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• The best new music from free jazz to noise to avant-pop
• Alternative playlists and tracks of the week
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Albums

Michael Bisio, Melanie Dyer, Marianne Osiel and Jay Rosen – NuMBq

Introduced by a deft clangour of gongs and chimes...

Michael Gordon & Theatre of Voices – A Western

Assailed by Howard Hawks and John Wayne for its...

Muslim Shaggan – Asar

Over the populous span of South Asia, a region...

Dave Sewelson, Gabby Fluke-Mogul, George Cartwright, Anthony Cox and Steve Hirsh – Murmuration

The Arkansas free jazz outpost Mahakala Music says that...

Klein – thirteen sense

For her last album marked the South London maverick...

Behind the Song

Themes and References in Joanna Newsom’s Sapokanikan

https://www.youtube.com/watch?v=ky9Ro9pP2gc In the music video for 'Sapokanikan', Joanna Newsom saunters...

Behind the Song: Robyn – ‘Be Mine!’

Beginning her career in pop music at the age...

Behind the Song: Chuck Berry – ‘You Can’t Catch Me’

'You Can't Catch Me', one of Chuck Berry's early singles, proved an unexpected commercial flop. It failed to chart upon its release at the onset of 1957 - despite being given prominence by the fledgeling rock and roll feature Rock, Rock, Rock!, which had opened in cinemas the previous month...

Behind the Song: Charles Mingus – ‘Goodbye Pork Pie Hat’

Charles Mingus wrote 'Goodbye Pork Pie Hat' as an elegy for the pioneering jazz saxophonist Lester Young, who died in March 1959, two months prior to the recording sessions for what would become Mingus Ah Um. A darkly elegant ballad with a lone dissonant note full of pathos...

Behind the Song: Animal Collective – ‘Summertime Clothes’

https://www.youtube.com/watch?v=GxhaRgJUMl8 Animal Collective's eighth studio album, Merriweather Post Pavilion, was...

Tracks of the Week

Tracks of the Week 19.01.25

Benjamin Lackner plays the piano with a plangent grace...

Tracks of the Week 12.01.25

Not since Jerry Seinfeld groggily awoke to witness Tim...

Tracks of the Week 04.01.25

Fresh beginnings plus a few festive odds and ends...

Tracks of the Week 17.08.24

Allen Lowe's short bio says that the veteran saxophonist...

Tracks of the Week 10.08.24

David Lynch, the transcendental meditator and itinerant Eagle Scout...

At the Movies

October Sky (1999)

★★★ (3 out of 4 stars) - October Sky is a quaint coming-of-age picture utterly characteristic of this period in American cinema: polished but earnest, overtly sentimental, full of local colour, ostensibly presenting some hard-hitting themes without ever straying from the steely confines of quaint. It's in the same mould as films like The Cider House Rules and especially Billy Elliot, which it preceded by more than a year...

Virgin Mountain (2015)

★★★ (3 out of 4 stars) - Fúsi (Gunnar Jónsson) is forty-three years old and a virgin, still living at home with his mother. He spends his days working as a baggage handler at Keflavik airport, his evenings wargaming with his friend Mörður (Sigurjón Kjartansson), as together they painstakingly recreate the Battle of El Alamein, and each Friday he orders Pad Thai and eats cloistered in the same corner of the same restaurant...

We’re the Millers (2013)

★★★ (3 out of 4 stars) - In what sounds like a riff on an old joke, a drug dealer, a stripper, a runaway, and a nerd climb into a camper van south of the border. David Clark (Jason Sudeikis) is a low-level marijuana dealer who finds himself beholden to his supplier, the sleazy businessman Brad Gurdlinger (Ed Helms), when a couple of street hoods make off with his stash. To cover the debt with a little added compensation, David reluctantly agrees to smuggle a 'smidge' of weed from Mexico...

Diego Maradona (2019)

★★★½ (3.5 out of 4 stars) - One of the successes of Diego Maradona lies in how it manages to restore some of the luxe hedonism and heady momentum to a story so often shrouded by bloated excess. A keenly self-conscious Maradona pushes himself through sporting triumphs and binge cycles, as the barrio boy from Buenos Aires in the slum city of Naples embraces the fur coats and neon lights.

