★★★ (3 out of 4 stars) - October Sky is a quaint coming-of-age picture utterly characteristic of this period in American cinema: polished but earnest, overtly sentimental, full of local colour, ostensibly presenting some hard-hitting themes without ever straying from the steely confines of quaint. It's in the same mould as films like The Cider House Rules and especially Billy Elliot, which it preceded by more than a year...
★★★ (3 out of 4 stars) - Fúsi (Gunnar Jónsson) is forty-three years old and a virgin, still living at home with his mother. He spends his days working as a baggage handler at Keflavik airport, his evenings wargaming with his friend Mörður (Sigurjón Kjartansson), as together they painstakingly recreate the Battle of El Alamein, and each Friday he orders Pad Thai and eats cloistered in the same corner of the same restaurant...
★★★★ (4 out of 4 stars) - Will Kane (Gary Cooper), the marshal of a small frontier town in New Mexico Territory, gets married in a small civil ceremony to his beautiful young wife Amy Fowler (Grace Kelly), a Quaker whose imminent plans include a family and a convenience store someplace else. Fully intending to play the doting husband, to that end it is also Kane's last day on the job, and he hands in his badge...
★★★½ (3.5 out of 4 stars) - Five teenagers take a road trip to visit an old family homestead in the musty heart of Texas. The radio plays the news, a grim recitation of industrial and environmental disasters and acts of wanton violence. They discuss astrology, retrograde planets and the malevolent influence of Saturn; stop off at the gravesite of a deceased grandfather amid reports of grave robbing; and after passing a slaughterhouse for beef cattle, they pick up a hitchhiker...
★★★ (3 out of 4 stars) - In February 1969 in Hollywood, fading television star Rick Dalton (Leonardo DiCaprio) frequents bars and gets ferried around by his old stunt double, Cliff Booth (Brad Pitt). Booth lives in a trailer with his pit bull Brandy, in an empty lot behind the drive-in in Van Nuys, but Dalton keeps up appearances with a luxury home in Beverly Crest overlooking Beverly Hills...
★ (1 out of 4 stars) - Vampires on film are best taken seriously. As archetypes, strange and sad figures who permeate given spaces while proving difficult to grasp, they model for us fear, loneliness, and alienation, and are uniquely suited to expressive visual contrasts of light and dark. The great vampire films, Nosferatu (1922), Nosferatu the Vampyre (1979), and more recently Let the Right One In (2008), more than mere formal exercises...
★★★½ (3.5 out of 4 stars) - Five teenagers take a road trip to visit an old family homestead in the musty heart of Texas. The radio plays the news, a grim recitation of industrial and environmental disasters and acts of wanton violence. They discuss astrology, retrograde planets and the malevolent influence of Saturn; stop off at the gravesite of a deceased grandfather amid reports of grave robbing; and after passing a slaughterhouse for beef cattle, they pick up a hitchhiker...
★★★★ (4 out of 4 stars) - Barry Egan (Adam Sandler) owns a warehouse which manufactures and sells novelty goods - toilet plungers with supposedly non-breakable handles and so on - but channels all of his hopes into one venture: having carried out his research diligently, and as far as the vagaries of the promotion will allow, he has come to understand that by purchasing gross quantities of Healthy Choice pudding...
★★★★ (4 out of 4 stars) - A black and blue semi-trailer truck passes by a coffee shop whose exterior lights are askew, and a man in a dark overcoat waits for the truck to pass, pauses for a moment more, then crosses the road towards coffee. Outside the diner a young man sits on the ground, bedraggled and bestubbled, knees up, arms crossed and looking despondent...
★½ (1.5 out of 4 stars) - Three Men and a Baby is more than a guilty pleasure, it's one of the defining movies of the 1980s for the easy chemistry between its three leads, and for the panoply of fashion, interior design, and architectural styles it affords, an unconstrained movement of plaids and pastels under the neon lights and glass hallways of their luxe apartment and out in the bustling parks and streets of New York...
