{"id":8164,"date":"2015-08-24T02:32:31","date_gmt":"2015-08-24T05:32:31","guid":{"rendered":"http:\/\/culturedarm.com\/?p=8164"},"modified":"2015-10-30T06:08:06","modified_gmt":"2015-10-30T09:08:06","slug":"cultureteca-23-08-15","status":"publish","type":"post","link":"https:\/\/culturedarm.com\/staging\/5793\/cultureteca-23-08-15\/","title":{"rendered":"Cultureteca 23.08.15"},"content":{"rendered":"<p style=\"text-align: left;\"><a href=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Cultureteca-31.jpg?ssl=1\"><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-8252\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Cultureteca-31.jpg?resize=696%2C464&#038;ssl=1\" alt=\"Cultureteca 3\" width=\"696\" height=\"464\" srcset=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Cultureteca-31.jpg?w=1200&amp;ssl=1 1200w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Cultureteca-31.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Cultureteca-31.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Cultureteca-31.jpg?resize=1024%2C683&amp;ssl=1 1024w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Cultureteca-31.jpg?resize=370%2C247&amp;ssl=1 370w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Cultureteca-31.jpg?resize=570%2C380&amp;ssl=1 570w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Cultureteca-31.jpg?resize=770%2C513&amp;ssl=1 770w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Cultureteca-31.jpg?resize=1170%2C780&amp;ssl=1 1170w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Cultureteca-31.jpg?resize=870%2C580&amp;ssl=1 870w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Cultureteca-31.jpg?resize=270%2C180&amp;ssl=1 270w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><\/a><\/p>\n<p style=\"text-align: left;\">This week on Cultureteca, complex multimedia album announcements led by Oneohtrix Point Never and jolting EPs by FKA twigs and Panda Bear;\u00a0film and architecture viewed through Interiors magazine; the continuing brilliance of NXT&#8217;s female wrestlers, who starred last night in Brooklyn; and the Perseids meteor shower reaches its finale.<\/p>\n<p style=\"text-align: center;\">* * *<\/p>\n<p style=\"text-align: center;\"><strong>Oneohtrix Point Never&#8217;s G.O.D. and the Week&#8217;s Music<\/strong><\/p>\n<p>It has been a strong week or so for significant\u00a0album announcements and the surprise release of new EPs. The most elaborate announcement came courtesy of Oneohtrix Point Never. On Tuesday morning, the electronic artist &#8211; whose last album was\u00a0<a href=\"https:\/\/culturedarm.com\/staging\/5793\/the-twenty-one-best-albums-of-the-decade-so-far-2010-2014\/\">2013&#8217;s starkly beautiful\u00a0<em>R Plus Seven<\/em><\/a>\u00a0&#8211; uploaded to his\u00a0website a <a href=\"http:\/\/dl.pointnever.com\/tothefans.pdf\">PDF addressed &#8216;To the fans&#8217;<\/a>. The message depicts the artist&#8217;s relationship with an individual named Ezra, a humanoid alien &#8216;stuck i an infinite loop of molten puberty&#8217;. It leads to a questionnaire purportedly posted by the alien on his blog,\u00a0<a href=\"http:\/\/kaossed.blogspot.co.uk\/\">which is\u00a0entitled &#8216;Kaossed&#8217;<\/a>, with posts backdated to 1994.<\/p>\n<p>The blog features articles\u00a0on a &#8216;hypergrunge&#8217; band known as Kaoss Edge, a recapitulation of a 1998 visit to &#8216;MorphoFest&#8217;, an especially early review of <em>R Plus Seven<\/em>, original poetry, the art of Lucio Fontana, and most recently an interview with Oneohtrix Point Never. Asked by Ezra about new material, Oneohtrix Point Never responds:<\/p>\n<p style=\"text-align: center;\"><em>&#8216;The record is finished. I&#8217;ve spent most of the summer thinking about how I want to present it. I started writing in January, and wrapped up in July. It&#8217;ll be out in November. It&#8217;s called Garden of Delete or G.O.D. for short. The R thing is over.