★★ (2 out of 4 stars) - In the suburban neighbourhood of Haddonfield, Illinois, on Halloween night, 1963, while other kids are out trick-or-treating, a six-year-old boy without any apparent motivation creeps up the stairs, slips on a mask, and slashes to death his near-nude teenage sister. Fifteen years later he's still confined to Smith's Grove, a sanatorium for psychiatric patients, but he breaks out and returns to Haddonfield...
★★★★ (4 out of 4 stars) - Will Kane (Gary Cooper), the marshal of a small frontier town in New Mexico Territory, gets married in a small civil ceremony to his beautiful young wife Amy Fowler (Grace Kelly), a Quaker whose imminent plans include a family and a convenience store someplace else. Fully intending to play the doting husband, to that end it is also Kane's last day on the job, and he hands in his badge...
★★★½ (3.5 out of 4 stars) - Joel (Tom Cruise), a teenager coming towards the end of his time in high school, lives with his parents in a leafy Chicago suburb. He is good-looking and his parents are wealthy, but they are also demanding, and he subsumes a fluent strain of existential angst with worry over schoolwork and his future prospects. Beyond a litany of tests, he is involved in a Future Enterprises programme...
★★★★ (4 out of 4 stars) - Greta Gerwig imbues the seventh film adaptation of Louisa May Alcott's classic coming-of-age novel with deft characterisation and heady momentum, across and finally through the screen. Each scene bustles with gesture and intonation even when its components aren't rushing headlong through the streets of Manhattan, idling about the parks of Paris, or swirling the ballrooms and striding fields and beaches in the vicinity of Boston, Mass...
★★★★ (4 out of 4 stars) - Barry Egan (Adam Sandler) owns a warehouse which manufactures and sells novelty goods - toilet plungers with supposedly non-breakable handles and so on - but channels all of his hopes into one venture: having carried out his research diligently, and as far as the vagaries of the promotion will allow, he has come to understand that by purchasing gross quantities of Healthy Choice pudding...
★★★★ (4 out of 4 stars) - Barry Egan (Adam Sandler) owns a warehouse which manufactures and sells novelty goods - toilet plungers with supposedly non-breakable handles and so on - but channels all of his hopes into one venture: having carried out his research diligently, and as far as the vagaries of the promotion will allow, he has come to understand that by purchasing gross quantities of Healthy Choice pudding...
★ (1 out of 4 stars) - Vampires on film are best taken seriously. As archetypes, strange and sad figures who permeate given spaces while proving difficult to grasp, they model for us fear, loneliness, and alienation, and are uniquely suited to expressive visual contrasts of light and dark. The great vampire films, Nosferatu (1922), Nosferatu the Vampyre (1979), and more recently Let the Right One In (2008), more than mere formal exercises...
★★★ (3 out of 4 stars) - Kassie Larson (Jennifer Aniston) is in her thirties, and she's single, and with no romantic prospects on the horizon she decides she can no longer wait to have a child. She talks the matter over with her best friend Wally Mars (Jason Bateman) - they dated six years ago, and though it didn't work out they've got along swimmingly ever since...
★★★★ (4 out of 4 stars) - Adam and Amanda Bonner, a couple of happily married lawyers who live in an upper-floor apartment in New York, begin to clash when they land on opposite sides of a trial for attempted murder. Adam views the matter in black and white, believing that Doris Attinger broke the law and deserves to be punished, while Amanda delights in teasing out some of the nuances of the case, perceiving an opportunity to rail against gender imbalances...
★★★★ (4 out of 4 stars) - In 1902 an inscrutable gambler, John McCabe (Warren Beatty), arrives in the fledgling town of Presbyterian Church in the northwestern United States. A hazy rumour has him as a gunslinger, and McCabe uses innuendo and disorder to quickly assert his position in the town, acquiring three prostitutes and opening a whorehouse, to which he plans to add a saloon...
★★★ (3 out of 4 stars) - October Sky is a quaint coming-of-age picture utterly characteristic of this period in American cinema: polished but earnest, overtly sentimental, full of local colour, ostensibly presenting some hard-hitting themes without ever straying from the steely confines of quaint. It's in the same mould as films like The Cider House Rules and especially Billy Elliot, which it preceded by more than a year...
★★★½ (3.5 out of 4 stars) - Joel (Tom Cruise), a teenager coming towards the end of his time in high school, lives with his parents in a leafy Chicago suburb. He is good-looking and his parents are wealthy, but they are also demanding, and he subsumes a fluent strain of existential angst with worry over schoolwork and his future prospects. Beyond a litany of tests, he is involved in a Future Enterprises programme...
★★★½ (3.5 out of 4 stars) - Tully is the third collaboration between director Jason Reitman and writer Diablo Cody, following on from Juno (2007) and Young Adult (2011). All three films deal with the role of women as child-bearers, looking in turn at teenage pregnancy and adoption, miscarriage, and postpartum depression, which in this case borders on psychosis...
★★★★ (4 out of 4 stars) - Will Kane (Gary Cooper), the marshal of a small frontier town in New Mexico Territory, gets married in a small civil ceremony to his beautiful young wife Amy Fowler (Grace Kelly), a Quaker whose imminent plans include a family and a convenience store someplace else. Fully intending to play the doting husband, to that end it is also Kane's last day on the job, and he hands in his badge...
★★★½ (3.5 out of 4 stars) - More than mere confection, which by nature lies there enticingly and dwindles the more that we eat, and just like the titular cactus which sits on dental assistant Stephanie Dickinson's desk, cannily marking her transformation, Cactus Flower positively blossoms. The third film in three years from director Gene Saks - hot on the heels of two resounding Neil Simon success stories...
★½ (1.5 out of 4 stars) - It would be naive to suggest that things were simpler back in the 1980s, but when it came to the movie preferences of adolescent males, they were less demanding at least. True it was the era of high concept film, of space operas and extra-terrestrials and all-action archaeologists, of darkening or neon-clad dystopias, of robots and terminators, of zombies and ghosts and gremlins...
★★★★ (4 out of 4 stars) - Will Kane (Gary Cooper), the marshal of a small frontier town in New Mexico Territory, gets married in a small civil ceremony to his beautiful young wife Amy Fowler (Grace Kelly), a Quaker whose imminent plans include a family and a convenience store someplace else. Fully intending to play the doting husband, to that end it is also Kane's last day on the job, and he hands in his badge...
★½ (1.5 out of 4 stars) - Three Men and a Baby is more than a guilty pleasure, it's one of the defining movies of the 1980s for the easy chemistry between its three leads, and for the panoply of fashion, interior design, and architectural styles it affords, an unconstrained movement of plaids and pastels under the neon lights and glass hallways of their luxe apartment and out in the bustling parks and streets of New York...
★★ (2 out of 4 stars) - Imagine Jack Lemmon at his most highly strung, for instance in The Odd Couple, a Neil Simon film from a couple of years earlier, when Oscar Madison arrives home late from work after stopping off at a bar and Felix Ungar's meatloaf has dried out, and Oscar thinks that gravy just comes, and then confuses a spoon with a ladle...
★★★★ (4 out of 4 stars) - Ageing, unmarried, and unkempt, brothers Gummi (Sigurður Sigurjónsson) and Kiddi (Theodór Júlíusson) work side by side as sheep farmers in a cold and desolate valley in Iceland's northeast. Each the master of their own flock, they have not spoken for forty years owing to a dispute over their father's inheritance: considering Gummi the more conscientious worker, their father left him the whole of the land...
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