century China, the weakened Tang Dynasty struggles to retain control over its militarised province of Weibo. Nie Yinniang (Shu Qi) has been trained by the nun Jiaxin (Fang-Yi Sheu) to assassinate corrupt government officials, but though she possesses all of the art, she cannot bring herself to kill a man as he sits cradling his sleeping son. So Jiaxin, who has raised Yinniang from the age of ten, sets her charge a more personal task...
★★★★ (4 out of 4 stars) - Chinatown is a detective story, loosely inspired by the California water wars which took place between the fledgeling city of Los Angeles and the surrounding Owens Valley in the early twentieth century. The pivotal figure in those wars was William Mulholland, the chief architect of the Los Angeles Aqueduct, whose career came to an abrupt end with the failure of the St Francis Dam in 1928...
★★★½ (3.5 out of 4 stars) - Joel (Tom Cruise), a teenager coming towards the end of his time in high school, lives with his parents in a leafy Chicago suburb. He is good-looking and his parents are wealthy, but they are also demanding, and he subsumes a fluent strain of existential angst with worry over schoolwork and his future prospects. Beyond a litany of tests, he is involved in a Future Enterprises programme...
★★★½ (3.5 out of 4 stars) - Tully is the third collaboration between director Jason Reitman and writer Diablo Cody, following on from Juno (2007) and Young Adult (2011). All three films deal with the role of women as child-bearers, looking in turn at teenage pregnancy and adoption, miscarriage, and postpartum depression, which in this case borders on psychosis...
★★★ (3 out of 4 stars) - In what sounds like a riff on an old joke, a drug dealer, a stripper, a runaway, and a nerd climb into a camper van south of the border. David Clark (Jason Sudeikis) is a low-level marijuana dealer who finds himself beholden to his supplier, the sleazy businessman Brad Gurdlinger (Ed Helms), when a couple of street hoods make off with his stash. To cover the debt with a little added compensation, David reluctantly agrees to smuggle a 'smidge' of weed from Mexico...
★½ (1.5 out of 4 stars) - Three Men and a Baby is more than a guilty pleasure, it's one of the defining movies of the 1980s for the easy chemistry between its three leads, and for the panoply of fashion, interior design, and architectural styles it affords, an unconstrained movement of plaids and pastels under the neon lights and glass hallways of their luxe apartment and out in the bustling parks and streets of New York...
★★★½ (3.5 out of 4 stars) - More than mere confection, which by nature lies there enticingly and dwindles the more that we eat, and just like the titular cactus which sits on dental assistant Stephanie Dickinson's desk, cannily marking her transformation, Cactus Flower positively blossoms. The third film in three years from director Gene Saks - hot on the heels of two resounding Neil Simon success stories...
★★½ (2.5 out of 4 stars) - Brian and Carrie plan to drive from their home of Louisville, Kentucky to the golden state of California, stopping off at renowned murder spots along the way. Brian hopes to gain material for his book, with Carrie providing the photographic illustration. To top up their gas-guzzling Lincoln Continental, their notice for a ride share is answered by a curious couple, the childlike Adele Corners and her ragged minder Early Grayce...
★★★★ (4 out of 4 stars) - In 9th century China, the weakened Tang Dynasty struggles to retain control over its militarised province of Weibo. Nie Yinniang (Shu Qi) has been trained by the nun Jiaxin (Fang-Yi Sheu) to assassinate corrupt government officials, but though she possesses all of the art, she cannot bring herself to kill a man as he sits cradling his sleeping son. So Jiaxin, who has raised Yinniang from the age of ten, sets her charge a more personal task...
★★★ (3 out of 4 stars) - October Sky is a quaint coming-of-age picture utterly characteristic of this period in American cinema: polished but earnest, overtly sentimental, full of local colour, ostensibly presenting some hard-hitting themes without ever straying from the steely confines of quaint. It's in the same mould as films like The Cider House Rules and especially Billy Elliot, which it preceded by more than a year...
★★★½ (3.5 out of 4 stars) - Joel (Tom Cruise), a teenager coming towards the end of his time in high school, lives with his parents in a leafy Chicago suburb. He is good-looking and his parents are wealthy, but they are also demanding, and he subsumes a fluent strain of existential angst with worry over schoolwork and his future prospects. Beyond a litany of tests, he is involved in a Future Enterprises programme...
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