&#8217;\u00a0<\/em><\/p>\n<p><em>Garden of Delete<\/em> was subsequently <a href=\"http:\/\/warp.net\/news\/oneohtrix-point-never-new-album-garden-of-delete-to-be-released-november-2015\/\">confirmed for release on 13 November<\/a>. It will feature the tracks\u00a0&#8216;Sticky Drama&#8217;, &#8216;Ezra&#8217;, &#8216;I Bite Through It&#8217;, &#8216;Animals&#8217;, and &#8216;Mutant Standard&#8217;. At the same time Oneohtrix posted on Vimeo a brief loop with the title &#8216;Flame&#8217;; while on YouTube a piece appeared under the Kaoss Edge monicker, called\u00a0&#8216;Organ Noire\/Daddyflies&#8217;:<\/p>\n<p><iframe loading=\"lazy\" title=\"g.o.d. flame\" src=\"https:\/\/player.vimeo.com\/video\/136550925?dnt=1&amp;app_id=122963\" width=\"696\" height=\"392\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe><\/p>\n<p>https:\/\/www.youtube.com\/watch?v=PualN-Djw2k<\/p>\n<p>Last week FKA twigs unveiled <em>M3LL155X<\/em>, a five-song EP featuring &#8216;Figure 8&#8217; &#8211; a track which emerged\u00a0at the beginning of August &#8211; and the previously-released &#8216;Glass &amp; Patron&#8217; alongside three new songs. The EP was co-produced by twigs, Boots, Cy An, and Tic. At the same time, a sixteen-minute video appeared compiling visuals for the first four of the EP&#8217;s compositions, &#8216;Figure 8&#8217;, &#8216;I&#8217;m Your Doll&#8217;, &#8216;In Time&#8217;, and &#8216;Glass &amp; Patron&#8217;:<\/p>\n<div class=\"youtube-embed\" data-video_id=\"bYU3j-22360\"><iframe loading=\"lazy\" title=\"FKA twigs - M3LL155X\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/bYU3j-22360?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p>And in another sudden EP drop, this week Panda Bear released the <em>Crosswords<\/em> EP, comprising\u00a0a remixed version of\u00a0&#8216;Crosswords&#8217; from this year&#8217;s <em>Panda Bear Meets the Grime Reaper<\/em>;\u00a0&#8216;The Preakness&#8217;, a bonus track from 2012&#8217;s <em>Tomboy<\/em>; and the new pieces &#8216;No Mans Land&#8217;, &#8216;Jabberwocky&#8217;, and &#8216;Cosplay&#8217;. The EP was co-produced by Sonic Boom. Streaming now via Apple Music and Spotify, <em>Crosswords<\/em> will get a physical release on 13 November.<\/p>\n<div class=\"youtube-embed\" data-video_id=\"oc-3i0Kht5Q\"><iframe loading=\"lazy\" title=\"Panda Bear - No Mans Land (Official Audio)\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/oc-3i0Kht5Q?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p>Lana Del Rey confirmed that her third album proper, <em>Honeymoon<\/em>, will be released on 18 September. Two versions of the album&#8217;s cover art have been disclosed, with the second to\u00a0be sold exclusively via Urban Outfitters:<\/p>\n<p><a href=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Honeymoon-1.jpg?ssl=1\"><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"aligncenter wp-image-8239 size-full\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Honeymoon-1.jpg?resize=600%2C600&#038;ssl=1\" alt=\"Honeymoon 1\" width=\"600\" height=\"600\" srcset=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Honeymoon-1.jpg?w=600&amp;ssl=1 600w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Honeymoon-1.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Honeymoon-1.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Honeymoon-1.jpg?resize=370%2C370&amp;ssl=1 370w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Honeymoon-1.jpg?resize=580%2C580&amp;ssl=1 580w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/p>\n<p><a href=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Honeymoon-2.jpg?ssl=1\"><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"aligncenter wp-image-8238\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Honeymoon-2.jpg?resize=600%2C600&#038;ssl=1\" alt=\"Honeymoon 2\" width=\"600\" height=\"600\" srcset=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Honeymoon-2.jpg?w=620&amp;ssl=1 620w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Honeymoon-2.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Honeymoon-2.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Honeymoon-2.jpg?resize=370%2C370&amp;ssl=1 370w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Honeymoon-2.jpg?resize=580%2C580&amp;ssl=1 580w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/p>\n<p>The <a href=\"https:\/\/www.youtube.com\/watch?v=oPU8XJcA__k\">album&#8217;s title track<\/a> materialised on YouTube in the middle of July, with <a href=\"https:\/\/www.youtube.com\/watch?v=QnxpHIl5Ynw\">&#8216;High By The Beach&#8217;<\/a> &#8211; <em>Honeymoon<\/em>&#8216;s lead single &#8211; arriving across the first weeks of\u00a0August. And alongside the release date and cover art, this week the audio for a third album track appeared online, titled &#8216;Terrence Loves You&#8217;. The song had previously been accessible via Del Rey&#8217;s &#8216;Honeymoon Hotline&#8217; on\u00a01800-268-7886: the number, which appears in part on the album cover, serving to provide weekly updates and some of Lana&#8217;s favourite lectures in the run-up to 18 September.