Rams (2015)

★★★★ (4 out of 4 stars) - Ageing, unmarried, and unkempt, brothers Gummi (Sigurður Sigurjónsson) and Kiddi (Theodór Júlíusson) work side by side as sheep farmers in a cold and desolate valley in Iceland's northeast. Each the master of their own flock, they have not spoken for forty years owing to a dispute over their father's inheritance: considering Gummi the more conscientious worker, their father left him the whole of the land...

World Cinema

Once Upon a Time in Hollywood (2019)

★★★ (3 out of 4 stars) - In February 1969 in Hollywood, fading television star Rick Dalton (Leonardo DiCaprio) frequents bars and gets ferried around by his old stunt double, Cliff Booth (Brad Pitt). Booth lives in a trailer with his pit bull Brandy, in an empty lot behind the drive-in in Van Nuys, but Dalton keeps up appearances with a luxury home in Beverly Crest overlooking Beverly Hills...

October Sky (1999)

★★★ (3 out of 4 stars) - October Sky is a quaint coming-of-age picture utterly characteristic of this period in American cinema: polished but earnest, overtly sentimental, full of local colour, ostensibly presenting some hard-hitting themes without ever straying from the steely confines of quaint. It's in the same mould as films like The Cider House Rules and especially Billy Elliot, which it preceded by more than a year...

The Texas Chain Saw Massacre (1974)

★★★½ (3.5 out of 4 stars) - Five teenagers take a road trip to visit an old family homestead in the musty heart of Texas. The radio plays the news, a grim recitation of industrial and environmental disasters and acts of wanton violence. They discuss astrology, retrograde planets and the malevolent influence of Saturn; stop off at the gravesite of a deceased grandfather amid reports of grave robbing; and after passing a slaughterhouse for beef cattle, they pick up a hitchhiker...

The Sunshine Boys (1975)

★★★ (3 out of 4 stars) - In The Sunshine Boys a pair of ageing and increasingly frail former comedians, Al Lewis and Willy Clark (George Burns and Walter Matthau), are brought together eleven years after their acrimonious separation in order to star one more time in a special for ABC. Veterans of the vaudeville circuit, their career together spanned forty-three years and six appearances on The Ed Sullivan Show...

Don Jon (2013)

★★★ (3 out of 4 stars) - In Japan grown adult men - thirty, forty, fifty years old or more - lie prostrate in their childhood bedrooms, which they never leave, as their ageing parents push parcels of food beneath the door. On their beds they clutch plush life-sized cartoon figures, somehow prepubescent but boasting ginormous boobs, and between the heaving and moaning they not only cry but orgasm into their pillowcases...

Earthy Anecdotes

Earthy Anecdotes: Katharine Hepburn Steals Stephen Sondheim’s Plant

By the turn of the twentieth century, the Turtle Bay neighbourhood on the east side of Midtown Manhattan was a 'riverside back yard' for the city of New York. Imposing brownstones and squalid tenement housing butted up against the breweries, gasworks, and slaughterhouses which lined the waterfront. Eventually the waterfront would be reshaped by the United Nations headquarters, with dozens of diplomatic missions...

Earthy Anecdotes: The Texas Chain Saw Massacre’s Hellish Dinner Scene

One of the most influential horror movies of all-time,...

Earthy Anecdotes: Alex Ferguson, Mick Harford and The League That Got Away

In the winter of 1991, Manchester United stood atop...

Earthy Anecdotes: The Premiere of The Rite of Spring

On 29 May 1913, The Rite of Spring, the ballet and...

Earthy Anecdotes: Zola’s House at Médan by Paul Cézanne

In Banks of the Marne by the French artist...

Poetry

The Early Poetry of Mina Loy

When the first issue of Others: A Magazine of...

Fyodor Sologub – ‘At Times There Comes a Strange Smell Wafting’

Fyodor Sologub was born Fyodor Kuzmich Teternikov on 1...

Rabindranath Tagore, E. E. Cummings; Bonnie ‘Prince’ Billy, Björk

Rabindranath Tagore (1861-1941) was a Bengali polymath, best known...

