★★★½ (3.5 out of 4 stars) - Tully is the third collaboration between director Jason Reitman and writer Diablo Cody, following on from Juno (2007) and Young Adult (2011). All three films deal with the role of women as child-bearers, looking in turn at teenage pregnancy and adoption, miscarriage, and postpartum depression, which in this case borders on psychosis...
★ (1 out of 4 stars) - Through a few snapshots of comforting mundanity - the boys' scenes could be from a Judd Apatow movie, minus the laughs - we come to learn of Dani and Christian, a young American couple whose long-term relationship has started to crack. Spurred on by his friends, who find her too needy, Christian has already begun separating himself from Dani, for her part made anxious by her bipolar sister...
★★★★ (4 out of 4 stars) - A Madison Avenue advertising man, run-of-the-mill if unusually tanned with his grey flannel suit an impeccable fit, stands up at the wrong moment in the Oak Room of the Plaza Hotel in Midtown Manhattan. Roger Thornhill has theatre tickets. He wishes to send a wire to his mother, but by summoning the wrong waiter and ostensibly responding to the wrong call, he gets mistaken for George Kaplan, a government agent.
★★★ (3 out of 4 stars) - October Sky is a quaint coming-of-age picture utterly characteristic of this period in American cinema: polished but earnest, overtly sentimental, full of local colour, ostensibly presenting some hard-hitting themes without ever straying from the steely confines of quaint. It's in the same mould as films like The Cider House Rules and especially Billy Elliot, which it preceded by more than a year...
★★½ (2.5 out of 4 stars) - Brian and Carrie plan to drive from their home of Louisville, Kentucky to the golden state of California, stopping off at renowned murder spots along the way. Brian hopes to gain material for his book, with Carrie providing the photographic illustration. To top up their gas-guzzling Lincoln Continental, their notice for a ride share is answered by a curious couple, the childlike Adele Corners and her ragged minder Early Grayce...
★★★★ (4 out of 4 stars) - From a modern perspective, the original and best film version of The Taking of Pelham One Two Three almost seems to lack a final act: when the shakeout comes and the criminals attempt to make their getaway, there is no major chase sequence, limited gunfighting, and the villains for the most part - faced with the ambling steeliness of Walter Matthau's Lieutenant Zachary Garber - prove their own undoing...
★★★★ (4 out of 4 stars) - Juggling a growing amount of debt, Howard has begun pawning off as sports memorabilia the collateral he receives for loaning out his jewels. When the opal finally arrives from Ethiopia, the basketball player Kevin Garnett can hardly avert his gaze. Howard accepts a 2008 NBA Championship ring as Garnett takes lend of the opal, immediately pawning it for the sake of a little liquidity unbeknownst to Demany and the Boston Celtics star.
★★½ (2.5 out of 4 stars) - Brian and Carrie plan to drive from their home of Louisville, Kentucky to the golden state of California, stopping off at renowned murder spots along the way. Brian hopes to gain material for his book, with Carrie providing the photographic illustration. To top up their gas-guzzling Lincoln Continental, their notice for a ride share is answered by a curious couple, the childlike Adele Corners and her ragged minder Early Grayce...
★★★ (3 out of 4 stars) - In what sounds like a riff on an old joke, a drug dealer, a stripper, a runaway, and a nerd climb into a camper van south of the border. David Clark (Jason Sudeikis) is a low-level marijuana dealer who finds himself beholden to his supplier, the sleazy businessman Brad Gurdlinger (Ed Helms), when a couple of street hoods make off with his stash. To cover the debt with a little added compensation, David reluctantly agrees to smuggle a 'smidge' of weed from Mexico...
★★★★ (4 out of 4 stars) - Adam and Amanda Bonner, a couple of happily married lawyers who live in an upper-floor apartment in New York, begin to clash when they land on opposite sides of a trial for attempted murder. Adam views the matter in black and white, believing that Doris Attinger broke the law and deserves to be punished, while Amanda delights in teasing out some of the nuances of the case, perceiving an opportunity to rail against gender imbalances...
