{"id":60667,"date":"2024-01-09T10:27:00","date_gmt":"2024-01-09T09:27:00","guid":{"rendered":"https:\/\/culturedarm.com\/staging\/5793\/?p=60667"},"modified":"2024-03-02T04:47:30","modified_gmt":"2024-03-02T03:47:30","slug":"culturedarms-songs-of-the-year-for-2023","status":"publish","type":"post","link":"https:\/\/culturedarm.com\/staging\/5793\/culturedarms-songs-of-the-year-for-2023\/","title":{"rendered":"Culturedarm&#8217;s Songs of the Year for 2023"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-60655\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Culturedarms-Songs-of-the-Year-2023-Cover.png?resize=696%2C464&#038;ssl=1\" alt=\"\" width=\"696\" height=\"464\" srcset=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Culturedarms-Songs-of-the-Year-2023-Cover.png?w=1200&amp;ssl=1 1200w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Culturedarms-Songs-of-the-Year-2023-Cover.png?resize=978%2C652&amp;ssl=1 978w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Culturedarms-Songs-of-the-Year-2023-Cover.png?resize=768%2C512&amp;ssl=1 768w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><\/p>\n<p>In the year of 2023 artists from Tyla, Bad Bunny and NewJeans to Vagabon, Tems and Sofia Kourtesis continued to redefine the borders of contemporary pop, while Cassandra Miller covered Beethoven&#8217;s &#8216;Heiliger Dankgesang&#8217; and Arvo P\u00e4rt looked back a couple of centuries to a &#8216;tiresome footling little Anglican parson&#8217; as the Estonian minimalist reworked his <em>Littlemore Tractus<\/em>. Familiar faces like the R&amp;B supreme Tinashe ducked down grocery store aisles and Bonnie &#8216;Prince&#8217; Billy discerned folk by their perennial value as Gabrielle Cavassa over the sonorous saxophone of Joshua Redman emerged as one of the great voices in jazz music. This illustrative list of some of Culturedarm&#8217;s favourite songs from 2023 serves as a complement to a compendium of best records, while a selection &#8216;from the vault&#8217; recognises that even the brightest of minds keep one eye firmly on the posterior.<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-60553 aligncenter\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/2023-Separator-8.png?resize=380%2C30&#038;ssl=1\" alt=\"\" width=\"380\" height=\"30\" \/><\/p>\n<p style=\"text-align: center;\"><strong><a href=\"https:\/\/adityaprakash.bandcamp.com\/album\/isolashun\" target=\"_blank\" rel=\"external noopener noreferrer\" data-wpel-link=\"external\">Aditya Prakash &#8211; \u2018XenoF.O.B.\u2019<\/a><\/strong><\/p>\n<p style=\"text-align: left;\">Created in his garage studio during lockdown, on\u00a0<em>ISOLASHUN<\/em>\u00a0the virtuosic Karnatik vocalist Aditya Prakash explores the discrimination and upheaval which elides or otherwise animates life across his two homes, questioning the weight of privilege which informs Indian classical music and the Karnatik tradition, while on \u2018XenoF.O.B.\u2019 he examines a history of political rhetoric around immigration to the United States, juxtaposing Lyndon B. Johnson\u2019s remarks upon signing the Immigration Act of 1965 with the incendiary bombast of the Trump presidency.<\/p>\n<iframe loading=\"lazy\" width=\"100%\" height=\"120\" style=\"position: relative; display: block; width: 100%; height: 120px;\" src=\"\/\/bandcamp.com\/EmbeddedPlayer\/v=2\/track=649574100\/album=3855208484\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/\" allowtransparency=\"true\" frameborder=\"0\"><\/iframe>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-60552 aligncenter\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/2023-Separator-7_1.png?resize=396%2C30&#038;ssl=1\" alt=\"\" width=\"396\" height=\"30\" \/><\/p>\n<p style=\"text-align: center;\"><strong><a href=\"https:\/\/vaagner.bandcamp.com\/album\/reworks-rewoven\" target=\"_blank\" rel=\"external noopener noreferrer\" data-wpel-link=\"external\">Aging &#8211; \u2018Keening &amp; Crying\u2019 (Laila Sakini Rework)<\/a><\/strong><\/p>\n<p style=\"text-align: left;\">Back in the autumn of 2014, the multi-instrumentalist and Tombed Visions label owner David McLean pushed out the second effort under his Aging monicker, which had grown from a solo piano and reverb project referencing the likes of Fran\u00e7ois Couturier, Ryuichi Sakamoto and Misha Alperin into a two-piece as he partnered up with the drummer Andrew Cheetham. Described as a \u2018suite of noirish balladry and bar room dirges, painting a murky portrait of a man under the influence\u2019, on\u00a0<em>Troubles? I Got A Bartender<\/em>\u00a0slow-strummed guitar, wailing saxophone, melancholy loops and dissolving effects were buttressed by skittering drums as McLean and Cheetham pored over an emptying pint glass, savouring and languishing in the precious last drop. Now for\u00a0<em>Reworks (Rewoven)<\/em>\u00a0the Berlin label Vaagner have handpicked a series of artists to revamp the five tracks of\u00a0<em>Troubles? I Got A Bartender<\/em>, with Laila Sakini tackling the album closer \u2018Keening &amp; Crying\u2019 by swapping its slow and specious tread, trailing saxophone urges and fog of Fender Rhodes and organ for some spectral post-bar chatter which lingers on the precipice of the sidewalk. Yoking the horns which strain and falter through the murk, in Sakini\u2019s hands \u2018Keening &amp; Crying\u2019 is suspended mid-air, rendered as a sort of smudged plainsong.<\/p>\n<iframe loading=\"lazy\" width=\"100%\" height=\"120\" style=\"position: relative; display: block; width: 100%; height: 120px;\" src=\"\/\/bandcamp.com\/EmbeddedPlayer\/v=2\/track=2510261009\/album=1793909798\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/\" allowtransparency=\"true\" frameborder=\"0\"><\/iframe>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-60554 aligncenter\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/2023-Separator-9.png?resize=375%2C30&#038;ssl=1\" alt=\"\" width=\"375\" height=\"30\" \/><\/p>\n<p style=\"text-align: center;\"><strong><a href=\"https:\/\/ahossan.bandcamp.com\/album\/rhizomes\" target=\"_blank\" rel=\"external noopener noreferrer\" data-wpel-link=\"external\">Aho Ssan &#8211; \u2018Cold Summer Part 1\u2019 (feat. Blackhaine)<\/a><\/strong><\/p>\n<p style=\"text-align: left;\">The Parisian composer Aho Ssan pairs with Blackhaine to scram the early morning streets and survey the post-industrial decay of salubrious Preston, one of the nodes of collaboration on <em>Rhizomes<\/em>\u00a0which also features Richie Culver, R\u1eafn C\u1ea1p \u0110u\u00f4i, Nicolas Jaar, Nyokabi Kariuki, Moor Mother, Valentina Magaletti, Kassel Jaeger and Angel Bat Dawid and was commissioned by Ina GRM, Other People and Donaufestival.<\/p>\n<iframe loading=\"lazy\" width=\"100%\" height=\"120\" style=\"position: relative; display: block; width: 100%; height: 120px;\" src=\"\/\/bandcamp.com\/EmbeddedPlayer\/v=2\/track=3196110169\/album=2813601825\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/\" allowtransparency=\"true\" frameborder=\"0\"><\/iframe>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-60553 aligncenter\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/2023-Separator-8.png?resize=380%2C30&#038;ssl=1\" alt=\"\" width=\"380\" height=\"30\" \/><\/p>\n<p style=\"text-align: center;\"><strong><a href=\"https:\/\/anmlcollectve.bandcamp.com\/album\/isn-t-it-now\">Animal Collective &#8211; &#8216;Broke Zodiac&#8217;<\/a><\/strong><\/p>\n<p style=\"text-align: left;\">On a record which skews long, Animal Collective bring some of their recent penchants and interests &#8211; Panda Bear\u2019s proclivity for drumming, Deakin\u2019s tinkling on the old ivory keys, and Avey Tare and Geologist\u2019s burgeoning fondness for the hurdy gurdy whirs and gilded polyphonies of Renaissance music &#8211; to bear in miniature on \u2018Broke Zodiac\u2019.<\/p>\n<p><div class=\"youtube-embed\" data-video_id=\"LIIdi4LeSrc\"><iframe loading=\"lazy\" title=\"Animal Collective - Broke Zodiac (Official Audio)\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/LIIdi4LeSrc?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div><\/p>\n\n\n<div class=\"wp-block-columns has-background is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\" style=\"background-color:#ccb0cb\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-center\"><a href=\"https:\/\/ajamonet.bandcamp.com\/album\/when-the-poems-do-what-they-do\/\"><strong>aja monet &#8211; &#8216;yemaya&#8217;<\/strong><\/a><\/p>\n\n\n\n<p class=\"has-text-color has-link-color wp-elements-92d76b252655bc0e36c256eeb83feac1\" style=\"color:#232220\">The surrealist blues poet Aja Monet unspools themes of love, joy and black resistance capped by a call upon the Yoruba orisha Yemaya, who through gifts of papaya, coconut and cotton flower is tasked with summoning ancestors and quieting the rage wrought by the flailing arms and crying voices of those lost at sea.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><a href=\"https:\/\/anohni.bandcamp.com\/album\/my-back-was-a-bridge-for-you-to-cross-2\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>ANOHNI and the Johnsons &#8211; \u2018Sliver Of Ice\u2019<\/strong><\/a><\/p>\n\n\n\n<p class=\"has-text-color has-link-color wp-elements-0eba175db00a95107e5d119cd33eb872\" style=\"color:#232220\">With a slinky shuffle and a silvery sigh, ANOHNI recalls some of the last words Lou Reed shared with her as he gazed into life\u2019s infinite portal with a sense of deep gratitude and chastening rapture.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><a href=\"https:\/\/buckmeek.bandcamp.com\/album\/haunted-mountain\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Buck Meek &#8211; \u2018Haunted Mountain\u2019<\/strong><\/a><\/p>\n\n\n\n<p class=\"has-text-color has-link-color wp-elements-6349df220ee210d95bfc7ad786b49258\" style=\"color:#232220\">Buck Meek hunkers down atop the misty heights of his haunted mountain for a hyperballad of sorts, where folk reveries pool like so many drops of morning dew then gush and swirl as falls and eddies.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div style=\"height:70px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-embed-aspect-16-9 wp-has-aspect-ratio wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"youtube-embed\" data-video_id=\"ljggvLD0S68\"><iframe loading=\"lazy\" title=\"aja monet - yemaya (Official Audio)\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/ljggvLD0S68?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<div style=\"height:60px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-embed-aspect-16-9 wp-has-aspect-ratio wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"youtube-embed\" data-video_id=\"KivIZOdQc_c\"><iframe loading=\"lazy\" title=\"ANOHNI and the Johnsons - Sliver Of Ice (Official Video)\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/KivIZOdQc_c?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<div style=\"height:60px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-embed-aspect-16-9 wp-has-aspect-ratio wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"youtube-embed\" data-video_id=\"iv8uI2VXppA\"><iframe loading=\"lazy\" title=\"Buck Meek - Haunted Mountain (Official Video)\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/iv8uI2VXppA?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n<\/div>\n<\/div>\n\n\n<p style=\"text-align: center;\"><strong><a href=\"https:\/\/ecmrecords.com\/product\/arvo-part-tractus-estonian-philharmonic-chamber-choir-tallinn-chamber-orchestra-tonu-kaljuste\/\" target=\"_blank\" rel=\"external noopener noreferrer\" data-wpel-link=\"external\">Arvo P\u00e4rt &#8211; <em>Littlemore Tractus<\/em><\/a><\/strong><\/p>\n<p>In a letter to his patron Harriet Shaw Weaver as he sought psychiatric treatment for his daughter Lucia, struggled with his failing eyesight and laboured to finish\u00a0<em>Work in Progress<\/em>, which would become\u00a0<em>Finnegans Wake<\/em>, the Irish author James Joyce with a flash of defiance wrote that \u2018nobody has ever written English prose that can be compared with that of a tiresome footling little Anglican parson who afterwards became a prince of the only true church\u2019. He was talking about John Henry Newman, a poet and prose stylist as well as a theologian and educator, who became a cardinal after converting to the Catholic Church and in 2019 was canonised as a saint.<\/p>\n<p style=\"text-align: left;\">On his latest album Arvo P\u00e4rt blends the timbres of choir and string orchestra, starting with a new version of the <em>Littlemore Tractus<\/em>\u00a0which was written to celebrate the 200th anniversary of Newman\u2019s birth, based on the final lines of one of his most famous sermons which builds on the exhortation \u2018be ye therefore wise as serpents, and harmless as doves\u2019 to end with a prayer for safe lodging, holy rest and eternal peace. Recorded last year at the Methodist Church in Tallinn, the album also features the compositions\u00a0<em>Greater Antiphons<\/em>,\u00a0<em>L\u2019abb\u00e9 Agathon<\/em> and <em>Cantique\u00a0des Degres<\/em>\u00a0whose soaring choruses, pliant drones and silvery strings are\u00a0performed by the Tallinn Chamber Orchestra and the Estonian Philharmonic Chamber Choir under the direction of T\u00f5nu Kaljuste.