{"id":7814,"date":"2015-09-28T01:26:40","date_gmt":"2015-09-28T04:26:40","guid":{"rendered":"http:\/\/culturedarm.com\/?p=7814"},"modified":"2015-10-19T22:23:58","modified_gmt":"2015-10-20T01:23:58","slug":"the-birds-1963-risseldy-rosseldy","status":"publish","type":"post","link":"https:\/\/culturedarm.com\/staging\/5793\/the-birds-1963-risseldy-rosseldy\/","title":{"rendered":"The Birds (1963): &#8216;Risseldy Rosseldy&#8217;"},"content":{"rendered":"<p><a href=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/The-Birds-School-2.jpg?ssl=1\"><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-8521\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/The-Birds-School-2.jpg?resize=696%2C465&ssl=1\" alt=\"The Birds School 2\" width=\"696\" height=\"465\" srcset=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/The-Birds-School-2.jpg?w=1200&ssl=1 1200w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/The-Birds-School-2.jpg?resize=978%2C653&ssl=1 978w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/The-Birds-School-2.jpg?resize=768%2C513&ssl=1 768w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/The-Birds-School-2.jpg?resize=1024%2C684&ssl=1 1024w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/The-Birds-School-2.jpg?resize=370%2C247&ssl=1 370w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/The-Birds-School-2.jpg?resize=570%2C380&ssl=1 570w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/The-Birds-School-2.jpg?resize=770%2C514&ssl=1 770w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/The-Birds-School-2.jpg?resize=1170%2C781&ssl=1 1170w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/The-Birds-School-2.jpg?resize=869%2C580&ssl=1 869w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/The-Birds-School-2.jpg?resize=270%2C180&ssl=1 270w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><\/a><\/p>\n<p>A\u00a0couple of early incidents featuring agitated lone gulls \u2013 a\u00a0swift strike\u00a0as Melanie Daniels (Tippi Hedren) prepares to dock her motorboat, and another which annihilates itself in the Brenner front door \u2013 progress into a fully-fledged attack on Cathy Brenner\u2019s (Veronica Cartwright) birthday party, as the youngster\u00a0celebrates turning twelve. Later that evening a swarm of sparrows invade the Brenner home through the chimney. And the following morning Lydia Brenner (Jessica Tandy) pays a visit to her neighbour, Dan Fawcett, only to find the farmer dead in the corner of his room, his eyes all pecked out.<\/p>\n<p>So Lydia asks Melanie to drive in her top-down Aston Martin to the schoolhouse, to check on Cathy\u2019s well-being. As she pulls up to the school steps, we can hear the schoolchildren inside \u2013 led by\u00a0schoolteacher Annie Hayworth (Suzanne Pleshette) \u2013 reciting a folk song. Repetitive, cycling back upon its hook\u00a0which seems filled with nonsense words, the children\u2019s singing continues as Melanie sits smoking her cigarette in the playground, waiting for class to end. But as though enticed by the tune, <a href=\"https:\/\/culturedarm.com\/staging\/5793\/the-birds-1963-storyboarding-the-scene-at-the-schoolhouse\/\">crows gather\u00a0in the background, readying another onslaught<\/a>.<\/p>\n<div class=\"youtube-embed\" data-video_id=\"JOGC3sNJJxs\"><iframe loading=\"lazy\" title=\"The Birds children singing\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/JOGC3sNJJxs?feature=oembed&enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p style=\"text-align: center;\">* * *<\/p>\n<p style=\"text-align: left;\">The tune sung by the schoolchildren is an alternate, American version of a traditional Scottish folk song, \u2018Wee Cooper O\u2019Fife\u2019. The song details a cooper who beats his wife for refusing to cook, sew, and clean:<\/p>\n<p style=\"text-align: left; padding-left: 90px;\"><strong>\u2018Wee Cooper O\u2019Fife\u2019 <\/strong>(1)<\/p>\n<p style=\"text-align: left; padding-left: 90px;\"><em>There was a wee Cooper wha lived in Fife,<\/em><br \/>\n<em>Nickety, Nackety, noo, noo, noo,<\/em><br \/>\n<em>And he has gotten a gentle wife,<\/em><br \/>\n<em>Hey Willy Wallacky, hoo John Dougal,<\/em><br \/>\n<em>A lane, quo\u2019Rushity, roue, roue, roue.