{"id":61369,"date":"2024-02-18T13:58:28","date_gmt":"2024-02-18T12:58:28","guid":{"rendered":"https:\/\/culturedarm.com\/staging\/5793\/?p=61369"},"modified":"2024-03-04T02:46:44","modified_gmt":"2024-03-04T01:46:44","slug":"nathalie-joachim-ki-moun-ou-ye","status":"publish","type":"post","link":"https:\/\/culturedarm.com\/staging\/5793\/nathalie-joachim-ki-moun-ou-ye\/","title":{"rendered":"Nathalie Joachim &#8211; Ki moun ou ye"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-61232\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Nathalie-Joachim-Ki-moun-ou-ye-4.jpg?resize=696%2C464&#038;ssl=1\" alt=\"\" width=\"696\" height=\"464\" srcset=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Nathalie-Joachim-Ki-moun-ou-ye-4.jpg?w=1200&amp;ssl=1 1200w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Nathalie-Joachim-Ki-moun-ou-ye-4.jpg?resize=978%2C652&amp;ssl=1 978w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Nathalie-Joachim-Ki-moun-ou-ye-4.jpg?resize=768%2C512&amp;ssl=1 768w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><\/p>\n<div style=\"float: right; margin: 0px 0px 30px 40px;\"><iframe loading=\"lazy\" width=\"350\" height=\"786\" style=\"position: relative; display: block; width: 350px; height: 786px;\" src=\"\/\/bandcamp.com\/EmbeddedPlayer\/v=2\/album=4269783498\/size=large\/bgcol=ffffff\/linkcol=0687f5\/\" allowtransparency=\"true\" frameborder=\"0\"><\/iframe><\/div>\n<p>For the follow-up to her Grammy-nominated debut album\u00a0<em>Fanm d\u2019Ayiti<\/em>, a celebration of the unheralded female singers of Haiti which was recited and performed in collaboration with Spektral Quartet, the Haitian American vocalist and flautist Nathalie Joachim sought to fete those ties that bind, from romantic trysts and familial bonds to the semantic shifts and twisted etymologies of Haitian Creole, a contested mode of expression which can be lost as first generation Haitian Americans assimilate to life in the United States, and the sometimes tumultuous relationship which Haitians share with their native landscape. Returning to her family farm in southern Haiti where she was to write much of her album, Joachim bore questions of self-identity and ancestry, pondering the vagaries of a land whose bounty is increasingly racked by heavy rains, floods and hurricanes, while eager to reconnect with the Haitian women in her life from Vodou singers who continue to serve as models to her maternal grandmother Ipheta Bellegarde, whose late voice here sings a hymn of gratitude as part of a duet.<\/p>\n<p>Over the ten tracks of\u00a0<em>Ki moun ou ye<\/em> it is Joachim\u2019s voice which provides the thread, sometimes crisp as the morning air as though singing sublimated clarion calls to freedom, sometimes full of a languorous and ardent yearning, from the moonlit reveries of \u2018Zetwal\u2019 to the reclamation of \u2018Ti n\u00e8g\u2019 and \u2018Nan k\u00f2 mwen\u2019 which recounts cycles of abuse and trauma. Accompanied throughout by Yvonne Lam on the violin and viola and Jason Treuting of S\u014d Percussion on drums, suffusing acoustic instrumentation with electronic swatches and hitherto discarded vocal samples, Joachim says of her record\u2019s title:<\/p>\n<p style=\"text-align: center;\"><em>\u201cCreole as a language almost always has a primary, literal meaning of what\u2019s being said plus a secondary layer of understanding, and sometimes even a tertiary level. \u2018Ki moun ou ye\u2019 can be very simply asking, \u2018Who are you?\u2019. But it also means, \u2018Whose people are you?\u2019. And it can also mean, \u2018Which person are you?\u2019. For me, it led to, \u2018Who am I actually?\u2019. Not just on a performative level, but also as a Black person in spaces where I constantly have to code-switch. It\u2019s a deep question. It isn\u2019t casual.\u201d<\/em><\/p>\n<div class=\"youtube-embed\" data-video_id=\"fFGJTPioByA\"><iframe loading=\"lazy\" title=\"Nathalie Joachim - Ki moun ou ye (Official Video)\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/fFGJTPioByA?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n","protected":false},"excerpt":{"rendered":"<p>For the follow-up to her Grammy-nominated debut album\u00a0Fanm d\u2019Ayiti, a celebration of the unheralded female singers of Haiti which was recited and performed in collaboration with Spektral Quartet, the Haitian American vocalist and flautist Nathalie Joachim sought to fete those ties that bind, from romantic trysts and familial bonds to the semantic shifts and twisted [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":61370,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[7775],"tags":[7806,7805,7758,7804],"class_list":{"0":"post-61369","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-albums","8":"tag-haitian-creole","9":"tag-jason-treuting","10":"tag-nathalie-joachim","11":"tag-yvonne-lam"},"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Nathalie Joachim - Ki moun ou ye - Culturedarm<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturedarm.com\/nathalie-joachim-ki-moun-ou-ye\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Nathalie Joachim - Ki moun ou ye - Culturedarm\" \/>\n<meta property=\"og:description\" content=\"For the follow-up to her Grammy-nominated debut album\u00a0Fanm d\u2019Ayiti, a celebration of the unheralded female singers of Haiti which was recited and performed in collaboration with Spektral Quartet, the Haitian American vocalist and flautist Nathalie Joachim sought to fete those ties that bind, from romantic trysts and familial bonds to the semantic shifts and twisted [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/culturedarm.com\/nathalie-joachim-ki-moun-ou-ye\/\" \/>\n<meta property=\"og:site_name\" content=\"Culturedarm\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/culturedallroundman\" \/>\n<meta property=\"article:published_time\" content=\"2024-02-18T12:58:28+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-03-04T01:46:44+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/culturedarm.com\/wp-content\/uploads\/Nathalie-Joachim-Ki-moun-ou-ye-1-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"800\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Christopher Laws\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@https:\/\/twitter.com\/culturedarm\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Christopher Laws\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/culturedarm.com\/nathalie-joachim-ki-moun-ou-ye\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/culturedarm.com\/nathalie-joachim-ki-moun-ou-ye\/\"},\"author\":{\"name\":\"Christopher Laws\",\"@id\":\"http:\/\/culturedarm.com\/#\/schema\/person\/9034b985ef3e4c9cea454b05beb6a4f5\"},\"headline\":\"Nathalie Joachim &#8211; 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