<\/p>\n<p><div class=\"youtube-embed\" data-video_id=\"2xWVCSRtoM4\"><iframe loading=\"lazy\" title=\"P\u00e4rt: Littlemore Tractus\" width=\"696\" height=\"522\" src=\"https:\/\/www.youtube.com\/embed\/2xWVCSRtoM4?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-60552 aligncenter\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/2023-Separator-7_1.png?resize=396%2C30&#038;ssl=1\" alt=\"\" width=\"396\" height=\"30\" \/><\/p>\n<p style=\"text-align: center;\"><strong><a href=\"https:\/\/azutiwaline.bandcamp.com\/album\/the-fifth-dream\">Azu Tiwaline &#8211; \u2018Long Hypnosis\u2019<\/a><\/strong><\/p>\n<p style=\"text-align: left;\">Saddled with field recordings from her home in the desert of El Djerid plus tombak and modular arrangements from the Franco-Iranian percussionist Cinna Peyghamy, the Tunisian dub practitioner Azu Tiwaline engenders a state of prolonged hypnosis through one of the entheogenic rave rhythms at the heart of her latest album <em>The Fifth Dream<\/em>.<\/p>\n<p><div class=\"youtube-embed\" data-video_id=\"GvYCsvx3usw\"><iframe loading=\"lazy\" title=\"Azu Tiwaline - Long Hypnosis\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/GvYCsvx3usw?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-60554 aligncenter\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/2023-Separator-9.png?resize=375%2C30&#038;ssl=1\" alt=\"\" width=\"375\" height=\"30\" \/><\/p>\n<p style=\"text-align: center;\"><strong><a href=\"https:\/\/www.bjork.com\/aegis\" target=\"_blank\" rel=\"external noopener noreferrer\" data-wpel-link=\"external\">bj\u00f6rk &#8211; \u2018oral\u2019 (feat. ROSAL\u00cdA)<\/a><\/strong><\/p>\n<p>Honing in on the small village of Sey\u00f0isfj\u00f6r\u00f0ur, which lies diametrically opposed to Reykjav\u00edk surrounded by mountains on the east coast of Iceland, the oral obsessor and dauntless utopianist Bj\u00f6rk dusts one off from the vault as a means to fund and support ongoing protests against open-pen salmon farming. The track stems from the\u00a0<em>Vespertine<\/em>\u00a0era and was rediscovered earlier this year, with Bj\u00f6rk enlisting Rosal\u00eda and Sega Bodega to add vocals and production effects to the dancehall beat, luring a Spanish-language audience as an added boon as intensive salmon farming has proved especially controversial and widespread in Argentina and Chile.<\/p>\n<p><div class=\"youtube-embed\" data-video_id=\"8jsi2Tgvx6A\"><iframe loading=\"lazy\" title=\"bj\u00f6rk ft. rosal\u00eda : oral\" width=\"696\" height=\"522\" src=\"https:\/\/www.youtube.com\/embed\/8jsi2Tgvx6A?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-60553 aligncenter\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/2023-Separator-8.png?resize=380%2C30&#038;ssl=1\" alt=\"\" width=\"380\" height=\"30\" \/><\/p>\n<p style=\"text-align: center;\"><strong><a href=\"https:\/\/beaconsound.bandcamp.com\/album\/my-only-secret\">Blue Cranes &#8211; \u2018Gaviota\u2019<\/a><\/strong><\/p>\n<p>Closing in on twenty years as a collective, following their previous album\u00a0<em>Voices<\/em>\u00a0which featured an assortment of vocalists including Laura Veir, Holland Andrews, Peter Broderick, Laura Gibson and Edna Vazquez, the Portland quintet Blue Cranes starring the saxophonists Reed Wallsmith and Joe Cunningham, the drummer Ji Tanzer, the keyboardist Rebecca Sanborn and bassist Jon Shaw turned towards twelve-tone, through-composition and non-linear modes of songwriting in a bid to break through their own perceptions of an incipient harmonic rut. As much a retort to the strictures of twelve-tone serialism, on the standout track \u2018Gaviota\u2019 from their new album\u00a0<em>My Only Secret<\/em>\u00a0the quintet evoke the minimalism of John Adams through intertwining melodies and an extended coda, where rattling percussion plays off the lilting upswing of John Powers on trombone and John C. Savage on flute.<\/p>\n<iframe loading=\"lazy\" width=\"100%\" height=\"120\" style=\"position: relative; display: block; width: 100%; height: 120px;\" src=\"\/\/bandcamp.com\/EmbeddedPlayer\/v=2\/track=660878971\/album=510407255\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/\" allowtransparency=\"true\" frameborder=\"0\"><\/iframe>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-60552 aligncenter\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/2023-Separator-7_1.png?resize=396%2C30&#038;ssl=1\" alt=\"\" width=\"396\" height=\"30\" \/><\/p>\n<p style=\"text-align: center;\"><strong><a href=\"https:\/\/bonnieprincebilly.bandcamp.com\/track\/keeping-secrets-will-destroy-you-single\" target=\"_blank\" rel=\"external noopener noreferrer\" data-wpel-link=\"external\">Bonnie \u2018Prince\u2019 Billy &#8211; \u2018Keeping Secrets Will Destroy You\u2019<\/a><\/strong><\/p>\n<p>Hard on the heels of his hermetically sealed and domestically abundant twenty-first studio album, Bonnie \u2018Prince\u2019 Billy both lifts the lid and screws the cap on his <em>Keeping Secrets Will Destroy You<\/em>\u00a0era as the folk crooner eases on down the road with a holdall in the form of that record\u2019s title track, bringing Emmett Kelly, Blake Mills, Shahzad Ismaily, Jim Keltner, Heather Summers, Lacey Guthrie and Katy Peabody together as part of a wider ensemble. Now just relax . . .<\/p>\n<p><div class=\"youtube-embed\" data-video_id=\"jrUbEwvx1oQ\"><iframe loading=\"lazy\" title=\"Bonnie &#039;Prince&#039; Billy &quot;Keeping Secrets Will Destroy You&quot; (Official Music Video)\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/jrUbEwvx1oQ?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div><\/p>\n\n\n<div class=\"wp-block-columns has-background is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\" style=\"background-color:#a8c1a8\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<iframe loading=\"lazy\" width=\"350\" height=\"310\" style=\"position: relative; display: block; width: 350px; height: 310px;\" src=\"\/\/bandcamp.com\/EmbeddedPlayer\/v=2\/track=2239579270\/album=1105756642\/size=large\/bgcol=ffffff\/linkcol=0687f5\/minimal=true\/\" allowtransparency=\"true\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<iframe loading=\"lazy\" width=\"350\" height=\"310\" style=\"position: relative; display: block; width: 350px; height: 310px;\" src=\"\/\/bandcamp.com\/EmbeddedPlayer\/v=2\/track=3510532146\/album=1774796825\/size=large\/bgcol=ffffff\/linkcol=0687f5\/minimal=true\/\" allowtransparency=\"true\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-embed-aspect-16-9 wp-has-aspect-ratio wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"youtube-embed\" data-video_id=\"_oBcC69r13Q\"><iframe loading=\"lazy\" title=\"\u6625\u306d\u3080\u308a HARU NEMURI\u300c\u30c7\u30a3\u30b9\u30c8\u30e9\u30af\u30b7\u30e7\u30f3\u30fb\u30b7\u30b9\u30bf\u30fc\u30ba \/ Destruction Sisters\u300d\uff08Official Visualizer\uff09\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/_oBcC69r13Q?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-center\"><a href=\"https:\/\/hakunakulala.bandcamp.com\/album\/drunk-in-love\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Elvin Brandhi &amp; Lord Spikeheart &#8211; \u2018DRUNK IN LOVE\u2019<\/strong><\/a><\/p>\n\n\n\n<p class=\"has-text-color has-link-color wp-elements-242882ba809749a129172acde7386578\" style=\"color:#232220\">Connecting all the way back in 2019 at the Nyege Nyege villa in Kampala, the Welsh noisemaker Elvin Brandhi and Lord Spikeheart of the ravenous Nairobi metal band Duma use glottal percussion as a form of ardent expression on the title track of their scabrous and scintillating long-play&nbsp;<em>Drunk In Love<\/em>.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><a href=\"https:\/\/matsgustafsson.bandcamp.com\/album\/why-do-you-mourn\"><strong>THE END &#8211; &#8216;Black Vivaldi Sonata&#8217;<\/strong><\/a><\/p>\n\n\n\n<p class=\"has-text-color has-link-color wp-elements-bb5b47721d5cfd05bd8fe01a9ccf86ec\" style=\"color:#232220\">Back as The End the quintet of Sofia Jernberg, Mats Gustafsson, Kjetil M\u00f8ster, Anders Hana and B\u00f8rge Fjordheim close the freeform theatrics of <em>Why Do You Mourn<\/em>&nbsp;with a languidly flowering cover of the Sudan Archives rumble \u2018Black Vivaldi Sonata\u2019.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong><a href=\"http:\/\/www.harunemuri.love\/\">\u6625\u306d\u3080\u308a&nbsp;Haru Nemuri &#8211; \u2018\u30c7\u30a3\u30b9\u30c8\u30e9\u30af\u30b7\u30e7\u30f3\u30fb\u30b7\u30b9\u30bf\u30fc\u30ba \/&nbsp;Destruction Sisters\u2019<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-color has-link-color wp-elements-cecc1d142af1ce34498e189448095185\" style=\"color:#232220\">Pitching herself as both scavenger and hustler, the inveterate punker Haru Nemuri issues an ode to destruction as the lead track from her latest extended play.<\/p>\n<\/div>\n<\/div>\n\n\n<p style=\"text-align: center;\"><strong><a href=\"https:\/\/store.deutschegrammophon.com\/p51-i0028948584512\/camille-thomas\/the-chopin-project-trilogy\/index.html\" target=\"_blank\" rel=\"external noopener noreferrer\" data-wpel-link=\"external\">Camille Thomas, Jane Birkin and Julien Brocal &#8211; \u2018Jane B\u2019<\/a><\/strong><\/p>\n<p>With the Stradivarius Feuermann in tow and Julien Brocal behind the piano, the Franco-Belgian cellist Camille Thomas closes the first chapter of her three-disc journey devoted to the life and works of Fr\u00e9d\u00e9ric Chopin with an homage to the inimitable French actress and chanteuse Jane B. The slinky centrepiece of an album-length love letter, the original composition was arranged by Arthur Greenslade as an adaptation of Chopin\u2019s Prelude No. 4 in E Minor for the Serge Gainsbourg and Jane Birkin collaboration also known as\u00a0<em>Je t\u2019aime . . . moi non plus<\/em>.<\/p>\n<p>The video for Camille Thomas&#8217;s rework of &#8216;Jane B&#8217; was released back in June, mere weeks before Birkin&#8217;s death at the tender age of 76. Here the singer reprises her old vocal with a wistful redolence, sounding lustrous and honeyed as ever while Thomas and Brocal slowly envelop her voice in an aching swell of strings and keys.<\/p>\n<p><div class=\"youtube-embed\" data-video_id=\"WmE6kMWkQpA\"><iframe loading=\"lazy\" title=\"Camille Thomas, Jane Birkin, Julien Brocal \u2013 Jane B (feat. Jane Birkin)\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/WmE6kMWkQpA?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-60554 aligncenter\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/2023-Separator-9.png?resize=375%2C30&#038;ssl=1\" alt=\"\" width=\"375\" height=\"30\" \/><\/p>\n<p style=\"text-align: center;\"><strong><a href=\"https:\/\/blacktruffle.bandcamp.com\/album\/traveller-song-thanksong\">Cassandra Miller &#8211; &#8216;Thanksong&#8217;<\/a><\/strong><\/p>\n<p>For her first release on vinyl, the acclaimed composer Cassandra Miller coils and contorts two disparate pieces of music in the form of a song by an anonymous Sicilian cart driver, recorded by the ethnologists Alan Lomax and Diego Carpitella sometime in the mid-fifties, and the third movement of Beethoven\u2019s late string quartet in A minor, a \u2018holy song of thanks from a convalescent\u2019 as the German maestro at least temporarily recovered from an intestinal illness. While the caterwauling of her \u2018Traveller Song\u2019 might have \u2018more in common with a quasi-shamanistic keening than anything Sicilian\u2019, for her interpretation of the \u2018Thanksong\u2019 the composer sought to sustain an atmosphere of hushed reawakening and thoughtful reflection.<\/p>\n<p>Miller recorded herself singing along to each of the individual parts of Beethoven\u2019s quartet, establishing an aural score which she then handed to her longtime collaborators Quatuor Bozzini. Listening to their respective parts through headphones and playing by ear, the Montreal foursome are joined by the British soprano Juliet Fraser, who sings \u2018as slowly and quietly as possible\u2019 over the resultant piece. A far cry from the mannered style of so much contemporary music, where Beethoven dedicated his \u2018Heiliger Dankgesang\u2019 to the deity instead Miller, Quatuor Bozzini and Juliet Fraser suffuse the sacred with the mundane, as a smattering of recording booth chatter towards the close of \u2018Thanksong\u2019 adds to the air of communality and companionly uplift.