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• Alternative playlists and tracks of the week
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• Movie reviews, earthy anecdotes, seven of the best and more . . .
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• The satisfaction of supporting independent blah blah blah . . .

Lock it in and fuhgeddaboudit with an annual subscription to Culturedarm, which supports the site while providing access to special content including playlists and alternative tracks of the week. You get:

• The best new music from free jazz to noise to avant-pop
• Alternative playlists and tracks of the week
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• Bookmark your favourite or most hotly anticipated articles
• The satisfaction of supporting independent blah blah blah . . .

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Albums

Michael Bisio, Melanie Dyer, Marianne Osiel and Jay Rosen – NuMBq

Introduced by a deft clangour of gongs and chimes...

Michael Gordon & Theatre of Voices – A Western

Assailed by Howard Hawks and John Wayne for its...

Muslim Shaggan – Asar

Over the populous span of South Asia, a region...

Dave Sewelson, Gabby Fluke-Mogul, George Cartwright, Anthony Cox and Steve Hirsh – Murmuration

The Arkansas free jazz outpost Mahakala Music says that...

Klein – thirteen sense

For her last album marked the South London maverick...

Behind the Song

Themes and References in Joanna Newsom’s Sapokanikan

https://www.youtube.com/watch?v=ky9Ro9pP2gc In the music video for 'Sapokanikan', Joanna Newsom saunters...

Behind the Song: ‘M’appari’ from Friedrich von Flotow’s Martha

'M'appari' is the best known name for the central...

Behind the Song: Robyn – ‘Be Mine!’

Beginning her career in pop music at the age...

Behind the Song: Van Morrison – ‘Crazy Love’

https://www.youtube.com/watch?v=OIaKy1vM9hs 'Crazy Love' is the third track from Moondance, Van...

Behind the Song: Animal Collective – ‘Summertime Clothes’

https://www.youtube.com/watch?v=GxhaRgJUMl8 Animal Collective's eighth studio album, Merriweather Post Pavilion, was...

Tracks of the Week

Tracks of the Week 19.01.25

Benjamin Lackner plays the piano with a plangent grace...

Tracks of the Week 12.01.25

Not since Jerry Seinfeld groggily awoke to witness Tim...

Tracks of the Week 04.01.25

Fresh beginnings plus a few festive odds and ends...

Tracks of the Week 17.08.24

Allen Lowe's short bio says that the veteran saxophonist...

Tracks of the Week 10.08.24

David Lynch, the transcendental meditator and itinerant Eagle Scout...

At the Movies

Fast & Furious Presents: Hobbs & Shaw (2019)

★½ (1.5 out of 4 stars) - When it comes to the blockbuster action movie, three franchises remain. There is the Marvel Cinematic Universe and other assorted comic book pictures, y'know, for kids; Tom Cruise, most clearly for the ever stellar Mission: Impossible series, wilfully forgetting Jack Reacher but with shoutouts to American Made, Edge of Tomorrow, and the upcoming Top Gun sequel, sure to be a success; and then there's The Rock...

John Wick: Chapter 2 (2017)

★½ (1.5 out of 4 stars) - The hotly anticipated follow-up to what has already become a cult classic, in John Wick: Chapter 2 our eponymous hero goes to Rome, as the series curiously begins taking cues from Dan Brown and all things Da Vinci. There's a dash of Underworld mixed in there too: this is a world where neon store fronts, modern art installations, subways and the original film's streamlined desire for vengeance butt up against cobbled streets and catacombs...

Don Jon (2013)

★★★ (3 out of 4 stars) - In Japan grown adult men - thirty, forty, fifty years old or more - lie prostrate in their childhood bedrooms, which they never leave, as their ageing parents push parcels of food beneath the door. On their beds they clutch plush life-sized cartoon figures, somehow prepubescent but boasting ginormous boobs, and between the heaving and moaning they not only cry but orgasm into their pillowcases...

Pickpocket (1959)

★★★ (3 out of 4 stars) - Michel the titular character of Robert Bresson's snappily downcast Pickpocket is a renegade, a nihilist, one of cinema's Nietzschean Übermensch and most of all a real churl. He is the surliest of apostates with the hint of a bad boy persona that might suggest Marlon Brando or James Dean in blocking or on the amateur stage, for as is Bresson's wont the lead Martin LaSalle was a rank novice...