<\/p>\n<div class=\"youtube-embed\" data-video_id=\"emDU4QvdwVk\"><iframe loading=\"lazy\" title=\"Lana Del Rey - Terrence Loves You (Official Audio)\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/emDU4QvdwVk?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p>Elsewhere after a countdown on their website, Deerhunter announced <em>Fading Frontier<\/em>, due out on 16 October. The record will be produced by <a href=\"https:\/\/culturedarm.com\/staging\/5793\/behind-the-song-animal-collective-summertime-clothes\/\">Ben Allen<\/a>, and will reportedly feature members of the bands Broadcast and Stereolab. The announcement came with the video for &#8216;Snakeskin&#8217;, showcasing dungaree-clad Bradford Cox. And with Beach House&#8217;s new album <em>Depression Cherry<\/em> imminent &#8211; it will be out in mere days, on 28 August &#8211; the work was previewed\u00a0in full <a href=\"http:\/\/www.npr.org\/2015\/08\/19\/432022528\/first-listen-beach-house-depression-cherry\">in the United States via NPR Music<\/a>. Here is the audio for &#8216;Sparks&#8217;:<\/p>\n<div class=\"youtube-embed\" data-video_id=\"CG6jk5Q90DA\"><iframe loading=\"lazy\" title=\"Deerhunter - Snakeskin\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/CG6jk5Q90DA?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<div class=\"youtube-embed\" data-video_id=\"GfITojs_mNg\"><iframe loading=\"lazy\" title=\"Beach House - Sparks\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/GfITojs_mNg?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p>Finally on the music front, Future and Drake released the video for <em>DS2<\/em>&#8216;s &#8216;Where Ya At&#8217;. And for the <a href=\"http:\/\/www.filmlinc.org\/nyff2015\/\">New York Film Festival<\/a> at the end of September, a documentary from <a href=\"https:\/\/culturedarm.com\/staging\/5793\/bringing-up-baby-and-inherent-vice-did-joaquin-phoenix-go-gay-all-of-a-sudden\/\">Paul Thomas Anderson<\/a> was announced, with <em>Junun<\/em> following Jonny Greenwood of Radiohead on a recording session in Rajasthan.\u00a0Greenwood travelled to Mehrangarh Fort, poised above the city of Jodhpur in northwest India, to collaborate on a new album with the Israeli composer Shye Ben Tzur.<\/p>\n<div class=\"youtube-embed\" data-video_id=\"lw3Or6eqIpI\"><iframe loading=\"lazy\" title=\"Future - Where Ya At (Official Music Video) ft. Drake\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/lw3Or6eqIpI?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p style=\"text-align: center;\">* * *<\/p>\n<p style=\"text-align: center;\"><strong>Interiors: Viewing Film through Architecture<\/strong><\/p>\n<p>Briefly remaining on the\u00a0subject of the cinema, this week while researching <a href=\"https:\/\/culturedarm.com\/staging\/5793\/the-birds-1963-storyboarding-the-scene-at-the-schoolhouse\/\">one of my pieces on Alfred Hitchcock&#8217;s 1963 film <em>The Birds<\/em><\/a>, I came again upon the online publication <strong><a href=\"http:\/\/www.intjournal.com\/\">Interiors<\/a><\/strong>.\u00a0This started out at the beginning of 2012 as an original way of looking at film: with an issue published each month interpreting a famous movie scene according to its architectural floor plan. Alongside scale drawings, the accompanying articles discussed issues of space, character positioning and their movement through scenes, and matters of design and construction. While <em>The Birds<\/em> itself hasn&#8217;t featured, three films by Hitchcock have: <em>Psycho<\/em> (1960), <em>Dial M for Murder<\/em> (1954), and <em>Lifeboat<\/em> (1944). And the work of Interiors extends from silent German expressionist cinema such as\u00a0<em>The Cabinet of Dr. Caligari<\/em> (1920) and French films like <em>Playtime<\/em> (1967), to American classics from <em>Manhattan<\/em> (1979) to <em>Raging Bull<\/em> (1980), to popular modern films like <em>Drive<\/em> (2011), and animated pictures including <em>Up<\/em> (2009).