
This weekās Cultureteca viewsĀ Ronda Rousey in Rio, and some of the curious overlaps between todayās UFC and WWE; a weekās worth of rap, featuring an album announcement by Dr. Dre, a new video by Kendrick Lamar, diss tracks by Drake, and A$AP fan art; and finally the V&A exhibition Alexander McQueen: Savage Beauty.
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Ronda Rousey, UFC 190, and Fighting Women
On Saturday night at UFC 190 in Rio,Ā defending her UFC Womenās Bantamweight Championship, Ronda Rousey knocked out challenger Bethe Correia in just 34 seconds.
Across the longĀ buildup to the fight, Correia had questioned Rouseyās mental strength. Suggesting she would knock her out inĀ two punches, Correia hoped aloud that Rousey wouldnāt commit suicide after falling to such a defeat. Rouseyās father committed suicide when she was just eight years old, so this was understandably a sore subject.
@bethecorreia suicide is no joke or selling point. My father will be with me the day I hand you the comeuppance you deserve.
ā Ronda Rousey (@RondaRousey) May 28, 2015
At the pre-fight weigh-in on Friday, Correia got in Rondaās face, shouting repeatedly āDonāt cry!ā.Ā Revelling in her victory in Correiaās home country, Ronda remembered to remove her mouthguard and mimic her opponent, as Correia picked herself up fromĀ the canvas:
Rondaās mixed martial arts record stands now at 12-0. This was her sixth successful UFC title defence, and her fourth as a UFC eventās headline performer. Her last three fights have taken her only 64 seconds. While she beat Cat Zingano at UFC 184 courtesy of an armbar submission, on this occasion she admitted her tactics had been to keep Correia on her feet, throwing punches and provoking Correia to attempt to clinch. When that happened, a blow to the temple sent Correia sprawling face-first to the mat.
After the fight, Ronda had kind wordsĀ for Roddy Piper, who died unexpectedly on Friday after a heart attack. Rondaās āRowdyā monicker was taken, with permission, from the professional wrestler, most famous for his various spells with todayās World Wrestling Entertainment, and for his feud with Hulk Hogan which culminated at the first WrestleMania in 1985.
Touching speech by the champ following another AMAZING performance!#UFC190 @RondaRousey http://t.co/90dp79lU7S
ā UFC (@ufc) August 2, 2015
Ronda ā a longtime wrestling fan ā made her first appearance inside the wrestling ringĀ at WrestleMania 31 in March. Over this weekend, there has been some back-and-forth between UFC President Dana White and WWE workers, after White referred to wrestling as āfake-shitā. The WWE World Heavyweight Champion Seth Rollins, and others including Sheamus, Mick Foley, and Joey Styles, were among those to get involved. In fact, White well understandsĀ the value of controversy, and he and some of his most astute talents have routinely drawn from wrestling methods when promoting UFC fights.
Today both companies share a reliance on female competitors. Ronda Rousey is indisputablyĀ the biggest name and the biggest draw on the UFC roster: owing to much more than a dearth of established male stars, she is the worldās outstanding fighter, exciting and charismatic and constantly improving inside the octagon, while away from her fighting and training duties she has starred in movies and appeared on numerous magazine covers.
Nobody in todayās WWE has attained as yet the same crossover appeal; but it is the companyās femaleĀ wrestlers who, over the past few months, have affordedĀ the best matches and the most engaging in-ring personalities. The main event between Sasha Banks and Becky Lynch at NXT TakeOver: Unstoppable in May was arguably the main event of the wrestling calendar thus far, and Sasha Banks ā recently promoted to the main roster alongside Lynch and Charlotte ā has emerged as WWEās most compelling character.
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Dr. Dre Announces Compton: A Soundtrack; Kendrick āFor Free?ā Video ; Drake Beef; A$AP Art
With the NWA biopic Straight Outta ComptonĀ on the way, due for release in a couple of weeks, and after a lead-in courtesy of Ice Cube, who spoke on the Philadelphia radio station Power 99 on Wednesday morning,Ā on Saturday Dr. Dre confirmed that he is to release a new album ā the first in almost sixteen years, withĀ 2001Ā having emerged all the wayĀ back in November 1999.