<\/p>\n<iframe loading=\"lazy\" width=\"100%\" height=\"120\" style=\"position: relative; display: block; width: 100%; height: 120px;\" src=\"\/\/bandcamp.com\/EmbeddedPlayer\/v=2\/track=5576919\/album=3838157888\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/\" allowtransparency=\"true\" frameborder=\"0\"><\/iframe>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-60553 aligncenter\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/2023-Separator-8.png?resize=380%2C30&#038;ssl=1\" alt=\"\" width=\"380\" height=\"30\" \/><\/p>\n<p style=\"text-align: center;\"><strong><a href=\"https:\/\/intlanthem.bandcamp.com\/album\/lados-b\">Daniel Villarreal &#8211; \u2018Sunset Cliffs\u2019<\/a><\/strong><\/p>\n<p>In the fall of 2020 in the backyard of Chicali Outpost in Los Angeles, the drummer Daniel Villarreal was joined by the guitarist Jeff Parker and bassist Anna Butterss for the first in-person recording session any of the participants had mustered as an ensemble since the start of the pandemic. Some of the resulting music appeared on\u00a0<em>Panam\u00e1 77<\/em>, the verdant suite of jazz-laced folk-funk which Villarreal released through International Anthem last year, but most of it remained hitherto unreleased. Through the insistent taps of two drum sticks and an arcing bass which descends like a knife through the proverbial cream stuff before lilting guitar licks linger in the gloaming groove, over \u2018Sunset Cliffs\u2019 an unhurried Villarreal introduces <em>Lados B<\/em> which pulls from those two autumnal afternoon sessions, informed by the Latin funk of Fania Records and the otherworldly trance of Brain Records while Parker and Butterss draw upon their extensive shared experience playing free.<\/p>\n<p><div class=\"youtube-embed\" data-video_id=\"lEjH3D6A1fs\"><iframe loading=\"lazy\" title=\"Daniel Villarreal - &quot;Sunset Cliffs&quot;\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/lEjH3D6A1fs?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-60552 aligncenter\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/2023-Separator-7_1.png?resize=396%2C30&#038;ssl=1\" alt=\"\" width=\"396\" height=\"30\" \/><\/p>\n<p style=\"text-align: center;\"><strong><a href=\"https:\/\/djmanny1.bandcamp.com\/album\/hypnotized\/\" target=\"_blank\" rel=\"external noopener noreferrer\" data-wpel-link=\"external\">DJ Manny &#8211; \u2018Lost In Da Jungle\u2019<\/a><\/strong><\/p>\n<p>Dissembling 160 beats per minute, for\u00a0<em>Hypnotized<\/em>\u00a0the surreptitious footwork stalwart and former DJ Rashad protege DJ Manny takes a romantic tread through laid-back and reflective rhythm and blues, whose deftly nocturnal pleasure-seeking by turns gives way to acid basslines, frantic dubstep numbers, jungle homages and passages of dark minimalist techno. The album opener \u2018Hard Drive\u2019 features the mixed-media artist SUCIA! while from the vault, \u2018Ooh Baby\u2019 is a previously unreleased Rashad collaboration which has knocked about via an old \u03bc-Ziq mix from Rotterdam ContainerFest and a lakeside hoedown on YouTube, with \u2018Turn Me Up\u2019 described as something like Paul Johnson at his most wild and the penultimate track \u2018Lost In Da Jungle\u2019 depicted as a moment of \u2018enjoyably hype daftness\u2019 in the manner of early LTJ Bukem.<\/p>\n<iframe loading=\"lazy\" width=\"100%\" height=\"120\" style=\"position: relative; display: block; width: 100%; height: 120px;\" src=\"\/\/bandcamp.com\/EmbeddedPlayer\/v=2\/track=1415995481\/album=347292208\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/\" allowtransparency=\"true\" frameborder=\"0\"><\/iframe>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-60554 aligncenter\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/2023-Separator-9.png?resize=375%2C30&#038;ssl=1\" alt=\"\" width=\"375\" height=\"30\" \/><\/p>\n<p style=\"text-align: center;\"><strong><a href=\"https:\/\/fatimaalqadiri.bandcamp.com\/album\/gumar\">Fatima Al Qadiri &#8211; &#8216;Mojik (Your Waves)&#8217;<\/a><\/strong><\/p>\n<p>Unspooling one of the threads which served to characterise\u00a0<em>Medieval Femme<\/em>, a decadent suite of songs inspired by the classical poems of Arab women, the producer Fatima Al Qadiri pairs up with her fellow Kuwaiti vocalist Gumar for an homage to lamentation singing. From restive shadows eloquent airs ruminate and coalesce around the theme of unrequited love, with \u2018Mojik (Your Waves)\u2019 the first outing from an extended play which is also titled\u00a0<em>Gumar<\/em>, a rendering of the Arabic word for \u2018moon\u2019.<\/p>\n<iframe loading=\"lazy\" width=\"100%\" height=\"120\" style=\"position: relative; display: block; width: 100%; height: 120px;\" src=\"\/\/bandcamp.com\/EmbeddedPlayer\/v=2\/track=1581010783\/album=1794517452\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/\" allowtransparency=\"true\" frameborder=\"0\"><\/iframe>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-60553 aligncenter\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/2023-Separator-8.png?resize=380%2C30&#038;ssl=1\" alt=\"\" width=\"380\" height=\"30\" \/><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/hourloupe.bandcamp.com\/album\/three-nights-in-the-wawayanda\"><strong>Hourloupe &#8211; &#8216;Green Navy\/Rain&#8217;<\/strong><\/a><\/p>\n<p>As Hourloupe, the duo of Frank Menchaca and Anar Badalov draw inspiration from a late-nineteenth-century newspaper society column for the cinders and pearls which make up\u00a0<em>Three Nights in the Wawayanda<\/em>, the final release in a triptych of records exploring time, reality and the natural world. A staggered treatise on ecological balance, cohabitation and the submerged other told through steady spoken word poetry and the shifting spectres of their sonic landscapes, on \u2018Green Navy\/Rain\u2019 they imagine the masked faces and stone vertebrae of sailors whose ship has become one with the forest, moss-swept and lost long ago to a flood.<\/p>\n<p><div class=\"youtube-embed\" data-video_id=\"OKYn_8ckrxk\"><iframe loading=\"lazy\" title=\"Hourloupe \u2013 Green Navy\/Rain\" width=\"696\" height=\"522\" src=\"https:\/\/www.youtube.com\/embed\/OKYn_8ckrxk?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div><\/p>\n\n\n<div class=\"wp-block-columns has-background is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\" style=\"background-color:#c6ad9d\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-center\"><a href=\"https:\/\/malrecordings.bandcamp.com\/album\/pressure-part-ii\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Jana Rush &#8211; \u2018Pink Guava\u2019<\/strong><\/a><\/p>\n\n\n\n<p class=\"has-text-color has-link-color wp-elements-56faffdb87a4446c6c6fdb4ddfb351cd\" style=\"color:#232220\">Through the tangy sweetness of \u2018Pink Guava\u2019 the juke maverick Jana Rush caps a second album of club pressure from the London label MAL Recordings, with all proceeds from the digital edition of the compilation going towards the cost of living crisis via the national homelessness charity Crisis UK.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><a href=\"https:\/\/jfdr.bandcamp.com\/album\/museum\"><strong>JFDR &#8211; &#8216;Spectator&#8217;<\/strong><\/a><\/p>\n\n\n\n<p class=\"has-text-color has-link-color wp-elements-96954d1ce33a66addaf22e6e47db0bab\" style=\"color:#232220\">J\u00f3fr\u00ed\u00f0ur \u00c1kad\u00f3ttir unravels a handkerchief heart, in an anthem for the codependent which serves as the lead single from\u00a0<em>Museum.<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/ecmrecords.com\/product\/uncle-johns-band-john-scofield\/\">John Scofield &#8211; &#8216;Uncle John&#8217;s Band&#8217;<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-color has-link-color wp-elements-8d895683a4f54714d1f784835ca3cbb2\" style=\"color:#232220\">John Scofield with Vicente Archer on bass and Bill Stewart on drums interprets the bluegrass melodies and close harmonies of \u2018Uncle John\u2019s Band\u2019 by the Grateful Dead, closing a double album of the same name which also tackles material by Miles Davis, Leonard Bernstein, Neil Young and Bob Dylan.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<iframe loading=\"lazy\" width=\"350\" height=\"310\" style=\"position: relative; display: block; width: 350px; height: 310px;\" src=\"\/\/bandcamp.com\/EmbeddedPlayer\/v=2\/track=3442117206\/album=669244521\/size=large\/bgcol=ffffff\/linkcol=0687f5\/minimal=true\/\" allowtransparency=\"true\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-embed-aspect-16-9 wp-has-aspect-ratio wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"youtube-embed\" data-video_id=\"R9JqgsKta2Y\"><iframe loading=\"lazy\" title=\"JFDR - Spectator\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/R9JqgsKta2Y?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-embed-aspect-4-3 wp-has-aspect-ratio wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"youtube-embed\" data-video_id=\"ugTEBmGdrMw\"><iframe loading=\"lazy\" title=\"Uncle John\u2019s Band\" width=\"696\" height=\"522\" src=\"https:\/\/www.youtube.com\/embed\/ugTEBmGdrMw?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n<\/div>\n<\/div>\n\n\n<p style=\"text-align: center;\"><strong><a href=\"https:\/\/idrisackamoor.bandcamp.com\/album\/afro-futuristic-dreams\">Idris Ackamoor &amp; The Pyramids &#8211; \u2018Thank You God\u2019<\/a><\/strong><\/p>\n<p>Draped in the fullness of strings, through blazing horns and call-and-response vocals, Idris Ackamoor and The Pyramids condemn police brutality and issue requiems for their ancestors, summoning the science fictions of Octavia E. Butler and Samuel R. Delany, the interlocking Afrobeat rhythms of Fela Kuti, and the cosmic wanderings of Pharoah Sanders and Sun Ra while celebrating their own continuing growth as they mark their fiftieth anniversary.<\/p>\n<p><div class=\"youtube-embed\" data-video_id=\"CYvTpGIqq-Q\"><iframe loading=\"lazy\" title=\"Idris Ackamoor &amp; the Pyramids - Thank You God\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/CYvTpGIqq-Q?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-60552 aligncenter\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/2023-Separator-7_1.png?resize=396%2C30&#038;ssl=1\" alt=\"\" width=\"396\" height=\"30\" \/><\/p>\n<p style=\"text-align: center;\"><strong><a href=\"https:\/\/redhot.bandcamp.com\/album\/red-hot-ra-nuclear-war\">Irreversible Entanglements &#8211; &#8216;Nuclear War&#8217;<\/a><\/strong><\/p>\n<p>With its lilting grooves and wry lyrics on a perennial hot-button issue, when Sun Ra and his Arkestra recorded \u2018Nuclear War\u2019 in 1982 the bandleader took the cut straight to Columbia Records, thoroughly convinced that he had a hit on his hands. That summer New York City played host to the largest anti-nuclear protest to date and one of the largest single-city protests in history as a crowd of around one million people converged on Central Park and Midtown Manhattan to coincide with a United Nations special session on nuclear disarmament, while as the Cold War simmered, the Soviet leader Mikhail Gorbachev would later reflect that \u2018Never, perhaps, in the postwar decades was the situation in the world as explosive and hence more difficult and unfavorable as in the first half of the 1980s\u2019. Perhaps it was a sign of the times then that Columbia rejected \u2018Nuclear War\u2019 and its brusque imagery, with the track heading up a 12-inch and featuring on the limited album\u00a0<em>A Fireside Chat with Lucifer<\/em>\u00a0but mostly languishing in obscurity until it was reissued by the Atavistic imprint Unheard Music Series in 2001.<\/p>\n<p>Taking a self-conscious approach to the topic, with Sun Ra on electric piano and Samarai Celestial on drums the Arkestra engaged in blithe call-and-response, asking all of the pertinent questions like \u2018whatcha gonna do without your ass?\u2019 in the event of nuclear annihilation, while describing the potential outbreak of nuclear war as a \u2018motherfucker, don\u2019t you know\u2019. Despite the receding air of resignation, the humorous piece stands as one of the most accessible in the band\u2019s vast catalogue, less siren call than an invitation amid the wreckage to pinch those cheeks and dance. On the compilation album by Red Hot, the nonprofit which combats AIDS and promotes equal access to healthcare through pop-culture collaborations, the organisation uses the iconic track by Sun Ra as both an inspiration and a call to arms. Climaxing with an extended interpretation of \u2018Nuclear War\u2019, the quintet of Keir Neuringer, Tcheser Holmes, Aquiles Navarro, Luke Stewart and Camae Ayewa as Irreversible Entanglements offer a scorched take on the original through brassy squalls and clattering percussion, carrying us right into the fiery heart of the action with charred-black banter then out the other side as all of our trifling concerns fuse with the posterior or flicker like fading sparks and embers in the rear-view.<\/p>\n<p><div class=\"youtube-embed\" data-video_id=\"CUAHEj97nqg\"><iframe loading=\"lazy\" title=\"Irreversible Entanglements - Nuclear War (Official Music Video)\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/CUAHEj97nqg?