Emily Dickinson – ‘I Can Wade Grief’ (1862)

Emily Dickinson was born on 10 December 1830 in...

James Joyce

The Homeric Parallel in Ulysses: Joyce, Nabokov and Homer in Maps

When Ulysses was published on 2 February, 1922, it was the...

Behind the Song: ‘M’appari’ from Friedrich von Flotow’s Martha

'M'appari' is the best known name for the central...

Ignatius Loyola and the Jesuits; and the Jesuits and James Joyce

With the election yesterday evening in Rome of former...

Joyce, Nabokov, and Dirty Books: The Publications of Ulysses, Haveth Childers Everywhere, and Lolita

With Ezra Pound acting as intermediary, from the spring of...

Obituaries

Lee ‘Scratch’ Perry, the Influential Producer and Dub Pioneer, Dies at the Age of 85

https://www.youtube.com/watch?v=iTNam6GbJYg Lee 'Scratch' Perry, the charismatic producer and restless pioneer...

Charlie Watts, Steadfast Drummer of the Rolling Stones, Dies at the Age of 80

https://www.youtube.com/watch?v=M1_6z9oqet8 Charlie Watts, the backbone of the Rolling Stones for...

Dean Stockwell, Star of Blue Velvet and Quantum Leap, Dies at 85 Years Old

https://www.youtube.com/watch?v=vhPosL3UAN8 The actor Dean Stockwell died of natural causes on...

Jean-Paul Belmondo, the Face of the French New Wave, Dies At the Age of 88

https://www.youtube.com/watch?v=NbAMIHLciGk Jean-Paul Belmondo, the actor whose crooked nose and raffish...

Culturedarm

Subscribe to Culturedarm

A monthly subscription supports Culturedarm while providing access to special content including playlists and alternative tracks of the week. You get:

• The best new music from free jazz to noise to avant-pop
• Alternative playlists and tracks of the week
• Culturedarm's weekly newsletter straight to your inbox
• Movie reviews, earthy anecdotes, seven of the best and more . . .
• Bookmark your favourite or most hotly anticipated articles
• The satisfaction of supporting independent blah blah blah . . .

Lock it in and fuhgeddaboudit with an annual subscription to Culturedarm, which supports the site while providing access to special content including playlists and alternative tracks of the week. You get:

• The best new music from free jazz to noise to avant-pop
• Alternative playlists and tracks of the week
• Culturedarm's weekly newsletter straight to your inbox
• Movie reviews, earthy anecdotes, seven of the best and more . . .
• Bookmark your favourite or most hotly anticipated articles
• The satisfaction of supporting independent blah blah blah . . .

placeholder text
3
25
0

Albums

Michael Bisio, Melanie Dyer, Marianne Osiel and Jay Rosen – NuMBq

Introduced by a deft clangour of gongs and chimes...

Michael Gordon & Theatre of Voices – A Western

Assailed by Howard Hawks and John Wayne for its...

Muslim Shaggan – Asar

Over the populous span of South Asia, a region...

Dave Sewelson, Gabby Fluke-Mogul, George Cartwright, Anthony Cox and Steve Hirsh – Murmuration

The Arkansas free jazz outpost Mahakala Music says that...

Klein – thirteen sense

For her last album marked the South London maverick...

Behind the Song

Behind the Song: Leonore Overture, ‘Farewell Amanda’, ‘One Night’

Ludwig van Beethoven - Leonore Overture No. 1, Op....

Behind the Song: David Bowie – ‘Subterraneans’

'Subterraneans' is the closing song on what has become perhaps David Bowie's most critically acclaimed album: Pitchfork placed Low at number 1 on their 'Top 100 Albums of the 1970s', on Q's list of the '100 Greatest British Albums Ever' Low was Bowie's highest entry at number 14, and while...

Behind the Song: Charles Mingus – ‘Goodbye Pork Pie Hat’

Charles Mingus wrote 'Goodbye Pork Pie Hat' as an elegy for the pioneering jazz saxophonist Lester Young, who died in March 1959, two months prior to the recording sessions for what would become Mingus Ah Um. A darkly elegant ballad with a lone dissonant note full of pathos...

