{"id":12765,"date":"2016-12-29T04:29:26","date_gmt":"2016-12-29T03:29:26","guid":{"rendered":"http:\/\/culturedarm.com\/?p=12765"},"modified":"2019-09-17T12:56:30","modified_gmt":"2019-09-17T11:56:30","slug":"culturedarms-albums-of-the-year-2016","status":"publish","type":"post","link":"https:\/\/culturedarm.com\/staging\/5793\/culturedarms-albums-of-the-year-2016\/","title":{"rendered":"Culturedarm&#8217;s Albums of the Year 2016"},"content":{"rendered":"<p style=\"text-align: center;\"><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-14167\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Frank-Ocean-Blonde-2.jpg?resize=696%2C464&ssl=1\" alt=\"\" width=\"696\" height=\"464\" srcset=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Frank-Ocean-Blonde-2.jpg?w=1200&ssl=1 1200w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Frank-Ocean-Blonde-2.jpg?resize=300%2C200&ssl=1 300w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Frank-Ocean-Blonde-2.jpg?resize=768%2C512&ssl=1 768w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Frank-Ocean-Blonde-2.jpg?resize=1024%2C683&ssl=1 1024w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Frank-Ocean-Blonde-2.jpg?resize=370%2C247&ssl=1 370w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Frank-Ocean-Blonde-2.jpg?resize=270%2C180&ssl=1 270w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Frank-Ocean-Blonde-2.jpg?resize=570%2C380&ssl=1 570w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Frank-Ocean-Blonde-2.jpg?resize=770%2C513&ssl=1 770w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Frank-Ocean-Blonde-2.jpg?resize=1170%2C780&ssl=1 1170w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Frank-Ocean-Blonde-2.jpg?resize=870%2C580&ssl=1 870w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Frank-Ocean-Blonde-2.jpg?resize=978%2C652&ssl=1 978w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><\/p>\n<p style=\"text-align: center;\">35. M.I.A. \u2013 <em>AIM<\/em>\u00a0 | \u00a034. Schoolboy Q \u2013 <em>Blank Face LP<\/em>\u00a0 | \u00a033. How To Dress Well \u2013 <em>Care\u00a0<\/em>\u00a0| \u00a032. Frankie Cosmos \u2013 <em>Next Thing\u00a0<\/em> | \u00a031. Hope Sandoval & The Warm Inventions \u2013 <em>Until the Hunter \u00a0<\/em>| \u00a030. Kedr Livanskiy \u2013 <em>January Sun\u00a0<\/em> | \u00a029. Aristophanes \u2013 <em>No Rush To Leave Dreams\u00a0<\/em> | \u00a028. Charli XCX \u2013 <em>Vroom Vroom\u00a0<\/em> | \u00a027. Noname \u2013 <em>Telefone<\/em> \u00a0| \u00a026. Angel Olsen \u2013 <em>My Woman<\/em>\u00a0 | \u00a025. Vince Staples \u2013 <em>Prima Donna<\/em>\u00a0 | \u00a024. Kaitlyn Aurelia Smith \u2013 <em>EARS<\/em> \u00a0| \u00a023. Chance The Rapper \u2013 <em>Coloring Book<\/em>\u00a0 | \u00a022. Arca \u2013 <em>Entra\u00f1as\u00a0<\/em> | \u00a021. Young Thug \u2013 <em>Jeffery<\/em><\/p>\n<p style=\"text-align: center;\">* * *<\/p>\n<p style=\"text-align: center;\"><strong>20. Tink \u2013 <em>Winter\u2019s Diary 4<\/em><\/strong><\/p>\n<p>https:\/\/www.youtube.com\/watch?v=Fg13kr9gqKw<\/p>\n<p style=\"text-align: center;\">* * *<\/p>\n<p style=\"text-align: center;\"><strong>19. David Bowie \u2013 <em>Blackstar<\/em><\/strong><\/p>\n<div class=\"youtube-embed\" data-video_id=\"y-JqH1M4Ya8\"><iframe loading=\"lazy\" title=\"David Bowie - Lazarus (Video)\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/y-JqH1M4Ya8?feature=oembed&enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p style=\"text-align: center;\">* * *<\/p>\n<p style=\"text-align: center;\"><strong>18. Solange \u2013 <em>A Seat at the Table<\/em><\/strong><\/p>\n<p style=\"text-align: center;\">Less a moment than a process \u2013 a few of these songs, notably \u2018Rise\u2019 and \u2018Cranes in the Sky\u2019, stretch back years \u2013 <em>A Seat at the Table<\/em> is a living monument, a tangible exhalation, a handsome and timely devotional in the name of healing and self-worth. Solange emanates from the centre of these soul figures, kaleidoscopic, even psychedelic, but steadily clearing the view.<\/p>\n<p style=\"text-align: center;\">While she moves effortlessly and breaks down the delineations between the private and public spheres, the most explicitly political content is to be found in the interludes: Solange\u2019s father Mathew Knowles recalling the racial discrimination of his childhood, Master P expounding on community and belonging, black entrepreneurship and ambition, pain and value in an imperfect world, and Solange\u2019s mother Tina Lawson extolling black beauty and expressing pride in her cultural heritage, which does lead directly into the subject of the sensitive and tactile \u2018Don\u2019t Touch My Hair\u2019.