★ (1 out of 4 stars) - Vampires on film are best taken seriously. As archetypes, strange and sad figures who permeate given spaces while proving difficult to grasp, they model for us fear, loneliness, and alienation, and are uniquely suited to expressive visual contrasts of light and dark. The great vampire films, Nosferatu (1922), Nosferatu the Vampyre (1979), and more recently Let the Right One In (2008), more than mere formal exercises...
★★★★ (4 out of 4 stars) - Adam and Amanda Bonner, a couple of happily married lawyers who live in an upper-floor apartment in New York, begin to clash when they land on opposite sides of a trial for attempted murder. Adam views the matter in black and white, believing that Doris Attinger broke the law and deserves to be punished, while Amanda delights in teasing out some of the nuances of the case, perceiving an opportunity to rail against gender imbalances...
★★★ (3 out of 4 stars) - October Sky is a quaint coming-of-age picture utterly characteristic of this period in American cinema: polished but earnest, overtly sentimental, full of local colour, ostensibly presenting some hard-hitting themes without ever straying from the steely confines of quaint. It's in the same mould as films like The Cider House Rules and especially Billy Elliot, which it preceded by more than a year...
★★★★ (4 out of 4 stars) - Winfried Conradi is so given to practical jokes that he practically depends on them. When he opens the door of his home in the spa town of Aachen, he regales the postman with an elaborate deception featuring look-alike brothers, prison terms, erotic magazines, and mail bombs, tipping the postman for any distress accrued and to make amends for his own strange excesses. He carries a pair of false teeth...
★★★ (3 out of 4 stars) - Kassie Larson (Jennifer Aniston) is in her thirties, and she's single, and with no romantic prospects on the horizon she decides she can no longer wait to have a child. She talks the matter over with her best friend Wally Mars (Jason Bateman) - they dated six years ago, and though it didn't work out they've got along swimmingly ever since...
★★★★ (4 out of 4 stars) - In 1902 an inscrutable gambler, John McCabe (Warren Beatty), arrives in the fledgling town of Presbyterian Church in the northwestern United States. A hazy rumour has him as a gunslinger, and McCabe uses innuendo and disorder to quickly assert his position in the town, acquiring three prostitutes and opening a whorehouse, to which he plans to add a saloon...
★★★½ (3.5 out of 4 stars) - One of the successes of Diego Maradona lies in how it manages to restore some of the luxe hedonism and heady momentum to a story so often shrouded by bloated excess. A keenly self-conscious Maradona pushes himself through sporting triumphs and binge cycles, as the barrio boy from Buenos Aires in the slum city of Naples embraces the fur coats and neon lights.
★★★★ (4 out of 4 stars) - Will Kane (Gary Cooper), the marshal of a small frontier town in New Mexico Territory, gets married in a small civil ceremony to his beautiful young wife Amy Fowler (Grace Kelly), a Quaker whose imminent plans include a family and a convenience store someplace else. Fully intending to play the doting husband, to that end it is also Kane's last day on the job, and he hands in his badge...
★ (1 out of 4 stars) - Through a few snapshots of comforting mundanity - the boys' scenes could be from a Judd Apatow movie, minus the laughs - we come to learn of Dani and Christian, a young American couple whose long-term relationship has started to crack. Spurred on by his friends, who find her too needy, Christian has already begun separating himself from Dani, for her part made anxious by her bipolar sister...
★★★★ (4 out of 4 stars) - Winfried Conradi is so given to practical jokes that he practically depends on them. When he opens the door of his home in the spa town of Aachen, he regales the postman with an elaborate deception featuring look-alike brothers, prison terms, erotic magazines, and mail bombs, tipping the postman for any distress accrued and to make amends for his own strange excesses. He carries a pair of false teeth...
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