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-60554 aligncenter\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/2023-Separator-9.png?resize=375%2C30&#038;ssl=1\" alt=\"\" width=\"375\" height=\"30\" \/><\/p>\n<p style=\"text-align: center;\"><strong><a href=\"https:\/\/thetrilogytapes.bandcamp.com\/album\/solo-for-cello\" target=\"_blank\" rel=\"external noopener noreferrer\" data-wpel-link=\"external\">Jack Sheen &#8211; <em>Solo for Cello<\/em><\/a><\/strong><\/p>\n<p>For their first compact disc, The Trilogy Tapes present a studio recording of\u00a0<em>Solo for Cello<\/em>\u00a0by the Manchester composer Jack Sheen. Exploring his interest in mictrotones and written specifically for Anton Lukoszevieze, the artistic director of Apartment House who have won renown for their renditions of work by John Cage, Jim O\u2019Rourke, Pauline Oliveros and Morton Feldman, throughout the piece the cello is retuned and prepared with a heavy metal mute, thinning out its sound by dampening the instrument\u2019s natural resonance. Played predominantly on harmonics, whose light touch fills the musical space with glitching and ghostly reveries,\u00a0<em>Solo for Cello<\/em> features rapidly descending arpeggios and splintered, pointillistic isorhthyms, cutting a tenebrous swathe from the polyphonic masses and motets of the fourteenth century to the seventeenth-century viol suites of Marin Marais, from the systemic spasms of Mark Fell to the radiant whorls and glacial shivers of \u00c9liane Radigue. Bathed in a wash of background electronics, described by Lukoszevieze as like a \u2018moto perpetuo\u2019 of extreme intensity and delicate beauty, the 35-minute piece premiered to acclaim in October of 2022 at Wigmore Hall.<\/p>\n<iframe loading=\"lazy\" width=\"100%\" height=\"120\" style=\"position: relative; display: block; width: 100%; height: 120px;\" src=\"\/\/bandcamp.com\/EmbeddedPlayer\/v=2\/album=3925736881\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/\" allowtransparency=\"true\" frameborder=\"0\"><\/iframe>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-60553 aligncenter\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/2023-Separator-8.png?resize=380%2C30&#038;ssl=1\" alt=\"\" width=\"380\" height=\"30\" \/><\/p>\n<p style=\"text-align: center;\"><strong><a href=\"https:\/\/poolemusic.bandcamp.com\/album\/trinities\" target=\"_blank\" rel=\"external noopener noreferrer\" data-wpel-link=\"external\">Jake Meginsky &#8211; \u20182521\u2019<\/a><\/strong><\/p>\n<p>An outlier on his new album\u00a0<em>Trinities<\/em>, which commemorates the life and work of his friend and mentor Milford Graves and explores triplet forms as a foundational rhythmic principle, the minimalist electroacoustic percussionist Jake Meginsky composed \u20182521\u2019 as a celestial lullaby in the birthing room of a hospital as he welcomed his daughter into the world and watched over her while she slept.<\/p>\n<iframe loading=\"lazy\" width=\"100%\" height=\"120\" style=\"position: relative; display: block; width: 100%; height: 120px;\" src=\"\/\/bandcamp.com\/EmbeddedPlayer\/v=2\/track=1922476516\/album=2957713148\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/\" allowtransparency=\"true\" frameborder=\"0\"><\/iframe>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-60552 aligncenter\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/2023-Separator-7_1.png?resize=396%2C30&#038;ssl=1\" alt=\"\" width=\"396\" height=\"30\" \/><\/p>\n<p style=\"text-align: center;\"><strong><a href=\"https:\/\/jayglassdubs.bandcamp.com\/album\/you-would-love-me-now\" target=\"_blank\" rel=\"external noopener noreferrer\" data-wpel-link=\"external\">Jay Glass Dubs &#8211; \u2018Innocent Again\u2019 (feat. Louis Chude-Sokei)<\/a><\/strong><\/p>\n<p>Jay Glass Dubs embarks on a bass-heavy trip, whose woozy rhythms and deftly padded breaks linger in the porous space between dream pop and dubtech as the writer and scholar Louis Chude-Sokei leads a slew of features, intoning \u2018I\u2019m not who I was, but I\u2019m always what I did\u2019 with a lust for escape and a self-accusatory glint before a keening horn drops the anchor on a wave of slender ritualism.<\/p>\n<iframe loading=\"lazy\" width=\"100%\" height=\"120\" style=\"position: relative; display: block; width: 100%; height: 120px;\" src=\"\/\/bandcamp.com\/EmbeddedPlayer\/v=2\/album=1221995795\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/\" allowtransparency=\"true\" frameborder=\"0\"><\/iframe>\n<p><strong><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-60554 aligncenter\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/2023-Separator-9.png?resize=375%2C30&#038;ssl=1\" alt=\"\" width=\"375\" height=\"30\" \/><\/strong><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/littleimusic.bandcamp.com\/album\/schoenberg-on-the-beach-2\" target=\"_blank\" rel=\"external noopener noreferrer\" data-wpel-link=\"external\"><strong>Jeff Lederer with Mary LaRose &#8211; \u2018On the Beach\u2019<\/strong><\/a><\/p>\n<p style=\"text-align: left;\">Tramping the boardwalk at Coney Island interspersed with studio footage and snatches from the whirring archives of packed beaches, tiger tamers, rollercoaster rides, twists and carousels, the clarinetist Jeff Lederer unveils a new song cycle based on the early vocal works of Schoenberg and Webern with Mary LaRose as the featuring artist, alongside Patricia Brennan on vibes, Hank Roberts on cello, Matt Wilson on drums and percussion and Michael Formanek on bass.<\/p>\n<p><div class=\"youtube-embed\" data-video_id=\"9SYRLFP-Kkg\"><iframe loading=\"lazy\" title=\"&quot;On the Beach&quot; from &quot;Schoenberg on the Beach&quot; - Jeff Lederer with Mary LaRose\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/9SYRLFP-Kkg?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div><\/p>\n\n\n<div class=\"wp-block-columns has-background is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\" style=\"background-color:#ccb0cb\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-embed-aspect-16-9 wp-has-aspect-ratio wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"youtube-embed\" data-video_id=\"GcYcb0nDAUU\"><iframe loading=\"lazy\" title=\"Kelela - Enough For Love (Official Music Video)\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/GcYcb0nDAUU?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-embed-aspect-4-3 wp-has-aspect-ratio wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"youtube-embed\" data-video_id=\"6JLjky47nsQ\"><iframe loading=\"lazy\" title=\"Belleville\" width=\"696\" height=\"522\" src=\"https:\/\/www.youtube.com\/embed\/6JLjky47nsQ?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n\n\n<iframe loading=\"lazy\" width=\"350\" height=\"310\" style=\"position: relative; display: block; width: 350px; height: 310px;\" src=\"\/\/bandcamp.com\/EmbeddedPlayer\/v=2\/track=2056013156\/size=large\/bgcol=ffffff\/linkcol=0687f5\/minimal=true\/\" allowtransparency=\"true\" frameborder=\"0\"><\/iframe>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-center\"><a href=\"https:\/\/kelela.bandcamp.com\/album\/raven\"><strong>Kelela &#8211; &#8216;Enough For Love&#8217;<\/strong><\/a><\/p>\n\n\n\n<p class=\"has-text-color has-link-color wp-elements-9ffcd9e95189dd10ced9d13aa493573a\" style=\"color:#232220\">Kelela strives for a tougher love on the penultimate track to her stunning, sloshing, healing and mending, carnal and coupling, celebratory new album <em>Raven<\/em>.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><a href=\"https:\/\/laurelhalo.bandcamp.com\/album\/atlas\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Laurel Halo &#8211; \u2018Belleville\u2019<\/strong><\/a><\/p>\n\n\n\n<p class=\"has-text-color has-link-color wp-elements-b5cc5400b480e84e3706b67f343068c7\" style=\"color:#232220\">At the beautiful and bustling centre of her latest album <em>Atlas<\/em>, the producer and composer Laurel Halo unfurls a disarming piano ballad, embellished with undertows of processed vibraphone and a sudden stack of vocal harmonies by way of the Lewisham crooner Coby Sey.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><a href=\"https:\/\/lucyliyou.bandcamp.com\/track\/deaths-length\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Lucy Liyou &#8211; \u2018Death\u2019s Length\u2019<\/strong><\/a><\/p>\n\n\n\n<p class=\"has-text-color has-link-color wp-elements-8ccee842d18c96a1422764dc67be34dc\" style=\"color:#232220\">Lucy Liyou offers a distended eulogy to a grandparent, managing to profoundly blur the lines between gospel music, the theatricality and grieving catharsis of pansori, and the lurching spaciousness of\u00a0<em>Parade<\/em>-era Prince.<\/p>\n<\/div>\n<\/div>\n\n\n<p style=\"text-align: center;\"><strong><a href=\"https:\/\/jesswilliamson.bandcamp.com\/album\/time-aint-accidental-2\">Jess Williamson &#8211; &#8216;Topanga Two Step&#8217;<\/a><\/strong><\/p>\n<p>The opening salvo of &#8216;Time Ain&#8217;t Accidental&#8217; and &#8216;Hunter&#8217; provided the hook for Jess Williamson&#8217;s fifth solo album, literary and urbane with their references to Raymond Carver novels and the Shangri-La, which scans as a reference to the Santa Monica hotel as much as to mystical Tibetan mountains, before &#8216;Chasing Spirits&#8217; stretches out into a surprisingly earnest yet pliable form of Americana with its wide vistas and open roads. But come the end of the year it&#8217;s &#8216;Topanga Two Step&#8217; which remains stuck in my head with its cyclical structure, tripping headlong just life the waif child who opens the first and last verse. Older then and younger than that now but still a little bit wiser, Williamson unfurls a heartfelt vocal whose brevity belies its languorous heartache, as &#8216;Topanga Two Step&#8217; proves a perfect sonata over nagging synths and a lilting, hiccuping backbeat.<\/p>\n<p><div class=\"youtube-embed\" data-video_id=\"TbbZOt1l6Tg\"><iframe loading=\"lazy\" title=\"Jess Williamson - Topanga Two Step (Official Video)\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/TbbZOt1l6Tg?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-60553 aligncenter\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/2023-Separator-8.png?resize=380%2C30&#038;ssl=1\" alt=\"\" width=\"380\" height=\"30\" \/><\/p>\n<p style=\"text-align: center;\"><strong><a href=\"https:\/\/jessicapavone.bandcamp.com\/album\/clamor\">Jessica Pavone &#8211; &#8216;Nu Shu (part 1)&#8217; &amp; &#8216;Nu Shu (part 2)&#8217;<\/a><\/strong><\/p>\n<p>A syllabic script with elongated strokes and fine lines, adapted to better fit embroidery patterns, N\u00fcshu which developed among the rural women of Jiangyong County has been described as \u2018the most revolutionary and thorough simplification of Chinese characters ever attempted\u2019 and \u2018the world\u2019s only script designed and used exclusively by women\u2019. Coming to fruition in the eighteenth century when the women of Jiangyong County were largely confined to the home, the script was passed down through generations of female family members and friends, concealing a hidden patchwork of letters or used for writing biographies, sending glad tidings and singing songs of heavenly yearning and earthly lament, its lingering remnants a source of inspiration for novelists and symphonists, linguists and anthropologists, with the Chinese government in 2006 designating N\u00fcshu as part of the country\u2019s intangible cultural heritage.<\/p>\n<p>Rethinking the notion of women\u2019s work through the push and pull of metered notation, communal improvisation and indeterminacy, on <em>Clamor<\/em>\u00a0the composer and violist Jessica Pavone titles three movements after historical innovations by which women sought to circumvent the checks on their freedom. In two parts at the heart of the record, \u2018Nu Shu\u2019 features the solo bassoonist Katherine Young in bristling and staggering dialogue with the ensemble.<\/p>\n<p><div class=\"youtube-embed\" data-video_id=\"vjYzpmMqIuc\"><iframe loading=\"lazy\" title=\"Jessica Pavone - Nu Shu (part 1) (Official Video)\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/vjYzpmMqIuc?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-60552 aligncenter\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/2023-Separator-7_1.png?resize=396%2C30&#038;ssl=1\" alt=\"\" width=\"396\" height=\"30\" \/><\/p>\n<p style=\"text-align: center;\"><strong><a href=\"https:\/\/jessylanza.bandcamp.com\/track\/dont-leave-me-now\">Jessy Lanza &#8211; &#8216;Don&#8217;t Leave Me Now&#8217;<\/a><\/strong><\/p>\n<p>After moving to the capital of car culture, the Hyperdub songwriter Jessy Lanza\u2019s fresh start in Los Angeles almost went awry when she narrowly avoided the onrushing wheels of a motor vehicle. Instead on her first standalone single of 2023, she turns her propensity for bubblegum hooks, pulsing beats and piquant dancefloor dysphoria into an upbeat entreaty in the form of \u2018Don\u2019t Leave Me Now\u2019, wishing away the cars as they make haste through the sunset haze leaving palm-lined streets strewn with trails of vulcanized rubber.<\/p>\n<p><div class=\"youtube-embed\" data-video_id=\"JD3NjXLTNAw\"><iframe loading=\"lazy\" title=\"Jessy Lanza - Don&#039;t Leave Me Now\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/JD3NjXLTNAw?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-60554 aligncenter\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/2023-Separator-9.png?resize=375%2C30&#038;ssl=1\" alt=\"\" width=\"375\" height=\"30\" \/><\/p>\n<p style=\"text-align: center;\"><strong><a href=\"https:\/\/jolawry-whirlwind.bandcamp.com\/album\/acrobats\">Jo Lawry &#8211; &#8216;Acrobats&#8217;<\/a><\/strong><\/p>\n<p>Between supple takes on classic songs by Frank Loesser, Vernon Duke and Cole Porter, the Australian vocalist Jo Lawry tumbles headlong on \u2018Acrobats\u2019, a demonstration of alacrity and support composed by her close friend Gian Slater. On the album of the same name, the musician\u2019s singer is joined by the bassist Linda May Han Oh and drummer Allison Miller, with Lawry describing a trio record as \u2018the hardest thing I could do\u2019 while depicting her function therein as more akin to horn player.