★★★★ (4 out of 4 stars) - Winfried Conradi is so given to practical jokes that he practically depends on them. When he opens the door of his home in the spa town of Aachen, he regales the postman with an elaborate deception featuring look-alike brothers, prison terms, erotic magazines, and mail bombs, tipping the postman for any distress accrued and to make amends for his own strange excesses. He carries a pair of false teeth...
★★★ (3 out of 4 stars) - Fúsi (Gunnar Jónsson) is forty-three years old and a virgin, still living at home with his mother. He spends his days working as a baggage handler at Keflavik airport, his evenings wargaming with his friend Mörður (Sigurjón Kjartansson), as together they painstakingly recreate the Battle of El Alamein, and each Friday he orders Pad Thai and eats cloistered in the same corner of the same restaurant...
★★ (2 out of 4 stars) - In the suburban neighbourhood of Haddonfield, Illinois, on Halloween night, 1963, while other kids are out trick-or-treating, a six-year-old boy without any apparent motivation creeps up the stairs, slips on a mask, and slashes to death his near-nude teenage sister. Fifteen years later he's still confined to Smith's Grove, a sanatorium for psychiatric patients, but he breaks out and returns to Haddonfield...
★★★★ (4 out of 4 stars) - Mavis Gary (Charlize Theron), a 37-year-old ghostwriter for a series of young adult novels soon to be cancelled, returns to her small Minnesota hometown, angling to hook up with her old high school flame, who is married and has just become a father. Her attempts at seduction are already inappropriate, but prove much grosser than this, culminating in a blowout at a birthday party...
★★ (2 out of 4 stars) - Imagine Jack Lemmon at his most highly strung, for instance in The Odd Couple, a Neil Simon film from a couple of years earlier, when Oscar Madison arrives home late from work after stopping off at a bar and Felix Ungar's meatloaf has dried out, and Oscar thinks that gravy just comes, and then confuses a spoon with a ladle...
★★★★ (4 out of 4 stars) - A family of four live in a cramped and roach-infested banjiha, a semi-basement apartment in Seoul. They crib free Wi-Fi from unsuspecting neighbours and a nearby coffee shop, and their only source of income, procured by the mother Chung-sook via WhatsApp, comes from the folding of pizza boxes for a local delivery service, a task at which they are only moderately successful...
★★★½ (3.5 out of 4 stars) - One of the successes of Diego Maradona lies in how it manages to restore some of the luxe hedonism and heady momentum to a story so often shrouded by bloated excess. A keenly self-conscious Maradona pushes himself through sporting triumphs and binge cycles, as the barrio boy from Buenos Aires in the slum city of Naples embraces the fur coats and neon lights.
★★★½ (3.5 out of 4 stars) - Tully is the third collaboration between director Jason Reitman and writer Diablo Cody, following on from Juno (2007) and Young Adult (2011). All three films deal with the role of women as child-bearers, looking in turn at teenage pregnancy and adoption, miscarriage, and postpartum depression, which in this case borders on psychosis...
★★★★ (4 out of 4 stars) - At the height of her powers, Aretha Franklin went to church: to the New Temple Missionary Baptist in Los Angeles for two nights in January 1972, where she intended to return to her roots with a live recording of gospel music. The ensuing double album, Amazing Grace, would go double platinum, and it remains the best-selling record of her long and storied career. The acclaimed film director Sydney Pollack was tasked with shooting the performance for a feature...
★★★½ (3.5 out of 4 stars) - Five teenagers take a road trip to visit an old family homestead in the musty heart of Texas. The radio plays the news, a grim recitation of industrial and environmental disasters and acts of wanton violence. They discuss astrology, retrograde planets and the malevolent influence of Saturn; stop off at the gravesite of a deceased grandfather amid reports of grave robbing; and after passing a slaughterhouse for beef cattle, they pick up a hitchhiker...
