★★★½ (3.5 out of 4 stars) - Five teenagers take a road trip to visit an old family homestead in the musty heart of Texas. The radio plays the news, a grim recitation of industrial and environmental disasters and acts of wanton violence. They discuss astrology, retrograde planets and the malevolent influence of Saturn; stop off at the gravesite of a deceased grandfather amid reports of grave robbing; and after passing a slaughterhouse for beef cattle, they pick up a hitchhiker...
★★★ (3 out of 4 stars) - In Japan grown adult men - thirty, forty, fifty years old or more - lie prostrate in their childhood bedrooms, which they never leave, as their ageing parents push parcels of food beneath the door. On their beds they clutch plush life-sized cartoon figures, somehow prepubescent but boasting ginormous boobs, and between the heaving and moaning they not only cry but orgasm into their pillowcases...
★★ (2 out of 4 stars) - Imagine Jack Lemmon at his most highly strung, for instance in The Odd Couple, a Neil Simon film from a couple of years earlier, when Oscar Madison arrives home late from work after stopping off at a bar and Felix Ungar's meatloaf has dried out, and Oscar thinks that gravy just comes, and then confuses a spoon with a ladle...
★★★★ (4 out of 4 stars) - In 9th century China, the weakened Tang Dynasty struggles to retain control over its militarised province of Weibo. Nie Yinniang (Shu Qi) has been trained by the nun Jiaxin (Fang-Yi Sheu) to assassinate corrupt government officials, but though she possesses all of the art, she cannot bring herself to kill a man as he sits cradling his sleeping son. So Jiaxin, who has raised Yinniang from the age of ten, sets her charge a more personal task...
★ (1 out of 4 stars) - Vampires on film are best taken seriously. As archetypes, strange and sad figures who permeate given spaces while proving difficult to grasp, they model for us fear, loneliness, and alienation, and are uniquely suited to expressive visual contrasts of light and dark. The great vampire films, Nosferatu (1922), Nosferatu the Vampyre (1979), and more recently Let the Right One In (2008), more than mere formal exercises...
★★★★ (4 out of 4 stars) - Juggling a growing amount of debt, Howard has begun pawning off as sports memorabilia the collateral he receives for loaning out his jewels. When the opal finally arrives from Ethiopia, the basketball player Kevin Garnett can hardly avert his gaze. Howard accepts a 2008 NBA Championship ring as Garnett takes lend of the opal, immediately pawning it for the sake of a little liquidity unbeknownst to Demany and the Boston Celtics star.
★½ (1.5 out of 4 stars) - Maggie Fitzgerald (Hilary Swank), from southwest Missouri, has worked as a waitress from her early teens. Stuck in grim poverty, she seeks a way beyond her circumstances, and determines to become a boxer. She turns up at a worn-down Los Angeles gym, owned and run by Frankie Dunn (Clint Eastwood) with the help of Eddie 'Scrap-Iron' Dupris (Morgan Freeman): a former boxer himself...
★ (1 out of 4 stars) - Vampires on film are best taken seriously. As archetypes, strange and sad figures who permeate given spaces while proving difficult to grasp, they model for us fear, loneliness, and alienation, and are uniquely suited to expressive visual contrasts of light and dark. The great vampire films, Nosferatu (1922), Nosferatu the Vampyre (1979), and more recently Let the Right One In (2008), more than mere formal exercises...
★★★ (3 out of 4 stars) - In The Sunshine Boys a pair of ageing and increasingly frail former comedians, Al Lewis and Willy Clark (George Burns and Walter Matthau), are brought together eleven years after their acrimonious separation in order to star one more time in a special for ABC. Veterans of the vaudeville circuit, their career together spanned forty-three years and six appearances on The Ed Sullivan Show...
★★ (2 out of 4 stars) - In the suburban neighbourhood of Haddonfield, Illinois, on Halloween night, 1963, while other kids are out trick-or-treating, a six-year-old boy without any apparent motivation creeps up the stairs, slips on a mask, and slashes to death his near-nude teenage sister. Fifteen years later he's still confined to Smith's Grove, a sanatorium for psychiatric patients, but he breaks out and returns to Haddonfield...
