{"id":1272,"date":"2013-05-18T12:51:15","date_gmt":"2013-05-18T12:51:15","guid":{"rendered":"http:\/\/culturedallroundman.com\/?p=1272"},"modified":"2015-05-06T12:07:13","modified_gmt":"2015-05-06T12:07:13","slug":"three-japanese-woodcuts-hiroshige-and-kubo-shunman","status":"publish","type":"post","link":"https:\/\/culturedarm.com\/staging\/5793\/three-japanese-woodcuts-hiroshige-and-kubo-shunman\/","title":{"rendered":"Three Ukiyo-e Prints: Hiroshige and Kubo Shunman"},"content":{"rendered":"

\"WoodcutsImg\"<\/a><\/p>\n

With its range of markets – particularly the Saturday and Monday markets on Noordermarkt – and its galleries and shops along Spiegelgracht, there are plenty of opportunities in Amsterdam for buying Japanese prints. Here are three I bought recently:<\/p>\n

\"Woodcuts1\"<\/a><\/p>\n

\"Woodcuts2\"<\/a><\/p>\n

The first two prints are by Hiroshige, from his series One Hundred Famous Views of Edo<\/strong> (Meisho Yedo Hiakkei<\/em>), which he completed in the final two years of his life, from 1856 to 1858. The series in fact consists of 119 ukiyo-e prints, plus a title page; print 119 is by Hiroshige II – Hiroshige’s student and adopted son – and it is believed that three other works in the series may have been finished by him. All of the prints were created in the oban tateye format: the ‘oban’ indicating their size of 39cm x 26cm; the ‘tateye’ their portrait orientation.<\/p>\n

The series was first published between 1856 and 1859 by\u00a0Uoya Eikichi, and proved so popular that a deluxe edition soon followed. Vincent van Gogh, who developed a passionate relationship with Japanese woodcuts after moving to Antwerp in November 1885<\/a>, was especially inspired by One Hundred Famous Views of Edo<\/strong>. His Japonaiserie: Flowering Plum Tree<\/em> and The Bridge in the Rain<\/em> (both 1887) were copies after numbers 30 (Plum Park in Kameido<\/em>)\u00a0and 58 (Sudden Shower over Shin-\u014chashi bridge and Atake<\/em>).<\/p>\n

The first of the prints above is number 78 in Hiroshige’s series, entitled Tepp\u014dzu and Tsukiji Monzeki Temple <\/em>(‘Shiba Shinmei<\/i><\/em> Z\u014dj\u014dji’<\/em>).\u00a0Two sails lead the view across the lively water towards the Hongan-ji Temple, set against a pattern of birds and a pink-purple sky.<\/p>\n

The second is number 82 in the series, Moon Viewing<\/em> (also called Moon Promontory<\/em>; ‘Tsuki no Misaki’<\/i>), showing a late evening view over the Edo (now Tokyo) Bay. The vibrant green of the room’s flooring contrasts with the calm water upon which the room looks out; boats are moored, and a full moon rises, crossed by a flock of birds. The remnants of a meal lie on the floor of the room, while a lady changes behind the screen in the corner.<\/p>\n

\"Woodcuts3\"<\/a><\/p>\n

A version of this third print appears in various forms across the internet, most frequently attributed to 1870 and with its creator unspecified. The Library of Congress, for instance,<\/a> lists a version under the title Owl and magnolia<\/em> (‘Kobushi ni mimizuku’<\/em>); noting that its magnolia blossoms are embossed.<\/p>\n

The print above is more richly colored, with a green hue, and with its magnolia blossoms a lovely progression of lavender and pink. The V&A Museum reveals it<\/a> as a work by Kubo Shunman (1757-1820), made around 1800, and an example of surimono – a genre of woodcut privately commissioned for special occasions, and often featuring poems. The given title is Owl on a Flowering Magnolia Branch<\/em>. Shunman’s ukiyo-e prints are characterised by such a restrained, subtle use of colour.<\/p>\n","protected":false},"excerpt":{"rendered":"

With its range of markets – particularly the Saturday and Monday markets on Noordermarkt – and its galleries and shops along Spiegelgracht, there are plenty of opportunities in Amsterdam for buying Japanese prints. Here are three I bought recently: The first two prints are by Hiroshige, from his series One Hundred Famous Views of Edo […]<\/p>\n","protected":false},"author":1,"featured_media":4979,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[3874],"tags":[214,1519,1658,1799,2556,3755,3348],"class_list":{"0":"post-1272","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art","8":"tag-amsterdam","9":"tag-hiroshige","10":"tag-japanese-art","11":"tag-kubo-shunman","12":"tag-printing","13":"tag-shopping","14":"tag-ukiyo-e"},"jetpack_publicize_connections":[],"yoast_head":"\nThree Ukiyo-e Prints: Hiroshige and Kubo Shunman<\/title>\n<meta name=\"description\" content=\"Viewing three Japanese ukiyo-e woodblock prints: two part of Hiroshige's One Hundred Famous Views of Edo; 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