<\/p>\n<p>The last monthly issue of Interiors appeared at the end of 2014, but over the course of this year the publication has continued to function in new directions, still focusing on the interplay between architecture and film, but now incorporating think-pieces and interviews.<\/p>\n<figure id=\"attachment_8246\" aria-describedby=\"caption-attachment-8246\" style=\"width: 700px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Dial-M-Floor-Plan.jpg?ssl=1\"><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"wp-image-8246\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Dial-M-Floor-Plan.jpg?resize=696%2C696&#038;ssl=1\" alt=\"Dial M Floor Plan\" width=\"696\" height=\"696\" srcset=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Dial-M-Floor-Plan.jpg?w=1000&amp;ssl=1 1000w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Dial-M-Floor-Plan.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Dial-M-Floor-Plan.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Dial-M-Floor-Plan.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Dial-M-Floor-Plan.jpg?resize=370%2C370&amp;ssl=1 370w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Dial-M-Floor-Plan.jpg?resize=770%2C770&amp;ssl=1 770w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Dial-M-Floor-Plan.jpg?resize=580%2C580&amp;ssl=1 580w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><\/a><figcaption id=\"caption-attachment-8246\" class=\"wp-caption-text\">Interiors Floor Plan for Dial M for Murder (1954)<\/figcaption><\/figure>\n<figure id=\"attachment_8247\" aria-describedby=\"caption-attachment-8247\" style=\"width: 700px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Only-God-Forgives-Fight-Plan.jpg?ssl=1\"><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"wp-image-8247\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Only-God-Forgives-Fight-Plan.jpg?resize=696%2C497&#038;ssl=1\" alt=\"Only God Forgives Fight Plan\" width=\"696\" height=\"497\" srcset=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Only-God-Forgives-Fight-Plan.jpg?w=1000&amp;ssl=1 1000w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Only-God-Forgives-Fight-Plan.jpg?resize=300%2C214&amp;ssl=1 300w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Only-God-Forgives-Fight-Plan.jpg?resize=768%2C548&amp;ssl=1 768w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Only-God-Forgives-Fight-Plan.jpg?resize=370%2C264&amp;ssl=1 370w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Only-God-Forgives-Fight-Plan.jpg?resize=770%2C550&amp;ssl=1 770w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Only-God-Forgives-Fight-Plan.jpg?resize=812%2C580&amp;ssl=1 812w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><\/a><figcaption id=\"caption-attachment-8247\" class=\"wp-caption-text\">Interiors Fight Plan for Only God Forgives (2013)<\/figcaption><\/figure>\n<p style=\"text-align: center;\">* * *<\/p>\n<p style=\"text-align: center;\"><strong>NXT TakeOver: Brooklyn<\/strong><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/NXT-Brooklyn.png?ssl=1\"><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"alignnone wp-image-8248\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/NXT-Brooklyn.png?resize=696%2C389&#038;ssl=1\" alt=\"NXT Brooklyn\" width=\"696\" height=\"389\" srcset=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/NXT-Brooklyn.png?w=943&amp;ssl=1 943w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/NXT-Brooklyn.png?resize=300%2C168&amp;ssl=1 300w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/NXT-Brooklyn.png?resize=768%2C429&amp;ssl=1 768w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/NXT-Brooklyn.png?resize=370%2C207&amp;ssl=1 370w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/NXT-Brooklyn.png?resize=770%2C430&amp;ssl=1 770w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><\/a><\/p>\n<p>With SummerSlam, World Wrestling Entertainment&#8217;s secondary event of the year <a href=\"https:\/\/culturedarm.com\/staging\/5793\/thoughts-upon-wrestlemania-31\/\">after WrestleMania<\/a>, extending this evening across four hours from Barclays Center in Brooklyn, last night the same venue saw the latest iteration of NXT TakeOver. And once again, WWE&#8217;s developmental wrestlers\u00a0put on a\u00a0show more than matching that achieved by their more illustrious counterparts.