Joined by Ice Cube and Straight Outta Compton director F. Gary Gray,Ā Dre made the announcement on his Beats 1 radio show āThe Pharmacyā. The album will be released this coming Friday, 7 August, exclusively via iTunes and Apple Music. The title will be Compton: A Soundtrack; and it will feature collaborations with Kendrick Lamar and Jill Scott alongside old cohorts including Snoop Dogg, Ice Cube, Eminem, and Xzibit. Dre has reportedly led production on all of the albumāsĀ sixteenĀ tracks.
Dr. Dre began work on his third studio album, the follow-up to 2001, in the early 2000s. Known as Detox, in 2008 Snoop Dogg suggested work on the project wasĀ complete. Over the next few years, a couple of singles ā āKushā and āI Need a Doctorā ā were released, but after several leaks, and despite a Grammy performance earlier in the year, 2011 passed without the purported appearance of the work. Last year two of Dreās collaborators,Ā Marsha Ambrosius and Dawaun Parker, stated that Dre had shelved Detox.
Speaking on āThe Pharmacyā, Dre remarked of Detox, āI didnāt like it. It wasnāt good. I worked my ass off on it, and I donāt think I did a good enough jobā. On the other hand, he called Compton: A Soundtrack āmy grand finale. The record is bananasā.
On the subject of Kendrick Lamar, this week he released a video for āFor Free?ā. The short for the jazzy interlude from To Pimp a Butterfly was directed by JoeWeil and the Little Homies. Meanwhile, headling at Osheaga in Montreal over the weekend, Kendrick brought ought Yasiin Bey (aka Mos Def) to freestyle over āAlrightā.
Prior toĀ Dreās announcement, the week in rap was dominated by the feud between Drake and Meek Mill, instigated by Meekās claim that Drake used a ghostwriter for his verse on āR.I.C.O.ā, which appears on Meekās second album Dreams Worth More Than Money, released at the end of June. Last Saturday, on the second episode of his Beats 1Ā show āOVO Sound Radioā, Drake offered a casual response by way ofĀ āCharged Upā.
Before Meek managed to counter, Drake followed up with the more forthcoming āBack To Back Freestyleā. Referring to Meekās partner Nicki Minaj, and to his role as an opening act on her current āPinkprint Tourā, Drake rapped, āYou love her, then you gotta give the world to her / Is that a world tour or your girlās tour? / I know that you gotta be a thug for her / This aināt what she meant when she told you to open up moreā. Finally on Friday ā for many onlookers too late ā Meek came back with āWanna Knowā.
A$AP Rocky was one of several rappers to give his thoughts on proceedings, praising the battle, but declaring Drake the victor. This week I really liked this graphic created by a Tumblr user called Che1ique, which Rocky posted to his Facebook page, linking to A$AP Mobās fan art site:
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Alexander McQueen: Savage Beauty Goes Long
Alexander McQueen: Savage Beauty ranĀ at the V&A from 14 March. An elaboration, in the artistās home of London, upon the 2011 Metropolitan Museum of Art exhibition of the same name, the V&A could boast this as the largest retrospective of the late fashion designerās work on show in Europe.
It covered the whole of McQueenās career: from his 1992 MA graduation collection, on the completion of his studies at Central Saint Martins College of Art and Design; to his landmark VOSS show in 2001; to the Autumn/Winter collection for his eponymous label left unfinished at the time of his suicide in February 2010.
The Met exhibition in New York became one of the museumās ten most visited ā and this success has been replicated in London. Drawing to a close over this weekend, Alexander McQueen: Savage Beauty stayed open all night on Saturday to meet demand. During its run the retrospectiveĀ has seen more than 465,000 visitors, making it the V&Aās most popular exhibition ever.