<\/p>\n<p style=\"text-align: center;\">Yet the interludes don\u2019t exist to make Solange\u2019s point for her, captions to explain her conceptual art or merely adding volume to her silky soprano and spacious beats. Rather they reflect and reverberate through what is an intimately personal record, deepening the sense of lived experience. Even \u2018Mad\u2019 gestures towards reconciliation with self, realising that righteous anger too can be owned, passionately felt and forcefully expressed and adroitly and lovingly for the sake of love let go.<\/p>\n<div class=\"youtube-embed\" data-video_id=\"S0qrinhNnOM\"><iframe loading=\"lazy\" title=\"Solange - Cranes in the Sky (Video)\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/S0qrinhNnOM?feature=oembed&enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p style=\"text-align: center;\">* * *<\/p>\n<p style=\"text-align: center;\"><strong>17. Olga Bell \u2013 <em>Tempo<\/em><\/strong><\/p>\n<div class=\"youtube-embed\" data-video_id=\"-ATXX5TYDfk\"><iframe loading=\"lazy\" title=\"Olga Bell - Randomness\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/-ATXX5TYDfk?feature=oembed&enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p style=\"text-align: center;\">* * *<\/p>\n<p style=\"text-align: center;\"><strong>16. Brian Eno \u2013 <em>The Ship<\/em><\/strong><\/p>\n<div class=\"youtube-embed\" data-video_id=\"pn1riJSHhkY\"><iframe loading=\"lazy\" title=\"Brian Eno The Ship\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/pn1riJSHhkY?feature=oembed&enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p style=\"text-align: center;\">* * *<\/p>\n<p style=\"text-align: center;\"><strong>15. Tanya Tagaq \u2013 <em>Retribution<\/em><\/strong><\/p>\n<p style=\"text-align: center;\">One of the best and boldest of the steady spurt of acclaimed protest albums to be released in 2016 \u2013 many with overlapping concerns, specifically environmentalism, LGBT activism, feminism, and black or indigenous rights \u2013 <em>Retribution<\/em> takes its rhythms from the frenzy of accusation and the claustrophobia of anger, resentment, and distrust. With an all-encompassing palette running the gamut from folk and orchestral music to grunge and black metal, Tanya Tagaq\u2019s fourth album is her fiercest yet.<\/p>\n<p style=\"text-align: center;\">The sounds the Inuk throat singer makes can be loosely described with reference to physiological processes: guttural growls, ominous gargling, animalistic panting which falters and protracts and becomes more recognisably human even as its hyperventilations leave us utterly transfixed. But Tagaq is almost overcoming her own body in order to make these noises, and the cumulative effect is impossible to translate.<\/p>\n<p style=\"text-align: center;\">The opening track \u2018Ajaaja\u2019 sounds like the spectre of youth, in tenuous dialogue with her ancestors even as their words unravel on the wind. On a couple of occasions Tagaq makes her warnings explicit, as on the eight-minute-long title track, which snaps \u2018When mother grows angry, retribution will be swift\u2019, and more beguilingly on \u2018Cold Wind\u2019, where half-tauntingly and half-teasingly, she explains \u2018Gaia likes it cold\u2019. But mostly <em>Retribution<\/em> is a frontal assault, full of impermeable percussion and pulled-apart strings, which gradually song by song strives to turn the tables, luring aggressors helplessly even if it is to a shared fate. On \u2018Summoning\u2019, the record\u2019s nine-minute centrepiece which finds Tagaq reliably backed by Toronto\u2019s Element Choir, she sounds at times pained, at others in the throes of ecstasy, and still at other moments surprisingly and not altogether sinisterly coy.