Behind the Song: Van Morrison – ‘Crazy Love’

https://www.youtube.com/watch?v=OIaKy1vM9hs 'Crazy Love' is the third track from Moondance, Van...

Behind the Song: Chuck Berry – ‘You Can’t Catch Me’

'You Can't Catch Me', one of Chuck Berry's early singles, proved an unexpected commercial flop. It failed to chart upon its release at the onset of 1957 - despite being given prominence by the fledgeling rock and roll feature Rock, Rock, Rock!, which had opened in cinemas the previous month...

Tracks of the Week

Tracks of the Week 19.01.25

Benjamin Lackner plays the piano with a plangent grace...

Tracks of the Week 12.01.25

Not since Jerry Seinfeld groggily awoke to witness Tim...

Tracks of the Week 04.01.25

Fresh beginnings plus a few festive odds and ends...

Tracks of the Week 17.08.24

Allen Lowe's short bio says that the veteran saxophonist...

Tracks of the Week 10.08.24

David Lynch, the transcendental meditator and itinerant Eagle Scout...

At the Movies

The Blind Side (2009)

★ (1 out of 4 stars) - The Blind Side purports to tell the real-life story of Michael Oher, depicted here as a poor oversized black kid from the ghetto. He's in and out of foster homes thanks to an absentee father and a drug addict mother, until the father of one of his friends - on whose couch he has been sleeping - brings him to the attention of the football coach of a local Christian school...

Hard Eight (1996)

★★★★ (4 out of 4 stars) - A black and blue semi-trailer truck passes by a coffee shop whose exterior lights are askew, and a man in a dark overcoat waits for the truck to pass, pauses for a moment more, then crosses the road towards coffee. Outside the diner a young man sits on the ground, bedraggled and bestubbled, knees up, arms crossed and looking despondent...

Kalifornia (1993)

★★½ (2.5 out of 4 stars) - Brian and Carrie plan to drive from their home of Louisville, Kentucky to the golden state of California, stopping off at renowned murder spots along the way. Brian hopes to gain material for his book, with Carrie providing the photographic illustration. To top up their gas-guzzling Lincoln Continental, their notice for a ride share is answered by a curious couple, the childlike Adele Corners and her ragged minder Early Grayce...

Risky Business (1983)

★★★½ (3.5 out of 4 stars) - Joel (Tom Cruise), a teenager coming towards the end of his time in high school, lives with his parents in a leafy Chicago suburb. He is good-looking and his parents are wealthy, but they are also demanding, and he subsumes a fluent strain of existential angst with worry over schoolwork and his future prospects. Beyond a litany of tests, he is involved in a Future Enterprises programme...

The Ballad of Buster Scruggs (2018)

★★★★ (4 out of 4 stars) - The Coen Brothers' first foray on Netflix feels curiously well suited to the format: curious because beyond the vagaries of the term 'anthology', which on film has sometimes meant multiple directors and is nowadays more often used for television shows whose series are self-contained, straddling the line between more conventional movie making and episodic or serialised television, what The Ballad of Buster Scruggs most resembles...

World Cinema

North by Northwest (1959)

★★★★ (4 out of 4 stars) - A Madison Avenue advertising man, run-of-the-mill if unusually tanned with his grey flannel suit an impeccable fit, stands up at the wrong moment in the Oak Room of the Plaza Hotel in Midtown Manhattan. Roger Thornhill has theatre tickets. He wishes to send a wire to his mother, but by summoning the wrong waiter and ostensibly responding to the wrong call, he gets mistaken for George Kaplan, a government agent.

Paris, Texas (1984)

★★★★ (4 out of 4 stars) - Travis Henderson (Harry Dean Stanton) was introduced against a backdrop of blue skies and sandstone buttes, but his brother Walt (Dean Stockwell) wears a yellow Stetson cap and stands in front of a commercial tower block, which turns out to be painted. He sells billboard signs for a living, but agrees to travel to Terlingua, South Texas, to pick up his brother...

High Noon (1952)

★★★★ (4 out of 4 stars) - Will Kane (Gary Cooper), the marshal of a small frontier town in New Mexico Territory, gets married in a small civil ceremony to his beautiful young wife Amy Fowler (Grace Kelly), a Quaker whose imminent plans include a family and a convenience store someplace else. Fully intending to play the doting husband, to that end it is also Kane's last day on the job, and he hands in his badge...