<\/p>\n<p>NXT TakeOver: Brooklyn saw a hot opening, with Japanese legend Jushin Thunder Liger defeating Tyler Breeze courtesy of a Liger Bomb. Liger not only ran through several of his signature moves and submissions &#8211; the surfboard, and a somersault plancha to the outside &#8211; but he also engaged with Breeze&#8217;s narcissistic gimmick, pausing at one point to ironically take some in-ring selfies of his own.<\/p>\n<p><a href=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Sasha-Brooklyn.png?ssl=1\"><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"wp-image-8249 aligncenter\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Sasha-Brooklyn.png?resize=696%2C392&#038;ssl=1\" alt=\"Sasha Brooklyn\" width=\"696\" height=\"392\" srcset=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Sasha-Brooklyn.png?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Sasha-Brooklyn.png?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Sasha-Brooklyn.png?resize=768%2C432&amp;ssl=1 768w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Sasha-Brooklyn.png?resize=1024%2C576&amp;ssl=1 1024w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Sasha-Brooklyn.png?resize=370%2C208&amp;ssl=1 370w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Sasha-Brooklyn.png?resize=770%2C433&amp;ssl=1 770w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Sasha-Brooklyn.png?resize=1170%2C658&amp;ssl=1 1170w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Sasha-Brooklyn.png?resize=1031%2C580&amp;ssl=1 1031w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><\/a><\/p>\n<p>The Vaudevillains captured the NXT Tag Team titles from Blake and Murphy, with Blue Pants counteracting the interfering ways of Alexa Bliss. Apollo Crews made an impressive debut, beating Tye Dillinger with a standing moonsault. And after William Regal had announced a tag tournament <a href=\"https:\/\/culturedarm.com\/staging\/5793\/daily-visual-11-06-15-the-death-of-ornette-coleman\/\">commemorating Dusty Rhodes<\/a>, a rapidly evolving end-sequence saw Samoa Joe choke out Baron Corbin.<\/p>\n<p>Finn Balor and Kevin Owens gave a stellar performance in the night&#8217;s main event, Balor prevailing after a high-impact, back-and-forth ladder match, retaining his NXT Championship with a\u00a0Coup de Gr\u00e2ce diving foot stomp from the top of the ladder. But once more the women stole the show.<\/p>\n<p><a href=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Bank-Statement.jpg?ssl=1\"><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"wp-image-8250 aligncenter\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Bank-Statement.jpg?resize=696%2C392&#038;ssl=1\" alt=\"Bank Statement\" width=\"696\" height=\"392\" srcset=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Bank-Statement.jpg?w=1284&amp;ssl=1 1284w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Bank-Statement.jpg?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Bank-Statement.jpg?resize=768%2C432&amp;ssl=1 768w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Bank-Statement.jpg?resize=1024%2C576&amp;ssl=1 1024w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Bank-Statement.jpg?resize=370%2C208&amp;ssl=1 370w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Bank-Statement.jpg?resize=770%2C433&amp;ssl=1 770w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Bank-Statement.jpg?resize=1170%2C658&amp;ssl=1 1170w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Bank-Statement.jpg?resize=1031%2C580&amp;ssl=1 1031w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><\/a><\/p>\n<p>Sasha Banks vs. Bayley for the NXT Women&#8217;s Championship was an enthralling encounter, depicting two women with a rich history and a tangible sense of something at stake. Both Sasha and Bayley present colourful, boldly drawn characters, with plenty of subtlety between the lines, and they are expert storytellers who last night made exceptional use of the ring. They brawled on the mat and grappled fiercely for the advantage in the turnbuckles, with Sasha more often than not coming out ahead, finally managing to land a double-knee drop from\u00a0an elevated top-rope position. She made innovative use of the\u00a0outside, squashing Bayley&#8217;s injured hand between the ring apron and the steel steps.