★½ (1.5 out of 4 stars) - It would be naive to suggest that things were simpler back in the 1980s, but when it came to the movie preferences of adolescent males, they were less demanding at least. True it was the era of high concept film, of space operas and extra-terrestrials and all-action archaeologists, of darkening or neon-clad dystopias, of robots and terminators, of zombies and ghosts and gremlins...
★½ (1.5 out of 4 stars) - The hotly anticipated follow-up to what has already become a cult classic, in John Wick: Chapter 2 our eponymous hero goes to Rome, as the series curiously begins taking cues from Dan Brown and all things Da Vinci. There's a dash of Underworld mixed in there too: this is a world where neon store fronts, modern art installations, subways and the original film's streamlined desire for vengeance butt up against cobbled streets and catacombs...
★½ (1.5 out of 4 stars) - Three Men and a Baby is more than a guilty pleasure, it's one of the defining movies of the 1980s for the easy chemistry between its three leads, and for the panoply of fashion, interior design, and architectural styles it affords, an unconstrained movement of plaids and pastels under the neon lights and glass hallways of their luxe apartment and out in the bustling parks and streets of New York...
★★ (2 out of 4 stars) - Imagine Jack Lemmon at his most highly strung, for instance in The Odd Couple, a Neil Simon film from a couple of years earlier, when Oscar Madison arrives home late from work after stopping off at a bar and Felix Ungar's meatloaf has dried out, and Oscar thinks that gravy just comes, and then confuses a spoon with a ladle...
★★★½ (3.5 out of 4 stars) - One of the successes of Diego Maradona lies in how it manages to restore some of the luxe hedonism and heady momentum to a story so often shrouded by bloated excess. A keenly self-conscious Maradona pushes himself through sporting triumphs and binge cycles, as the barrio boy from Buenos Aires in the slum city of Naples embraces the fur coats and neon lights.
★★★½ (3.5 out of 4 stars) - More than mere confection, which by nature lies there enticingly and dwindles the more that we eat, and just like the titular cactus which sits on dental assistant Stephanie Dickinson's desk, cannily marking her transformation, Cactus Flower positively blossoms. The third film in three years from director Gene Saks - hot on the heels of two resounding Neil Simon success stories...
★★★★ (4 out of 4 stars) - Greta Gerwig imbues the seventh film adaptation of Louisa May Alcott's classic coming-of-age novel with deft characterisation and heady momentum, across and finally through the screen. Each scene bustles with gesture and intonation even when its components aren't rushing headlong through the streets of Manhattan, idling about the parks of Paris, or swirling the ballrooms and striding fields and beaches in the vicinity of Boston, Mass...
★★★ (3 out of 4 stars) - In Japan grown adult men - thirty, forty, fifty years old or more - lie prostrate in their childhood bedrooms, which they never leave, as their ageing parents push parcels of food beneath the door. On their beds they clutch plush life-sized cartoon figures, somehow prepubescent but boasting ginormous boobs, and between the heaving and moaning they not only cry but orgasm into their pillowcases...
★ (1 out of 4 stars) - Vampires on film are best taken seriously. As archetypes, strange and sad figures who permeate given spaces while proving difficult to grasp, they model for us fear, loneliness, and alienation, and are uniquely suited to expressive visual contrasts of light and dark. The great vampire films, Nosferatu (1922), Nosferatu the Vampyre (1979), and more recently Let the Right One In (2008), more than mere formal exercises...
★★★ (3 out of 4 stars) - In February 1969 in Hollywood, fading television star Rick Dalton (Leonardo DiCaprio) frequents bars and gets ferried around by his old stunt double, Cliff Booth (Brad Pitt). Booth lives in a trailer with his pit bull Brandy, in an empty lot behind the drive-in in Van Nuys, but Dalton keeps up appearances with a luxury home in Beverly Crest overlooking Beverly Hills...