Diego Maradona (2019)

★★★½ (3.5 out of 4 stars) - One of the successes of Diego Maradona lies in how it manages to restore some of the luxe hedonism and heady momentum to a story so often shrouded by bloated excess. A keenly self-conscious Maradona pushes himself through sporting triumphs and binge cycles, as the barrio boy from Buenos Aires in the slum city of Naples embraces the fur coats and neon lights.

Fast & Furious Presents: Hobbs & Shaw (2019)

★½ (1.5 out of 4 stars) - When it comes to the blockbuster action movie, three franchises remain. There is the Marvel Cinematic Universe and other assorted comic book pictures, y'know, for kids; Tom Cruise, most clearly for the ever stellar Mission: Impossible series, wilfully forgetting Jack Reacher but with shoutouts to American Made, Edge of Tomorrow, and the upcoming Top Gun sequel, sure to be a success; and then there's The Rock...

Earthy Anecdotes

Earthy Anecdotes: Katharine Hepburn Steals Stephen Sondheim’s Plant

By the turn of the twentieth century, the Turtle Bay neighbourhood on the east side of Midtown Manhattan was a 'riverside back yard' for the city of New York. Imposing brownstones and squalid tenement housing butted up against the breweries, gasworks, and slaughterhouses which lined the waterfront. Eventually the waterfront would be reshaped by the United Nations headquarters, with dozens of diplomatic missions...

Earthy Anecdotes: The Texas Chain Saw Massacre’s Hellish Dinner Scene

One of the most influential horror movies of all-time,...

Earthy Anecdotes: Alex Ferguson, Mick Harford and The League That Got Away

In the winter of 1991, Manchester United stood atop...

Earthy Anecdotes: The Premiere of The Rite of Spring

On 29 May 1913, The Rite of Spring, the ballet and...

Earthy Anecdotes: Zola’s House at Médan by Paul Cézanne

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Poetry

‘Silentium!’ by Fyodor Tyutchev

Silentium! Speak not, lie hidden, and conceal the way you dream,...

The Early Poetry of Mina Loy

When the first issue of Others: A Magazine of...

Alexander Blok – ‘Night, street, street-light, drugstore’ (1912)

Alexander Blok (Александр Блок) (1880-1921) was the foremost of...

Pierrot Through the Arts

Pierrot, the sad clown in white face and loose...

James Joyce

The Homeric Parallel in Ulysses: Joyce, Nabokov and Homer in Maps

When Ulysses was published on 2 February, 1922, it was the...

Behind the Song: ‘M’appari’ from Friedrich von Flotow’s Martha

'M'appari' is the best known name for the central...

Ignatius Loyola and the Jesuits; and the Jesuits and James Joyce

With the election yesterday evening in Rome of former...

Daily Visual 16.06.15: Bloomsday 2015

Bloomsday today in Dublin marks the culmination of a...

Obituaries

Charlie Watts, Steadfast Drummer of the Rolling Stones, Dies at the Age of 80

https://www.youtube.com/watch?v=M1_6z9oqet8 Charlie Watts, the backbone of the Rolling Stones for...

Biz Markie, the Clown Prince of Hip Hop, Dies at 57 Years Old

https://www.youtube.com/watch?v=9aofoBrFNdg The rapper, DJ, and record producer Biz Markie died...

Lee ‘Scratch’ Perry, the Influential Producer and Dub Pioneer, Dies at the Age of 85

https://www.youtube.com/watch?v=iTNam6GbJYg Lee 'Scratch' Perry, the charismatic producer and restless pioneer...

Jean-Paul Belmondo, the Face of the French New Wave, Dies At the Age of 88

https://www.youtube.com/watch?v=NbAMIHLciGk Jean-Paul Belmondo, the actor whose crooked nose and raffish...

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Cultureteca 26.07.15

Cultureteca 2

For the opening part of this week’s Cultureteca, let’s look back precisely one hundred years, to some of the poetry being published in the Russian Empire and the United States in July 1915. Then onto a correspondence between Björk and the philosopher Timothy Morton; the week’s music featuring Robyn, Erykah Badu, and Kanye West; and athletics highlights from the Anniversary Games in London.