<\/em><\/p>\n<p style=\"padding-left: 90px;\"><em>She wadna bake, nor she wadna brew,<\/em><br \/>\n<em>Nickety, Nackety, noo, noo, noo,<\/em><br \/>\n<em>For the spoiling o\u2019 her comely hue,<\/em><br \/>\n<em>Hey Willy Wallacky, hoo John Dougal,<\/em><br \/>\n<em>A lane, quo\u2019Rushity, roue, roue, roue.<\/em><\/p>\n<p style=\"padding-left: 90px;\"><em>She wadna card, nor she wadna spin,<\/em><br \/>\n<em>Nickety, Nackety, noo, noo, noo,<\/em><br \/>\n<em>For the shamin\u2019 o\u2019 her gentle kin,<\/em><br \/>\n<em>Hey Willy Wallacky, hoo John Dougal,<\/em><br \/>\n<em>A lane, quo\u2019Rushity, roue, roue, roue.<\/em><\/p>\n<p style=\"padding-left: 90px;\"><em>She wadna wash, nor she wadna wring,<\/em><br \/>\n<em>Nickety, Nackety, noo, noo, noo,<\/em><br \/>\n<em>For the spoiling o\u2019 her gowden ring,<\/em><br \/>\n<em>Hey Willy Wallacky, hoo John Dougal,<\/em><br \/>\n<em>A lane, quo\u2019Rushity, roue, roue, roue.<\/em><\/p>\n<p style=\"padding-left: 90px;\"><em>The Cooper has gane to his woo\u2019 pack,<\/em><br \/>\n<em>Nickety, Nackety, noo, noo, noo,<\/em><br \/>\n<em>And he\u2019s laid a sheep\u2019s skin on his wife\u2019s ba\u2019ck,<\/em><br \/>\n<em>Hey Willy Wallacky, hoo John Dougal,<\/em><br \/>\n<em>A lane, quo\u2019Rushity, roue, roue, roue.<\/em><\/p>\n<p style=\"padding-left: 90px;\"><em>It\u2019s I\u2019ll no thrash ye for your gentle kin,<\/em><br \/>\n<em>Nickety, Nackety, noo, noo, noo,<\/em><br \/>\n<em>But I will thrash my ain sheep\u2019s skin,<\/em><br \/>\n<em>Hey Willy Wallacky, hoo John Dougal,<\/em><br \/>\n<em>A lane, quo\u2019Rushity, roue, roue, roue.<\/em><\/p>\n<p style=\"padding-left: 90px;\"><em>Oh I will bake, and I will brew,<\/em><br \/>\n<em>Nickety, Nackety, noo, noo, noo,<\/em><br \/>\n<em>And nae mair think o\u2019 my comely hue,<\/em><br \/>\n<em>Hey Willy Wallacky, hoo John Dougal,<\/em><br \/>\n<em>A lane, quo\u2019Rushity, roue, roue, roue.<\/em><\/p>\n<p style=\"padding-left: 90px;\"><em>Oh I will card, and I will spin,<\/em><br \/>\n<em>Nickety, Nackety, noo, noo, noo,<\/em><br \/>\n<em>And nae main think o\u2019 my gentle kin,<\/em><br \/>\n<em>Hey Willy Wallacky, hoo John Dougal,<\/em><br \/>\n<em>A lane, quo\u2019Rushity, roue, roue, roue.<\/em><\/p>\n<p style=\"padding-left: 90px;\"><em>Oh I will wash, and I will wring,<\/em><br \/>\n<em>Nickety, Nackety, noo, noo, noo,<\/em><br \/>\n<em>and nae mair think o\u2019 my gowden ring,<\/em><br \/>\n<em>Hey Willy Wallacky, hoo John Dougal,<\/em><br \/>\n<em>A lane, quo\u2019Rushity, roue, roue, roue.<\/em><\/p>\n<p style=\"padding-left: 90px;\"><em>Al ye wha ha\u2019e gotten a gentle wife,<\/em><br \/>\n<em>Nickety, Nackety, noo, noo, noo,<\/em><br \/>\n<em>Just you send for the wee Cooper o\u2019 Fife,<\/em><br \/>\n<em>Hey Willy Wallacky, hoo John Dougal,<\/em><br \/>\n<em>A lane, quo\u2019Rushity, roue, roue, roue.<\/em><\/p>\n<p style=\"text-align: left;\">The close of this traditional composition even appears to offer the cooper\u2019s services to other husbands, should they too find themselves suffering the strains of a \u2018gentle wife\u2019 unwilling to work. \u2018Wee Cooper O\u2019Fife\u2019\u00a0is first referred to in print in texts from\u00a0the late 1880s. A version\u00a0was recorded by Burl Ives for his 1941 debut album <em>Okeh Presents the Wayfaring Stranger,<\/em>\u00a0and the song has since been performed by folk artists including\u00a0Hedy West, Ed McCurdy, Ian Campbell, and Jean Redpath.<sup id=\"cite_ref-2\" class=\"reference\"><\/sup><\/p>\n<p style=\"text-align: left;\">An intermediary version exists somewhere between the traditional take, with its thick\u00a0Scottish accent, and the American reformulation. This version contains broadly the same verse content as \u2018Wee Cooper O\u2019Fife\u2019, but introduces \u2018risselty rosselty\u2019 to the hook in place of Scottish names and exclamations:<\/p>\n<p style=\"text-align: left; padding-left: 90px;\"><strong>\u2018Wee Cooper O\u2019Fife\u2019<\/strong> (2)<\/p>\n<p style=\"padding-left: 90px;\"><em>There was a wee cooper lived in Fife,\u00a0<\/em><br \/>\n<em>Nickety nackety noo, noo, noo,\u00a0<\/em><br \/>\n<em>And he has tae\u2019n a gentle wife,\u00a0<\/em><br \/>\n<em>Risselty rosselty, hey, pomposity,\u00a0<\/em><br \/>\n<em>Nickety nackety noo, noo, noo.