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• Alternative playlists and tracks of the week
• Culturedarm's weekly newsletter straight to your inbox
• Movie reviews, earthy anecdotes, seven of the best and more . . .
• Bookmark your favourite or most hotly anticipated articles
• The satisfaction of supporting independent blah blah blah . . .

Lock it in and fuhgeddaboudit with an annual subscription to Culturedarm, which supports the site while providing access to special content including playlists and alternative tracks of the week. You get:

• The best new music from free jazz to noise to avant-pop
• Alternative playlists and tracks of the week
• Culturedarm's weekly newsletter straight to your inbox
• Movie reviews, earthy anecdotes, seven of the best and more . . .
• Bookmark your favourite or most hotly anticipated articles
• The satisfaction of supporting independent blah blah blah . . .

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Albums

Luciana Bass – Desatornillándonos

Luciana Bass establishes the twin poles of her new...

María Grand, Camila Nebbia, Marta Sánchez, Kanoa Mendenhall and Iago Fernández – Altered Visions

María Grand and Camila Nebbia engage in a wary...

Jakob Bro, Lee Konitz, Bill Frisell, Jason Moran, Thomas Morgan and Andrew Cyrille – Taking Turns

The Danish guitarist Jakob Bro keeps everything on a...

Squanderers – If a Body Meet a Body

The debut album by Squanderers brings David Grubbs and...

McCoy Tyner & Joe Henderson – Forces of Nature: Live at Slugs’

In the sixties Slugs' in the outer margins of...

Behind the Song

Behind the Song: Van Morrison – ‘Crazy Love’

https://www.youtube.com/watch?v=OIaKy1vM9hs 'Crazy Love' is the third track from Moondance, Van...

Behind the Song: ‘M’appari’ from Friedrich von Flotow’s Martha

'M'appari' is the best known name for the central...

Behind the Song: David Bowie – ‘Subterraneans’

'Subterraneans' is the closing song on what has become perhaps David Bowie's most critically acclaimed album: Pitchfork placed Low at number 1 on their 'Top 100 Albums of the 1970s', on Q's list of the '100 Greatest British Albums Ever' Low was Bowie's highest entry at number 14, and while...

Behind the Song: Leonore Overture, ‘Farewell Amanda’, ‘One Night’

Ludwig van Beethoven - Leonore Overture No. 1, Op....

Themes and References in Joanna Newsom’s Sapokanikan

https://www.youtube.com/watch?v=ky9Ro9pP2gc In the music video for 'Sapokanikan', Joanna Newsom saunters...

Tracks of the Week

Tracks of the Week 17.08.24

Allen Lowe's short bio says that the veteran saxophonist...

Tracks of the Week 10.08.24

David Lynch, the transcendental meditator and itinerant Eagle Scout...

Tracks of the Week 03.08.24

After a fulsome embrace of jazz and roots music...

Tracks of the Week 27.07.24

Usually navigating the nooks and crannies of South London...

Tracks of the Week 20.07.24

On the opening song 'Stella Maris' from his debut...

At the Movies

The Assassin (2015)

★★★★ (4 out of 4 stars) - In 9th century China, the weakened Tang Dynasty struggles to retain control over its militarised province of Weibo. Nie Yinniang (Shu Qi) has been trained by the nun Jiaxin (Fang-Yi Sheu) to assassinate corrupt government officials, but though she possesses all of the art, she cannot bring herself to kill a man as he sits cradling his sleeping son. So Jiaxin, who has raised Yinniang from the age of ten, sets her charge a more personal task...

Fast & Furious Presents: Hobbs & Shaw (2019)

★½ (1.5 out of 4 stars) - When it comes to the blockbuster action movie, three franchises remain. There is the Marvel Cinematic Universe and other assorted comic book pictures, y'know, for kids; Tom Cruise, most clearly for the ever stellar Mission: Impossible series, wilfully forgetting Jack Reacher but with shoutouts to American Made, Edge of Tomorrow, and the upcoming Top Gun sequel, sure to be a success; and then there's The Rock...