<\/p>\n<iframe loading=\"lazy\" width=\"100%\" height=\"120\" style=\"position: relative; display: block; width: 100%; height: 120px;\" src=\"\/\/bandcamp.com\/EmbeddedPlayer\/v=2\/track=3962957736\/album=1521110749\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/\" allowtransparency=\"true\" frameborder=\"0\"><\/iframe>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-60553 aligncenter\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/2023-Separator-8.png?resize=380%2C30&#038;ssl=1\" alt=\"\" width=\"380\" height=\"30\" \/><\/p>\n<p style=\"text-align: center;\"><strong><a href=\"https:\/\/store.bluenote.com\/products\/joshua-redman-where-are-we\">Joshua Redman &amp; Gabrielle Cavassa &#8211; \u2018Chicago Blues\u2019<\/a><\/strong><\/p>\n<p>With nods to Count Basie, Jimmy Rushing and Sufjan Stevens, who once conceived the writing of fifty albums for each of the American states, on \u2018Chicago Blues\u2019 the saxophonist Joshua Redman pays homage to the Windy City bolstered by the breathtaking vocals of Gabrielle Cavassa, part of a celebration and critique of his country as the acclaimed composer and bandleader marks his Blue Note debut.<\/p>\n<p><div class=\"youtube-embed\" data-video_id=\"i_KoKzJp6tI\"><iframe loading=\"lazy\" title=\"Joshua Redman - Chicago Blues (Live performance)\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/i_KoKzJp6tI?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-60552 aligncenter\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/2023-Separator-7_1.png?resize=396%2C30&#038;ssl=1\" alt=\"\" width=\"396\" height=\"30\" \/><\/p>\n<p style=\"text-align: center;\"><strong><a href=\"https:\/\/juliaholter.bandcamp.com\/album\/sun-girl\" target=\"_blank\" rel=\"external noopener noreferrer\" data-wpel-link=\"external\">Julia Holter &#8211; \u2018Sun Girl\u2019<\/a><\/strong><\/p>\n<p>Since releasing her last studio album\u00a0<em>Aviary<\/em>\u00a0back in 2018, the balmy troubadour, memory wanderer and stranded silhouette Julia Holter composed the score for Eliza Hittman\u2019s award-winning drama\u00a0<em>Never Rarely Sometimes Always<\/em>, wrote and performed a new live soundtrack to Carl Theodor Dreyer\u2019s silent landmark\u00a0<em>The Passion of Joan of Arc<\/em>\u00a0with the 36-strong Chorus of Opera North, reimagined through rippling warmth and dark lustrous reveries the\u00a0<em>Keyboard Fantasies<\/em>\u00a0of Beverly Glenn-Copeland, featured alongside Call Super and from memetic phobias to moss-green curtains and the smell of conifers, elaborated the song cycle\u00a0<em>Behind the Wallpaper<\/em> with Alex Temple and Spektral Quartet. Dappled and playful, her latest single \u2018Sun Girl\u2019 is a summery incantation which makes soft-hued psychedelic use of fragments of flute, field recordings, the Yamaha CS-60, bagpipes, Mellotron, drums and fretless bass.<\/p>\n<p><div class=\"youtube-embed\" data-video_id=\"CsmBrWiC_94\"><iframe loading=\"lazy\" title=\"Julia Holter - Sun Girl (Official Video)\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/CsmBrWiC_94?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div><\/p>\n\n\n<div class=\"wp-block-columns has-background is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\" style=\"background-color:#c6ad9d\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-center\"><a href=\"https:\/\/maral.bandcamp.com\/track\/setar-rock\"><strong>Maral &#8211; &#8216;setar rock&#8217;<\/strong><\/a><\/p>\n\n\n\n<p class=\"has-text-color has-link-color wp-elements-c17e30fea6a79d2f6c6db25a2afaa740\" style=\"color:#232220\">The Iranian-American ground groover Maral lifts the lid on her latest loosie, described as the \u2018slow unravelling of a new vortex\u2019 and the \u2018disintegration of a conversation between guitar and setar\u2019.<\/p>\n\n\n\n<p class=\"has-text-align-center has-text-color has-link-color wp-elements-0dc1910c19765ee1f6b856cb42d50e95\" style=\"color:#232220\"><strong>MIKE, Wiki and The Alchemist \u2013 \u2018Mayors A Cop\u2019<\/strong><\/p>\n\n\n\n<p class=\"has-text-color has-link-color wp-elements-abbc3b5a323b52207cce74fc6092b24e\" style=\"color:#232220\">On the lead single from <em>Faith Is a Rock<\/em> over production by The Alchemist, the rappers Wiki and MIKE, two of New York City\u2019s finest, call out Mayor Eric Adams, blowing off some steam from the heat of the summer before hunkering down for the long winter ahead.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><a href=\"https:\/\/muvaofearth.bandcamp.com\/album\/align-with-natures-intelligence\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>muva of Earth &#8211; \u2018your intuition is your friend\u2019<\/strong><\/a><\/p>\n\n\n\n<p class=\"has-text-color has-link-color wp-elements-4278488166cb8a633e3cb5c937a98e65\" style=\"color:#232220\">A meditative project centred around vulnerability and healing, the Yoruba poet and alternative jazz singer muva of Earth elaborates her debut for Brownswood Recordings through the celestial quivers and ringing affirmatives of \u2018your intuition is your friend\u2019.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-embed-aspect-16-9 wp-has-aspect-ratio wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"youtube-embed\" data-video_id=\"ptNn2kH0jXM\"><iframe loading=\"lazy\" title=\"Maral - setar rock\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/ptNn2kH0jXM?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<div style=\"height:80px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-embed-aspect-16-9 wp-has-aspect-ratio wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"youtube-embed\" data-video_id=\"1Fb2PETOKRg\"><iframe loading=\"lazy\" title=\"MIKE, Wiki &amp; The Alchemist - &quot;Mayors A Cop&quot; Official Video\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/1Fb2PETOKRg?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<div style=\"height:80px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-embed-aspect-16-9 wp-has-aspect-ratio wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"youtube-embed\" data-video_id=\"G0RRtB250cE\"><iframe loading=\"lazy\" title=\"muva of Earth - your intuition is your friend\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/G0RRtB250cE?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n<\/div>\n<\/div>\n\n\n<p style=\"text-align: center;\"><strong><a href=\"https:\/\/manchestercollective.bandcamp.com\/album\/neon\" target=\"_blank\" rel=\"external noopener noreferrer\" data-wpel-link=\"external\">Manchester Collective &amp; Hannah Peel &#8211; \u2018Neon 1: Shinjuku\u2019<\/a><\/strong><\/p>\n<p>Hannah Peel uses samples from Shinjuku Station in Tokyo to evoke teeming scenes and nightswept reveries on the title piece of the fourth studio release by Manchester Collective, describing\u00a0<em>Neon<\/em>\u00a0as \u2018opulence and decadence, bustling activity and loneliness\u2019 as she sends chiming missives from the world\u2019s busiest transport hub.<\/p>\n<p><div class=\"youtube-embed\" data-video_id=\"VO9-RySFhTg\"><iframe loading=\"lazy\" title=\"Hannah Peel: Neon | Manchester Collective\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/VO9-RySFhTg?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-60554 aligncenter\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/2023-Separator-9.png?resize=375%2C30&#038;ssl=1\" alt=\"\" width=\"375\" height=\"30\" \/><\/p>\n<p style=\"text-align: center;\"><strong><a href=\"https:\/\/heatcrimes.bandcamp.com\/album\/bown\">Mariam Rezaei &#8211; \u2018GLASS BASTARD\u2019 (feat. Teresa Winter &amp; Bobby Glue)<\/a><\/strong><\/p>\n<p>Described as the central panel of a triptych which also includes\u00a0<em>BLUD<\/em>\u00a0and\u00a0<em>SKEEN<\/em>, both previously released on Graham Dunning\u2019s Fractal Meat Cuts imprint, on\u00a0<em>BOWN<\/em> the acclaimed turntablist Mariam Rezaei leans into a slew of carefully selected collaborators, blurring the lines in sometimes bludgeoning fashion between the wild pop of Gwilly Edmondez, the dramatic soprano of Alya Al-Sultani, and the gusty reeds and fissured surfaces of free jazz, asking the question \u2018How can I make the turntable sound as extreme as Roscoe Mitchell or Peter Br\u00f6tzmann?\u2019 to which one answer alongside Teresa Winter and Bobby Glue is the shatterproof climax of \u2018GLASS BASTARD\u2019.<\/p>\n<iframe loading=\"lazy\" width=\"100%\" height=\"120\" style=\"position: relative; display: block; width: 100%; height: 120px;\" src=\"\/\/bandcamp.com\/EmbeddedPlayer\/v=2\/track=3118630130\/album=3662678697\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/\" allowtransparency=\"true\" frameborder=\"0\"><\/iframe>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-60553 aligncenter\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/2023-Separator-8.png?resize=380%2C30&#038;ssl=1\" alt=\"\" width=\"380\" height=\"30\" \/><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/marinaherlop.bandcamp.com\/album\/nekkuja\"><strong>Marina Herlop &#8211; \u2018La Alhambra\u2019<\/strong><\/a><\/p>\n<p>Hoarding songs as she toured and waited two years for\u00a0<em>Pripyat<\/em> to be released, an album of choral trills and cascading production effects inspired by Carnatic music as she swapped the conservatory for the computer, for the first single from <em>Nekkuja<\/em> the composer Marina Herlop offered &#8216;La Alhambra&#8217;, a beguiling staple of her live sets.<\/p>\n<iframe loading=\"lazy\" width=\"100%\" height=\"120\" style=\"position: relative; display: block; width: 100%; height: 120px;\" src=\"\/\/bandcamp.com\/EmbeddedPlayer\/v=2\/track=2686996693\/album=2474763857\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/\" allowtransparency=\"true\" frameborder=\"0\"><\/iframe>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-60552 aligncenter\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/2023-Separator-7_1.png?resize=396%2C30&#038;ssl=1\" alt=\"\" width=\"396\" height=\"30\" \/><\/p>\n<p style=\"text-align: center;\"><strong><a href=\"https:\/\/matmos.bandcamp.com\/album\/return-to-archive\">Matmos &#8211; \u2018Mud-Dauber Wasp\u2019<\/a><\/strong><\/p>\n<p>In 1948 the audio engineer and music publisher Moses Asch founded Folkways Records with a mission to put on wax not only traditional, secular and children\u2019s music but poetry, language instruction, liturgical chants and field recordings from around the world. The earliest versions of \u2018This Land Is Your Land\u2019 by Woody Guthrie and \u2018Goodnight Irene\u2019 by Lead Belly were recorded for Asch, while in 1952 under the auspices of the filmmaker Harry Smith the still fledgling Folkways Records released the seminal\u00a0<em>Anthology of American Folk Music<\/em>,\u00a0which led to the rediscovery of such artists as Blind Lemon Jefferson, Mississippi John Hurt, Jim Jackson and the Alabama Sacred Harp Singers and proved a key influence on the folk revival and the sixties Greenwich Village scene.<\/p>\n<p>Looking farther afield, on Folkways Records you could also find Angolan prison spirituals and Alpine yodeling, Babylonian biblical chants or the religious music of the Ethiopian Jews, traditional Peking operas and Polynesian dances, or Alfred Wolfsohn\u2019s experiments in the extension of the human vocal range, speech after the removal of the larynx, Soviet satellite sounds including the audible heartbeat of the space dog Laika, studies of the ground-dwelling Australian lyrebird and the sounds of American frogs. In 1987 the label was acquired by the Smithsonian Institution, on the condition that each of its 2,000-plus recordings would remain forever in print regardless of sales. Now the dauntless electronic duo Matmos with contributions from Aaron Dilloway and Evicshen have diced, looped, stretched and otherwise recontextualised some of the non-musical sounds released by Folkways for their album <em>Return to Archive<\/em>, whose first offering \u2018Mud-Dauber Wasp\u2019 draws from the 1960 collection <em>Sounds of Insects<\/em> compiled and narrated by Albro T. Gaul.<\/p>\n<p>(Did you know for instance that according to Dolbear\u2019s law, as outlined by Gaul on the\u00a0Sounds of Insects, you can count a cricket\u2019s chirps for fifteen seconds and add forty to the total number to give you a close approximation of the current temperature in degrees Fahrenheit? Counting the number of chirps in eight seconds and adding five will give you a similarly accurate result for degrees Celsius!)<\/p>\n<p><div class=\"youtube-embed\" data-video_id=\"j8uAiCWTJHQ\"><iframe loading=\"lazy\" title=\"Matmos   &quot;Mud Dauber Wasp&quot;\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/j8uAiCWTJHQ?