<\/p>\n<p style=\"text-align: center;\">As Canada struggles more than ever with its history of indigenous abuse, the title <em>Retribution<\/em> markedly contrasts with the name of the Truth and Reconciliation Commission, established to investigate the role of old Indian residential schools. This network of boarding schools for indigenous peoples saw children removed from their parents and forcibly assimilated into the Christian mainstream. Over a hundred years, 150,000 children were placed in residential schools across Canada, leaving a legacy of alienation and exploitation, not to mention thousands of early deaths. Some of those who endured the system have spoken about recurring illnesses, of being thrown into cold showers every night, sometimes after being raped. Tagaq \u2013 who has suffered multiple sexual assaults and considers hydraulic fracturing \u2018like earth rape\u2019 \u2013 makes these intersections blisteringly apparent on \u2018Cold Wind\u2019 and her closing cover of Nirvana\u2019s \u2018Rape Me\u2019, which she gives a slow and steadfast, whispering and lingering rendition.<\/p>\n<div class=\"youtube-embed\" data-video_id=\"xNYTA6SV6tM\"><iframe loading=\"lazy\" title=\"Tanya Tagaq - Retribution\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/xNYTA6SV6tM?feature=oembed&enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p style=\"text-align: center;\">* * *<\/p>\n<p style=\"text-align: center;\"><strong>14. Rihanna \u2013 <em>Anti<\/em><\/strong><\/p>\n<div class=\"youtube-embed\" data-video_id=\"HL1UzIK-flA\"><iframe loading=\"lazy\" title=\"Rihanna - Work (Explicit) ft. Drake\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/HL1UzIK-flA?feature=oembed&enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p style=\"text-align: center;\">* * *<\/p>\n<p style=\"text-align: center;\"><strong>13. Matmos \u2013 <em>Ultimate Care II<\/em><\/strong><\/p>\n<p style=\"text-align: center;\">Crafty and quietly subversive, Matmos\u2019 tenth studio album \u2013 following in the tradition of earlier works like <em>A Chance to Cut Is a Chance to Cure<\/em>, which sampled medical procedures such as plastic surgeries, liposuctions, hearing tests, and orthopaedic bonesaws, and <em>The Marriage of True Minds<\/em>, which saw the duo drawing out the psychic visions of subjects put into sensory deprivation \u2013 is comprised solely of sounds produced with a Whirlpool washing machine.<\/p>\n<p style=\"text-align: center;\">The appliance\u2019s name gives the album its title, and <em>Ultimate Care II<\/em> broadly covers the whirring and sloshing, the occasional blips and beeps of a full washing cycle, one thirty-eight minute track divided into nine excerpts. Sometimes \u2013 for instance for the duration of excerpt seven \u2013 they leave the machine more or less to its own devices, other times they rub, stroke, and drum upon its surfaces, using transducers to feed it with samples, aided by guest contributors including Dan Deacon, Max Eilbacher and Sam Haberman of Horse Lords, Jason Willett of Half Japanese, and Duncan Moore of Needle Gun.<\/p>\n<p style=\"text-align: center;\">From such a conceit within the first minute Matmos conjure the most vivid landscapes, dense vegetation, tribal drums, and gushing streams. It\u2019s a trick, an animating act, which they repeat throughout the record, from burgeoning wildernesses to droning dystopias their music humming with life. Even excerpts which feel more domestic, like the oiling and tinkering which characterises the onset of excerpt five, is interrupted and remoulded by incessant, insistent barks. M. C. Schmidt tumbled upon the concept lost one day in the Whirlpool\u2019s rhythms, noting \u2018It was a self-contained, very simple idea, but once you start examining anything, it gives and gives and gives. The shit writes itself as soon as you\u2019re actually paying attention\u2019.<\/p>\n<div class=\"youtube-embed\" data-video_id=\"ukqOGGJqtZM\"><iframe loading=\"lazy\" title=\"Matmos - Ultimate Care II Excerpt Five (Official Music Video)\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/ukqOGGJqtZM?feature=oembed&enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p style=\"text-align: center;\">* * *<\/p>\n<p style=\"text-align: center;\"><strong>12. A Tribe Called Quest \u2013 <em>We Got It from Here\u2026 Thank You 4 Your Service<\/em><\/strong><\/p>\n<div class=\"youtube-embed\" data-video_id=\"vO2Su3erRIA\"><iframe loading=\"lazy\" title=\"A Tribe Called Quest - We The People.... (Official Video)\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/vO2Su3erRIA?feature=oembed&enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p