{"id":9374,"date":"2015-10-25T03:48:04","date_gmt":"2015-10-25T02:48:04","guid":{"rendered":"http:\/\/culturedarm.com\/?p=9374"},"modified":"2021-05-17T14:12:35","modified_gmt":"2021-05-17T12:12:35","slug":"risky-business-1983","status":"publish","type":"post","link":"https:\/\/culturedarm.com\/staging\/5793\/risky-business-1983\/","title":{"rendered":"Risky Business (1983)"},"content":{"rendered":"<h3 style=\"text-align: center;\"><a href=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Risky-Business-3.jpg?ssl=1\"><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-9381\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Risky-Business-3.jpg?resize=696%2C465&#038;ssl=1\" alt=\"Risky Business 3\" width=\"696\" height=\"465\" srcset=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Risky-Business-3.jpg?w=1200&amp;ssl=1 1200w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Risky-Business-3.jpg?resize=300%2C201&amp;ssl=1 300w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Risky-Business-3.jpg?resize=768%2C513&amp;ssl=1 768w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Risky-Business-3.jpg?resize=1024%2C684&amp;ssl=1 1024w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Risky-Business-3.jpg?resize=370%2C247&amp;ssl=1 370w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Risky-Business-3.jpg?resize=570%2C381&amp;ssl=1 570w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Risky-Business-3.jpg?resize=770%2C515&amp;ssl=1 770w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Risky-Business-3.jpg?resize=1170%2C782&amp;ssl=1 1170w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Risky-Business-3.jpg?resize=868%2C580&amp;ssl=1 868w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Risky-Business-3.jpg?resize=270%2C180&amp;ssl=1 270w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><\/a><\/h3>\n<h3 style=\"text-align: center;\">Risky Business<\/h3>\n<h4 style=\"text-align: center;\">Coming-of-Age Drama\u00a0| 98 Minutes | 1983 | United States<\/h4>\n<p style=\"text-align: center;\"><strong><i class=\"fas fa-star\"><\/i><\/strong><strong><i class=\"fas fa-star\"><\/i><\/strong><strong><i class=\"fas fa-star\"><\/i><\/strong><strong><i class=\"fas fa-star-half\"><\/i> (3.5\/4)<\/strong><\/p>\n<p style=\"text-align: center;\"><strong>Director: Paul Brickman | Writer: Paul Brickman | Starring: Tom Cruise, Rebecca De Mornay, Joe Pantoliano | Music: Tangerine Dream | Cinematography: Bruce Surtees, Reynaldo Villalobos | Editor: Richard Chew<\/strong><\/p>\n<p>Joel (Tom Cruise), a teenager coming\u00a0towards the end of his time\u00a0in high school, lives with his parents in a leafy Chicago suburb. He is good-looking and his parents are wealthy, but they are also demanding, and he subsumes\u00a0a fluent strain of existential angst with worry over schoolwork and his future prospects. Beyond a litany of tests, he is involved in a Future Enterprises programme, while his father wants him to follow in his footsteps by attending Princeton.<\/p>\n<p>When Joel&#8217;s parents fly off on vacation, he is enticed into calling a prostitute by the name of Lana (Rebecca De Mornay). Scarcely any older\u00a0than Joel, slender and blonde, she arrives and\u00a0they experience\u00a0a night of intensely vaporous sex. But the following morning\u00a0Joel heads\u00a0for\u00a0the bank to withdraw Lana&#8217;s payment, and returns to find that she is gone along with\u00a0his mother&#8217;s Steuben glass egg. In attempting to recover the egg, Joel dives into a world of pimps and\u00a0high-speed chases, sunken Porsches and pop-up brothels. At every turn, Lana pulls Joel effortlessly deeper, and he is left to salvage what he can before his parents come home.<\/p>\n<p>Equal parts <em>The Graduate<\/em> (1967) and <em>Blue Velvet<\/em> (1986), <em>Risky Business<\/em> is an adolescent male&#8217;s gaze into\u00a0a sunken society of\u00a0unconstrained sex and inevitable vice. Lana is the lure, and there Joel can laugh and act with an agency denied him in the less exciting but equally corrupted sphere\u00a0of grades and admissions. The film hums on the edge of satire, but despite all of his advantages and the mishaps to which he naively succumbs, we are never inclined to scorn or condemn Joel: we partake in his vision, and in Lana&#8217;s too, looking beyond her ruthless\u00a0calculations.