<\/em><\/p>\n<p style=\"padding-left: 90px;\"><em>She wouldna card and she wouldna spin,\u00a0<\/em><br \/>\n<em>Nickety nackety noo, noo, noo,\u00a0<\/em><br \/>\n<em>For shamin\u2019 o\u2019her gentle kin,\u00a0<\/em><br \/>\n<em>Risselty rosselty, hey, pomposity,\u00a0<\/em><br \/>\n<em>Nickety nackety noo, noo, noo.<\/em><\/p>\n<p style=\"padding-left: 90px;\"><em>She wouldna bake and she wouldna brew,\u00a0<\/em><br \/>\n<em>Nickety nackety noo, noo, noo,\u00a0<\/em><br \/>\n<em>For spoilin\u2019 of her gentle hue,\u00a0<\/em><br \/>\n<em>Risselty rosselty, hey, pomposity,\u00a0<\/em><br \/>\n<em>Nickety nackety noo, noo, noo.<\/em><\/p>\n<p style=\"padding-left: 90px;\"><em>She called him a dirty Hieland whelp,\u00a0<\/em><br \/>\n<em>Nickety nackety noo, noo, noo,\u00a0<\/em><br \/>\n<em>If you want yer dinner go get it yourself,\u00a0<\/em><br \/>\n<em>Risselty rosselty, hey, pomposity,\u00a0<\/em><br \/>\n<em>Nickety nackety noo, noo, noo.<\/em><\/p>\n<p style=\"padding-left: 90px;\"><em>The cooper\u2019s awa tae his wool-pack,\u00a0<\/em><br \/>\n<em>Nickety nackety noo, noo, noo,\u00a0<\/em><br \/>\n<em>And lain a sheepskin across her back,\u00a0<\/em><br \/>\n<em>Risselty rosselty, hey, pomposity,\u00a0<\/em><br \/>\n<em>Nickety nackety noo, noo, noo.<\/em><\/p>\n<p style=\"padding-left: 90px;\"><em>I\u2019ll no thrash you, for your gentle kin,\u00a0<\/em><br \/>\n<em>Nickety nackety noo, noo, noo,\u00a0<\/em><br \/>\n<em>But I will thrash my ain sheep-skin,\u00a0<\/em><br \/>\n<em>Risselty rosselty, hey, pomposity,\u00a0<\/em><br \/>\n<em>Nickety nackety noo, noo, noo.<\/em><\/p>\n<p style=\"padding-left: 90px;\"><em>He\u2019s laid the sheepskin across her back,\u00a0<\/em><br \/>\n<em>Nickety nackety noo, noo, noo,\u00a0<\/em><br \/>\n<em>And with a good stick he went whickety-whack,\u00a0<\/em><br \/>\n<em>Risselty rosselty, hey, pomposity,\u00a0<\/em><br \/>\n<em>Nickety nackety noo, noo, noo.<\/em><\/p>\n<p style=\"padding-left: 90px;\"><em>Oh I will card and I will spin,\u00a0<\/em><br \/>\n<em>Nickety nackety noo, noo, noo,\u00a0<\/em><br \/>\n<em>And think nae mair of my gentle kin,\u00a0<\/em><br \/>\n<em>Risselty rosselty, hey, pomposity,\u00a0<\/em><br \/>\n<em>Nickety nackety noo, noo, noo.<\/em><\/p>\n<p style=\"padding-left: 90px;\"><em>She drew the table and spread the board,\u00a0<\/em><br \/>\n<em>Nickety nackety noo, noo, noo,\u00a0<\/em><br \/>\n<em>And \u201cMy dear husband\u201d was every word,\u00a0<\/em><br \/>\n<em>Risselty rosselty, hey, pomposity,\u00a0<\/em><br \/>\n<em>Nickety nackety noo, noo, noo.<\/em><\/p>\n<p style=\"padding-left: 90px;\"><em>All you who have gotten a gentle wife,\u00a0<\/em><br \/>\n<em>Nickety nackety noo, noo, noo,\u00a0<\/em><br \/>\n<em>Just send ye for the cooper of Fife,<\/em><br \/>\n<em>Risselty rosselty, hey, pomposity,\u00a0<\/em><br \/>\n<em>Nickety nackety noo, noo, noo.<\/em><\/p>\n<p>The American version of \u2018Wee Cooper O\u2019Fife\u2019 goes by the name \u2018Risseldy Rosseldy\u2019 or \u2018Risselty Rosselty\u2019. Bawdy texts of the song exist \u2013 including lines such as \u2018My wife she\u2019s a hure of aw the sluts\u2019, and one common variant which sees the wife dying in shame because \u2018she pishit in the bed\u2019 \u2013 but generally the American version is softer on the wife-beating message. She is still slovenly, but escapes overt violent punishment:<\/p>\n<p style=\"padding-left: 90px;\"><strong>\u2018Risselty Rosselty\u2019<\/strong><\/p>\n<p style=\"padding-left: 90px;\"><em>I married a wife in the month of June,<\/em><br \/>\n<em> Risselty rosselty, now now now,<\/em><br \/>\n<em> I carried her off by the light of the moon,<\/em><br \/>\n<em> Risselty rosselty, hey bombosity, nickety nackety,<\/em><br \/>\n<em> Retrical quality, willaby wallaby now now now.<\/em><\/p>\n<p style=\"padding-left: 90px;\"><em>She combed her hair but once a year,<\/em><br \/>\n<em> Risselty rosselty, now now now,<\/em><br \/>\n<em> With every rake she gave a tear,<\/em><br \/>\n<em> Risselty rosselty, hey bombosity, nickety nackety,<\/em><br \/>\n<em> Retrical quality, willaby wallaby now now now.<\/em><\/p>\n<p style=\"padding-left: 90px;\"><em>She swept the floor but once a year,<\/em><br \/>\n<em> Risselty rosselty, now now now,<\/em><br \/>\n<em> She swore her broom was much too dear,<\/em><br \/>\n<em> Risselty rosselty, hey bombosity, nickety nackety,<\/em><br \/>\n<em> Retrical quality, willaby wallaby now now now.