style=\"text-align: center;\">* * *<\/p>\n<p style=\"text-align: center;\"><strong>11. Danny Brown \u2013 <em>Atrocity Exhibition<\/em><\/strong><\/p>\n<p style=\"text-align: center;\">On <em>Atrocity Exhibition<\/em> the most distinctive and offbeat voice in rap doubles down \u2013 and hard \u2013 on feelings of loneliness and paranoia, trapped in a cycle of wanton sex and addiction to cocaine. Featuring credits from Petite Noir, Kendrick Lamar, Ab-Soul, Earl Sweatshirt, and Kelela add brief moments of levity, buoyancy and braggadocio of a type not provided by the production, which is helmed by Paul White, incorporates Evian Christ, Black Milk, and The Alchemist, and abounds instead in jagged punk, loping ghettotech, and menacing shards of noise.<\/p>\n<p style=\"text-align: center;\">Brown often sounds like a buzzsaw, frenzied and up on his feet atop a hot floor, but he can switch in a second to something deeper and more combative. Sometimes, spitting even the darkest of rhymes with a lilting precision, he could even pass for the robotised future of meditation or self-help.\u00a0<em>Atrocity Exhibition<\/em> more than dabbles in nihilism and yet \u2013 as he makes plain on \u2018Lost\u2019, with the line \u2018Lost in the sauce but a nigga still dipping\u2019, or on album closer \u2018Hell for It\u2019 \u2013 Danny Brown is writhing ferociously against the void.<\/p>\n<div class=\"youtube-embed\" data-video_id=\"Xs-Dc3_eiV8\"><iframe loading=\"lazy\" title=\"Danny Brown - Pneumonia [Official Video]\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/Xs-Dc3_eiV8?feature=oembed&enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p style=\"text-align: center;\">* * *<\/p>\n<p style=\"text-align: center;\"><strong>10. Iggy Pop \u2013 <em>Post Pop Depression<\/em><\/strong><\/p>\n<div class=\"youtube-embed\" data-video_id=\"1m8TmlS20ZA\"><iframe loading=\"lazy\" title=\"Iggy Pop - Gardenia | #PostPopDepression\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/1m8TmlS20ZA?feature=oembed&enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p style=\"text-align: center;\">* * *<\/p>\n<p style=\"text-align: center;\"><strong>9. Ian William Craig \u2013 <em>Centres<\/em><\/strong><\/p>\n<p style=\"text-align: center;\">A single voice in a vast cathedral, light refracting on four sides through stained glass, the shrug and hum of a submersible, the muffled rhythm of a steadily beating heart, Ian William Craig\u2019s <em>Centres<\/em> is sometimes baroque, or monastic and cloistered, or like the strings and sinews of popular forms stretched out and carefully pressed, plucked, rubbed, or cut apart. Occasionally it veers towards folk or singer-songwriter territory, always graceful, but mostly this sounds like a cross between Craig\u2019s FatCat\/130701 labelmate Max Richter, under flowing water, and John Cale\u2019s <em>Paris 1919<\/em> wrapped in layers of gauze.<\/p>\n<div class=\"youtube-embed\" data-video_id=\"cwce-8kBB10\"><iframe loading=\"lazy\" title=\"Ian William Craig - Contain (Astoria Version) - promo video\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/cwce-8kBB10?feature=oembed&enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p style=\"text-align: center;\">* * *<\/p>\n<p style=\"text-align: center;\"><strong>8. Jenny Hval \u2013 <em>Blood Bitch<\/em><\/strong><\/p>\n<div class=\"youtube-embed\" data-video_id=\"EY7eLAVrfK4\"><iframe loading=\"lazy\" title=\"Jenny Hval - Conceptual Romance (Official Music Video)\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/EY7eLAVrfK4?feature=oembed&enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p style=\"text-align: center;\">* * *<\/p>\n<p style=\"text-align: center;\"><strong>7. Mitski \u2013 <em>Puberty 2<\/em><\/strong><\/p>\n<p style=\"text-align: center;\">Mitski lingers beyond the confines of classification, her immediate palette drawn from the sounds of 60s and 70s New York punk and proto-punk giving way to a modern indie sensibility, with surf and slacker rock and traces of sultry late-night soul and R&B pushing through a wistful electronic filter. She carries the same visceral raw power and do-it-yourself attitude as some of her near contemporaries like Waxahatchee and Frankie Cosmos, yet her voice is mellifluous and sometimes even cosseted by the surrounding noise, forceful and emotional and at moments teetering on the edge of operatic but at the same time always carrying with it a certain restraint.