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-60554 aligncenter\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/2023-Separator-9.png?resize=375%2C30&#038;ssl=1\" alt=\"\" width=\"375\" height=\"30\" \/><\/p>\n<p style=\"text-align: center;\"><strong><a href=\"https:\/\/meyou1.bandcamp.com\/album\/field-tapes-in-der-trash\">Me:You &#8211; &#8216;Field Tapes In Der Trash&#8217;<\/a><\/strong><\/p>\n<p>Cleveland Tapes co-owners and Mourning [A] BLKstar members LaToya Kent and RA Washington create an immersive world full of whirring percussion and washes of live instrumentation, with wriggling guitar lines and swooning vocals over sparely-plucked descending bass. Grimy and gnarled and politically conscious, unfurling embedded memories of a historical past while revelling in the ebullience and ardour of youth, abounding in a do-it-yourself punk ethos as gauzy electronics call to mind the peaks and lulls of avant-rock and illbient music, on\u00a0<em>Field Tapes In Der Trash<\/em>\u00a0it is the voice of Kent which provides the tonic, as moist reminiscences vie with words of concealed warning, like on the title track where through woozy warbling and nighttime persuasions she sings \u2018lay down your weapons, my tongue is my knife\u2019.<\/p>\n<iframe loading=\"lazy\" width=\"100%\" height=\"120\" style=\"position: relative; display: block; width: 100%; height: 120px;\" src=\"\/\/bandcamp.com\/EmbeddedPlayer\/v=2\/track=437956209\/album=3051902251\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/\" allowtransparency=\"true\" frameborder=\"0\"><\/iframe>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-60553 aligncenter\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/2023-Separator-8.png?resize=380%2C30&#038;ssl=1\" alt=\"\" width=\"380\" height=\"30\" \/><\/p>\n<p style=\"text-align: center;\"><strong><a href=\"https:\/\/michaelformanekintakt.bandcamp.com\/album\/as-things-do\" target=\"_blank\" rel=\"external noopener noreferrer\" data-wpel-link=\"external\">Michael Formanek Elusion Quartet &#8211; \u2018Bury the Lede\u2019<\/a><\/strong><\/p>\n<p>Living up to their billing as the Elusion Quartet, the stellar New York improvisers Tony Malaby on tenor and soprano saxophones, Kris Davis on piano and Ches Smith on drums and vibes join the bassist Michael Formanek to bury the lede on the barnstorming opener to their second album\u00a0<em>As Things Do<\/em>, which gives way to lyrical detours, funk-rock grooves, limber cooldowns and winsome abstractions.<\/p>\n<iframe loading=\"lazy\" width=\"100%\" height=\"120\" style=\"position: relative; display: block; width: 100%; height: 120px;\" src=\"\/\/bandcamp.com\/EmbeddedPlayer\/v=2\/track=4265918954\/album=3091935737\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/\" allowtransparency=\"true\" frameborder=\"0\"><\/iframe>\n\n\n<div class=\"wp-block-columns has-background is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\" style=\"background-color:#a8c1a8\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div style=\"height:60px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-embed-aspect-16-9 wp-has-aspect-ratio wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"youtube-embed\" data-video_id=\"WAjntlg193w\"><iframe loading=\"lazy\" title=\"Nat Myers - &quot;75-71&quot; [Official Music Video]\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/WAjntlg193w?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<div style=\"height:60px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-embed-aspect-4-3 wp-has-aspect-ratio wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"youtube-embed\" data-video_id=\"nE8OH2Gtljw\"><iframe loading=\"lazy\" title=\"Paris Texas, Kenny Mason - DnD *Moon Edition*\" width=\"696\" height=\"522\" src=\"https:\/\/www.youtube.com\/embed\/nE8OH2Gtljw?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<div style=\"height:60px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-embed-aspect-16-9 wp-has-aspect-ratio wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"youtube-embed\" data-video_id=\"oeKcNx5FL90\"><iframe loading=\"lazy\" title=\"Shamir - Oversized Sweater [Official Video]\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/oeKcNx5FL90?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-center\"><a href=\"https:\/\/natmyers.bandcamp.com\/album\/yellow-peril\"><strong>Nat Myers &#8211; &#8217;75-71&#8242;<\/strong><\/a><\/p>\n\n\n\n<p class=\"has-text-color has-link-color wp-elements-7d83ecfbab7772b96874dbd92103a75c\" style=\"color:#232220\">A street poet with a penchant for Shakespeare and Homer, on\u00a0<em>Yellow Peril<\/em>\u00a0with a tenebrous ode to some of the fear and frenzy of the pandemic, the Korean-American blues musician Nat Myers hops trains and burns up highways in a heady reflection of his growing wanderlust.<\/p>\n\n\n\n<p class=\"has-text-align-center has-text-color has-link-color wp-elements-810e14c3811ebdb6962772425b0ecf5f\" style=\"color:#232220\"><strong>Paris Texas &amp; Kenny Mason &#8211; \u2018DnD\u2019<\/strong><\/p>\n\n\n\n<p class=\"has-text-color has-link-color wp-elements-251914a594027d5078fa3b4c4302f3b0\" style=\"color:#232220\">Too hood for the art shit, too smart for the hard shit, Kenny Mason comes through with one of the verses of the year, rocking out on the debut album of the levitational genre-benders Paris Texas.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><a href=\"https:\/\/shamir.bandcamp.com\/album\/homo-anxietatem\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Shamir &#8211; \u2018Oversized Sweater\u2019<\/strong><\/a><\/p>\n\n\n\n<p class=\"has-text-color has-link-color wp-elements-711a9b9e5dc704b65f6f03b3c936118a\" style=\"color:#232220\">Caught between the clamour of dwindling romance as it clatters through his bedroom wall and the spiritual invocations of\u00a0<em>The Emancipation of Mimi<\/em>, the shapeshifter Shamir nuzzles inside his oversized sweater and finds just enough nourishment to sustain his inner artist.<\/p>\n<\/div>\n<\/div>\n\n\n<p style=\"text-align: center;\"><strong><a href=\"https:\/\/mingjia.bandcamp.com\/album\/star-star\" target=\"_blank\" rel=\"external noopener noreferrer\" data-wpel-link=\"external\">mingjia &#8211; \u2018Saint\u2019<\/a><\/strong><\/p>\n<p>Four years in the making, for her first full-length on New Amsterdam Records the composer and vocalist Mingjia Chen presents a collection of through-composed songs which still carry the discursiveness and formal spontaneity of recitative or more melismatic arioso, as half-scrawled thoughts and ribbons of reflections stack together in a manner at once reminiscent of the opera or Broadway, chamber pop with a folkish whimsy or something still more mundane, where collaged samples and passages of improvisation vie with the strictures of orchestration to produce an aleatoric music. Written for herself and the thirteen-piece Tortoise Orchestra, on the track \u2018Saint\u2019 buttressed by an eight-strong choir Mingjia warily probes and offers earnest entreaties to Santa Maria as she swings her thurible, chows down on curried chickpeas and contemplates an unholy tryst, the centrepiece of a record which draws inspiration from Chinese mythology and magical realism while weaving stories which are \u2018truer than the outcome, little bubbles that are all their own. The story does not merely arrive at the truth, the story itself becomes the truth\u2019.<\/p>\n<iframe loading=\"lazy\" width=\"100%\" height=\"120\" style=\"position: relative; display: block; width: 100%; height: 120px;\" src=\"\/\/bandcamp.com\/EmbeddedPlayer\/v=2\/track=4200388222\/album=1270496430\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/\" allowtransparency=\"true\" frameborder=\"0\"><\/iframe>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-60552 aligncenter\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/2023-Separator-7_1.png?resize=396%2C30&#038;ssl=1\" alt=\"\" width=\"396\" height=\"30\" \/><\/p>\n<p style=\"text-align: center;\"><strong><a href=\"https:\/\/hushhushrecords.bandcamp.com\/album\/natures-way\" target=\"_blank\" rel=\"external noopener noreferrer\" data-wpel-link=\"external\">mioriii &#8211; \u2018Echoes\u2019<\/a><\/strong><\/p>\n<p>Before she released three extended plays in the waning days of 2018, the artist formerly known as Ms. Indie Pop had nurtured an early relationship with music through classic bands like The Beatles and The Carpenters from her parents\u2019 generation, a teenage obsession with the yearning melodramas of\u00a0<em>Dawson\u2019s Creek<\/em>, and a budding fascination with the radio, which she listened to every day. On\u00a0<em>Circle<\/em>,\u00a0<em>Square<\/em>\u00a0and\u00a0<em>Triangle<\/em>\u00a0these influences manifested in a widescreen whimsy with a synth pop sheen, where glitching electronics, mournful keys, gossamer reeds and the tremulous reverberations of her vocals might call to mind early Grimes and Kedr Livanskiy or Julee Cruise, Angelo Badalamenti and the Cocteau Twins. Then a week before she was scheduled to start performing, she began to suffer from a mysterious illness which culminated in an undisclosed surgery. Adopting the stage name mioriii, on\u00a0<em>Nature\u2019s Way<\/em>\u00a0the Japanese musician constructs an ode to healing, foregrounding her voice on the opening and closing tracks while three instrumentals float with a sinuous shimmer, sometimes submerged and sometimes carbonated, echoing the walks along riverbanks and through nearby parks which during her convalescence have become part of her daily routine.<\/p>\n<iframe loading=\"lazy\" width=\"100%\" height=\"120\" style=\"position: relative; display: block; width: 100%; height: 120px;\" src=\"\/\/bandcamp.com\/EmbeddedPlayer\/v=2\/track=1557460383\/album=1962525226\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/\" allowtransparency=\"true\" frameborder=\"0\"><\/iframe>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-60554 aligncenter\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/2023-Separator-9.png?resize=375%2C30&#038;ssl=1\" alt=\"\" width=\"375\" height=\"30\" \/><\/p>\n<p style=\"text-align: center;\"><strong><a href=\"https:\/\/nappynina.bandcamp.com\/album\/mourning-due\/\">Nappy Nina &#8211; &#8216;Stone Soup&#8217; (feat. Moor Mother)<\/a><\/strong><\/p>\n<p>At the pith or heart of\u00a0<em>Mourning Due<\/em>, the latest album by the Oakland-born and Brooklyn-based emcee Nappy Nina, the spoken word poet and jazz visionary Moor Mother delivers a bravura verse which cuts a swathe through some of the most famous lines by Kanye, Tupac and Biggie in the service of shifting space-time while giving voice to the equalising force of black women. Seeking to brighten her mood while reminiscing over complaisant smoke shops and green spaghetti, on \u2018Stone Soup\u2019 the grilled cheese-loving rapper laments the feeling of an empty belly, gesturing suggestively towards the folk tale on the theme of scheming and sharing on a record which boasts a slew of collaborators including Mavi, maassai, Nathan Bajar, Cavalier, OHMi, Stas Thee Boss, JusMoni and Iojii.<\/p>\n<iframe loading=\"lazy\" width=\"100%\" height=\"120\" style=\"position: relative; display: block; width: 100%; height: 120px;\" src=\"\/\/bandcamp.com\/EmbeddedPlayer\/v=2\/track=2169484842\/album=1367120972\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/\" allowtransparency=\"true\" frameborder=\"0\"><\/iframe>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-60553 aligncenter\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/2023-Separator-8.png?resize=380%2C30&#038;ssl=1\" alt=\"\" width=\"380\" height=\"30\" \/><\/p>\n<p style=\"text-align: center;\"><strong><a href=\"https:\/\/nicoledollanganger.bandcamp.com\/album\/married-in-mount-airy\">Nicole Dollanganger &#8211; &#8216;Whispering Glades&#8217;<\/a><\/strong><\/p>\n<p>One of the canniest and craftiest lyricists of the contemporary landscape returned with a song whose wilting grandeur perfectly encapsulated the withered underbelly of Hollywood. Inspired by the Evelyn Waugh novel\u00a0<em>The Loved One<\/em> &#8211; whose Whispering Glades were based on the Forest Lawn Memorial Park cemetery in California, and which was adapted by Terry Southern and Christopher Isherwood into a 1965 film &#8211; Dollanganger eschews embalming techniques for a wispy and shifting melody over clip-clop percussion and queasy Wurlitzer keys, as she unfolds a minor grotesquerie about an arrogant and rapacious lech and the grim fate that awaits.<\/p>\n<p><div class=\"youtube-embed\" data-video_id=\"lxENjBEqE2w\"><iframe loading=\"lazy\" title=\"Whispering Glades\" width=\"696\" height=\"522\" src=\"https:\/\/www.youtube.com\/embed\/lxENjBEqE2w?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div><\/p>\n\n\n<div class=\"wp-block-columns has-background is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\" style=\"background-color:#c6ad9d\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-center\"><a href=\"https:\/\/sofiakourtesis.bandcamp.com\/album\/madres-2\"><strong>Sofia Kourtesis &#8211; &#8216;Madres&#8217;<\/strong><\/a><\/p>\n\n\n\n<p class=\"has-text-color has-link-color wp-elements-4eb6e83f87e0cb5adef514be22129253\" style=\"color:#232220\">Through dancefloor aesthetics and the palpable strains of flesh and blood, the Peruvian producer Sofia Kourtesis pays tribute to a genderless concept of motherhood.