{"id":3721,"date":"2015-01-20T14:25:41","date_gmt":"2015-01-20T13:25:41","guid":{"rendered":"http:\/\/www.culturedallroundman.com\/?p=3721"},"modified":"2021-04-07T19:07:05","modified_gmt":"2021-04-07T17:07:05","slug":"albert-schweitzer-henry-fonda-lost-special","status":"publish","type":"post","link":"https:\/\/culturedarm.com\/staging\/5793\/albert-schweitzer-henry-fonda-lost-special\/","title":{"rendered":"Albert Schweitzer and Henry Fonda’s Lost Special"},"content":{"rendered":"

\"SchweitzerCover2\"<\/a><\/p>\n

Albert Schweitzer was born in Alsace-Lorraine in 1875. Though he took theology at university, studying at the Kaiser-Wilhelm-Universit\u00e4t in Strasbourg\u00a0and at the Sorbonne in Paris before publishing his PhD thesis \u2013 on The Religious Philosophy of Kant<\/em> \u2013 at the University of T\u00fcbingen in 1899, he first found\u00a0acclaim as a scholar of music. In 1905, he published a study of Bach in French, entitled\u00a0J. S. Bach: Le Musicien-Po\u00e8te<\/em>, which explicated the pictorial aspect of the composer\u2019s art and offered practical guides to the performance of his works. Schweitzer expanded his study for a German edition, in two volumes, in 1908; including more biographical material and setting Bach in the context of his musical precursors. An English translation, expanded further still, was published in 1911.\u00a0<\/em><\/p>\n

In 1906,\u00a0Schweitzer\u2019s pamphlet\u00a0Deutsche und Franz\u00f6sische Orgelbaukunst und Orgelkunst <\/em>stressed the value of the organ for the catalogue of Bach, and included notes towards the proper building of organs.<\/em> Amended and republished in 1927, Schweitzer\u2019s work impelled the Organ Reform Movement, which had a decisive influence on organ building throughout the twentieth century.<\/p>\n

Later in 1906, Schweitzer published Geschichte der Leben-Jesu-Forschung<\/em>. The work was translated into English by William Montgomery in 1910, as The Quest of the Historical Jesus<\/em>. Reviewing more than a century of research into the historicity of Jesus \u2013 led by scholars including David Friedrich Strauss and Ernest Renan \u2013 Schweitzer argued that much of this research showed the prejudices of its authors and their religious and social milieus. He asserted that the \u2018historical Jesus\u2019 which had emerged was \u2018a figure designed by rationalism, endowed with life by liberalism, and clothed by modern theology in a historical garb\u2019.<\/p>\n

Instead, based on a close reading of the New Testament, Schweitzer argued that Jesus\u2019 life ought to be read in the context of\u00a0late Jewish eschatology. He sought to show how, following Jesus\u2019s own convictions, Christians of the first century believed that the day of judgement and the end of the world was imminent. According to Schweitzer, the development of Church dogma across subsequent centuries broke decisively with the beliefs of first-century Christianity, as Jesus\u2019 teachings were reconfigured in order to cohere with the fact that the\u00a0day of judgement\u00a0had not yet come. Schweitzer\u2019s work brought to an end the \u2018first quest\u2019 for the historical Jesus; the \u2018second quest\u2019 would not begin until\u00a0Ernst K\u00e4semann delivered a lecture on \u2018The Problem of the Historical Jesus\u2019 at the University of Marburg in October 1953.<\/p>\n

\"002_-Albert_Schweitzer_LIFE\"<\/a>
Albert Schweitzer on the cover of Life<\/em>, in the year of his death<\/figcaption><\/figure>\n

Not content with his foundational work in the fields of musicology and theology, Schweitzer began to study medicine. Resigning from his post as principal of the Theological College in Strasbourg, he undertook a doctorate in medicine; then in 1912, he and his wife Helene travelled to Lambar\u00e9n\u00e9, in present-day Gabon. Working as a doctor, by the end of 1913 the couple had built a small hospital of corrugated iron; and they remained in Lambar\u00e9n\u00e9 until 1917 when, suffering illness, they returned to France. Schweitzer returned to Lambar\u00e9n\u00e9 in 1924: the hospital he had founded and which still bears his name grew, and he spent much of the rest of his life there, including a spell between 1939 and 1947 when war prevented his return to Europe; before dying in Lambar\u00e9n\u00e9 in 1965, aged 90.<\/p>\n

<\/div>\n

In 1952, Schweitzer was awarded the Nobel Peace Prize for his work in Lambar\u00e9n\u00e9. An impassioned critic of colonialism, Schweitzer was equally opposed to nuclear weapons testing, and his \u2018Declaration of Conscience\u2019, broadcast worldwide via Radio Oslo in 1957, spurred the foundation of\u00a0The Committee for a SANE Nuclear Policy. He would become \u2013\u00a0along with Bertrand Russell,\u00a0Martin Buber, and Pablo Casals \u2013 one of SANE\u2019s most prominent international sponsors.<\/p>\n