<\/p>\n<p style=\"text-align: center;\">On <em>Puberty 2<\/em>, her fourth and lushest album, she explores the transitory nature of happiness, the bubbling fixity of depression, cultural clashes, shame, desire, bodily sundering, and forbidden and forsaken and unrequited love. Against fuzzy feedback and thunder and rain \u2013 both literal and metaphorical \u2013 her vocal shifts show a dynamic mastery of soft-loud. \u2018Fireworks\u2019 and \u2018Your Best American Girl\u2019 demonstrate that amid all the fumbling and humiliating and ultimately failed gropes towards validation, beneath the charred surface something solid, valiant, even triumphant remains. \u2018My Body\u2019s Made of Crushed Little Stars\u2019 skewers yet validates the grandiosity and pomposity of youth.<\/p>\n<div class=\"youtube-embed\" data-video_id=\"u_hDHm9MD0I\"><iframe loading=\"lazy\" title=\"Mitski - Your Best American Girl (Official Video)\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/u_hDHm9MD0I?feature=oembed&enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p style=\"text-align: center;\">* * *<\/p>\n<p style=\"text-align: center;\"><strong>6. ANOHNI \u2013 <em>HOPELESSNESS<\/em><\/strong><\/p>\n<div class=\"youtube-embed\" data-video_id=\"aUEoic7ro_o\"><iframe loading=\"lazy\" title=\"ANOHNI: Drone Bomb Me\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/aUEoic7ro_o?feature=oembed&enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p style=\"text-align: center;\">* * *<\/p>\n<p style=\"text-align: center;\"><strong>5. Animal Collective \u2013 <em>Painting With<\/em><\/strong><\/p>\n<p style=\"text-align: center;\">A few days before the release of the record\u2019s sweaty and squelching first single \u2018FloriDada\u2019, Animal Collective premiered <em>Painting With<\/em>\u00a0through the speakers of Baltimore-Washington International, looping the slightly surreal and hitherto unspecified music \u2013 best heard through the building\u2019s bathrooms, pre-security observation areas, and post-security lounge \u2013 until 6 pm in the late afternoon.<\/p>\n<p style=\"text-align: center;\">The band have called <em>Painting With<\/em> their \u2018Ramones record\u2019, \u2018short songs with a homogenous energy [\u2026] something where the first song revs up the engine, and it kind of just cruises after that\u2019. But while the comparison is apt it could just as well be today\u2019s <em>Music for Airports<\/em>, \u2018able to accommodate many levels of listening attention without enforcing one in particular\u2019, \u2018as ignorable as it is interesting\u2019.<\/p>\n<p style=\"text-align: center;\">The relentless onrush of overlapping voices, spouting and sloshing synthesizers, and buzzing and hiccuping beats can be by turns disorientating, fist-pumping, or strikingly danceable, but they\u2019re not without uncertainty or doubt, and in the right mood and with the right atmosphere, the whole thing coheres to provide a certain still. Perhaps more than any other Animal Collective record <em>Painting With<\/em> harks back to The Beach Boys, The Velvet Underground, and even 60s and 70s singer-songwriter influences, yet it feels completely of the moment, finding balance amid busyness and bombardment, sensuously and with a sense of fun attuned to modern life.<\/p>\n<div class=\"youtube-embed\" data-video_id=\"cuoIvNFUY7I\"><iframe loading=\"lazy\" title=\"Animal Collective - FloriDada (Official Video)\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/cuoIvNFUY7I?feature=oembed&enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p style=\"text-align: center;\">* * *<\/p>\n<p style=\"text-align: center;\"><strong>4. Jessy Lanza \u2013 <em>Oh No<\/em><\/strong><\/p>\n<p style=\"text-align: center;\">Tonally and atmospherically <em>Oh No<\/em> plays like the composite of decades\u2019 worth of R&B, bolstered by beefier keys, strident electronic patches, wetter and splintering beats which push the palette in the direction of footwork and house, and Lanza\u2019s voice, an arresting admixture of Japanese pop and new wave, replete with coquettish exclamations and inhalations and breathy groans. The synth patterns \u2013 with Lanza joined by Jeremy Greenspan of Junior Boys on production \u2013 threaten to run away with themselves, only for Lanza to lure them into step and ultimately bring them under her control. Shimmering, sad, perfect for summer, <em>Oh No<\/em> is precariously irresistible.