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/www.leadingvibe.com\/\">Tems &#8211; \u2018Not An Angel\u2019<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-color has-link-color wp-elements-b6fcc0027627c85eaed603dd0cb1dbee\" style=\"color:#232220\">Tems follows up the philosophical quandary of \u2018Me &amp; U\u2019, a sultry treatise on faith and substance, with a fallen ode to cutting one\u2019s losses, pushing forward and knowing one\u2019s worth.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><a href=\"https:\/\/tenggertengger.bandcamp.com\/album\/tengger\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>TENGGER &#8211; \u2018PANAPTU\u2019<\/strong><\/a><\/p>\n\n\n\n<p class=\"has-text-color has-link-color wp-elements-dfb3d727843341115c98dc5ddd3a17f3\" style=\"color:#232220\">On vocals, synths and the hand-pumped harmonium, the Pan-Asian couple itta and Marqido together with their son RAAI infuse psychedelic drone songs with the spirit of their annual pilgrimages, here paying tribute to their Mongolian namesake with a milky-eyed ode to the expanded night sky.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-embed-aspect-16-9 wp-has-aspect-ratio wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"youtube-embed\" data-video_id=\"bPGct0yRPM8\"><iframe loading=\"lazy\" title=\"Sofia Kourtesis - &#039;Madres&#039; (Official Audio)\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/bPGct0yRPM8?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-embed-aspect-4-3 wp-has-aspect-ratio wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"youtube-embed\" data-video_id=\"9KtU6f_ZPjU\"><iframe loading=\"lazy\" title=\"Tems - Not An Angel (Official Visualizer)\" width=\"696\" height=\"522\" src=\"https:\/\/www.youtube.com\/embed\/9KtU6f_ZPjU?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-embed-aspect-16-9 wp-has-aspect-ratio wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"youtube-embed\" data-video_id=\"EXP2G9769Qw\"><iframe loading=\"lazy\" title=\"TENGGER - Panaptu (Official Video)\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/EXP2G9769Qw?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n<\/div>\n<\/div>\n\n\n<p style=\"text-align: center;\"><strong><a href=\"https:\/\/oneohtrixpointnever.bandcamp.com\/album\/again\">Oneohtrix Point Never &#8211; \u2018A Barely Lit Path\u2019<\/a><\/strong><\/p>\n<p>Oneohtrix Point Never illuminates a barely lit path with orchestral contributions from Robert Ames and the NOMAD ensemble, whose music video directed by Freeka Tet features fuzzy dice, a submerged succession of backseat board games and jigsaw puzzles, and a backwoods escape or a sort of star gate through a thicket whose crude assemblage of metal parts mirrors in heft and riveting affect the nineties heyday of Bj\u00f6rk and Chris Cunningham.<\/p>\n<p><div class=\"youtube-embed\" data-video_id=\"_kyFqe36BqM\"><iframe loading=\"lazy\" title=\"Oneohtrix Point Never - A Barely Lit Path (Official Music Video)\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/_kyFqe36BqM?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-60552 aligncenter\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/2023-Separator-7_1.png?resize=396%2C30&#038;ssl=1\" alt=\"\" width=\"396\" height=\"30\" \/><\/p>\n<p style=\"text-align: center;\"><strong><a href=\"https:\/\/phetphetphet.bandcamp.com\/album\/shimmer-2\" target=\"_blank\" rel=\"external noopener noreferrer\" data-wpel-link=\"external\">ph\u00e9t ph\u00e9t ph\u00e9t &#8211; \u2018Se Siente Como\u2019<\/a><\/strong><\/p>\n<p>Named thrice after a Tibetan syllable which means to cut through, for his latest outing as ph\u00e9t ph\u00e9t ph\u00e9t the composer and multi-instrumentalist Jarrett Gilgore opened up byways from his old base in Baltimore to Mexico City, Guatemala City and Caracas. A decade\u2019s worth of careful collaboration comes to fruition on\u00a0<em>Shimmer<\/em>, where Gilgore is joined by Gibr\u00e1n Andrade on drums, I. La Catolica on guitars, bass and other percussion and Mabe Fratti on vocals and cello, whose mouth mantras on the halting declaration of \u2018Se Siente Como\u2019 over fraying spirals of synth fittingly capture an air of breathless yet placid anticipation.<\/p>\n<iframe loading=\"lazy\" width=\"100%\" height=\"120\" style=\"position: relative; display: block; width: 100%; height: 120px;\" src=\"\/\/bandcamp.com\/EmbeddedPlayer\/v=2\/track=3012395117\/album=2314963976\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/\" allowtransparency=\"true\" frameborder=\"0\"><\/iframe>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-60554 aligncenter\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/2023-Separator-9.png?resize=375%2C30&#038;ssl=1\" alt=\"\" width=\"375\" height=\"30\" \/><\/p>\n<p style=\"text-align: center;\"><strong><a href=\"https:\/\/perilazone.bandcamp.com\/album\/pmxper\">pmxper &#8211; \u2018Lavender Milk\u2019<\/a><\/strong><\/p>\n<p>Swapping ambient shards, acid cuts and cosseted refrains for something balmier as on \u2018Lavender Milk\u2019 with its driving rhythms and \u2018warm hues of textures\u2019, citing the flow and freedom of the classic Young Marble Giants album\u00a0<em>Colossal Youth<\/em>, the duo of Pavel Milyakov and Perila debuted on wax ahead of a September outing at Berlin Atonal.<\/p>\n<iframe loading=\"lazy\" width=\"100%\" height=\"120\" style=\"position: relative; display: block; width: 100%; height: 120px;\" src=\"\/\/bandcamp.com\/EmbeddedPlayer\/v=2\/track=220348656\/album=1464329498\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/\" allowtransparency=\"true\" frameborder=\"0\"><\/iframe>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-60553 aligncenter\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/2023-Separator-8.png?resize=380%2C30&#038;ssl=1\" alt=\"\" width=\"380\" height=\"30\" \/><\/p>\n<p style=\"text-align: center;\"><strong><a href=\"https:\/\/sabiwa.bandcamp.com\/album\/island-no-16-memories-of-future-landscapes\">SABIWA &#8211; &#8216;Christal&#8217;<\/a><\/strong><\/p>\n<p>Born in bustling Kaohsiung and currently based in Berlin, the producer SABIWA takes her own voice and the ancient nature-mimicking musics of the Thau, Bunun, Atayal and other tribespeople from her native Taiwan as a starting point. Steady undulations punctuated by glottal stops give way to a psychedelic swirl of communal chanting, as SABIWA dissects field recordings and employs subterranean bass to turn her surrounds distinctly concrete, with bell chimes, drones and scabrous feedback serving to blur or mask the moment of arrival.<\/p>\n<p><div class=\"youtube-embed\" data-video_id=\"plP-jIBYqzI\"><iframe loading=\"lazy\" title=\"SABIWA - Christal [official audio]\" width=\"696\" height=\"522\" src=\"https:\/\/www.youtube.com\/embed\/plP-jIBYqzI?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-60552 aligncenter\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/2023-Separator-7_1.png?resize=396%2C30&#038;ssl=1\" alt=\"\" width=\"396\" height=\"30\" \/><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/samgendel.bandcamp.com\/album\/cookup\"><strong>Sam Gendel &#8211; &#8216;Anywhere&#8217; (feat. Meshell Ndegeocello)<\/strong><\/a><\/p>\n<p>Sam Gendel gets sultry and wet on his cover of \u2018Anywhere\u2019 by 112 and Lil\u2019 Zane, slinky and soulful on the album closer \u2018Water Runs Dry\u2019 by Boyz II Men, troubleshoots early aughts online dating over the best of Aaliyah, and finds the middle ground between crooning All-4-One and Angelo Badalamenti\u2019s cascading\u00a0<em>Twin Peaks<\/em>\u00a0theme as the shapeshifting saxophonist offers a unique take on fin-de-si\u00e8cle R&amp;B.<\/p>\n<p><div class=\"youtube-embed\" data-video_id=\"rd6K4KxVWGw\"><iframe loading=\"lazy\" title=\"Sam Gendel - Anywhere (feat. Meshell Ndegeocello) (Official Visualizer)\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/rd6K4KxVWGw?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div><\/p>\n\n\n<div class=\"wp-block-columns has-background is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\" style=\"background-color:#ccb0cb\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-embed-aspect-4-3 wp-has-aspect-ratio wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"youtube-embed\" data-video_id=\"RVLGp0Ph9lA\"><iframe loading=\"lazy\" title=\"Tinashe - Talk To Me Nice (Official Video)\" width=\"696\" height=\"522\" src=\"https:\/\/www.youtube.com\/embed\/RVLGp0Ph9lA?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n\n\n<iframe loading=\"lazy\" width=\"350\" height=\"310\" style=\"position: relative; display: block; width: 350px; height: 310px;\" src=\"\/\/bandcamp.com\/EmbeddedPlayer\/v=2\/track=2797976972\/album=3760688103\/size=large\/bgcol=ffffff\/linkcol=0687f5\/minimal=true\/\" allowtransparency=\"true\" frameborder=\"0\"><\/iframe>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<iframe loading=\"lazy\" width=\"350\" height=\"310\" style=\"position: relative; display: block; width: 350px; height: 310px;\" src=\"\/\/bandcamp.com\/EmbeddedPlayer\/v=2\/track=3606818382\/album=546953835\/size=large\/bgcol=ffffff\/linkcol=0687f5\/minimal=true\/\" allowtransparency=\"true\" frameborder=\"0\"><\/iframe>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/www.tinashenow.com\/\">Tinashe &#8211; \u2018Talk To Me Nice\u2019<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-color has-link-color wp-elements-0bc40b7b2f2942aef96ccebae16d00bf\" style=\"color:#232220\">Tinashe cuts through the lullabies and gossip on the lead single from\u00a0<em>BB\/ANG3L.<\/em><\/p>\n\n\n\n<div style=\"height:80px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center\"><a href=\"https:\/\/tratratrax.com\/album\/32-balas\"><strong>Tom\u00e1s Urquieta &#8211; &#8217;32 Balas&#8217;<\/strong><\/a><\/p>\n\n\n\n<p class=\"has-text-color has-link-color wp-elements-ba43c570bffee76b9d774ba8e330f473\" style=\"color:#232220\">The Chilean techno prodigy Tom\u00e1s Urquieta unleashes 32 bullets on his debut for TraTraTrax.<\/p>\n\n\n\n<div style=\"height:80px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center\"><a href=\"https:\/\/uccharlo.bandcamp.com\/album\/topos\"><strong>UCC Harlo &#8211; &#8216;Ocelot&#8217;<\/strong><\/a><\/p>\n\n\n\n<p class=\"has-text-color has-link-color wp-elements-1e3dc464001930908137d027df57a29e\" style=\"color:#232220\">Sublimating her classical training in the medieval and baroque, the violist and musicology scholar UCC Harlo pays homage to the aliases of Elysia Crampton while evoking through woodsy rhythms, choral harmonies and stealthy electronics her own childhood obsession with the ocelot.<\/p>\n<\/div>\n<\/div>\n\n\n<p style=\"text-align: center;\"><strong><a href=\"https:\/\/577records.bandcamp.com\/album\/peach-and-tomato\" target=\"_blank\" rel=\"external noopener noreferrer\" data-wpel-link=\"external\">Sana Nagano &amp; Leonor Falc\u00f3n &#8211; \u2018Expanding Universe\u2019<\/a><\/strong><\/p>\n<p>What\u2019s an expanding universe? An ineluctable outpouring of general relativity, a spatial property, a shift of light observed through the telescope as distant galaxies stretch farther away? Is it Moon landings and Mars living and Voyager probes destined to wander eternally the Milky Way? Or can the outward manifestations of an expanding universe be more mundane? Eggs boiling in a crowded saucepan, scribbles and scores scrawled down in a notepad or blotter, violin practice, creamy cat treats clawed between meals, the first feed after placid slumber of your firstborn babe? What might an expanding universe sound like amid such domesticity? The bend and creak of the floorboards, the whirring of an air conditioner and the pop of a toaster suffused by birdsong and passing traffic, all of those noises that together fall under the umbrella of house sounds and might even amount to home comforts, muffling the staggered quiet, tracing and colouring the everyday?<\/p>\n<p>On the opening track of their album <em>Peach and Tomato<\/em>, the violinist Sana Nagano and violist Leonor Falc\u00f3n bring a flurry of clipped notes and deft plucks to a clamorous climax through bowed melodies, stretched glissandos and metallic effects, demonstrating their classical chops on a record which also tackles the Sonata for Two Violins by Sergei Prokofiev and offers an homage to the folk stylings of B\u00e9la Bart\u00f3k.<\/p>\n<p><div class=\"youtube-embed\" data-video_id=\"P0oKAz5dNQM\"><iframe loading=\"lazy\" title=\"Sana Nagano, Leonor Falc\u00f3n: &#039;Expanding Universe&#039;  from album &#039;Peach and Tomato&#039; (577 Records)\" width=\"696\" height=\"522\" src=\"https:\/\/www.youtube.com\/embed\/P0oKAz5dNQM?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-60554 aligncenter\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/2023-Separator-9.png?resize=375%2C30&#038;ssl=1\" alt=\"\" width=\"375\" height=\"30\" \/><\/p>\n<p style=\"text-align: center;\"><strong><a href=\"https:\/\/shop.shygirl.tv\/release\/374431-shygirl-nympho\" target=\"_blank\" rel=\"external noopener noreferrer\" data-wpel-link=\"external\">Shygirl &#8211; \u2018Woe (I See It From Your Side)\u2019 (Bj\u00f6rk Remix)<\/a><\/strong><\/p>\n<p>Running with a glass egg, Bj\u00f6rk and Shygirl showed a steady pair of hands earlier in the year on the remix to the <em>Fossora<\/em> single \u2018Ovule\u2019, where the South London singer added digitized squibs and soft-lipped blissed-out vocals over Sega Bodega\u2019s sweeping production to the fanfare of retreating horns and processed timpani drums. The Icelandic artist returns the favour with a thoroughgoing remix of \u2018Woe\u2019 from Shygirl\u2019s debut album <em>Nymph<\/em>, reaching for the sublime and scurrilously seeing things from both sides in a paean to desiring and not-getting buoyed by plosive beats and supple spines.