Midsommar (2019)

★ (1 out of 4 stars) - Through a few snapshots of comforting mundanity - the boys' scenes could be from a Judd Apatow movie, minus the laughs - we come to learn of Dani and Christian, a young American couple whose long-term relationship has started to crack. Spurred on by his friends, who find her too needy, Christian has already begun separating himself from Dani, for her part made anxious by her bipolar sister...

World Cinema

Teen Wolf (1985)

★½ (1.5 out of 4 stars) - It would be naive to suggest that things were simpler back in the 1980s, but when it came to the movie preferences of adolescent males, they were less demanding at least. True it was the era of high concept film, of space operas and extra-terrestrials and all-action archaeologists, of darkening or neon-clad dystopias, of robots and terminators, of zombies and ghosts and gremlins...

Fast & Furious Presents: Hobbs & Shaw (2019)

★½ (1.5 out of 4 stars) - When it comes to the blockbuster action movie, three franchises remain. There is the Marvel Cinematic Universe and other assorted comic book pictures, y'know, for kids; Tom Cruise, most clearly for the ever stellar Mission: Impossible series, wilfully forgetting Jack Reacher but with shoutouts to American Made, Edge of Tomorrow, and the upcoming Top Gun sequel, sure to be a success; and then there's The Rock...

The Switch (2010)

★★★ (3 out of 4 stars) - Kassie Larson (Jennifer Aniston) is in her thirties, and she's single, and with no romantic prospects on the horizon she decides she can no longer wait to have a child. She talks the matter over with her best friend Wally Mars (Jason Bateman) - they dated six years ago, and though it didn't work out they've got along swimmingly ever since...

What We Do in the Shadows (2014)

★ (1 out of 4 stars) - Vampires on film are best taken seriously. As archetypes, strange and sad figures who permeate given spaces while proving difficult to grasp, they model for us fear, loneliness, and alienation, and are uniquely suited to expressive visual contrasts of light and dark. The great vampire films, Nosferatu (1922), Nosferatu the Vampyre (1979), and more recently Let the Right One In (2008), more than mere formal exercises...

The Assassin (2015)

★★★★ (4 out of 4 stars) - In 9th century China, the weakened Tang Dynasty struggles to retain control over its militarised province of Weibo. Nie Yinniang (Shu Qi) has been trained by the nun Jiaxin (Fang-Yi Sheu) to assassinate corrupt government officials, but though she possesses all of the art, she cannot bring herself to kill a man as he sits cradling his sleeping son. So Jiaxin, who has raised Yinniang from the age of ten, sets her charge a more personal task...

Earthy Anecdotes

Earthy Anecdotes: Katharine Hepburn Steals Stephen Sondheim’s Plant

By the turn of the twentieth century, the Turtle Bay neighbourhood on the east side of Midtown Manhattan was a 'riverside back yard' for the city of New York. Imposing brownstones and squalid tenement housing butted up against the breweries, gasworks, and slaughterhouses which lined the waterfront. Eventually the waterfront would be reshaped by the United Nations headquarters, with dozens of diplomatic missions...

Earthy Anecdotes: The Texas Chain Saw Massacre’s Hellish Dinner Scene

One of the most influential horror movies of all-time,...

Earthy Anecdotes: Alex Ferguson, Mick Harford and The League That Got Away

In the winter of 1991, Manchester United stood atop...

Earthy Anecdotes: The Premiere of The Rite of Spring

On 29 May 1913, The Rite of Spring, the ballet and...

Earthy Anecdotes: Zola’s House at Médan by Paul Cézanne

In Banks of the Marne by the French artist...

Poetry

Rabindranath Tagore, E. E. Cummings; Bonnie ‘Prince’ Billy, Björk

Rabindranath Tagore (1861-1941) was a Bengali polymath, best known...

Pierrot Through the Arts

Pierrot, the sad clown in white face and loose...

Alexander Blok – ‘Night, street, street-light, drugstore’ (1912)

Alexander Blok (Александр Блок) (1880-1921) was the foremost of...

Emily Dickinson – ‘I Can Wade Grief’ (1862)

Emily Dickinson was born on 10 December 1830 in...

James Joyce

Joyce, Nabokov, and Dirty Books: The Publications of Ulysses, Haveth Childers Everywhere, and Lolita

With Ezra Pound acting as intermediary, from the spring of...

The Homeric Parallel in Ulysses: Joyce, Nabokov and Homer in Maps

When Ulysses was published on 2 February, 1922, it was the...