<\/p>\n<div class=\"youtube-embed\" data-video_id=\"kaNZbUENKjk\"><iframe loading=\"lazy\" title=\"Jessy Lanza - Oh No\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/kaNZbUENKjk?feature=oembed&enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p style=\"text-align: center;\">* * *<\/p>\n<p style=\"text-align: center;\"><strong>3. Frank Ocean \u2013 <em>Blonde<\/em><\/strong><\/p>\n<p style=\"text-align: center;\">Even amid the hype and buzz around <em>Boys Don\u2019t Cry<\/em> and potential due dates, in the heat of the summer with a boombox and workbenches, with orchestral grumblings and short industrial spurts, Frank Ocean turned the anticipation over his second studio album into something more resembling a slow burn. <em>Blonde<\/em> is emotionally dense and musically complex and not always riveting, but that\u2019s part of the point: as he sings on \u2018White Ferrari\u2019, one of the tracks of the year, \u2018Basic takes its toll on me \u2018ventually yes\u2019, which is to say that the pressures of life \u2013 especially one lived openly \u2013 and romances unrequited or forestalled can make expression a struggle and each hour more wearying, but our bodies still pump elegantly and our thoughts can remain lucid and free to roam.<\/p>\n<p style=\"text-align: center;\">The beats take a backseat on <em>Blonde<\/em> but bubble up to give life its momentum, as Ocean ruminates and allows his mind to wander against languid guitars and brooding synth sounds offset by the chirping and tweeting of birds. There\u2019s a hazy atmosphere, a lushness to the music especially on the pivotal \u2018Nights\u2019, and the crackle of tape recordings which bring us handily back down to earth. Ocean lingers on the threshold of love and reminisces on drug use and his youth, but never gets caught in the mire, casually yet concertedly conciliating and harmonising with the here and now. <em>Blonde<\/em> is a deep dive yet fresh as the morning.<\/p>\n<div class=\"youtube-embed\" data-video_id=\"fshgBDgtfRg\"><iframe loading=\"lazy\" title=\"Frank Ocean - Nikes (Music Video)\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/fshgBDgtfRg?feature=oembed&enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p style=\"text-align: center;\">* * *<\/p>\n<p style=\"text-align: center;\"><strong>2. Samaris \u2013 <em>Black Lights<\/em><\/strong><\/p>\n<p style=\"text-align: center;\">An Icelandic trio making this sort of music can readily conjure local icons and images, alongside a keen and closely drawn if capricious sense of place: cold nights in padded overcoats against the swirling wind, Faxafl\u00f3i bay providing the backdrop as busy lights hum dimly in the distance. It is a liminal space between trendy dance clubs and rawest nature, but on their third album Samaris sound fully formed, more than the sum of their influences, beyond the mere evocation of atmosphere or mood.<\/p>\n<p style=\"text-align: center;\">Vocalist J\u00f3fr\u00ed\u00f0ur \u00c1kad\u00f3ttir \u2013 who has been cited by Bj\u00f6rk as one of her favourite current artists \u2013 clarinettist \u00c1slaug R\u00fan Magn\u00fasd\u00f3ttir and programmist \u00de\u00f3r\u00f0ur K\u00e1ri Stein\u00fe\u00f3rsson, writing for the first time solely in English and recording between Reykjavik, Berlin, and Ireland, have made a record at once eloquent and hypnotic. Through the stuttering beats and ambient electronics emerge private anthems of loss and longing, beacons blinking out before home, bodies unfurling and dissipating beyond the reach of a warm touch. <em>Black Lights<\/em> tells of two people falling out of sync, and moving tentatively but resolutely while still hearing old echoes and seeing old shapes.\u00a0There is room for hope too on tracks like \u2018R4vin\u2019 and \u2018Gradient Sky\u2019 \u2013 the latter the shortest track on the album\u00a0as well as the standout \u2013 even where it resides in memories that will not soon be forgotten.