★★½ (2.5 out of 4 stars) - Brian and Carrie plan to drive from their home of Louisville, Kentucky to the golden state of California, stopping off at renowned murder spots along the way. Brian hopes to gain material for his book, with Carrie providing the photographic illustration. To top up their gas-guzzling Lincoln Continental, their notice for a ride share is answered by a curious couple, the childlike Adele Corners and her ragged minder Early Grayce...
★★★★ (4 out of 4 stars) - Juggling a growing amount of debt, Howard has begun pawning off as sports memorabilia the collateral he receives for loaning out his jewels. When the opal finally arrives from Ethiopia, the basketball player Kevin Garnett can hardly avert his gaze. Howard accepts a 2008 NBA Championship ring as Garnett takes lend of the opal, immediately pawning it for the sake of a little liquidity unbeknownst to Demany and the Boston Celtics star.
★★★★ (4 out of 4 stars) - Chinatown is a detective story, loosely inspired by the California water wars which took place between the fledgeling city of Los Angeles and the surrounding Owens Valley in the early twentieth century. The pivotal figure in those wars was William Mulholland, the chief architect of the Los Angeles Aqueduct, whose career came to an abrupt end with the failure of the St Francis Dam in 1928...
★★½ (2.5 out of 4 stars) - Nicole Bonnet (Audrey Hepburn) is the daughter of an art forger, who has gathered so many supposed masterpieces in his private collection that he has won considerable renown in the world of art. Approached by the Kléber-Lafayette Museum, he proudly loans to the illustrious Paris institution (which for the sake of the film occupies the building of the real-life Musée Carnavalet) his most prized possession, his Cellini 'Venus'...
★★★½ (3.5 out of 4 stars) - More than mere confection, which by nature lies there enticingly and dwindles the more that we eat, and just like the titular cactus which sits on dental assistant Stephanie Dickinson's desk, cannily marking her transformation, Cactus Flower positively blossoms. The third film in three years from director Gene Saks - hot on the heels of two resounding Neil Simon success stories...
★★★ (3 out of 4 stars) - October Sky is a quaint coming-of-age picture utterly characteristic of this period in American cinema: polished but earnest, overtly sentimental, full of local colour, ostensibly presenting some hard-hitting themes without ever straying from the steely confines of quaint. It's in the same mould as films like The Cider House Rules and especially Billy Elliot, which it preceded by more than a year...
★★ (2 out of 4 stars) - In the suburban neighbourhood of Haddonfield, Illinois, on Halloween night, 1963, while other kids are out trick-or-treating, a six-year-old boy without any apparent motivation creeps up the stairs, slips on a mask, and slashes to death his near-nude teenage sister. Fifteen years later he's still confined to Smith's Grove, a sanatorium for psychiatric patients, but he breaks out and returns to Haddonfield...
★½ (1.5 out of 4 stars) - When it comes to the blockbuster action movie, three franchises remain. There is the Marvel Cinematic Universe and other assorted comic book pictures, y'know, for kids; Tom Cruise, most clearly for the ever stellar Mission: Impossible series, wilfully forgetting Jack Reacher but with shoutouts to American Made, Edge of Tomorrow, and the upcoming Top Gun sequel, sure to be a success; and then there's The Rock...
★★★★ (4 out of 4 stars) - At the height of her powers, Aretha Franklin went to church: to the New Temple Missionary Baptist in Los Angeles for two nights in January 1972, where she intended to return to her roots with a live recording of gospel music. The ensuing double album, Amazing Grace, would go double platinum, and it remains the best-selling record of her long and storied career. The acclaimed film director Sydney Pollack was tasked with shooting the performance for a feature...
★ (1 out of 4 stars) - Vampires on film are best taken seriously. As archetypes, strange and sad figures who permeate given spaces while proving difficult to grasp, they model for us fear, loneliness, and alienation, and are uniquely suited to expressive visual contrasts of light and dark. The great vampire films, Nosferatu (1922), Nosferatu the Vampyre (1979), and more recently Let the Right One In (2008), more than mere formal exercises...
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