World Cinema

Pickpocket (1959)

★★★ (3 out of 4 stars) - Michel the titular character of Robert Bresson's snappily downcast Pickpocket is a renegade, a nihilist, one of cinema's Nietzschean Übermensch and most of all a real churl. He is the surliest of apostates with the hint of a bad boy persona that might suggest Marlon Brando or James Dean in blocking or on the amateur stage, for as is Bresson's wont the lead Martin LaSalle was a rank novice...

The Rules of the Game (1939)

★★★★ (4 out of 4 stars) - Instead Renoir produced a bawdy comedy with French airs and graces, which seems to share much in common with so many American films of the late thirties with their loose morals, gender distortions, and hedonistic flushes of romance. The inspirations may have been Marivaux and Beaumarchais, but in style and temperament The Rules of the Game rubs up equally alongside The Philadelphia Story and the screwball comedies of Howard Hawks.

Paris, Texas (1984)

★★★★ (4 out of 4 stars) - Travis Henderson (Harry Dean Stanton) was introduced against a backdrop of blue skies and sandstone buttes, but his brother Walt (Dean Stockwell) wears a yellow Stetson cap and stands in front of a commercial tower block, which turns out to be painted. He sells billboard signs for a living, but agrees to travel to Terlingua, South Texas, to pick up his brother...

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