★★★★ (4 out of 4 stars) - Chinatown is a detective story, loosely inspired by the California water wars which took place between the fledgeling city of Los Angeles and the surrounding Owens Valley in the early twentieth century. The pivotal figure in those wars was William Mulholland, the chief architect of the Los Angeles Aqueduct, whose career came to an abrupt end with the failure of the St Francis Dam in 1928...
★★★½ (3.5 out of 4 stars) - On the morning of Saint Valentine's Day, 1900, the schoolgirls boarding at Appleyard College prepare for a day picnicking at Hanging Rock. In raptures they recite poetry from the Valentine's cards they have presumably sent one another; they put on their muslin dresses, and in a cross between a balletic embrace and an evolutionary procession, they awkwardly help each other with their corsets; and then they are off, but at the rock three of them vanish...
★½ (1.5 out of 4 stars) - The hotly anticipated follow-up to what has already become a cult classic, in John Wick: Chapter 2 our eponymous hero goes to Rome, as the series curiously begins taking cues from Dan Brown and all things Da Vinci. There's a dash of Underworld mixed in there too: this is a world where neon store fronts, modern art installations, subways and the original film's streamlined desire for vengeance butt up against cobbled streets and catacombs...
★★★ (3 out of 4 stars) - In The Sunshine Boys a pair of ageing and increasingly frail former comedians, Al Lewis and Willy Clark (George Burns and Walter Matthau), are brought together eleven years after their acrimonious separation in order to star one more time in a special for ABC. Veterans of the vaudeville circuit, their career together spanned forty-three years and six appearances on The Ed Sullivan Show...
★★★★ (4 out of 4 stars) - A Madison Avenue advertising man, run-of-the-mill if unusually tanned with his grey flannel suit an impeccable fit, stands up at the wrong moment in the Oak Room of the Plaza Hotel in Midtown Manhattan. Roger Thornhill has theatre tickets. He wishes to send a wire to his mother, but by summoning the wrong waiter and ostensibly responding to the wrong call, he gets mistaken for George Kaplan, a government agent.
★★★★ (4 out of 4 stars) - Greta Gerwig imbues the seventh film adaptation of Louisa May Alcott's classic coming-of-age novel with deft characterisation and heady momentum, across and finally through the screen. Each scene bustles with gesture and intonation even when its components aren't rushing headlong through the streets of Manhattan, idling about the parks of Paris, or swirling the ballrooms and striding fields and beaches in the vicinity of Boston, Mass...
★ (1 out of 4 stars) - Through a few snapshots of comforting mundanity - the boys' scenes could be from a Judd Apatow movie, minus the laughs - we come to learn of Dani and Christian, a young American couple whose long-term relationship has started to crack. Spurred on by his friends, who find her too needy, Christian has already begun separating himself from Dani, for her part made anxious by her bipolar sister...
★★★★ (4 out of 4 stars) - At the height of her powers, Aretha Franklin went to church: to the New Temple Missionary Baptist in Los Angeles for two nights in January 1972, where she intended to return to her roots with a live recording of gospel music. The ensuing double album, Amazing Grace, would go double platinum, and it remains the best-selling record of her long and storied career. The acclaimed film director Sydney Pollack was tasked with shooting the performance for a feature...
★ (1 out of 4 stars) - The Blind Side purports to tell the real-life story of Michael Oher, depicted here as a poor oversized black kid from the ghetto. He's in and out of foster homes thanks to an absentee father and a drug addict mother, until the father of one of his friends - on whose couch he has been sleeping - brings him to the attention of the football coach of a local Christian school...
★★★★ (4 out of 4 stars) - From a modern perspective, the original and best film version of The Taking of Pelham One Two Three almost seems to lack a final act: when the shakeout comes and the criminals attempt to make their getaway, there is no major chase sequence, limited gunfighting, and the villains for the most part - faced with the ambling steeliness of Walter Matthau's Lieutenant Zachary Garber - prove their own undoing...