* * *

100 Years Ago in Russian and American Poetry: Vladimir Mayakovsky and Mina Loy

From December 1913 until the following April, Vladimir Mayakovsky along with his fellow Russian Futurist poets toured cities across the southeast of the Russian Empire, extending to parts of modern-day CrimeaUkraine, and Moldova. In Odessa in January 1914, Mayakovsky met Maria Denisova, and fell into a love that proved unrequited. He began composing what would become ‘A Cloud in Trousers’ (‘Облако в штанах’).

Mayakovsky had published his first poems in December 1912, as part of the Russian Futurist’s debut collection A Slap in the Face of Public Taste (Пощёчина общественному вкусу). This contained the Russian movement’s manifesto, which called to ‘Throw Pushkin, Dostoevsky, Tolstoy, etc., etc., overboard from the ship of modernity’. In 1913 he published his first solo collection of poems, I (Я). ‘A Cloud in Trousers’ was finished in July 1915 in Kuokkala – whose Finnish name was changed in 1948 to Repino, in honour of its famous former resident, the painter Ilya Repin.

Sections of ‘A Cloud in Trousers’ had already been published in February, in the magazine Sagittarius (Стрелец); and more appeared elsewhere in August. The completed poem emerged in September, in an edition published by Osip Brik. However this version was severely censored, and the title changed: Mayakovsky initially wanted the poem to be called ‘The Thirteenth Apostle’.

The uncensored text would be printed in early 1918, by ASIS Publishing. Prefacing that edition, Mayakovsky summarised ‘A Cloud in Trousers’ as ‘four cries of the four parts […] “Down with your love”, “Down with your art”, “Down with your system”, “Down with your religion”‘. He dedicated the poem to Lilya Brik.

Prologue and first part of ‘A Cloud in Trousers’, by Vladimir Mayakovsky (1915)

Your thought,
dreaming on a softened brain
like a blown-up lackey on a greasy couch,
I’ll taunt with a bloody scrap of heart,
mock to my full, insolent and caustic.

Not one gray hair is in my soul,
no old man’s tenderness!
The world shakes from the might of my voice,
I go—a handsome,
twentytwoyearold.

Tender ones!
You put your love on violins.
The vulgar put love on kettle drums.
But to turn yourself inside out, as I,
and become nothing but lips
this you can’t do!

Come learn—
from the drawing room, you cambric,
proper bureaucrat of the angelic league.

And the one who calmly flicks her lips
like a cook the pages of her cook book.

If you want—
I’ll rage from meat
—and, like the sky changing its tones—
if you want—
I’ll be irreproachably tender,
not a man, but—a cloud in trousers!

I don’t believe there’s flowering Nice!
Again they praise themselves through me,
men stale like a hospital,
and women worn out like a proverb.

I.

You think it’s malaria raving?

It happened,
happened in Odessa.

“I’ll come at four,” Maria said.

Eight.
Nine.
Ten.

Then evening
left the windows
into a night horror,
frowning,
Decemberish.

The candelabras sneer and neigh
at the senile back.

You wouldn’t know me now:
A sinewed colossus
groans,
writhes.
What could such a clod want?
But the clod wants much!

Because for me it’s nothing
that I’m bronze—
and the heart’s—cold iron scrap.
At night I want to bury my sound
in softness,
in woman.

And so,
colossal,
I hunch at the window,
melt the little pane with my forehead.
Will love be or not?
What kind—
big or tiny?
Big, how from such a body:
It must be small,
a submissive baby love.
It cringes from the blaring horns.
Loves the clink of harness bells.

Still and still,
burying my face in the rain
against its pitted face,
I wait,
spattered by the thunder of the city’s surf.

Midnight, racing with a knife,
caught up,
slaughtered—
to Hell with him!

Twelve o’clock fell
like a head from the executioner’s block.

Gray raindrops wailed together
on windowpanes,
massed into a grimace,
as the chimeras wail
on the Parisian Cathedral of the Mother of God.

Bitch!
What, still not enough?
Soon my mouth’ll rip itself apart with a scream.