★★★★ (4 out of 4 stars) - In 1902 an inscrutable gambler, John McCabe (Warren Beatty), arrives in the fledgling town of Presbyterian Church in the northwestern United States. A hazy rumour has him as a gunslinger, and McCabe uses innuendo and disorder to quickly assert his position in the town, acquiring three prostitutes and opening a whorehouse, to which he plans to add a saloon...
★★★★ (4 out of 4 stars) - Chinatown is a detective story, loosely inspired by the California water wars which took place between the fledgeling city of Los Angeles and the surrounding Owens Valley in the early twentieth century. The pivotal figure in those wars was William Mulholland, the chief architect of the Los Angeles Aqueduct, whose career came to an abrupt end with the failure of the St Francis Dam in 1928...
★★ (2 out of 4 stars) - In the suburban neighbourhood of Haddonfield, Illinois, on Halloween night, 1963, while other kids are out trick-or-treating, a six-year-old boy without any apparent motivation creeps up the stairs, slips on a mask, and slashes to death his near-nude teenage sister. Fifteen years later he's still confined to Smith's Grove, a sanatorium for psychiatric patients, but he breaks out and returns to Haddonfield...
★★ (2 out of 4 stars) - The last of a cluster of movies, all released within the space of a year between the autumn of 1987 and the summer of 1988, to depict youths turning into or swapping forms with adult men - the others were Like Father Like Son (1987), Vice Versa (1988), 18 Again! (1988), and the Italian film Da grande (1987), which is often cited as the inspiration for Big - in Big thirteen-year-old Josh Baskin...
★½ (1.5 out of 4 stars) - Maggie Fitzgerald (Hilary Swank), from southwest Missouri, has worked as a waitress from her early teens. Stuck in grim poverty, she seeks a way beyond her circumstances, and determines to become a boxer. She turns up at a worn-down Los Angeles gym, owned and run by Frankie Dunn (Clint Eastwood) with the help of Eddie 'Scrap-Iron' Dupris (Morgan Freeman): a former boxer himself...
★½ (1.5 out of 4 stars) - Three Men and a Baby is more than a guilty pleasure, it's one of the defining movies of the 1980s for the easy chemistry between its three leads, and for the panoply of fashion, interior design, and architectural styles it affords, an unconstrained movement of plaids and pastels under the neon lights and glass hallways of their luxe apartment and out in the bustling parks and streets of New York...
★★★★ (4 out of 4 stars) - Mavis Gary (Charlize Theron), a 37-year-old ghostwriter for a series of young adult novels soon to be cancelled, returns to her small Minnesota hometown, angling to hook up with her old high school flame, who is married and has just become a father. Her attempts at seduction are already inappropriate, but prove much grosser than this, culminating in a blowout at a birthday party...
★★½ (2.5 out of 4 stars) - Brian and Carrie plan to drive from their home of Louisville, Kentucky to the golden state of California, stopping off at renowned murder spots along the way. Brian hopes to gain material for his book, with Carrie providing the photographic illustration. To top up their gas-guzzling Lincoln Continental, their notice for a ride share is answered by a curious couple, the childlike Adele Corners and her ragged minder Early Grayce...
★★★½ (3.5 out of 4 stars) - One of the successes of Diego Maradona lies in how it manages to restore some of the luxe hedonism and heady momentum to a story so often shrouded by bloated excess. A keenly self-conscious Maradona pushes himself through sporting triumphs and binge cycles, as the barrio boy from Buenos Aires in the slum city of Naples embraces the fur coats and neon lights.
★★★★ (4 out of 4 stars) - The Coen Brothers' first foray on Netflix feels curiously well suited to the format: curious because beyond the vagaries of the term 'anthology', which on film has sometimes meant multiple directors and is nowadays more often used for television shows whose series are self-contained, straddling the line between more conventional movie making and episodic or serialised television, what The Ballad of Buster Scruggs most resembles...
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