In 1959, Steve Allen \u2013 the first host of The Tonight Show<\/em> \u2013 held a meeting which inaugurated Hollywood SANE. Members included Marlon Brando, Marilyn Monroe, Arthur Miller, Harry Belafonte, and Henry Fonda.<\/p>\n

Henry Fonda was by this point midway through an illustrious career on screen and on the stage. A struggling actor in New York City in the early 1930s, sharing an apartment with James Stewart, Fonda\u2019s lead performance in The Farmer Takes a Wife<\/em> \u2013 which opened on Broadway at the end of October 1934 \u2013 saw him make his way to Hollywood. He made his on-screen debut in the film adaptation of the play, a comedy released in 1935, and soon found wider success: starring in Fritz Lang\u2019s second American picture, You Only Live Once<\/em>; opposite Bette Davis in Jezebel<\/em>; and in Young Mr. Lincoln<\/em>, directed by John Ford<\/a>. The beginning of the 1940s saw some of Fonda\u2019s most popular film work, with The Grapes of Wrath<\/em>, The Lady Eve<\/em>, and The Ox-Bow Incident<\/em>; before he returned after the war in 1946 with one of Ford\u2019s most esteemed Westerns,\u00a0My Darling Clementine<\/em>.<\/p>\n

\"\"<\/a>
Still of Henry Fonda in 12 Angry Men<\/em><\/figcaption><\/figure>\n

In the mid-50s, Fonda featured\u00a0in Ford\u2019s Mister Roberts<\/em>; alongside Audrey Hepburn in War and Peace<\/em>, an adaptation of Tolstoy\u2019s novel directed by King Vidor, produced by Dino De Laurentiis and Paulo Conti, and with music by Nino Rota; in Alfred Hitchcock\u2019s The Wrong Man<\/em>; and then in 12 Angry Men<\/em>, which Fonda also produced.\u00a0Throughout the 1960s he appeared in a number of Western and war pictures, including the ensemble films\u00a0The Longest Day<\/em> and How the West Was Won<\/em>, and cast against type in 1968 for Sergio Leone\u2019s Once Upon a Time in the West<\/em>.<\/p>\n

<\/div>\n

Some of Fonda\u2019s most acclaimed film and theatre work was still to come; but the close of the 1960s finds an anomaly in Fonda\u2019s career, and in the posthumous reputation of Albert Schweitzer. For in 1969, Fonda narrated a one-hour television special, produced by Warner Brothers, documenting Schweitzer\u2019s life:\u00a0but this documentary aired only once and has not been heard from since.<\/p>\n

An unattributed reference on Schweitzer\u2019s Wikipedia page alleges:<\/p>\n

\u2018Weeks prior to his death, an American film crew was allowed to visit Schweitzer and Drs. Muntz and Friedman, both Holocaust survivors, to record his work and daily life at the hospital. The film <\/em>The Legacy of Albert Schweitzer, narrated by Henry Fonda, was produced by Warner Brothers and aired once. It resides in their vault today in deteriorating condition. Although several attempts have been made to restore and re-air the film, all access has been denied.\u2019<\/em><\/p>\n

Very\u00a0little is available on the internet to corroborate any of this: even the existence of the hour-long film is barely documented: it appears, for instance, neither as an individual entry nor on Fonda\u2019s filmography<\/a> on the Internet Movie Database at IMDb.com. That The Legacy of Albert Schweitzer<\/em> existed is, however, attested by virtue of this advertisement found in the 21 April, 1969 issue of Broadcasting: The Businessweekly of Television and Radio<\/em><\/a>:<\/p>\n

\"Schweitzer3\"<\/a><\/p>\n

Warner Bros.-Seven Arts had formed in 1967 when \u2013 with the movie industry suffering a period of decline following the end of Hollywood\u2019s Golden Age \u2013 Jack Warner sold his controlling interest in the studio and its\u00a0various\u00a0music labels to Seven Arts Productions, headed by co-founder Eliot Hyman and his son, Kenneth, for $32 million. The company lasted in this form for little more than two years. In late 1969, the Hymans negotiated the sale of the company to Kinney National for $64 million, and Kinney at once restored the Warner Bros. name.<\/p>\n

The 1969 special narrated by Fonda and produced by Warner Bros.-Seven Arts\u00a0was not\u00a0Schweitzer\u2019s first engagement with the world of television and film. Twelve years earlier,\u00a0Albert Schweitzer<\/a>\u00a0<\/em>had been released, and it went on to win the 1958\u00a0Academy Award for Best Documentary Feature<\/a>. The film was in fact a cross between a documentary and a biographical drama: with Schweitzer appearing particularly in the second half of the film, which follows him during a full day\u2019s work in Lambar\u00e9n\u00e9; while his early life is recalled in flashback, and portrayed by actors. Burgess Meredith served as the film\u2019s narrator, while Fredric March provided Schweitzer\u2019s voice.<\/p>\n

