{"id":7359,"date":"2015-07-16T11:40:06","date_gmt":"2015-07-16T14:40:06","guid":{"rendered":"http:\/\/culturedarm.com\/?p=7359"},"modified":"2015-07-16T11:40:06","modified_gmt":"2015-07-16T14:40:06","slug":"jolie-holland-at-the-basement-york","status":"publish","type":"post","link":"https:\/\/culturedarm.com\/staging\/5793\/jolie-holland-at-the-basement-york\/","title":{"rendered":"Jolie Holland at The Basement, York"},"content":{"rendered":"

\"Jolie<\/a><\/p>\n

Last night Jolie Holland<\/a> played\u00a0at The Basement<\/a> in York. A small and low-hanging room with a bar attached, located underneath the City Screen Picturehouse, the venue – which once seemed to focus on comedy, with intermittent appearances from across the more marginal performing arts – is showing renewed vigour as a place for foreign cinema and international music. It was fantastic to have Jolie in the city, in a performance coordinated by the Brudenell Social Club and Please Please You.<\/p>\n

Jolie was supported first by Sam Airey<\/a>, a Welsh singer-songwriter who co-runs Hide & Seek Records out of Leeds. Airey closed his short set with a tender rendition of Bruce Springsteen’s ‘No Surrender’ from Born in the U.S.A.<\/em>, sustaining the song with droning effects on the guitar. Next came Danni Nicholls<\/a>, who impressed courtesy of her resonant voice and outgoing stage manner – managing to retain the good will of the audience in spite of her bold risk-taking, as she\u00a0required them to sing then hum along to her compositions.<\/p>\n

Blending elements of soul, country, and pop rock into a thoroughgoing take on Americana, Nicholls is set to release her second album, Mockingbird Lane<\/em>, later this year; although copies were available last night, and have already been distributed digitally to fans eager to pay for the experience. Helping to fund her\u00a0work\u00a0through PledgeMusic – which rejects\u00a0the ‘crowdfunding’ label, terming itself instead a ‘Direct-to-Fan’ platform – as with her 2013 debut A Little Redemption<\/em>, Mockingbird Lane<\/em> was recorded in Nashville, over the course of January. The album\u00a0features Nashville stalwarts\u00a0Chris Donohue, Will Kimbrough, and Stephen Leiweke, plus guest spots from Billy Livsey and Brandy Zdan.<\/p>\n

Given\u00a0the somewhat cramped confines of The Basement, Jolie Holland was happily without any semblance of a full band. Instead, she played seated alongside Stevie Weinstein-Foner, who provided us guitar, harmonium, vocal accompaniment, and his own\u00a0brand of ‘sit-down’ comedy, with which Jolie freely and merrily engaged.<\/p>\n

This show was plenty fun. Jolie’s voice, intuitive as ever, was in fine form, and with Weinstein-Foner she was wonderfully relaxed, expounding between songs on wide-ranging\u00a0subjects: from New Orleans, Hurricane Katrina, and the presence of bald eagles, to navigational escapades, Townes Van Zandt (Weinstein-Foner recalled the joke told by Townes on the Live at the Old Quarter, Houston, Texas<\/em> double album, which has two drunks debating whether the orb in the sky is the sun or the moon – only for a third to appear and equivocate, protesting ‘Aw I don\u2019t know man, I ain\u2019t from this neighborhood’), and Julian of Norwich, whose church the pair visited before their show on Monday.<\/p>\n

Demonstrating\u00a0a diverse setlist, ‘Honey Girl’, the penultimate track on 2011’s Pint of Blood<\/a><\/em>, opened the performance – though the song was momentarily interrupted by a wilting microphone stand, which saw Jolie’s microphone repeatedly droop just out of reach. ‘Gold and Yellow’ from the same album followed; and then ‘On and On’, the first song on Wine Dark Sea<\/a><\/em>.<\/p>\n

