★★★★ (4 out of 4 stars) - In 9th century China, the weakened Tang Dynasty struggles to retain control over its militarised province of Weibo. Nie Yinniang (Shu Qi) has been trained by the nun Jiaxin (Fang-Yi Sheu) to assassinate corrupt government officials, but though she possesses all of the art, she cannot bring herself to kill a man as he sits cradling his sleeping son. So Jiaxin, who has raised Yinniang from the age of ten, sets her charge a more personal task...
★★★★ (4 out of 4 stars) - Travis Henderson (Harry Dean Stanton) was introduced against a backdrop of blue skies and sandstone buttes, but his brother Walt (Dean Stockwell) wears a yellow Stetson cap and stands in front of a commercial tower block, which turns out to be painted. He sells billboard signs for a living, but agrees to travel to Terlingua, South Texas, to pick up his brother...
★★½ (2.5 out of 4 stars) - Brian and Carrie plan to drive from their home of Louisville, Kentucky to the golden state of California, stopping off at renowned murder spots along the way. Brian hopes to gain material for his book, with Carrie providing the photographic illustration. To top up their gas-guzzling Lincoln Continental, their notice for a ride share is answered by a curious couple, the childlike Adele Corners and her ragged minder Early Grayce...
★★ (2 out of 4 stars) - Imagine Jack Lemmon at his most highly strung, for instance in The Odd Couple, a Neil Simon film from a couple of years earlier, when Oscar Madison arrives home late from work after stopping off at a bar and Felix Ungar's meatloaf has dried out, and Oscar thinks that gravy just comes, and then confuses a spoon with a ladle...
★★★½ (3.5 out of 4 stars) - On the morning of Saint Valentine's Day, 1900, the schoolgirls boarding at Appleyard College prepare for a day picnicking at Hanging Rock. In raptures they recite poetry from the Valentine's cards they have presumably sent one another; they put on their muslin dresses, and in a cross between a balletic embrace and an evolutionary procession, they awkwardly help each other with their corsets; and then they are off, but at the rock three of them vanish...
★★★ (3 out of 4 stars) - In what sounds like a riff on an old joke, a drug dealer, a stripper, a runaway, and a nerd climb into a camper van south of the border. David Clark (Jason Sudeikis) is a low-level marijuana dealer who finds himself beholden to his supplier, the sleazy businessman Brad Gurdlinger (Ed Helms), when a couple of street hoods make off with his stash. To cover the debt with a little added compensation, David reluctantly agrees to smuggle a 'smidge' of weed from Mexico...
★ (1 out of 4 stars) - Vampires on film are best taken seriously. As archetypes, strange and sad figures who permeate given spaces while proving difficult to grasp, they model for us fear, loneliness, and alienation, and are uniquely suited to expressive visual contrasts of light and dark. The great vampire films, Nosferatu (1922), Nosferatu the Vampyre (1979), and more recently Let the Right One In (2008), more than mere formal exercises...
★ (1 out of 4 stars) - Through a few snapshots of comforting mundanity - the boys' scenes could be from a Judd Apatow movie, minus the laughs - we come to learn of Dani and Christian, a young American couple whose long-term relationship has started to crack. Spurred on by his friends, who find her too needy, Christian has already begun separating himself from Dani, for her part made anxious by her bipolar sister...
★½ (1.5 out of 4 stars) - It would be naive to suggest that things were simpler back in the 1980s, but when it came to the movie preferences of adolescent males, they were less demanding at least. True it was the era of high concept film, of space operas and extra-terrestrials and all-action archaeologists, of darkening or neon-clad dystopias, of robots and terminators, of zombies and ghosts and gremlins...
★★★½ (3.5 out of 4 stars) - Five teenagers take a road trip to visit an old family homestead in the musty heart of Texas. The radio plays the news, a grim recitation of industrial and environmental disasters and acts of wanton violence. They discuss astrology, retrograde planets and the malevolent influence of Saturn; stop off at the gravesite of a deceased grandfather amid reports of grave robbing; and after passing a slaughterhouse for beef cattle, they pick up a hitchhiker...
