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Meshell Ndegeocello – No More Water: The Gospel of James Baldwin

After a fulsome embrace of jazz and roots music on her Blue Note debut The Omnichord Real Book - where she laid down her spear and traded sweet grooves with the likes of Joel Ross, Jeff Parker, Ambrose Akinmusire and Brandee Younger while the distinctive chimes of her harp-like instrument also stretched in the direction of seventies go-go and strung-out...

Suk Hong – Pedigree

Armed with Clippy EM272 stereo microphones and undisclosed instrumentation, the South Korean sound artist Suk Hong elides the boundaries and ellipses between the performed and overheard on his new album Pedigree for the Otoroku label. Reedy synthesizers, pipe organ drones, oscillating sine tones and percussive static rippled through by a late burst of mallets seem to merge steadily with...

Jake Xerxes Fussell – When I’m Called

On almost every track of Jake Xerxes Fussell's fifth studio album When I'm Called, there is a stringent and plangent tone which is reminiscent of Van Morrison and the Astral Weeks closer 'Slim Slow Slider', a song about a sad departure, two trains passing in the night or drifting into the looming spectre of the vast beyond. That sort of...

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