Interviewing Jolie earlier this week<\/a>, I asked about the challenge of transposing the songs on Wine Dark Sea<\/em> – which were recorded with three additional guitarists, a bassist, and two drummers plus other instruments – to a live setting.\u00a0Jolie responded, ‘Many\u00a0of the songs are composed as templates. I want the performance to be of\u00a0the moment’. The structural integrity of Jolie’s music, her strength as a composer and her ability to fluidly navigate any given song was evident throughout\u00a0‘On and On’: though Jolie suggested that the nature\u00a0of the performance meant this was the quietest we would ever hear her play, the piece maintained\u00a0its rumbling, pleading, openhearted intensity.<\/p>\n

Taking now from the earlier part of her career, from\u00a0Springtime Can Kill You<\/em> came a warm interpretation of the album-closer ‘Mexican Blue’. There was a lithe rendering of ‘Old Fashioned Morphine’ from Escondida<\/em> – Jolie joking that despite the frequency of her requests, there never seems to be much morphine on offer. And then from The Living and the Dead<\/em> the cool ‘Palmyra’, ‘Only a few old petals left \/\u00a0On the rose that touched your hand \/\u00a0My little heart is a graveyard \/\u00a0It’s a no man’s land’.<\/p>\n

Lou Reed’s death occurred approaching two years ago now, but for an artist who\u00a0gave such a wealth of great songwriting, and whose music continues to prove foundational for so many listeners – who, moreover, came\u00a0to stand casually as something like the artistic conscience of the music business; remaining vital as a musician, as a bandleader and champion of new talent, and as a critic – his loss is barely sensible and still seeping in. Upon his death back in 2013,\u00a0David Ivar\/Black Yaya wrote a ‘Song for Lou Reed’<\/a>. Having supported and played on stage with Jolie over\u00a0a couple of tour dates last week, last night Jolie and Weinstein-Foner performed Black Yaya’s fond commemoration.<\/p>\n

‘First Sign of Spring’, again from Wine Dark Sea<\/em>, was another of the evening’s highlights, building to a winding climax. It was succeeded by ‘Route 30’, and with ‘Tender Mirror’ some of Jolie’s\u00a0beautifully clear whistling, as Weinstein-Foner took up the harmonium. After an adept cover of Townes Van Zandt’s ‘You Are Not Needed Now’, from High, Low, and In Between<\/em> – ‘I was thinkin’ hang on, man, something’s wrong \/\u00a0Your blues they do seem to be gone \/\u00a0Heaven ain’t bad but you don’t get nothing done’ – the show came to a close with ‘Mexico City’, the Beat Generation-cum-James Joyce lead track from The Living and the Dead<\/em>. The evening’s curfew had already passed, but this was a fitting way to end such an enjoyable and absorbing event.<\/p>\n

<\/div>\n

Jolie Holland<\/a> plays tonight at\u00a0LEAF in Liverpool; at Ramsgate Music Hall on Friday; and on Saturday in Belgium at Gentse Feesten 2015.<\/p>\n","protected":false},"excerpt":{"rendered":"

Last night Jolie Holland played\u00a0at The Basement in York. A small and low-hanging room with a bar attached, located underneath the City Screen Picturehouse, the venue – which once seemed to focus on comedy, with intermittent appearances from across the more marginal performing arts – is showing renewed vigour as a place for foreign cinema […]<\/p>\n","protected":false},"author":1,"featured_media":7372,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[3880],"tags":[1716,3800,3940,3939,3670],"class_list":{"0":"post-7359","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-music","8":"tag-jolie-holland","9":"tag-live-review","10":"tag-lou-reed","11":"tag-wine-dark-sea","12":"tag-york"},"jetpack_publicize_connections":[],"yoast_head":"\nJolie Holland at The Basement, York<\/title>\n<meta name=\"description\" content=\"Jolie Holland was at The Basement in York last night, performing - 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