Behind the Song: ‘M’appari’ from Friedrich von Flotow’s Martha

'M'appari' is the best known name for the central...

Daily Visual 16.06.15: Bloomsday 2015

Bloomsday today in Dublin marks the culmination of a...

Obituaries

Ned Beatty, Deliverance, Nashville, and Network Actor, Dies at the Age of 83

https://www.youtube.com/watch?v=1TwyrAS2lU8 The actor Ned Beatty died of natural causes on...

Norm Macdonald Used To Think His Life Was Incomplete. Now It’s Finished.

https://www.youtube.com/watch?v=L7K-kaelQEs Norm Macdonald, the comedian whose mischievous glint and deadpan...

Toots Hibbert, Reggae Pioneer and Lead Vocalist of the Maytals, Dies Aged 77

https://www.youtube.com/watch?v=ErQ2UB44k-o Toots Hibbert, the pioneering reggae musician who imbued his...

Lee ‘Scratch’ Perry, the Influential Producer and Dub Pioneer, Dies at the Age of 85

https://www.youtube.com/watch?v=iTNam6GbJYg Lee 'Scratch' Perry, the charismatic producer and restless pioneer...

Culturedarm

Subscribe to Culturedarm

A monthly subscription supports Culturedarm while providing access to special content including playlists and alternative tracks of the week. You get:

• The best new music from free jazz to noise to avant-pop
• Alternative playlists and tracks of the week
• Culturedarm's weekly newsletter straight to your inbox
• Movie reviews, earthy anecdotes, seven of the best and more . . .
• Bookmark your favourite or most hotly anticipated articles
• The satisfaction of supporting independent blah blah blah . . .

Lock it in and fuhgeddaboudit with an annual subscription to Culturedarm, which supports the site while providing access to special content including playlists and alternative tracks of the week. You get:

• The best new music from free jazz to noise to avant-pop
• Alternative playlists and tracks of the week
• Culturedarm's weekly newsletter straight to your inbox
• Movie reviews, earthy anecdotes, seven of the best and more . . .
• Bookmark your favourite or most hotly anticipated articles
• The satisfaction of supporting independent blah blah blah . . .

placeholder text
3
25
0

Albums

Michael Bisio, Melanie Dyer, Marianne Osiel and Jay Rosen – NuMBq

Introduced by a deft clangour of gongs and chimes...

Michael Gordon & Theatre of Voices – A Western

Assailed by Howard Hawks and John Wayne for its...

Muslim Shaggan – Asar

Over the populous span of South Asia, a region...

Dave Sewelson, Gabby Fluke-Mogul, George Cartwright, Anthony Cox and Steve Hirsh – Murmuration

The Arkansas free jazz outpost Mahakala Music says that...

Klein – thirteen sense

For her last album marked the South London maverick...

Behind the Song

Behind the Song: Leonore Overture, ‘Farewell Amanda’, ‘One Night’

Ludwig van Beethoven - Leonore Overture No. 1, Op....

Behind the Song: ‘M’appari’ from Friedrich von Flotow’s Martha

'M'appari' is the best known name for the central...

Behind the Song: Chuck Berry – ‘You Can’t Catch Me’

'You Can't Catch Me', one of Chuck Berry's early singles, proved an unexpected commercial flop. It failed to chart upon its release at the onset of 1957 - despite being given prominence by the fledgeling rock and roll feature Rock, Rock, Rock!, which had opened in cinemas the previous month...

Behind the Song: David Bowie – ‘Subterraneans’

'Subterraneans' is the closing song on what has become perhaps David Bowie's most critically acclaimed album: Pitchfork placed Low at number 1 on their 'Top 100 Albums of the 1970s', on Q's list of the '100 Greatest British Albums Ever' Low was Bowie's highest entry at number 14, and while...

Behind the Song: Charles Mingus – ‘Goodbye Pork Pie Hat’

Charles Mingus wrote 'Goodbye Pork Pie Hat' as an elegy for the pioneering jazz saxophonist Lester Young, who died in March 1959, two months prior to the recording sessions for what would become Mingus Ah Um. A darkly elegant ballad with a lone dissonant note full of pathos...

Tracks of the Week

Tracks of the Week 19.01.25

Benjamin Lackner plays the piano with a plangent grace...

Tracks of the Week 12.01.25

Not since Jerry Seinfeld groggily awoke to witness Tim...

Tracks of the Week 04.01.25

Fresh beginnings plus a few festive odds and ends...

