★★★★ (4 out of 4 stars) - At the height of her powers, Aretha Franklin went to church: to the New Temple Missionary Baptist in Los Angeles for two nights in January 1972, where she intended to return to her roots with a live recording of gospel music. The ensuing double album, Amazing Grace, would go double platinum, and it remains the best-selling record of her long and storied career. The acclaimed film director Sydney Pollack was tasked with shooting the performance for a feature...
★★★★ (4 out of 4 stars) - Travis Henderson (Harry Dean Stanton) was introduced against a backdrop of blue skies and sandstone buttes, but his brother Walt (Dean Stockwell) wears a yellow Stetson cap and stands in front of a commercial tower block, which turns out to be painted. He sells billboard signs for a living, but agrees to travel to Terlingua, South Texas, to pick up his brother...
★★★★ (4 out of 4 stars) - Will Kane (Gary Cooper), the marshal of a small frontier town in New Mexico Territory, gets married in a small civil ceremony to his beautiful young wife Amy Fowler (Grace Kelly), a Quaker whose imminent plans include a family and a convenience store someplace else. Fully intending to play the doting husband, to that end it is also Kane's last day on the job, and he hands in his badge...
★★★★ (4 out of 4 stars) - Mavis Gary (Charlize Theron), a 37-year-old ghostwriter for a series of young adult novels soon to be cancelled, returns to her small Minnesota hometown, angling to hook up with her old high school flame, who is married and has just become a father. Her attempts at seduction are already inappropriate, but prove much grosser than this, culminating in a blowout at a birthday party...
★★★★ (4 out of 4 stars) - Will Kane (Gary Cooper), the marshal of a small frontier town in New Mexico Territory, gets married in a small civil ceremony to his beautiful young wife Amy Fowler (Grace Kelly), a Quaker whose imminent plans include a family and a convenience store someplace else. Fully intending to play the doting husband, to that end it is also Kane's last day on the job, and he hands in his badge...
★★★★ (4 out of 4 stars) - Greta Gerwig imbues the seventh film adaptation of Louisa May Alcott's classic coming-of-age novel with deft characterisation and heady momentum, across and finally through the screen. Each scene bustles with gesture and intonation even when its components aren't rushing headlong through the streets of Manhattan, idling about the parks of Paris, or swirling the ballrooms and striding fields and beaches in the vicinity of Boston, Mass...
★★★★ (4 out of 4 stars) - From a modern perspective, the original and best film version of The Taking of Pelham One Two Three almost seems to lack a final act: when the shakeout comes and the criminals attempt to make their getaway, there is no major chase sequence, limited gunfighting, and the villains for the most part - faced with the ambling steeliness of Walter Matthau's Lieutenant Zachary Garber - prove their own undoing...
★★★★ (4 out of 4 stars) - Instead Renoir produced a bawdy comedy with French airs and graces, which seems to share much in common with so many American films of the late thirties with their loose morals, gender distortions, and hedonistic flushes of romance. The inspirations may have been Marivaux and Beaumarchais, but in style and temperament The Rules of the Game rubs up equally alongside The Philadelphia Story and the screwball comedies of Howard Hawks.
★★★½ (3.5 out of 4 stars) - Tully is the third collaboration between director Jason Reitman and writer Diablo Cody, following on from Juno (2007) and Young Adult (2011). All three films deal with the role of women as child-bearers, looking in turn at teenage pregnancy and adoption, miscarriage, and postpartum depression, which in this case borders on psychosis...
★★★★ (4 out of 4 stars) - A Madison Avenue advertising man, run-of-the-mill if unusually tanned with his grey flannel suit an impeccable fit, stands up at the wrong moment in the Oak Room of the Plaza Hotel in Midtown Manhattan. Roger Thornhill has theatre tickets. He wishes to send a wire to his mother, but by summoning the wrong waiter and ostensibly responding to the wrong call, he gets mistaken for George Kaplan, a government agent.
★★★ (3 out of 4 stars) - Kassie Larson (Jennifer Aniston) is in her thirties, and she's single, and with no romantic prospects on the horizon she decides she can no longer wait to have a child. She talks the matter over with her best friend Wally Mars (Jason Bateman) - they dated six years ago, and though it didn't work out they've got along swimmingly ever since...
★★★ (3 out of 4 stars) - In Japan grown adult men - thirty, forty, fifty years old or more - lie prostrate in their childhood bedrooms, which they never leave, as their ageing parents push parcels of food beneath the door. On their beds they clutch plush life-sized cartoon figures, somehow prepubescent but boasting ginormous boobs, and between the heaving and moaning they not only cry but orgasm into their pillowcases...
★★★★ (4 out of 4 stars) - The Coen Brothers' first foray on Netflix feels curiously well suited to the format: curious because beyond the vagaries of the term 'anthology', which on film has sometimes meant multiple directors and is nowadays more often used for television shows whose series are self-contained, straddling the line between more conventional movie making and episodic or serialised television, what The Ballad of Buster Scruggs most resembles...
★★★½ (3.5 out of 4 stars) - Joel (Tom Cruise), a teenager coming towards the end of his time in high school, lives with his parents in a leafy Chicago suburb. He is good-looking and his parents are wealthy, but they are also demanding, and he subsumes a fluent strain of existential angst with worry over schoolwork and his future prospects. Beyond a litany of tests, he is involved in a Future Enterprises programme...
★★★½ (3.5 out of 4 stars) - More than mere confection, which by nature lies there enticingly and dwindles the more that we eat, and just like the titular cactus which sits on dental assistant Stephanie Dickinson's desk, cannily marking her transformation, Cactus Flower positively blossoms. The third film in three years from director Gene Saks - hot on the heels of two resounding Neil Simon success stories...
★★★★ (4 out of 4 stars) - Winfried Conradi is so given to practical jokes that he practically depends on them. When he opens the door of his home in the spa town of Aachen, he regales the postman with an elaborate deception featuring look-alike brothers, prison terms, erotic magazines, and mail bombs, tipping the postman for any distress accrued and to make amends for his own strange excesses. He carries a pair of false teeth...
★½ (1.5 out of 4 stars) - Maggie Fitzgerald (Hilary Swank), from southwest Missouri, has worked as a waitress from her early teens. Stuck in grim poverty, she seeks a way beyond her circumstances, and determines to become a boxer. She turns up at a worn-down Los Angeles gym, owned and run by Frankie Dunn (Clint Eastwood) with the help of Eddie 'Scrap-Iron' Dupris (Morgan Freeman): a former boxer himself...
★★★ (3 out of 4 stars) - Fúsi (Gunnar Jónsson) is forty-three years old and a virgin, still living at home with his mother. He spends his days working as a baggage handler at Keflavik airport, his evenings wargaming with his friend Mörður (Sigurjón Kjartansson), as together they painstakingly recreate the Battle of El Alamein, and each Friday he orders Pad Thai and eats cloistered in the same corner of the same restaurant...
Some of the plugins which add to the functionality of Culturedarm make use of cookies, aggregating performance data and taking note of your preferences. By clicking 'Accept' you consent to the use of cookies on this site.
This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.