<\/em><\/p>\n<p style=\"padding-left: 90px;\"><em>She churned the butter in dad\u2019s old boot,<\/em><br \/>\n<em> Risselty rosselty, now now now,<\/em><br \/>\n<em> And for a dasher she uses her foot,<\/em><br \/>\n<em> Risselty rosselty, hey bombosity, nickety nackety,<\/em><br \/>\n<em> Retrical quality, willaby wallaby now now now.<\/em><\/p>\n<p style=\"padding-left: 90px;\"><em>The butter came out a grizzledy gray,<\/em><br \/>\n<em> Risselty rosselty, now now now,<\/em><br \/>\n<em> The cheese took legs and ran away,<\/em><br \/>\n<em> Risselty rosselty, hey bombosity, nickety nackety,<\/em><br \/>\n<em> Retrical quality, willaby wallaby now now now.<\/em><\/p>\n<p>Whenever the song actually originated in Britain, it was appearing in print in the United States by the turn of the twentieth century. Chubby Parker made several recordings, under the title \u2018Nickety, Nackety, Now, Now, Now\u2019, from 1927; and Ridgel\u2019s Fountain Citians recorded their take on \u2018The Nick Nack Song\u2019 in 1930. Pete Seeger recorded \u2018Risselty-Rosselty\u2019 as the second track of his 1950 album <em>Darling Corey<\/em>. His sister, Peggy Seeger, also took up the song, adding an oft-incorporated final verse which advises the husband to attend his own needs and leave his wife be:<\/p>\n<p style=\"padding-left: 90px;\"><em>The butter and cheese is on the shelf,<\/em><br \/>\n<em> Risselty rosselty, now now now,<\/em><br \/>\n<em> If you want any more you can sing it yourself,<\/em><br \/>\n<em> Risselty rosselty, hey bombosity, nickety nackety,<\/em><br \/>\n<em> Retrical quality, willaby wallaby now now now.<\/em><\/p>\n<p style=\"text-align: center;\">* * *<\/p>\n<p>The version of \u2018Risseldy Rosseldy\u2019 which features in the schoolhouse scene in <em>The Birds<\/em> largely follows the American set of lyrics above, with a few modifications: a different sequence of nonsense terms, with \u2018willickey wallackey\u2019 a combination of both \u2018willaby wallaby\u2019 and \u2018Willy Wallacky\u2019, and \u2018rustical quality\u2019 a sensible alternative to \u2018retrical quality\u2019;\u00a0a couple of added verses, as the wife is asked to wash as well as sweep the floor, and for the first time chases a \u2018critter\u2019; and more repetition.<\/p>\n<p>These changes were the product of scriptwriter Evan Hunter. Asked by Hitchcock to come up with a song for the scene, Hunter turned to his three young sons, who were attending Pound Ridge school in Westchester County, New York. His sons sang the song in class, and Hunter apparently obtained the lyrics via their schoolteacher.\u00a0As the song was in the public domain, copyright proved no obstacle; but in early 1962, Hunter was called by Hitchcock\u2019s assistant, Peggy Robertson, and told to devise original verses to cover the scene\u2019s duration. Hunter was obliged to join the American Society of Publishers and Composers before his lyrics could be admitted to the big screen.<\/p>\n<p>The lyrics of the song as sung by the schoolchildren in <em>The Birds<\/em>, and a knowledge of the song\u2019s origins as \u2018Wee Cooper O\u2019Fife\u2019, add another unsettling layer to a scene\u00a0full of dramatic tension, peculiarly calm but with an oppressive sense of foreboding. This is an uncomfortable song for children to be singing, and it comments obliquely on the dynamics of <em>The Birds<\/em>, where Mitch Brenner (Rod Taylor) alternately buffets and is buffeted by the competing claims of Lydia, Melanie, and Annie, his former flame. The song seems to reflect and prefigure a cruel household.<\/p>\n<p style=\"padding-left: 90px;\"><strong>\u2018Risseldy Rosseldy\u2019 in\u00a0<em>The Birds<\/em><\/strong><\/p>\n<p style=\"padding-left: 90px;\"><em>I married my wife in the month of June,<\/em><br \/>\n<em> Risseldy rosseldy, now, now, now,<\/em><br \/>\n<em> I brought her home by the light of the moon,<\/em><br \/>\n<em> Risseldy rosseldy, heyjohnny dosselty,<\/em><br \/>\n<em> Nickety nackety, rustical quality,<\/em><br \/>\n<em> Willickey wallackey now, now, now.