<\/p>\n<div class=\"youtube-embed\" data-video_id=\"z-D20CvXJqc\"><iframe loading=\"lazy\" title=\"Samaris - R4vin\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/z-D20CvXJqc?feature=oembed&enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p style=\"text-align: center;\">* * *<\/p>\n<p style=\"text-align: center;\"><strong>1. Kanye West \u2013 <em>The Life of Pablo<\/em><\/strong><\/p>\n<p style=\"text-align: center;\">In retrospect, it is tempting to see everything about <em>The Life of Pablo<\/em> \u2013 from the rambling prelude of GOOD Fridays and title changes, the tentative release of the record amid fashion shows and exclusivity disputes, the fragmentary series of updates which stretched until the addition of \u2018Saint Pablo\u2019 four months later, to the sprawling nature, cleaving soundscapes, and lyrical content of the music he produced \u2013 as a symbol or sign of Kanye West\u2019s faltering health and excessively heightened mental state. Overworked as he committed to a one-of-a-kind tour between fashion launches and family crisis, struggling with the demons of fame and his own penchant for causing controversy \u2013 whether for the sake of publicity or in an artistic gesture borne from the need to feel freed from restraint \u2013 in November he was hospitalised and cancelled his remaining tour dates.<\/p>\n<p style=\"text-align: center;\">But his relatively brief period of hospitalisation was no more a culmination than the record itself. Some of its songs had a long gestation \u2013 \u2018Wolves\u2019 a notable example, howling plaintively in public for more than a year \u2013 and the changes wrought by West were always considered, and wound up giving much more than they took. This was an artist in a creative flourish, and in full control of his work. The sprawling nature of the record, as well as its staggered, sometimes swaggering, sometimes self-doubting release, not only reconfigured our sense of the album as something static and singular, but perfectly suited Kanye, who has made the embrace of life\u2019s conflicts and contrasts his ethos.<\/p>\n<p style=\"text-align: center;\">It is a Joycean pursuit, collages with a dizzying array of textures and subtle and sudden tonal shifts, the putting together and repurposing of sacred texts and ephemera, willing portals out of mistakes. <em>The Life of Pablo<\/em> features the best moments and best runs of Kanye\u2019s career, from the opening choral salvo of \u2018Ultralight Beam\u2019 to \u2018Famous\u2019, or as the placidity of \u2018Waves\u2019 ripples out through \u2018FML\u2019, \u2018Real Friends\u2019, and \u2018Wolves\u2019, a sequence full of defiance in the face of fear and regret. \u2018Saint Pablo\u2019 provides the record with a holy apostrophe. Nobody else can take us in the space of seconds from anal bleaching to a state of unfettered and helpless harmonic bliss.<\/p>\n<div class=\"youtube-embed\" data-video_id=\"p7FCgw_GlWc\"><iframe loading=\"lazy\" title=\"Kanye West - Famous\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/p7FCgw_GlWc?feature=oembed&enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n","protected":false},"excerpt":{"rendered":"<p>35. M.I.A. \u2013 AIM\u00a0 | \u00a034. Schoolboy Q \u2013 Blank Face LP\u00a0 | \u00a033. How To Dress Well \u2013 Care\u00a0\u00a0| \u00a032. Frankie Cosmos \u2013 Next Thing\u00a0 | \u00a031. Hope Sandoval &#038; The Warm Inventions \u2013 Until the Hunter \u00a0| \u00a030. Kedr Livanskiy \u2013 January Sun\u00a0 | \u00a029. Aristophanes \u2013 No Rush To Leave Dreams\u00a0 | [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":14167,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[4555,4018,3880],"tags":[4545,277,4542,4512,4543,4256,1754,4274,4338,4540,4541,4544],"class_list":{"0":"post-12765","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-albums-of-the-year","8":"category-lists","9":"category-music","10":"tag-albums-of-the-year","12":"tag-danny-brown","13":"tag-frank-ocean","14":"tag-ian-william-craig","15":"tag-jessy-lanza","16":"tag-kanye-west","17":"tag-matmos","18":"tag-mitski","19":"tag-samaris","20":"tag-solange","21":"tag-tanya-tagaq"},"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Culturedarm&#039;s Albums of the Year 2016 - Culturedarm<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturedarm.com\/culturedarms-albums-of-the-year-2016\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Culturedarm&#039;s Albums of the Year 2016 - Culturedarm\" \/>\n<meta property=\"og:description\" content=\"35. 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