★★★★ (4 out of 4 stars) - Barry Egan (Adam Sandler) owns a warehouse which manufactures and sells novelty goods - toilet plungers with supposedly non-breakable handles and so on - but channels all of his hopes into one venture: having carried out his research diligently, and as far as the vagaries of the promotion will allow, he has come to understand that by purchasing gross quantities of Healthy Choice pudding...
★★★★ (4 out of 4 stars) - From a modern perspective, the original and best film version of The Taking of Pelham One Two Three almost seems to lack a final act: when the shakeout comes and the criminals attempt to make their getaway, there is no major chase sequence, limited gunfighting, and the villains for the most part - faced with the ambling steeliness of Walter Matthau's Lieutenant Zachary Garber - prove their own undoing...
★★★½ (3.5 out of 4 stars) - More than mere confection, which by nature lies there enticingly and dwindles the more that we eat, and just like the titular cactus which sits on dental assistant Stephanie Dickinson's desk, cannily marking her transformation, Cactus Flower positively blossoms. The third film in three years from director Gene Saks - hot on the heels of two resounding Neil Simon success stories...
★★★½ (3.5 out of 4 stars) - On the morning of Saint Valentine's Day, 1900, the schoolgirls boarding at Appleyard College prepare for a day picnicking at Hanging Rock. In raptures they recite poetry from the Valentine's cards they have presumably sent one another; they put on their muslin dresses, and in a cross between a balletic embrace and an evolutionary procession, they awkwardly help each other with their corsets; and then they are off, but at the rock three of them vanish...
★★★★ (4 out of 4 stars) - Mavis Gary (Charlize Theron), a 37-year-old ghostwriter for a series of young adult novels soon to be cancelled, returns to her small Minnesota hometown, angling to hook up with her old high school flame, who is married and has just become a father. Her attempts at seduction are already inappropriate, but prove much grosser than this, culminating in a blowout at a birthday party...
★★★ (3 out of 4 stars) - October Sky is a quaint coming-of-age picture utterly characteristic of this period in American cinema: polished but earnest, overtly sentimental, full of local colour, ostensibly presenting some hard-hitting themes without ever straying from the steely confines of quaint. It's in the same mould as films like The Cider House Rules and especially Billy Elliot, which it preceded by more than a year...
★★★½ (3.5 out of 4 stars) - One of the successes of Diego Maradona lies in how it manages to restore some of the luxe hedonism and heady momentum to a story so often shrouded by bloated excess. A keenly self-conscious Maradona pushes himself through sporting triumphs and binge cycles, as the barrio boy from Buenos Aires in the slum city of Naples embraces the fur coats and neon lights.
★★★★ (4 out of 4 stars) - Instead Renoir produced a bawdy comedy with French airs and graces, which seems to share much in common with so many American films of the late thirties with their loose morals, gender distortions, and hedonistic flushes of romance. The inspirations may have been Marivaux and Beaumarchais, but in style and temperament The Rules of the Game rubs up equally alongside The Philadelphia Story and the screwball comedies of Howard Hawks.
★½ (1.5 out of 4 stars) - The hotly anticipated follow-up to what has already become a cult classic, in John Wick: Chapter 2 our eponymous hero goes to Rome, as the series curiously begins taking cues from Dan Brown and all things Da Vinci. There's a dash of Underworld mixed in there too: this is a world where neon store fronts, modern art installations, subways and the original film's streamlined desire for vengeance butt up against cobbled streets and catacombs...
★★★ (3 out of 4 stars) - Fúsi (Gunnar Jónsson) is forty-three years old and a virgin, still living at home with his mother. He spends his days working as a baggage handler at Keflavik airport, his evenings wargaming with his friend Mörður (Sigurjón Kjartansson), as together they painstakingly recreate the Battle of El Alamein, and each Friday he orders Pad Thai and eats cloistered in the same corner of the same restaurant...
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