<\/em><\/p>\n<p style=\"padding-left: 90px;\"><em>She combed her hair but once a year,<\/em><br \/>\n<em> Risseldy rosseldy, now, now, now,<\/em><br \/>\n<em> With every stroke, she shed a tear,<\/em><br \/>\n<em> Risseldy rosseldy, heyjohnny dosselty,<\/em><br \/>\n<em> Rustical quality, risseldy rosseldy,<\/em><br \/>\n<em> Now, now, now.<\/em><\/p>\n<p style=\"padding-left: 90px;\"><em>I brought her home by the light of the moon,<\/em><br \/>\n<em> Risselty-rosselty, heyjohnny dosselty,<\/em><br \/>\n<em> Nickety-nackety, rustical quality,<\/em><br \/>\n<em> Willickey-wallackey now, now, now.<\/em><\/p>\n<p style=\"padding-left: 90px;\"><em>She combed her hair but once a year,<\/em><br \/>\n<em> Risseldy rosseldy, now, now, now,<\/em><br \/>\n<em> With every stroke, she shed a tear,<\/em><br \/>\n<em> Risseldy rosseldy, heyjohnny dosselty,<\/em><br \/>\n<em> Nickety nackety, rustical quality,<\/em><br \/>\n<em> Willickey wallackey now, now, now.<\/em><\/p>\n<p style=\"padding-left: 90px;\"><em>She swept up the floor but once a year,<\/em><br \/>\n<em> Risseldy rosseldy, now, now, now,<\/em><br \/>\n<em> She said that brooms were much too dear,<\/em><br \/>\n<em> Risseldy rosseldy, heyjohnny dosselty,<\/em><br \/>\n<em> Nickety nackety, rustical quality,<\/em><br \/>\n<em> Willickey wallackey now, now, now.<\/em><\/p>\n<p style=\"padding-left: 90px;\"><em>She churned the butter in her dad\u0092s old boot,<\/em><br \/>\n<em> Risseldy rosseldy, now, now, now,<\/em><br \/>\n<em> And for a catch, she used her foot,<\/em><br \/>\n<em> Risseldy rosseldy, heyjohnny dosselty,<\/em><br \/>\n<em> Nickety nackety, rustical quality,<\/em><br \/>\n<em> Willickey wallackey now, now, now.<\/em><\/p>\n<p style=\"padding-left: 90px;\"><em>The butter, it came out a grisly grey,<\/em><br \/>\n<em> Risseldy-rosseldy, now, now, now,<\/em><br \/>\n<em> The cheese took legs and ran away,<\/em><br \/>\n<em> Risseldy rosseldy, heyjohnny dosselty,<\/em><br \/>\n<em> Nickety nackety, rustical quality,<\/em><br \/>\n<em> Willickey wallackey now, now, now.<\/em><\/p>\n<p style=\"padding-left: 90px;\"><em>She let the critter get away,<\/em><br \/>\n<em> Risseldy rosseldy, heyjohnny dosselty,<\/em><br \/>\n<em> Nickety nackety, rustical quality,<\/em><br \/>\n<em> Willickey wallackey now, now, now.<\/em><\/p>\n<p style=\"padding-left: 90px;\"><em>I asked my wife to wash the floor,<\/em><br \/>\n<em> Risseldy rosseldy, now, now, now,<\/em><br \/>\n<em> She gave me my hat and she showed me the door,<\/em><br \/>\n<em> Risseldy rosseldy, heyjohnny dosselty,<\/em><br \/>\n<em> Nickety nackety, rustical quality,<\/em><br \/>\n<em> Now, now, now.<\/em><\/p>\n<p style=\"padding-left: 90px;\"><em>I married my wife in the month of June,<\/em><br \/>\n<em> Risseldy rosseldy, now, now, now,<\/em><br \/>\n<em> I brought her home by the light of the moon,<\/em><br \/>\n<em> Risseldy rosseldy, heyjohnny dosselty,<\/em><br \/>\n<em> Nickety nackety, rustical quality,<\/em><br \/>\n<em> Willickey wallackey now, now, now.<\/em><\/p>\n<p style=\"padding-left: 90px;\"><em>She combed her hair but once a year,<\/em><br \/>\n<em> Risseldy rosseldy, heyjohnny dosselty,<\/em><br \/>\n<em> Nickety nackety, rustical quality,<\/em><br \/>\n<em> Willickey wallackey now, now, now,<\/em><br \/>\n<em> Risseldy rosseldy, now, now, now.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A\u00a0couple of early incidents featuring agitated lone gulls \u2013 a\u00a0swift strike\u00a0as Melanie Daniels (Tippi Hedren) prepares to dock her motorboat, and another which annihilates itself in the Brenner front door \u2013 progress into a fully-fledged attack on Cathy Brenner\u2019s (Veronica Cartwright) birthday party, as the youngster\u00a0celebrates turning twelve. Later that evening a swarm of sparrows [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":8521,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[4010,3875,3880],"tags":[3992,4086,4085,3993,3994],"class_list":{"0":"post-7814","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-american-cinema","8":"category-movies","9":"category-music","10":"tag-alfred-hitchcock","11":"tag-film-music","12":"tag-folk-song","13":"tag-the-birds","14":"tag-tippi-hedren"},"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Birds (1963): &#039;Risseldy Rosseldy&#039;<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturedarm.com\/the-birds-1963-risseldy-rosseldy\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Birds (1963): &#039;Risseldy Rosseldy&#039;\" \/>\n<meta property=\"og:description\" content=\"A\u00a0couple of early incidents featuring agitated lone gulls \u2013 a\u00a0swift strike\u00a0as Melanie Daniels (Tippi Hedren) prepares to dock her motorboat, and another which annihilates itself in the Brenner front door \u2013 progress into a fully-fledged attack on Cathy Brenner\u2019s (Veronica Cartwright) birthday party, as the youngster\u00a0celebrates turning twelve. Later that evening a swarm of sparrows [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/culturedarm.com\/the-birds-1963-risseldy-rosseldy\/\" \/>\n<meta property=\"og:site_name\" content=\"Culturedarm\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/culturedallroundman\" \/>\n<meta property=\"article:published_time\" content=\"2015-09-28T04:26:40+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2015-10-20T01:23:58+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/culturedarm.com\/wp-content\/uploads\/The-Birds-School-2.jpg?fit=1200%2C801&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"801\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Christopher Laws\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@https:\/\/twitter.com\/culturedarm\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Christopher Laws\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"10 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/culturedarm.com\/the-birds-1963-risseldy-rosseldy\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/culturedarm.com\/the-birds-1963-risseldy-rosseldy\/\"},\"author\":{\"name\":\"Christopher Laws\",\"@id\":\"http:\/\/culturedarm.com\/#\/schema\/person\/9034b985ef3e4c9cea454b05beb6a4f5\"},\"headline\":\"The Birds (1963): &#8216;Risseldy Rosseldy&#8217;\",\"datePublished\":\"2015-09-28T04:26:40+00:00\",\"dateModified\":\"2015-10-20T01:23:58+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/culturedarm.com\/the-birds-1963-risseldy-rosseldy\/\"},\"wordCount\":2032,\"commentCount\":3,\"publisher\":{\"@id\":\"http:\/\/culturedarm.com\/#organization\"},\"image\":{\"@id\":\"https:\/\/culturedarm.com\/the-birds-1963-risseldy-rosseldy\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/The-Birds-School-2.jpg?fit=1200%2C801&ssl=1\",\"keywords\":[\"Alfred Hitchcock\",\"Film Music\",\"Folk Song\",\"The Birds\",\"Tippi Hedren\"],\"articleSection\":[\"American Cinema\",\"Movies\",\"Music\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/culturedarm.com\/the-birds-1963-risseldy-rosseldy\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/culturedarm.com\/the-birds-1963-risseldy-rosseldy\/\",\"url\":\"https:\/\/culturedarm.com\/the-birds-1963-risseldy-rosseldy\/\",\"name\":\"The Birds (1963): 'Risseldy Rosseldy'\",\"isPartOf\":{\"@id\":\"http:\/\/culturedarm.com\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/culturedarm.com\/the-birds-1963-risseldy-rosseldy\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/culturedarm.com\/the-birds-1963-risseldy-rosseldy\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/The-Birds-School-2.jpg?fit=1200%2C801&ssl=1\",\"datePublished\":\"2015-09-28T04:26:40+00:00\",\"dateModified\":\"2015-10-20T01:23:58+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/culturedarm.com\/the-birds-1963-risseldy-rosseldy\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/culturedarm.com\/the-birds-1963-risseldy-rosseldy\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/culturedarm.com\/the-birds-1963-risseldy-rosseldy\/#primaryimage\",\"url\":\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/The-Birds-School-2.jpg?fit=1200%2C801&ssl=1\",\"contentUrl\":\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/The-Birds-School-2.jpg?fit=1200%2C801&ssl=1\",\"width\":1200,\"height\":801},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/culturedarm.com\/the-birds-1963-risseldy-rosseldy\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/culturedarm.com\/staging\/5793\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"The Birds (1963): &#8216;Risseldy Rosseldy&#8217;\"}]},{\"@type\":\"WebSite\",\"@id\":\"http:\/\/culturedarm.com\/#website\",\"url\":\"http:\/\/culturedarm.com\/\",\"name\":\"Culturedarm\",\"description\":\"Where the Strands of Culture