<\/p>\n<p>But Bayley came back into the match when she reversed the Bank Statement submission to huge cheers; and she finally won the NXT Women&#8217;s title following an amazing modified hurricanrana from the top rope, and a Bayley-to-Belly suplex which resulted in the 1-2-3. Bayley and Sasha hugged after the match, celebrating along with Charlotte and Becky Lynch. Bayley deserves her turn in the spotlight as champion, and can help nurture a new generation of NXT women; while after <a href=\"https:\/\/culturedarm.com\/staging\/5793\/daily-visual-21-05-15-sasha-banks-holds-her-arm-in-victory\/\">her match with Lynch at NXT TakeOver: Unstoppable in May<\/a>, Banks can claim the two best wrestling matches of the year so far regardless of gender.<\/p>\n<p><a href=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Bayley-Hurricanrana.jpg?ssl=1\"><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"wp-image-8251 aligncenter\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Bayley-Hurricanrana.jpg?resize=696%2C392&#038;ssl=1\" alt=\"Bayley Hurricanrana\" width=\"696\" height=\"392\" srcset=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Bayley-Hurricanrana.jpg?w=1284&amp;ssl=1 1284w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Bayley-Hurricanrana.jpg?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Bayley-Hurricanrana.jpg?resize=768%2C432&amp;ssl=1 768w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Bayley-Hurricanrana.jpg?resize=1024%2C576&amp;ssl=1 1024w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Bayley-Hurricanrana.jpg?resize=370%2C208&amp;ssl=1 370w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Bayley-Hurricanrana.jpg?resize=770%2C433&amp;ssl=1 770w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Bayley-Hurricanrana.jpg?resize=1170%2C658&amp;ssl=1 1170w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Bayley-Hurricanrana.jpg?resize=1031%2C580&amp;ssl=1 1031w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><\/a><\/p>\n<p style=\"text-align: center;\">* * *<\/p>\n<p style=\"text-align: center;\"><strong>Reviewing the Perseids 2015<\/strong><\/p>\n<p><a href=\"https:\/\/culturedarm.com\/staging\/5793\/daily-visual-12-08-15-the-perseids-reach-their-peak\/\">The Perseids<\/a>, the annual meteor shower particularly impressive this year since it coincided with a new moon, peaked around 13 August but will persist in the night&#8217;s sky until the end of 24 August tomorrow. Around the time of their peak, <a href=\"https:\/\/culturedarm.com\/staging\/5793\/trying-to-catch-the-perseids\/\">I took some atmospheric but decidedly amateur photographs in York<\/a>. As the Perseids draw to a close, here are a selection of winning shots at\u00a0<a href=\"http:\/\/www.space.com\/30218-perseid-meteor-shower-photos-2015.html\">Space.com<\/a>, <em><a href=\"http:\/\/time.com\/3994188\/see-perseid-meteor-shower-photos\/\">Time<\/a><\/em>,\u00a0<em><a href=\"http:\/\/www.independent.co.uk\/news\/science\/37-amazing-images-of-the-perseid-meteor-shower-10453590.html\">The Independent<\/a><\/em>, and\u00a0<em><a href=\"http:\/\/www.theguardian.com\/science\/gallery\/2015\/aug\/13\/perseid-meteor-shower-in-pictures\">The Guardian<\/a><\/em>.<\/p>\n<p><a href=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Perseids-Round.jpg?ssl=1\"><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"alignnone wp-image-8258\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Perseids-Round.jpg?resize=696%2C465&#038;ssl=1\" alt=\"Perseids Round\" width=\"696\" height=\"465\" srcset=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Perseids-Round.jpg?w=1200&amp;ssl=1 1200w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Perseids-Round.jpg?resize=300%2C201&amp;ssl=1 300w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Perseids-Round.jpg?resize=768%2C513&amp;ssl=1 768w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Perseids-Round.jpg?resize=1024%2C684&amp;ssl=1 1024w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Perseids-Round.jpg?resize=370%2C247&amp;ssl=1 370w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Perseids-Round.jpg?resize=570%2C381&amp;ssl=1 570w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Perseids-Round.jpg?resize=770%2C515&amp;ssl=1 