★★★★ (4 out of 4 stars) - Winfried Conradi is so given to practical jokes that he practically depends on them. When he opens the door of his home in the spa town of Aachen, he regales the postman with an elaborate deception featuring look-alike brothers, prison terms, erotic magazines, and mail bombs, tipping the postman for any distress accrued and to make amends for his own strange excesses. He carries a pair of false teeth...
★★★★ (4 out of 4 stars) - Chinatown is a detective story, loosely inspired by the California water wars which took place between the fledgeling city of Los Angeles and the surrounding Owens Valley in the early twentieth century. The pivotal figure in those wars was William Mulholland, the chief architect of the Los Angeles Aqueduct, whose career came to an abrupt end with the failure of the St Francis Dam in 1928...
★★★★ (4 out of 4 stars) - Travis Henderson (Harry Dean Stanton) was introduced against a backdrop of blue skies and sandstone buttes, but his brother Walt (Dean Stockwell) wears a yellow Stetson cap and stands in front of a commercial tower block, which turns out to be painted. He sells billboard signs for a living, but agrees to travel to Terlingua, South Texas, to pick up his brother...
★½ (1.5 out of 4 stars) - Maggie Fitzgerald (Hilary Swank), from southwest Missouri, has worked as a waitress from her early teens. Stuck in grim poverty, she seeks a way beyond her circumstances, and determines to become a boxer. She turns up at a worn-down Los Angeles gym, owned and run by Frankie Dunn (Clint Eastwood) with the help of Eddie 'Scrap-Iron' Dupris (Morgan Freeman): a former boxer himself...
★★★½ (3.5 out of 4 stars) - Tully is the third collaboration between director Jason Reitman and writer Diablo Cody, following on from Juno (2007) and Young Adult (2011). All three films deal with the role of women as child-bearers, looking in turn at teenage pregnancy and adoption, miscarriage, and postpartum depression, which in this case borders on psychosis...
★½ (1.5 out of 4 stars) - Maggie Fitzgerald (Hilary Swank), from southwest Missouri, has worked as a waitress from her early teens. Stuck in grim poverty, she seeks a way beyond her circumstances, and determines to become a boxer. She turns up at a worn-down Los Angeles gym, owned and run by Frankie Dunn (Clint Eastwood) with the help of Eddie 'Scrap-Iron' Dupris (Morgan Freeman): a former boxer himself...
★★★★ (4 out of 4 stars) - Travis Henderson (Harry Dean Stanton) was introduced against a backdrop of blue skies and sandstone buttes, but his brother Walt (Dean Stockwell) wears a yellow Stetson cap and stands in front of a commercial tower block, which turns out to be painted. He sells billboard signs for a living, but agrees to travel to Terlingua, South Texas, to pick up his brother...
★★★½ (3.5 out of 4 stars) - One of the successes of Diego Maradona lies in how it manages to restore some of the luxe hedonism and heady momentum to a story so often shrouded by bloated excess. A keenly self-conscious Maradona pushes himself through sporting triumphs and binge cycles, as the barrio boy from Buenos Aires in the slum city of Naples embraces the fur coats and neon lights.
★★★ (3 out of 4 stars) - In February 1969 in Hollywood, fading television star Rick Dalton (Leonardo DiCaprio) frequents bars and gets ferried around by his old stunt double, Cliff Booth (Brad Pitt). Booth lives in a trailer with his pit bull Brandy, in an empty lot behind the drive-in in Van Nuys, but Dalton keeps up appearances with a luxury home in Beverly Crest overlooking Beverly Hills...
★★★½ (3.5 out of 4 stars) - On the morning of Saint Valentine's Day, 1900, the schoolgirls boarding at Appleyard College prepare for a day picnicking at Hanging Rock. In raptures they recite poetry from the Valentine's cards they have presumably sent one another; they put on their muslin dresses, and in a cross between a balletic embrace and an evolutionary procession, they awkwardly help each other with their corsets; and then they are off, but at the rock three of them vanish...
Some of the plugins which add to the functionality of Culturedarm make use of cookies, aggregating performance data and taking note of your preferences. By clicking 'Accept' you consent to the use of cookies on this site.
This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.