★★★½ (3.5 out of 4 stars) - On the morning of Saint Valentine's Day, 1900, the schoolgirls boarding at Appleyard College prepare for a day picnicking at Hanging Rock. In raptures they recite poetry from the Valentine's cards they have presumably sent one another; they put on their muslin dresses, and in a cross between a balletic embrace and an evolutionary procession, they awkwardly help each other with their corsets; and then they are off, but at the rock three of them vanish...
★½ (1.5 out of 4 stars) - It would be naive to suggest that things were simpler back in the 1980s, but when it came to the movie preferences of adolescent males, they were less demanding at least. True it was the era of high concept film, of space operas and extra-terrestrials and all-action archaeologists, of darkening or neon-clad dystopias, of robots and terminators, of zombies and ghosts and gremlins...
★★½ (2.5 out of 4 stars) - Brian and Carrie plan to drive from their home of Louisville, Kentucky to the golden state of California, stopping off at renowned murder spots along the way. Brian hopes to gain material for his book, with Carrie providing the photographic illustration. To top up their gas-guzzling Lincoln Continental, their notice for a ride share is answered by a curious couple, the childlike Adele Corners and her ragged minder Early Grayce...
★★★★ (4 out of 4 stars) - A Madison Avenue advertising man, run-of-the-mill if unusually tanned with his grey flannel suit an impeccable fit, stands up at the wrong moment in the Oak Room of the Plaza Hotel in Midtown Manhattan. Roger Thornhill has theatre tickets. He wishes to send a wire to his mother, but by summoning the wrong waiter and ostensibly responding to the wrong call, he gets mistaken for George Kaplan, a government agent.
★★★½ (3.5 out of 4 stars) - One of the successes of Diego Maradona lies in how it manages to restore some of the luxe hedonism and heady momentum to a story so often shrouded by bloated excess. A keenly self-conscious Maradona pushes himself through sporting triumphs and binge cycles, as the barrio boy from Buenos Aires in the slum city of Naples embraces the fur coats and neon lights.
★★★★ (4 out of 4 stars) - In 9th century China, the weakened Tang Dynasty struggles to retain control over its militarised province of Weibo. Nie Yinniang (Shu Qi) has been trained by the nun Jiaxin (Fang-Yi Sheu) to assassinate corrupt government officials, but though she possesses all of the art, she cannot bring herself to kill a man as he sits cradling his sleeping son. So Jiaxin, who has raised Yinniang from the age of ten, sets her charge a more personal task...
★★★★ (4 out of 4 stars) - Greta Gerwig imbues the seventh film adaptation of Louisa May Alcott's classic coming-of-age novel with deft characterisation and heady momentum, across and finally through the screen. Each scene bustles with gesture and intonation even when its components aren't rushing headlong through the streets of Manhattan, idling about the parks of Paris, or swirling the ballrooms and striding fields and beaches in the vicinity of Boston, Mass...
★★½ (2.5 out of 4 stars) - Nicole Bonnet (Audrey Hepburn) is the daughter of an art forger, who has gathered so many supposed masterpieces in his private collection that he has won considerable renown in the world of art. Approached by the Kléber-Lafayette Museum, he proudly loans to the illustrious Paris institution (which for the sake of the film occupies the building of the real-life Musée Carnavalet) his most prized possession, his Cellini 'Venus'...
★★★ (3 out of 4 stars) - In Japan grown adult men - thirty, forty, fifty years old or more - lie prostrate in their childhood bedrooms, which they never leave, as their ageing parents push parcels of food beneath the door. On their beds they clutch plush life-sized cartoon figures, somehow prepubescent but boasting ginormous boobs, and between the heaving and moaning they not only cry but orgasm into their pillowcases...
★ (1 out of 4 stars) - The Blind Side purports to tell the real-life story of Michael Oher, depicted here as a poor oversized black kid from the ghetto. He's in and out of foster homes thanks to an absentee father and a drug addict mother, until the father of one of his friends - on whose couch he has been sleeping - brings him to the attention of the football coach of a local Christian school...
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