<\/p>\n<p>Directed by Paul Brickman, and launching the careers of both Cruise and De Mornay, this is a stylish and atmospheric picture, energetic, sharp-witted, and lots of fun, with terse dialogue, sleek cinematography, and a pulsating score by Tangerine Dream. It features Cruise&#8217;s famous underwear dance scene, as Joel thrusts and lip-syncs to\u00a0Bob Seger&#8217;s &#8216;Old Time Rock and Roll&#8217;. But emerging from the subconscious &#8211; it opens with a dream sequence, Joel&#8217;s narration serving as a framing device &#8211; <em>Risky Business<\/em> is at its best in clandestine empty spaces and empty moments, as when Joel drags two black bin bags to the trash, or in the morning after his first night with Lana, as they grope towards some shared understanding.<\/p>\n<p>In the second half of the film,\u00a0sometimes\u00a0moody exposure gives way to straightforward plot. An evening where Joel&#8217;s friends and classmates intermingle with assorted hookers lacks verve, and Lana&#8217;s pimp Guido (Joe Pantoliano) is never more menacing than when he is patient and vague: when he forces Joel to buy back all of his furniture, the simple scheme makes the character less fierce. The concluding scenes with Joel&#8217;s parents are also a little too neat.<\/p>\n<p>A sort of coda to <em>Risky Business<\/em>, in which Joel and Lana briefly reconcile, restores some of the right pressure to what remains an engaging and hugely entertaining work.\u00a0Paul Brickman&#8217;s original ending &#8211; and it is remarkable that such an astute director didn&#8217;t go on to have a much fuller career &#8211; closed the film on a more hesitant note, and this ending is worth seeking out on DVD.<\/p>\n<div class=\"sc-separator type-thin\"><\/div>\n<p><a href=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Risky-Business-1.jpg?ssl=1\"><img data-recalc-dims=\"1\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-9380 aligncenter\" src=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Risky-Business-1.jpg?resize=696%2C1044&#038;ssl=1\" alt=\"Risky Business 1\" width=\"696\" height=\"1044\" srcset=\"https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Risky-Business-1.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Risky-Business-1.jpg?resize=200%2C300&amp;ssl=1 200w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Risky-Business-1.jpg?resize=768%2C1152&amp;ssl=1 768w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Risky-Business-1.jpg?resize=683%2C1024&amp;ssl=1 683w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Risky-Business-1.jpg?resize=370%2C555&amp;ssl=1 370w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Risky-Business-1.jpg?resize=770%2C1155&amp;ssl=1 770w, https:\/\/i0.wp.com\/culturedarm.com\/staging\/5793\/wp-content\/uploads\/Risky-Business-1.jpg?resize=387%2C580&amp;ssl=1 387w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u2605\u2605\u2605\u00bd (3.5 out of 4 stars) &#8211; Joel (Tom Cruise), a teenager coming\u00a0towards the end of his time\u00a0in high school, lives with his parents in a leafy Chicago suburb. He is good-looking and his parents are wealthy, but they are also demanding, and he subsumes\u00a0a fluent strain of existential angst with worry over schoolwork and his future prospects. Beyond a litany of tests, he is involved in a Future Enterprises programme&#8230;<\/p>\n","protected":false},"author":1,"featured_media":9381,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[3875,4039],"tags":[4132,4131],"class_list":{"0":"post-9374","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-movies","8":"category-movie-review","9":"tag-risky-business","10":"tag-tom-cruise"},"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO 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