I hear:
Quietly,
a nerve jumped
like a patient from his bed.
And so—
at first, barely-barely,
it paced around,
then ran,
frantic,
precise.
Now with another two
race in a tap dance of despair.

Plaster crashed on the ground floor.

Nerves—
big,
little,
many!—
gallop enraged,
and already
the nerves’ legs give way!

And the night oozes and oozes around the room,—
the waterlogged eye can’t pull itself from the ooze.

Doors banged suddenly,
as would the hotel’s
chattering teeth.

You entered,
sharp, like “so there!”
tormenting your suede gloves,
you said:
“You know—
I’m getting married.”

Okay, so get married.
It’s nothing.
I’ll make it.
You see—how calm I am!
Like a dead man’s
pulse.

Remember?
You said:
“Jack London,
money,
love,
passion”—
But I saw only one:
you—Gioconda
that had to be stolen!

And they stole.

Again, in love I’ll go and play around,
the arch of my brows lit by fire.
So what!
Even in a house burned to the ground
homeless bums sometimes live!

You taunt me?
“Your emeralds of madness are fewer
than a beggar’s kopeks!”
Remember!
Pompeii perished
by taunting Vesuvius!

Heh!
Gentlemen!
Lovers
of sacrileges,
crimes,
butcheries—
but the most horrible
have you seen it?—
my face
when
I
am absolutely calm?

And I feel—
“I”
is tight on me.
Someone stubbornly pushes out of me.

Hello!
Who’s speaking?
Mama?
Mama!
Your son is beautifully sick!
Mama!
He has fire of the heart.
Tell his sisters, Lyuda and Olya,—
he has nowhere to go.
Each word,
even a joke,
vomited from his scorching mouth,
leaps like a naked prostitute
from a burning brothel.

People sniff—
smells of burnt flesh!
They herded ’em.
Shining ones!
In helmets!
No beetle-crushers!
Tell the firemen:
Climb gently up the burning heart.
I myself.
I’ll roll out my tearing eyes like barrels.
Let me lean against my ribs.
I’ll leap out! Leap out! Leap out! Leap out!
They crashed.
You can’t leap out of the heart!

On the burning face
from a crack in the lips,
out popped a charred kisslet about to jump.

Mama!
I can’t sing.
In the chapel of my heart the kliros is catching fire!

The scorched figurines of words and numbers
from the skull,
like children from a burning building.
Thus, fear,
to seize heaven,
raised up
the burning arms of the Lusitania.
To the trembling people
in the apartment quiet
a hundred-eyed glow explodes from the harbor.
Last cry—
moan through centuries
that I burn!

(Translated by Jonathan Brent and Lyudmila Sholokhova. Read a full translation of Mayakovsky’s ‘A Cloud in Trousers’ in John Glad and Daniel Weissbort’s Russian Poetry: The Modern Period (University of Iowa Press, 1978): Mayakovsky Cloud in Trousers)

Meanwhile over in the United States, July 1915 saw the first issue of the new literary magazine Others, subtitled ‘A Magazine of the New Verse’. The magazine was founded in New Jersey by Alfred Kreymborg, who had previously edited The Glebe with Man Ray. Based for much of its run in New York, Others offered an alternative space for modern poetry, often attracting writers whose work had either been rejected by or simply didn’t fit in Chicago’s Poetry or The Little Review.

A core of artists, emerging out of a colony established in Grantwood, came to gather round Others. These included William Carlos Williams, Wallace Stevens, Marianne Moore, Mina Loy, and Marcel Duchamp. Amy Lowell, Ezra Pound, T. S. Eliot, and Carl Sandburg were among their fellow contributors, as the magazine published twenty-seven issues until July 1919. Three anthologies appeared, in 1916, 1917, and 1920.

The July 1915 issue featured poetry by Mary Carolyn Davies, Mina Loy, Orrick Johns, Horace Holley, and Kreymborg. Mina Loy’s contribution was four short ‘Love Songs’, which brought a hostile response from Amy Lowell and Conrad Aiken.