<\/p>\n<p><div class=\"youtube-embed\" data-video_id=\"oFDkeP7OMpg\"><iframe loading=\"lazy\" title=\"Shygirl - Woe (I See It From Your Side) (Bj\u00f6rk Remix) [Official Music Video]\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/oFDkeP7OMpg?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-60553 aligncenter\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/2023-Separator-8.png?resize=380%2C30&#038;ssl=1\" alt=\"\" width=\"380\" height=\"30\" \/><\/p>\n<p style=\"text-align: center;\"><strong><a href=\"https:\/\/7deadlung7.bandcamp.com\/album\/catch-and-release-s-lence-x-lungs-full-tape-2023-prod-by-lonesword\">S!LENCE &amp; Lungs &#8211; \u2018Up The River No Paddle\u2019 (feat. phiik)<\/a><\/strong><\/p>\n<p>Tangling rods with some of America\u2019s finest bass anglers on their pandemic-era fishing expedition\u00a0<em>Catch and Release<\/em>, the duo of Lungs and S!LENCE wade and snap through brackish waters on tracks like \u2018Exposed Toes In Alaska\u2019, \u2018Bass Rats\u2019, the grisly jazz vamp of \u2018Midnight Mass\u2019 and \u2018Up The River No Paddle\u2019 which features their frequent collaborator phiik.<\/p>\n<iframe loading=\"lazy\" width=\"100%\" height=\"120\" style=\"position: relative; display: block; width: 100%; height: 120px;\" src=\"\/\/bandcamp.com\/EmbeddedPlayer\/v=2\/track=1100329711\/album=2953606814\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/\" allowtransparency=\"true\" frameborder=\"0\"><\/iframe>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-60552 aligncenter\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/2023-Separator-7_1.png?resize=396%2C30&#038;ssl=1\" alt=\"\" width=\"396\" height=\"30\" \/><\/p>\n<p style=\"text-align: center;\"><strong><a href=\"https:\/\/night-school.bandcamp.com\/album\/proserpine\" target=\"_blank\" rel=\"external noopener noreferrer\" data-wpel-link=\"external\">Teresa Winter &#8211; \u2018Flower Of The Mountain\u2019<\/a><\/strong><\/p>\n<p>A swirling descent which clasps through the undergrowth, the whorling centrepiece of Teresa Winter\u2019s new album\u00a0<em>Proserpine<\/em>\u00a0takes the climax of Molly Bloom\u2019s soliloquy with its lapses of breath and mushed crumbs of seedcake passed mouth to mouth as a sort of leitmotif for desire, which it spreads thickly through gauzy organ drones and looped vocals like purpling rhododendrons producing their mad honey.<\/p>\n<p><div class=\"youtube-embed\" data-video_id=\"Y3CPQVOdnTA\"><iframe loading=\"lazy\" title=\"Teresa Winter: Flower Of The Mountain {Official Audio}\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/Y3CPQVOdnTA?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-60554 aligncenter\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/2023-Separator-9.png?resize=375%2C30&#038;ssl=1\" alt=\"\" width=\"375\" height=\"30\" \/><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/sunnysiderecords.bandcamp.com\/album\/the-parsonage\"><strong>Theo Bleckmann, Alicia Olatuja, Dan Tepfer and David Hajdu &#8211; &#8216;Lou Reed Was Very Well Read&#8217;<\/strong><\/a><\/p>\n<p>David Hajdu and Theo Bleckmann doff their nightcaps and pour one out in memory of Lou Reed, who was very well read between writing all of those songs about giving good head and shooting up heroin. The future Velvet Underground and\u00a0<em>Coney Island Baby<\/em>\u00a0crooner studied poetry at Syracuse University under the diligent daydreamer and rapier conversationalist Delmore Schwartz, and in the seventies frequented a neighbourhood bookstore called Books \u2018N Things at 64th East 7th Street, whose owner would regale interested parties with tales of the songs he sang in the back garden of the establishment alongside his friend Iggy Pop and the modernist wit Marianne Moore. In the back room singing old harmony tunes, equal parts Wallace Stevens and \u2018Walk on the Wild Side\u2019, the climax of \u2018Lou Reed Was Very Well Read\u2019 arrives as the onrush of history nears a pivot point, part of Hajdu\u2019s ode to an otherwise nondescript four-story brick townhouse which serves to capture in miniature the vanishing themes and cultural cycles of life in New York.<\/p>\n<iframe loading=\"lazy\" width=\"100%\" height=\"120\" style=\"position: relative; display: block; width: 100%; height: 120px;\" src=\"\/\/bandcamp.com\/EmbeddedPlayer\/v=2\/track=3054649532\/album=1188846101\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/\" allowtransparency=\"true\" frameborder=\"0\"><\/iframe>\n\n\n<div class=\"wp-block-columns has-background is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\" style=\"background-color:#a8c1a8\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/vagabon.bandcamp.com\/album\/sorry-i-havent-called\">Vagabon &#8211; &#8216;Carpenter&#8217;<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-color has-link-color wp-elements-333e1450afc687ab94252d58557c7c8e\" style=\"color:#232220\">L\u00e6titia Tamka as Vagabon follows up her critically acclaimed debut album with an earworm about knowledge accretion and delayed gratification.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><a href=\"https:\/\/wiksetnyc.bandcamp.com\/album\/14k-figaro\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Wiki &amp; Tony Seltzer &#8211; \u2018Golden Child\u2019<\/strong><\/a><\/p>\n\n\n\n<p class=\"has-text-color has-link-color wp-elements-db3fab9f0df68d2091f7d734a866f770\" style=\"color:#232220\">Making light of a conspiracy theory which ties the federal reserve to the death of John F. Kennedy, the New York rapper Wiki boasts his staying power over a beat by Tony Seltzer with a trio of bravura verses on his sparkling single \u2018Golden Child\u2019.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><a href=\"https:\/\/yayabey.bandcamp.com\/album\/exodus-the-north-star\"><strong>Yaya Bey &#8211; &#8216;exodus the north star&#8217;<\/strong><\/a><\/p>\n\n\n\n<p class=\"has-text-color has-link-color wp-elements-a48ae0a2734c4ed7d50dacd3bd186513\" style=\"color:#232220\">On her most vulnerable effort to date, Yaya Bay turns from themes of misogynoir to the easy embrace of free love and desire, where every blessing or gratification is no more than a just desert.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-embed-aspect-16-9 wp-has-aspect-ratio wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"youtube-embed\" data-video_id=\"Xl4xGGUwnWY\"><iframe loading=\"lazy\" title=\"Vagabon - Carpenter (Official Lyric Video)\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/Xl4xGGUwnWY?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-embed-aspect-4-3 wp-has-aspect-ratio wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"youtube-embed\" data-video_id=\"j6tkNZfr3CQ\"><iframe loading=\"lazy\" title=\"Wiki &amp; Tony Seltzer - Golden Child (Official Video)\" width=\"696\" height=\"522\" src=\"https:\/\/www.youtube.com\/embed\/j6tkNZfr3CQ?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-embed-aspect-16-9 wp-has-aspect-ratio wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"youtube-embed\" data-video_id=\"gddWyAzMuTI\"><iframe loading=\"lazy\" title=\"Yaya Bey - &#039;exodus the north star&#039; (Official Video)\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/gddWyAzMuTI?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n<\/div>\n<\/div>\n\n\n<p style=\"text-align: center;\"><a href=\"https:\/\/yolatengo.bandcamp.com\/album\/this-stupid-world\"><strong>Yo La Tengo &#8211; &#8216;Sinatra Drive Breakdown&#8217;<\/strong><\/a><\/p>\n<p>Tree-lined with pristine views over the Hudson towards Greenwich Village and the gleaming skyline of New York, the scenic waterfront boulevard of Sinatra Drive is in need of an upgrade according to the city itself, with potted roads and critical gaps in pedestrian and bicycle facilities, but on the opening track to their seventeenth studio album\u00a0<em>This Stupid World<\/em>, the indie veterans Yo La Tengo ride roughshod over the withered terrain, as the steely guitar of Ira Kaplan and driving rhythms of Georgia Hubley and James McNew culminate in an existential paean to the rising of the moon and the setting of the sun, their hometown of Hoboken bathed in an ashy afterglow of white silence.<\/p>\n<p><div class=\"youtube-embed\" data-video_id=\"98PW8t04l6U\"><iframe loading=\"lazy\" title=\"Yo La Tengo- &quot;Sinatra Drive Breakdown&quot; (Official Video)\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/98PW8t04l6U?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-60553 aligncenter\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/2023-Separator-8.png?resize=380%2C30&#038;ssl=1\" alt=\"\" width=\"380\" height=\"30\" \/><\/p>\n<p style=\"text-align: center;\"><strong><a href=\"https:\/\/yussefdayes.bandcamp.com\/album\/black-classical-music\">Yussef Dayes &#8211; \u2018The Light\u2019 (feat. Bahia Dayes)<\/a><\/strong><\/p>\n<p>Reflecting another side of the pandemic, on \u2018The Light\u2019 the drummer Yussef Dayes celebrates the birth of his daughter Bahia, who features on the track through various voice memos. Born in 2020, the breakout London percussionist calls his ensuing months with Bahia \u2018one of the most special times in my life\u2019, describing \u2018The Light\u2019 as a lullaby song while adding that \u2018being able to take time from touring and nurture my family at home was something I\u2019ll cherish forever\u2019.<\/p>\n<p><div class=\"youtube-embed\" data-video_id=\"h0Ik2z7uq-E\"><iframe loading=\"lazy\" title=\"Yussef Dayes - The Light feat. Bahia Dayes [Official Video]\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/h0Ik2z7uq-E?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-60552 aligncenter\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/2023-Separator-7_1.png?resize=396%2C30&#038;ssl=1\" alt=\"\" width=\"396\" height=\"30\" \/><\/p>\n<p style=\"text-align: center;\"><strong><a href=\"https:\/\/hakunakulala.bandcamp.com\/album\/eyeroll\" target=\"_blank\" rel=\"external noopener noreferrer\" data-wpel-link=\"external\">Zi\u00far &#8211; \u2018Eyeroll\u2019 (feat. Elvin Brandhi)<\/a><\/strong><\/p>\n<p>Over serrated blasts of saturated electronics, the scratchings and scrapings of shell-less tunable rototoms, and the primal screams of the Welsh noisemaker Elvin Brandhi, the producer Zi\u00far turns her eyes in the direction of the Kampala upstart Hakuna Kulala, offering a panacea for our post-pandemic slumber in the form of communal release.<\/p>\n<p><div class=\"youtube-embed\" data-video_id=\"trw4dj8s1UI\"><iframe loading=\"lazy\" title=\"Ziu\u0301r - Eyeroll (w Elvin Brandhi)\" width=\"696\" height=\"522\" src=\"https:\/\/www.youtube.com\/embed\/trw4dj8s1UI?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-60554 aligncenter\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/2023-Separator-9.png?resize=375%2C30&#038;ssl=1\" alt=\"\" width=\"375\" height=\"30\" \/><\/p>\n<p style=\"text-align: center;\"><strong><a href=\"https:\/\/billorcutt.bandcamp.com\/album\/the-flower-school\">Zoh Amba, Chris Corsano and Bill Orcutt &#8211; &#8216;Moon Showed But No You&#8217;<\/a><\/strong><\/p>\n<p>\u2018The cock crows \/ But no queen rises\u2019 begins \u2018Depression Before Spring\u2019 by the elliptical modernist Wallace Stevens, a silvery wisp of a poem full of bird call and nonsense syllables from his debut collection <em>Harmonium<\/em> which was remaindered after selling just a hundred copies upon its publication by Knopf in 1923. An amber inversion, the track \u2018Moon Showed But No You\u2019 draws the curtain on\u00a0<em>The Flower School<\/em>\u00a0by the dauntless trio of Zoh Amba, Bill Orcutt and Chris Corsano, collaborating for the first time with an impromptu session at Hyde Street Studios in San Francisco the day after the drummer and tenor saxophonist wrapped a tour of the west coast. Putting a cap on his binding glue, Corsano\u2019s circular rhythms sit this one out as the dazzling light and dewy brusqueness of the morning give way to the rippling tides of evening, the soft staccato pluckings of Orcutt\u2019s electric guitar offsetting Amba\u2019s soaring saxophone melody \u2018As the spittle of cows \/ Threading the wind\u2019.<\/p>\n<iframe loading=\"lazy\" width=\"100%\" height=\"120\" style=\"position: relative; display: block; width: 100%; height: 120px;\" src=\"\/\/bandcamp.com\/EmbeddedPlayer\/v=2\/track=1140704300\/album=3788184727\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/\" allowtransparency=\"true\" frameborder=\"0\"><\/iframe>","protected":false},"excerpt":{"rendered":"<p>In the year of 2023 artists from Tyla, Bad Bunny and NewJeans to Vagabon, Tems and Sofia Kourtesis continued to redefine the borders of contemporary pop, while Cassandra Miller covered Beethoven&#8217;s &#8216;Heiliger Dankgesang&#8217; and Arvo 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