Tracks of the Week 17.08.24

Allen Lowe's short bio says that the veteran saxophonist...

Tracks of the Week 10.08.24

David Lynch, the transcendental meditator and itinerant Eagle Scout...

At the Movies

Risky Business (1983)

★★★½ (3.5 out of 4 stars) - Joel (Tom Cruise), a teenager coming towards the end of his time in high school, lives with his parents in a leafy Chicago suburb. He is good-looking and his parents are wealthy, but they are also demanding, and he subsumes a fluent strain of existential angst with worry over schoolwork and his future prospects. Beyond a litany of tests, he is involved in a Future Enterprises programme...

Cactus Flower (1969)

★★★½ (3.5 out of 4 stars) - More than mere confection, which by nature lies there enticingly and dwindles the more that we eat, and just like the titular cactus which sits on dental assistant Stephanie Dickinson's desk, cannily marking her transformation, Cactus Flower positively blossoms. The third film in three years from director Gene Saks - hot on the heels of two resounding Neil Simon success stories...

Diego Maradona (2019)

★★★½ (3.5 out of 4 stars) - One of the successes of Diego Maradona lies in how it manages to restore some of the luxe hedonism and heady momentum to a story so often shrouded by bloated excess. A keenly self-conscious Maradona pushes himself through sporting triumphs and binge cycles, as the barrio boy from Buenos Aires in the slum city of Naples embraces the fur coats and neon lights.

Once Upon a Time in Hollywood (2019)

★★★ (3 out of 4 stars) - In February 1969 in Hollywood, fading television star Rick Dalton (Leonardo DiCaprio) frequents bars and gets ferried around by his old stunt double, Cliff Booth (Brad Pitt). Booth lives in a trailer with his pit bull Brandy, in an empty lot behind the drive-in in Van Nuys, but Dalton keeps up appearances with a luxury home in Beverly Crest overlooking Beverly Hills...

Rams (2015)

★★★★ (4 out of 4 stars) - Ageing, unmarried, and unkempt, brothers Gummi (Sigurður Sigurjónsson) and Kiddi (Theodór Júlíusson) work side by side as sheep farmers in a cold and desolate valley in Iceland's northeast. Each the master of their own flock, they have not spoken for forty years owing to a dispute over their father's inheritance: considering Gummi the more conscientious worker, their father left him the whole of the land...

World Cinema

Pickpocket (1959)

★★★ (3 out of 4 stars) - Michel the titular character of Robert Bresson's snappily downcast Pickpocket is a renegade, a nihilist, one of cinema's Nietzschean Übermensch and most of all a real churl. He is the surliest of apostates with the hint of a bad boy persona that might suggest Marlon Brando or James Dean in blocking or on the amateur stage, for as is Bresson's wont the lead Martin LaSalle was a rank novice...

The Sunshine Boys (1975)

★★★ (3 out of 4 stars) - In The Sunshine Boys a pair of ageing and increasingly frail former comedians, Al Lewis and Willy Clark (George Burns and Walter Matthau), are brought together eleven years after their acrimonious separation in order to star one more time in a special for ABC. Veterans of the vaudeville circuit, their career together spanned forty-three years and six appearances on The Ed Sullivan Show...

Don Jon (2013)

★★★ (3 out of 4 stars) - In Japan grown adult men - thirty, forty, fifty years old or more - lie prostrate in their childhood bedrooms, which they never leave, as their ageing parents push parcels of food beneath the door. On their beds they clutch plush life-sized cartoon figures, somehow prepubescent but boasting ginormous boobs, and between the heaving and moaning they not only cry but orgasm into their pillowcases...

Young Adult (2011)

★★★★ (4 out of 4 stars) - Mavis Gary (Charlize Theron), a 37-year-old ghostwriter for a series of young adult novels soon to be cancelled, returns to her small Minnesota hometown, angling to hook up with her old high school flame, who is married and has just become a father. Her attempts at seduction are already inappropriate, but prove much grosser than this, culminating in a blowout at a birthday party...

Paris, Texas (1984)

★★★★ (4 out of 4 stars) - Travis Henderson (Harry Dean Stanton) was introduced against a backdrop of blue skies and sandstone buttes, but his brother Walt (Dean Stockwell) wears a yellow Stetson cap and stands in front of a commercial tower block, which turns out to be painted. He sells billboard signs for a living, but agrees to travel to Terlingua, South Texas, to pick up his brother...