‘Love Songs’, by Mina Loy (1915)

I

Spawn of fantasies
Sitting the appraisable
Pig Cupid            his rosy snout
Rooting erotic garbage
“Once upon a time”
Pulls a weed      white star-topped
Among wild oats sown in mucous membrane
I would            an eye in a Bengal light
Eternity in a sky-rocket
Constellations in an ocean
Whose rivers run no fresher
Than a trickle of saliva

There are suspect places

I must live in my lantern
Trimming subliminal flicker
Virginal            to the bellows
Of experience
                              Colored glass.

II

                The skin-sack
In which a wanton duality
Packed
All the completions of my infructuous impulses
Something the shape of a man
To the casual vulgarity of the merely observant
More of a clock-work mechanism
Running down against time
To which I am not paced
        My finger-tips are numb from fretting your hair
A God’s door-mat
        On the threshold of your mind.

III

We might have coupled
In the bed-ridden monopoly of a moment
Or broken flesh with one another
At the profane communion table
Where wine is spilled on promiscuous lips

We might have given birth to a butterfly
With the daily news
Printed in blood on its wings.

IV

Once in a mezzanino
The starry ceiling
Vaulted an unimaginable family
Bird-like abortions
With human throats
And wisdom’s eyes
Who wore lamp-shade red dresses
And woolen hair

One bore a baby
In a padded porte-enfant
Tied with a sarsanet ribbon
To her goose’s wings
But for the abominable shadows
I would have lived
Among their fearful furniture
To teach them to tell me their secrets
For I had guessed mine
That if I should find YOU
And bring you with me
The brood would be swept clean out.

(Every issue of Others can be accessed via The Modernist Journals Project, a collaboration between Brown University and the University of Tulsa. A PDF of the July 1915 edition can be downloaded here: Others July 1915)

* * *

Björk and Timothy Morton, Robyn & La Bagatelle Magique, and More of The Week’s Music 

This week Dazed published some of the correspondence between Björk and the philosopher Timothy Morton. This appeared in full in the retrospective Björk: Archives, which features critical texts, poetry, and photography, and was published by MoMA and Thames & Hudson in March.

Morton is the author of books including Hyperobjects: Philosophy and Ecology after the End of the World (Minnesota, 2013), The Ecological Thought (Harvard, 2010), and the upcoming Dark Ecology: For a Logic of Future Coexistence. Introducing the series of twenty-four emails which appeared in Dazed, Björk wrote:

‘last year i reached out to the philosopher timothy morton to see if he would be interested to start a dialogue with me, to search for a definition of me and my friends’ stance in this world, which i felt his writing came very close to already. of course i’m still searching but this email chat of ours got pretty close and we shared a couple of coordinates trying to define what “ism” a pop musician from iceland would be …..’

Here’s a reproduction of one of the early emails sent by Björk to Morton, with the introductions out of the way:

1131382

In other music-related stuff this week, Robyn announced the specifics of the upcoming La Bagatelle Magique release. The group – comprising Robyn alongside keyboardist Markus Jägerstedt and the late producer Christian Falk – will put out a mini-album entitled Love Is Free on 7 August, on Konichiwa Records, and it is available to pre-order now. Meanwhile – with the album’s titular track shared last month – Robyn also released the album’s second single, ‘Set Me Free’:

After a string of stellar mixtapes, Future’s third album Dirty Sprite 2 emerged to strong reviews. 3RDEYEGIRL promised a new Prince record for 2015, to be called The Hit & Run Album. Erykah Badu compiled a mix of soul, funk, and jazz, headed with the message ‘Feel Better, World!…Love, Ms. Badu’:

And Kanye West and director Steve McQueen unveiled their new video for Kanye’s songs ‘All Day’ and ‘I Feel Like That’. The tracks are thought to be part of Kanye’s upcoming album SWISH; and the video has gone on display until Tuesday at the Los Angeles County Museum of Art, after being previewed there on Friday evening.

* * *

Brief Highlights from the Anniversary Games

Hot on the heels of my extensive coverage of the Anniversary Games – which took place over Friday evening and Saturday at the Olympic Stadium in London, as part of this season’s Diamond League – here are two brief highlights packages showing the best performances of the athletics meet:

Christopher Laws
Christopher Lawshttps://www.culturedarm.com
Christopher Laws is the writer and editor of Culturedarm, currently based in Umeå, Sweden.

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