A further curiosity \u2013 and an additional point of connection between Fonda and Schweitzer \u2013 emerges in the Chicago Daily Tribune<\/em> of 19 November, 1953. In a column entitled \u2018Looking at Hollywood\u2019<\/a>, bearing the heading \u2018Films Lose Hank Fonda Again, Another Play Set for Him\u2019, Hedda Hopper speculates upon a Rodgers and Hammerstein \u2018musical based on a John Steinbeck story\u2019 which, she writes, is set to keep Fonda from returning to the big screen. This musical was Pipe Dream<\/em>, based on Steinbeck\u2019s novel Sweet Thursday<\/em>. Though Fonda was the first casting choice of the musical\u2019s producers Cy Feuer and Ernie Martin, after months of singing lessons, Fonda \u2013 in his own words \u2013 \u2018still couldn\u2019t sing for shit\u2019, a view apparently shared by Richard Rodgers. Thus Fonda was out, and the role of Doc went instead to William Johnson, who\u00a0was nominated for a Tony for his performance after the musical opened in late 1955.<\/p>\n

From Fonda Hopper segues inconsequentially in the same passage to a \u2018strange story\u2019 concerning Schweitzer. Apparently Marion Preminger \u2013 the ex-wife of Otto Preminger, who had directed Fonda in Daisy Kenyon<\/em> in 1947 \u2013 had at the time \u2018just received $48,000 in back alimony from her former husband\u2019. According to Hopper, she\u00a0intended to use\u00a0this money to travel to Africa replete with \u2018crates of drugs and medicines\u2019 for use at Schweitzer\u2019s hospital. Hopper\u2019s article included quotes courtesy of Marion, in which she described Schweitzer as a \u2018living saint\u2019. She purportedly intended to write a biography of Schweitzer, called \u2018The Thirteenth Apostle\u2019.<\/p>\n

This is an interesting sequence of connections in its own right; but it brings us no closer as to why the 1969 special remains hidden from view. Perhaps this owes something to the changing ownership of Warner Bros. at the time, and to the fact that The Legacy of Albert Schweitzer<\/em> was a Seven Arts-period endeavour; or perhaps the documentary has been disavowed by the estate of Schweitzer, of Fonda, or both. We may wonder whether the alleged refusal of Warner Bros. to restore and release the film marks the assertion of a neocolonial and militaristic worldview.<\/p>\n

Tantalisingly, one of the only other references to the film I have found comes from the website of Henry Fonda\u2019s daughter, Jane. In the comments to the republication of a tweet which Jane Fonda made on 22 October, 2010<\/a>, a lady calling herself \u2018Leslie\u2019 writes:<\/p>\n

\u2018Hi Jane,<\/em><\/p>\n

I hit reply on your e-mail but am not sure it went through to you, so I\u2019m attempting to reach you this way.<\/em><\/p>\n

Your Dad\u2019s audio recording of the film \u201cThe Legacy of Albert Schweitzer\u201d has at long last been found!\u00a0The tape itself has faded to pink, but can be restored.<\/em><\/p>\n

As I mentioned before, your dad said it was the thing of which he was most proud of doing and Jane, he was magnificent!\u00a0This film is so an overwhelming, profound experience, something that when seen becomes a life changing event.<\/em><\/p>\n

So I guess my question to you is; have you any interest in this project?\u00a0In the meantime I am working on getting the script as well as the audio.\u2019<\/em><\/p>\n

Jane\u2019s response simply states: \u2018I am not sure what you mean by \u201cinvolvement.\u201d I am not able to produce it cause I am too swamped with projects.\u2019 And so the mystery of The Legacy of Albert Schweitzer<\/em> remains, refused and uncovered.<\/p>\n","protected":false},"excerpt":{"rendered":"

Albert Schweitzer was born in Alsace-Lorraine in 1875. Though he took theology at university, studying at the Kaiser-Wilhelm-Universit\u00e4t in Strasbourg\u00a0and at the Sorbonne in Paris before publishing his PhD thesis \u2013 on The Religious Philosophy of Kant \u2013 at the University of T\u00fcbingen in 1899, he first found\u00a0acclaim as a scholar of music. In 1905, […]<\/p>\n","protected":false},"author":1,"featured_media":4361,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[3875,4020],"tags":[3775,3776,983,3774,2660],"class_list":{"0":"post-3721","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-movies","8":"category-world-cinema","9":"tag-albert-schweitzer","10":"tag-bach","11":"tag-documentary","12":"tag-henry-fonda","13":"tag-religion"},"jetpack_publicize_connections":[],"yoast_head":"\nAlbert 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