770w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Perseids-Round.jpg?resize=1170%2C782&amp;ssl=1 1170w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Perseids-Round.jpg?resize=868%2C580&amp;ssl=1 868w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This week on Cultureteca, complex multimedia album announcements led by Oneohtrix Point Never and jolting EPs by FKA twigs and Panda Bear;\u00a0film and architecture viewed through Interiors magazine; the continuing brilliance of NXT&#8217;s female wrestlers, who starred last night in Brooklyn; and the Perseids meteor shower reaches its finale. * * * Oneohtrix Point Never&#8217;s [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":8252,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[3941],"tags":[2336,3835,3989,4003],"class_list":{"0":"post-8164","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-misc","8":"tag-oneohtrix-point-never","9":"tag-paul-thomas-anderson","10":"tag-perseids","11":"tag-sasha-banks"},"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Cultureteca 23.08.15<\/title>\n<meta name=\"description\" content=\"The week&#039;s music with Oneohtrix Point Never, FKA twigs, and Panda Bear; film and architecture via Interiors magazine; and the brilliance of NXT&#039;s women.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturedarm.com\/cultureteca-23-08-15\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cultureteca 23.08.15\" \/>\n<meta property=\"og:description\" content=\"The week&#039;s music with Oneohtrix Point Never, FKA twigs, and Panda Bear; film and architecture via Interiors magazine; and the brilliance of NXT&#039;s women.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/culturedarm.com\/cultureteca-23-08-15\/\" \/>\n<meta property=\"og:site_name\" content=\"Culturedarm\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/culturedallroundman\" \/>\n<meta property=\"article:published_time\" content=\"2015-08-24T05:32:31+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2015-10-30T09:08:06+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/culturedarm.com\/wp-content\/uploads\/Cultureteca-31.jpg?fit=1200%2C800&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"800\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Christopher Laws\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@https:\/\/twitter.com\/culturedarm\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Christopher Laws\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"8 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/culturedarm.com\/cultureteca-23-08-15\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/culturedarm.com\/cultureteca-23-08-15\/\"},\"author\":{\"name\":\"Christopher Laws\",\"@id\":\"http:\/\/culturedarm.com\/#\/schema\/person\/9034b985ef3e4c9cea454b05beb6a4f5\"},\"headline\":\"Cultureteca 23.08.15\",\"datePublished\":\"2015-08-24T05:32:31+00:00\",\"dateModified\":\"2015-10-30T09:08:06+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/culturedarm.com\/cultureteca-23-08-15\/\"},\"wordCount\":1583,\"commentCount\":0,\"publisher\":{\"@id\":\"http:\/\/culturedarm.com\/#organization\"},\"image\":{\"@id\":\"https:\/\/culturedarm.com\/cultureteca-23-08-15\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Cultureteca-31.jpg?fit=1200%2C800&ssl=1\",\"keywords\":[\"Oneohtrix Point Never\",\"Paul Thomas Anderson\",\"Perseids\",\"Sasha Banks\"],\"articleSection\":[\"Misc.\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/culturedarm.com\/cultureteca-23-08-15\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/culturedarm.com\/cultureteca-23-08-15\/\",\"url\":\"https:\/\/culturedarm.com\/cultureteca-23-08-15\/\",\"name\":\"Cultureteca 23.08.15\",\"isPartOf\":{\"@id\":\"http:\/\/culturedarm.com\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/culturedarm.com\/cultureteca-23-08-15\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/culturedarm.com\/cultureteca-23-08-15\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Cultureteca-31.jpg?fit=1200%2C800&ssl=1\",\"datePublished\":\"2015-08-24T05:32:31+00:00\",\"dateModified\":\"2015-10-30T09:08:06+00:00\",\"description\":\"The week's music with Oneohtrix Point Never, FKA twigs, and Panda Bear; 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