{"id":61341,"date":"2024-01-13T23:08:20","date_gmt":"2024-01-13T22:08:20","guid":{"rendered":"https:\/\/culturedarm.com\/staging\/5793\/?p=61341"},"modified":"2024-03-02T23:38:05","modified_gmt":"2024-03-02T22:38:05","slug":"the-san-lucas-band-la-voz-de-las-cumbres-music-of-guatemala","status":"publish","type":"post","link":"https:\/\/culturedarm.com\/staging\/5793\/the-san-lucas-band-la-voz-de-las-cumbres-music-of-guatemala\/","title":{"rendered":"The San Lucas Band &#8211; La Voz de las Cumbres (Music of Guatemala)"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-61344\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/The-San-Lucas-Band-La-Voz-de-las-Cumbres-Music-of-Guatemala-1.jpg?resize=696%2C464&#038;ssl=1\" alt=\"\" width=\"696\" height=\"464\" srcset=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/The-San-Lucas-Band-La-Voz-de-las-Cumbres-Music-of-Guatemala-1.jpg?w=1200&amp;ssl=1 1200w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/The-San-Lucas-Band-La-Voz-de-las-Cumbres-Music-of-Guatemala-1.jpg?resize=978%2C652&amp;ssl=1 978w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/The-San-Lucas-Band-La-Voz-de-las-Cumbres-Music-of-Guatemala-1.jpg?resize=768%2C512&amp;ssl=1 768w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><\/p>\n<p>The Ayler tone is apparent and overwhelmingly so from the very first moment of <em>La Voz de las Cumbres (Music of Guatemala)<\/em> by the San Lucas Band. With its duelling trumpets and horns which in staccato fashion barely tether to the unbridled march of a military band melody, here accompanied by crashing cadences of percussion and a contrapuntal threnody of strings, the record is strikingly redolent of Albert Ayler&#8217;s peak years on ESP-Disk where he played alongside the likes of his brother Donald, Charles Tyler, Gary Peacock and Sonny Murray on the classic albums <em>Spiritual Unity<\/em>, <em>Bells<\/em> and <em>Spirits Rejoice<\/em>, a period which culminated in the clangorous rancour and cosmic affirmations of his Impulse! debut <em>Albert Ayler in Greenwich Village<\/em> as the saxophonist reached the summit on &#8216;Change Has Come&#8217; and &#8216;Truth Is Marching In&#8217;.<\/p>\n<div style=\"float: right; margin: 0px 0px 30px 40px;\"><iframe loading=\"lazy\" width=\"350\" height=\"720\" style=\"position: relative; display: block; width: 350px; height: 720px;\" src=\"\/\/bandcamp.com\/EmbeddedPlayer\/v=2\/album=1781859305\/size=large\/bgcol=ffffff\/linkcol=0687f5\/\" allowtransparency=\"true\" frameborder=\"0\"><\/iframe><\/div>\n<p>In fact the music caught on these cult 1974 recordings of the San Lucas Band stretched back some five decades, all the way to their founding in the mountain village of San Lucas Tolim\u00e1n in 1922. Situated on the southeastern shore of Lake Atitl\u00e1n, the village is home to a significant population of Kaqchikel, one of the indigenous Maya peoples of the Guatemalan highlands. A brass band which by 1974 was being led by the violinist Bernardo Meija, on <em>La Voz de las Cumbres (Music of Guatemala) <\/em>the San Lucas Band played funeral dirges and popular songs which chafe at rhythmic constraints and ramble outside the confines of Western scales, the marked similarities with the free jazz of Ayler on &#8216;marchas&#8217; cuatro, tres and seis giving way to a broader and more lyrical palette which shows the influence of Italian opera, the local culture of military band music, the invention and development of the chromatic marimba, Semana Santa ceremonies and the other assorted spiritual practises of the Kaqchikel. Drawing from such a wide and longstanding repertoire, for the album Meija was joined by Guiellmo Campo Mendoza on the cornet, Alejandro Cos Coquix on the euphonium, Man\u00fael Meija Mucia on the alto saxophone, Jes\u00fas Garcia Hernandez on the snare drum, Alberto Campa on the bass drum and Ermerjildo Cos Murcia on cymbals.<\/p>\n<p>Recorded in 1974 by Kathryn King and Linda O&#8217;Brien, the album by the San Lucas Band captured a fast disappearing musical tradition and was nominated for a Grammy following its release in 1975, ultimately losing out to Muddy Waters in the best ethnic or folk category. The fourth world trumpeter Jon Hassell and the double bassist Charlie Haden, who played alongside Ornette Coleman, Don Cherry, Keith Jarrett and Alice Coltrane and founded the Liberation Music Orchestra, subsequently named <em>Music of Guatemala<\/em> as one of their favourite records. Now for the first time the album is being reissued by the Geneva seeker and stalwart Les Disques Bongo Joe, in a package which includes the original liner notes and insert photographs.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Ayler tone is apparent and overwhelmingly so from the very first moment of La Voz de las Cumbres (Music of Guatemala) by the San Lucas Band. With its duelling trumpets and horns which in staccato fashion barely tether to the unbridled march of a military band melody, here accompanied by crashing cadences of percussion [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":61345,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[7775],"tags":[7801,7798,7796,7802,7793,7797,7800,7799,7792],"class_list":{"0":"post-61341","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-albums","8":"tag-alberto-campa","9":"tag-alejandro-cos-coquix","10":"tag-bernardo-meija","11":"tag-ermerjildo-cos-murcia","12":"tag-guatemala","13":"tag-guiellmo-campo-mendoza","14":"tag-jesus-garcia-hernandez","15":"tag-manuel-meija-mucia","16":"tag-the-san-lucas-band"},"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The San Lucas Band - La Voz de las Cumbres (Music of Guatemala) - Culturedarm<\/title>\n<meta name=\"description\" content=\"Reissued for the first time, on Music of Guatemala the San Lucas Band evoke local military customs, Semana Santa ceremonies and Ayleresque jazz.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturedarm.com\/the-san-lucas-band-la-voz-de-las-cumbres-music-of-guatemala\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The San Lucas Band - La Voz de las Cumbres (Music of Guatemala) - Culturedarm\" \/>\n<meta property=\"og:description\" content=\"Reissued for the first time, on Music of Guatemala the San Lucas Band evoke local military customs, Semana Santa ceremonies and Ayleresque jazz.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/culturedarm.com\/the-san-lucas-band-la-voz-de-las-cumbres-music-of-guatemala\/\" \/>\n<meta property=\"og:site_name\" content=\"Culturedarm\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/culturedallroundman\" \/>\n<meta property=\"article:published_time\" content=\"2024-01-13T22:08:20+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-03-02T22:38:05+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/culturedarm.com\/wp-content\/uploads\/The-San-Lucas-Band-La-Voz-de-las-Cumbres-Music-of-Guatemala-2.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"800\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Christopher Laws\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@https:\/\/twitter.com\/culturedarm\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Christopher Laws\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/culturedarm.com\/the-san-lucas-band-la-voz-de-las-cumbres-music-of-guatemala\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/culturedarm.com\/the-san-lucas-band-la-voz-de-las-cumbres-music-of-guatemala\/\"},\"author\":{\"name\":\"Christopher Laws\",\"@id\":\"http:\/\/culturedarm.com\/#\/schema\/person\/9034b985ef3e4c9cea454b05beb6a4f5\"},\"headline\":\"The San Lucas Band &#8211; 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