Entwine\",\"publisher\":{\"@id\":\"http:\/\/culturedarm.com\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"http:\/\/culturedarm.com\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"http:\/\/culturedarm.com\/#organization\",\"name\":\"Culturedarm\",\"url\":\"http:\/\/culturedarm.com\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"http:\/\/culturedarm.com\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/i0.wp.com\/culturedarm.com\/wp-content\/uploads\/Culturedarm-Key-Logo.png?fit=2000%2C2000&ssl=1\",\"contentUrl\":\"https:\/\/i0.wp.com\/culturedarm.com\/wp-content\/uploads\/Culturedarm-Key-Logo.png?fit=2000%2C2000&ssl=1\",\"width\":2000,\"height\":2000,\"caption\":\"Culturedarm\"},\"image\":{\"@id\":\"http:\/\/culturedarm.com\/#\/schema\/logo\/image\/\"}},{\"@type\":\"Person\",\"@id\":\"http:\/\/culturedarm.com\/#\/schema\/person\/9034b985ef3e4c9cea454b05beb6a4f5\",\"name\":\"Christopher Laws\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"http:\/\/culturedarm.com\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/4a2f9388be3e41f27f43fe51224069a624b67a359c37fc47507eebac44221719?s=96&d=retro&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/4a2f9388be3e41f27f43fe51224069a624b67a359c37fc47507eebac44221719?s=96&d=retro&r=g\",\"caption\":\"Christopher Laws\"},\"description\":\"Christopher Laws is the writer and editor of Culturedarm, currently based in Ume\u00e5, Sweden.\",\"sameAs\":[\"http:\/\/www.culturedarm.com\",\"https:\/\/www.facebook.com\/culturedallroundman\",\"http:\/\/instagram.com\/culturedarm\",\"https:\/\/x.com\/https:\/\/twitter.com\/culturedarm\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"The Birds (1963): 'Risseldy Rosseldy'","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/culturedarm.com\/the-birds-1963-risseldy-rosseldy\/","og_locale":"en_US","og_type":"article","og_title":"The Birds (1963): 'Risseldy Rosseldy'","og_description":"A\u00a0couple of early incidents featuring agitated lone gulls \u2013 a\u00a0swift strike\u00a0as Melanie Daniels (Tippi Hedren) prepares to dock her motorboat, and another which annihilates itself in the Brenner front door \u2013 progress into a fully-fledged attack on Cathy Brenner\u2019s (Veronica Cartwright) birthday party, as the youngster\u00a0celebrates turning twelve. Later that evening a swarm of sparrows [&hellip;]","og_url":"https:\/\/culturedarm.com\/the-birds-1963-risseldy-rosseldy\/","og_site_name":"Culturedarm","article_author":"https:\/\/www.facebook.com\/culturedallroundman","article_published_time":"2015-09-28T04:26:40+00:00","article_modified_time":"2015-10-20T01:23:58+00:00","og_image":[{"width":1200,"height":801,"url":"https:\/\/i0.wp.com\/culturedarm.com\/wp-content\/uploads\/The-Birds-School-2.jpg?fit=1200%2C801&ssl=1","type":"image\/jpeg"}],"author":"Christopher Laws","twitter_card":"summary_large_image","twitter_creator":"@https:\/\/twitter.com\/culturedarm","twitter_misc":{"Written by":"Christopher Laws","Est. reading time":"10 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/culturedarm.com\/the-birds-1963-risseldy-rosseldy\/#article","isPartOf":{"@id":"https:\/\/culturedarm.com\/the-birds-1963-risseldy-rosseldy\/"},"author":{"name":"Christopher Laws","@id":"http:\/\/culturedarm.com\/#\/schema\/person\/9034b985ef3e4c9cea454b05beb6a4f5"},"headline":"The Birds (1963): &#8216;Risseldy Rosseldy&#8217;","datePublished":"2015-09-28T04:26:40+00:00","dateModified":"2015-10-20T01:23:58+00:00","mainEntityOfPage":{"@id":"https:\/\/culturedarm.com\/the-birds-1963-risseldy-rosseldy\/"},"wordCount":2032,"commentCount":3,"publisher":{"@id":"http:\/\/culturedarm.com\/#organization"},"image":{"@id":"https:\/\/culturedarm.com\/the-birds-1963-risseldy-rosseldy\/#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/The-Birds-School-2.jpg?fit=1200%2C801&ssl=1","keywords":["Alfred Hitchcock","Film Music","Folk Song","The Birds","Tippi Hedren"],"articleSection":["American Cinema","Movies","Music"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/culturedarm.com\/the-birds-1963-risseldy-rosseldy\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/culturedarm.com\/the-birds-1963-risseldy-rosseldy\/","url":"https:\/\/culturedarm.com\/the-birds-1963-risseldy-rosseldy\/","name":"The Birds (1963): 'Risseldy Rosseldy'","isPartOf":{"@id":"http:\/\/culturedarm.