★★ (2 out of 4 stars) - Enola Holmes (Millie Bobby Brown), the youngest sibling in the illustrious Holmes family, grew up for all intents and purposes as an only child. At the lavish country house which is now on the cusp of being consumed by nature, she was home-schooled by her mother, who provided an unorthodox education encompassing everything from word games, chess, and jujitsu to chemistry, botany, and lawn tennis played indoors...
★★★ (3 out of 4 stars) - October Sky is a quaint coming-of-age picture utterly characteristic of this period in American cinema: polished but earnest, overtly sentimental, full of local colour, ostensibly presenting some hard-hitting themes without ever straying from the steely confines of quaint. It's in the same mould as films like The Cider House Rules and especially Billy Elliot, which it preceded by more than a year...
★★★★ (4 out of 4 stars) - Ageing, unmarried, and unkempt, brothers Gummi (Sigurður Sigurjónsson) and Kiddi (Theodór Júlíusson) work side by side as sheep farmers in a cold and desolate valley in Iceland's northeast. Each the master of their own flock, they have not spoken for forty years owing to a dispute over their father's inheritance: considering Gummi the more conscientious worker, their father left him the whole of the land...
★★★★ (4 out of 4 stars) - Greta Gerwig imbues the seventh film adaptation of Louisa May Alcott's classic coming-of-age novel with deft characterisation and heady momentum, across and finally through the screen. Each scene bustles with gesture and intonation even when its components aren't rushing headlong through the streets of Manhattan, idling about the parks of Paris, or swirling the ballrooms and striding fields and beaches in the vicinity of Boston, Mass...
★★★★ (4 out of 4 stars) - Travis Henderson (Harry Dean Stanton) was introduced against a backdrop of blue skies and sandstone buttes, but his brother Walt (Dean Stockwell) wears a yellow Stetson cap and stands in front of a commercial tower block, which turns out to be painted. He sells billboard signs for a living, but agrees to travel to Terlingua, South Texas, to pick up his brother...
★★★★ (4 out of 4 stars) - A Madison Avenue advertising man, run-of-the-mill if unusually tanned with his grey flannel suit an impeccable fit, stands up at the wrong moment in the Oak Room of the Plaza Hotel in Midtown Manhattan. Roger Thornhill has theatre tickets. He wishes to send a wire to his mother, but by summoning the wrong waiter and ostensibly responding to the wrong call, he gets mistaken for George Kaplan, a government agent.
★★★ (3 out of 4 stars) - October Sky is a quaint coming-of-age picture utterly characteristic of this period in American cinema: polished but earnest, overtly sentimental, full of local colour, ostensibly presenting some hard-hitting themes without ever straying from the steely confines of quaint. It's in the same mould as films like The Cider House Rules and especially Billy Elliot, which it preceded by more than a year...
★½ (1.5 out of 4 stars) - Maggie Fitzgerald (Hilary Swank), from southwest Missouri, has worked as a waitress from her early teens. Stuck in grim poverty, she seeks a way beyond her circumstances, and determines to become a boxer. She turns up at a worn-down Los Angeles gym, owned and run by Frankie Dunn (Clint Eastwood) with the help of Eddie 'Scrap-Iron' Dupris (Morgan Freeman): a former boxer himself...
★½ (1.5 out of 4 stars) - The hotly anticipated follow-up to what has already become a cult classic, in John Wick: Chapter 2 our eponymous hero goes to Rome, as the series curiously begins taking cues from Dan Brown and all things Da Vinci. There's a dash of Underworld mixed in there too: this is a world where neon store fronts, modern art installations, subways and the original film's streamlined desire for vengeance butt up against cobbled streets and catacombs...
★★★★ (4 out of 4 stars) - Adam and Amanda Bonner, a couple of happily married lawyers who live in an upper-floor apartment in New York, begin to clash when they land on opposite sides of a trial for attempted murder. Adam views the matter in black and white, believing that Doris Attinger broke the law and deserves to be punished, while Amanda delights in teasing out some of the nuances of the case, perceiving an opportunity to rail against gender imbalances...
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