Earthy Anecdotes

Earthy Anecdotes: Katharine Hepburn Steals Stephen Sondheim’s Plant

By the turn of the twentieth century, the Turtle Bay neighbourhood on the east side of Midtown Manhattan was a 'riverside back yard' for the city of New York. Imposing brownstones and squalid tenement housing butted up against the breweries, gasworks, and slaughterhouses which lined the waterfront. Eventually the waterfront would be reshaped by the United Nations headquarters, with dozens of diplomatic missions...

Earthy Anecdotes: The Texas Chain Saw Massacre’s Hellish Dinner Scene

One of the most influential horror movies of all-time,...

Earthy Anecdotes: Alex Ferguson, Mick Harford and The League That Got Away

In the winter of 1991, Manchester United stood atop...

Earthy Anecdotes: The Premiere of The Rite of Spring

On 29 May 1913, The Rite of Spring, the ballet and...

Earthy Anecdotes: Zola’s House at Médan by Paul Cézanne

In Banks of the Marne by the French artist...

Poetry

Pierrot Through the Arts

Pierrot, the sad clown in white face and loose...

Emily Dickinson – ‘I Can Wade Grief’ (1862)

Emily Dickinson was born on 10 December 1830 in...

Fyodor Sologub – ‘At Times There Comes a Strange Smell Wafting’

Fyodor Sologub was born Fyodor Kuzmich Teternikov on 1...

The Early Poetry of Mina Loy

When the first issue of Others: A Magazine of...

James Joyce

Joyce, Nabokov, and Dirty Books: The Publications of Ulysses, Haveth Childers Everywhere, and Lolita

With Ezra Pound acting as intermediary, from the spring of...

Daily Visual 16.06.15: Bloomsday 2015

Bloomsday today in Dublin marks the culmination of a...

The Homeric Parallel in Ulysses: Joyce, Nabokov and Homer in Maps

When Ulysses was published on 2 February, 1922, it was the...

Behind the Song: ‘M’appari’ from Friedrich von Flotow’s Martha

'M'appari' is the best known name for the central...

Obituaries

Norm Macdonald Used To Think His Life Was Incomplete. Now It’s Finished.

https://www.youtube.com/watch?v=L7K-kaelQEs Norm Macdonald, the comedian whose mischievous glint and deadpan...

Ruth Bader Ginsburg, Supreme Court Justice, Dies at the Age of 87

https://www.youtube.com/watch?v=VRlEFT-44Ik Ruth Bader Ginsburg, associate justice of the Supreme Court...

Brazilian Architect Paulo Mendes da Rocha Dies at the Age of 92

https://www.youtube.com/watch?v=NidZvaQQrsA The Brazilian architect Paulo Mendes da Rocha died on...

Toots Hibbert, Reggae Pioneer and Lead Vocalist of the Maytals, Dies Aged 77

https://www.youtube.com/watch?v=ErQ2UB44k-o Toots Hibbert, the pioneering reggae musician who imbued his...

Culturedarm

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Nick Dunston – COLLA VOCE

Described as an Afro-surrealist anti-opera, the double bassist Nick Dunston draws from the poetic and folkloric texts of Octavia E. Butler, Toni Morrison, Ted Chiang, Richard Hugo and Gabriel García Márquez to summon the libretto for one of the records of the year in COLLA VOCE.

Maria Reich on the violin and viola, Anil Eraslan on the cello, Tal Yahalom on the guitar and Moritz Baumgärtner on drums and other percussion provide the accompaniment, while the JACK Quartet – which comprises the violins of Christopher Otto and Austin Wulliman, the viola of John Richards and Jay Campbell on cello – in Dunston’s own words are engaged in a process of ‘exponentially multiplying resonance and mass’. With the backdrop set, the Brooklyn composer then enlists four outstanding vocalists in the form of the frequent Fire! Orchestra collaborator Sofia Jernberg, the latinx improviser Isabel Crespo Pardo whose levitational poemsongs with Henry Fraser and Lester St. Louis shone brightly on la espalda y su punto radiante earlier this year, Friede Merz who ‘masters the rare art of being in several places at the same time’ and Cansu Tanrıkulu who expands her vocabulary through the use of live processing.