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/culturedarm.com\/the-birds-1963-risseldy-rosseldy\/#primaryimage"},"image":{"@id":"https:\/\/culturedarm.com\/the-birds-1963-risseldy-rosseldy\/#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/The-Birds-School-2.jpg?fit=1200%2C801&ssl=1","datePublished":"2015-09-28T04:26:40+00:00","dateModified":"2015-10-20T01:23:58+00:00","breadcrumb":{"@id":"https:\/\/culturedarm.com\/the-birds-1963-risseldy-rosseldy\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/culturedarm.com\/the-birds-1963-risseldy-rosseldy\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/culturedarm.com\/the-birds-1963-risseldy-rosseldy\/#primaryimage","url":"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/The-Birds-School-2.jpg?fit=1200%2C801&ssl=1","contentUrl":"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/The-Birds-School-2.jpg?fit=1200%2C801&ssl=1","width":1200,"height":801},{"@type":"BreadcrumbList","@id":"https:\/\/culturedarm.com\/the-birds-1963-risseldy-rosseldy\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/culturedarm.com\/staging\/5793\/"},{"@type":"ListItem","position":2,"name":"The Birds (1963): &#8216;Risseldy Rosseldy&#8217;"}]},{"@type":"WebSite","@id":"http:\/\/culturedarm.com\/#website","url":"http:\/\/culturedarm.com\/","name":"Culturedarm","description":"Where the Strands of Culture Entwine","publisher":{"@id":"http:\/\/culturedarm.com\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"http:\/\/culturedarm.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"http:\/\/culturedarm.com\/#organization","name":"Culturedarm","url":"http:\/\/culturedarm.com\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"http:\/\/culturedarm.com\/#\/schema\/logo\/image\/","url":"https:\/\/i0.wp.com\/culturedarm.com\/wp-content\/uploads\/Culturedarm-Key-Logo.png?fit=2000%2C2000&ssl=1","contentUrl":"https:\/\/i0.wp.com\/culturedarm.com\/wp-content\/uploads\/Culturedarm-Key-Logo.png?fit=2000%2C2000&ssl=1","width":2000,"height":2000,"caption":"Culturedarm"},"image":{"@id":"http:\/\/culturedarm.com\/#\/schema\/logo\/image\/"}},{"@type":"Person","@id":"http:\/\/culturedarm.com\/#\/schema\/person\/9034b985ef3e4c9cea454b05beb6a4f5","name":"Christopher Laws","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"http:\/\/culturedarm.com\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/4a2f9388be3e41f27f43fe51224069a624b67a359c37fc47507eebac44221719?s=96&d=retro&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/4a2f9388be3e41f27f43fe51224069a624b67a359c37fc47507eebac44221719?s=96&d=retro&r=g","caption":"Christopher Laws"},"description":"Christopher Laws is the writer and editor of Culturedarm, currently based in Ume\u00e5, Sweden.","sameAs":["http:\/\/www.culturedarm.com","https:\/\/www.facebook.com\/culturedallroundman","http:\/\/instagram.com\/culturedarm","https:\/\/x.com\/https:\/\/twitter.com\/culturedarm"]}]}},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/The-Birds-School-2.jpg?fit=1200%2C801&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/pg4g5X-222","_links":{"self":[{"href":"https:\/\/culturedarm.com\/staging\/5793\/wp-json\/wp\/v2\/posts\/7814","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/culturedarm.com\/staging\/5793\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/culturedarm.com\/staging\/5793\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/culturedarm.com\/staging\/5793\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/culturedarm.com\/staging\/5793\/wp-json\/wp\/v2\/comments?post=7814"}],"version-history":[{"count":6,"href":"https:\/\/culturedarm.com\/staging\/5793\/wp-json\/wp\/v2\/posts\/7814\/revisions"}],"predecessor-version":[{"id":8904,"href":"https:\/\/culturedarm.com\/staging\/5793\/wp-json\/wp\/v2\/posts\/7814\/revisions\/8904"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/culturedarm.com\/staging\/5793\/wp-json\/wp\/v2\/media\/8521"}],"wp:attachment":[{"href":"https:\/\/culturedarm.com\/staging\/5793\/wp-json\/wp\/v2\/media?parent=7814"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/culturedarm.com\/staging\/5793\/wp-json\/wp\/v2\/categories?post=7814"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/culturedarm.com\/staging\/5793\/wp-json\/wp\/v2\/tags?post=7814"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}