Produced by Weston Olencki – who recently took a sojourn into the staggered heart of Cajun isolation for Longform Editions and sees the blues in every colour from ramshackle steel fabrications to deep azure – COLLA VOCE is full of fractured choruses, sub-operatic swoons and jowly or creaking glottis as the four vocalists use each outcrop and every inch of their orifice, from an inlet and aerated larynx to the tongue as a motorcycle ramp and snarling or puckered lips, often shaping the mouth for its percussive possibilities. Meanwhile crisply articulated strings steadily congeal into fraying and ominous drones, a fledgeling tornado which gathers dust with a rasping sound as it begins to gust and swirl.

‘Ova’churr’ opens with a babble of noise and some throaty distortions, as choral interludes punctuate the short fuse of the track before an oscillating wave of voices flare up like rallying cries. ‘Designated Antagonist’ lugs a sub-bass drone as strings strain and snap, splay and recoil. The first feature-length track on COLLA VOCE, the winding and straying ‘Pseudocorridor’ involves a playful scamper through what soon becomes a hall of mirrors as skittish or distended strings sound in counterpoint to the propulsive high-tailing of Dunston’s bass. The ensemble winds up mired in a radioactive murk, pulled out only through the persistence of the now slowly developing bass line, before an increasingly breathless voice emerges on the shore like a Mary Henry from Carnival of Souls, winded or overcome by shock and therefore incapable of recapitulating what they’ve just witnessed.

Nick Dunston’s cautious handling of the bass, Moritz Baumgärtner’s deftly scattershot percussion and the xenharmonic drones of the JACK Quartet give the impression of something being held at bay. The album standout ‘Blinding, Joyous, Fearful’ opens with squibs of bowed bass which connect in a low arc amid short peals from the violins, violas and cellos, like an alien hand jabbing away at the string section. The bass carries its queasy tone almost to the midpoint of the track, stirring some life out of the strings as it arches through a more plaintive and pastoral melody. Eventually these tapered ends or the diffused beams of their torch lights meet up to swell in strewn harmony, sweeping the area in siren surveillance, like lighthouse foghorns and beacons which have briefly surveyed the coast before turning inland, fixing their sights away from the sea. ‘Fully Turbulent’ then exacerbates some of the underlying anxiety and menace of the previous track, whose treated strings and electronic processing sound out like elongated distress calls before Dunston’s bass takes over, and a squadron of strings loops back to dive-bomb the area.

‘Lo and Behold’ boasts a rubbery toughness, while the short chemical suite of ‘HYDROGEN’, ‘ARGON’ and ‘OXYGEN’ carries along cooing vocals and breathy chuntering, plus some mewing and mawing with the sickly sideburned visage of the Lady in the Radiator over siren alarms. Belying its academic billing, ‘Anglo-Adjacent Phonetic Approximations’ moves from throaty crackling to choral swoons to yodelling and other warbling ululations, with Tal Yahalom’s guitar playing a back-and-forth loop as though in a staggered stupor or scarcely daring to stretch its head above the parapet. Sofia Jernberg and company then unleash a flurry of jabbering, teeth-chattering and increasingly high-pitched and delirious vocals reminiscent of the Brechtian singer, Henry Cow and Kevin Coyne collaborator Dagmar Krause.

Cast as a reprise or iteration of sorts, ‘Nearly Turbulent’ bears pitched-down vocals over scraped and buffeted bass, with a faintly liturgical air and a loose elastic breakdown which plays out like an intermission, practice session or some other disjunction in the plainchant as a vagary of clouds steadily slot into place overhead. By contrast ‘A Rolling Wave of Everything’ bursts into life and takes shape through Yahalom’s post-punk guitar line, which cuts across whinnying strings and clattering, windswept porch percussion. Cansu Tanrıkulu then begins to recite some quasi-didactic and quasi-poetic rumination on the nature of public speaking, repeating the word ‘disintegrate’ as the piece craters to a long and boisterous, hyperbolic, megaphone-clad and distorted climax.

In lowercase the titular ‘colla voce’ closes the album, whose gargling and burbling becomes a stalled revving then a sub-literate aria, sung with only sibilants and vowels plus the odd blown raspberry or clucking sound. Dunston’s creeping pizzicato bass is subsumed by a portentous, horror movie drone and the dripping exhaust of vocals which sputter out into a whisper or hiss as all of those motley strings take a single tone, throbbing away in the near darkness, out of which emerges one final soaring bastion voice, an Evangelion or Angelus.

Christopher Laws
Christopher Lawshttps://www.culturedarm.com
Christopher Laws is the writer and editor of Culturedarm, currently based in Umeå, Sweden.

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