Diego Maradona (2019)

★★★½ (3.5 out of 4 stars) - One of the successes of Diego Maradona lies in how it manages to restore some of the luxe hedonism and heady momentum to a story so often shrouded by bloated excess. A keenly self-conscious Maradona pushes himself through sporting triumphs and binge cycles, as the barrio boy from Buenos Aires in the slum city of Naples embraces the fur coats and neon lights.

Tully (2018)

★★★½ (3.5 out of 4 stars) - Tully is the third collaboration between director Jason Reitman and writer Diablo Cody, following on from Juno (2007) and Young Adult (2011). All three films deal with the role of women as child-bearers, looking in turn at teenage pregnancy and adoption, miscarriage, and postpartum depression, which in this case borders on psychosis...

John Wick: Chapter 2 (2017)

★½ (1.5 out of 4 stars) - The hotly anticipated follow-up to what has already become a cult classic, in John Wick: Chapter 2 our eponymous hero goes to Rome, as the series curiously begins taking cues from Dan Brown and all things Da Vinci. There's a dash of Underworld mixed in there too: this is a world where neon store fronts, modern art installations, subways and the original film's streamlined desire for vengeance butt up against cobbled streets and catacombs...

World Cinema

The Taking of Pelham One Two Three (1974)

★★★★ (4 out of 4 stars) - From a modern perspective, the original and best film version of The Taking of Pelham One Two Three almost seems to lack a final act: when the shakeout comes and the criminals attempt to make their getaway, there is no major chase sequence, limited gunfighting, and the villains for the most part - faced with the ambling steeliness of Walter Matthau's Lieutenant Zachary Garber - prove their own undoing...

Little Women (2019)

★★★★ (4 out of 4 stars) - Greta Gerwig imbues the seventh film adaptation of Louisa May Alcott's classic coming-of-age novel with deft characterisation and heady momentum, across and finally through the screen. Each scene bustles with gesture and intonation even when its components aren't rushing headlong through the streets of Manhattan, idling about the parks of Paris, or swirling the ballrooms and striding fields and beaches in the vicinity of Boston, Mass...

Tully (2018)

★★★½ (3.5 out of 4 stars) - Tully is the third collaboration between director Jason Reitman and writer Diablo Cody, following on from Juno (2007) and Young Adult (2011). All three films deal with the role of women as child-bearers, looking in turn at teenage pregnancy and adoption, miscarriage, and postpartum depression, which in this case borders on psychosis...

Halloween (1978)

★★ (2 out of 4 stars) - In the suburban neighbourhood of Haddonfield, Illinois, on Halloween night, 1963, while other kids are out trick-or-treating, a six-year-old boy without any apparent motivation creeps up the stairs, slips on a mask, and slashes to death his near-nude teenage sister. Fifteen years later he's still confined to Smith's Grove, a sanatorium for psychiatric patients, but he breaks out and returns to Haddonfield...

The Assassin (2015)

★★★★ (4 out of 4 stars) - In 9th century China, the weakened Tang Dynasty struggles to retain control over its militarised province of Weibo. Nie Yinniang (Shu Qi) has been trained by the nun Jiaxin (Fang-Yi Sheu) to assassinate corrupt government officials, but though she possesses all of the art, she cannot bring herself to kill a man as he sits cradling his sleeping son. So Jiaxin, who has raised Yinniang from the age of ten, sets her charge a more personal task...

Earthy Anecdotes

Earthy Anecdotes: Katharine Hepburn Steals Stephen Sondheim’s Plant

By the turn of the twentieth century, the Turtle Bay neighbourhood on the east side of Midtown Manhattan was a 'riverside back yard' for the city of New York. Imposing brownstones and squalid tenement housing butted up against the breweries, gasworks, and slaughterhouses which lined the waterfront. Eventually the waterfront would be reshaped by the United Nations headquarters, with dozens of diplomatic missions...

Earthy Anecdotes: The Texas Chain Saw Massacre’s Hellish Dinner Scene

One of the most influential horror movies of all-time,...

Earthy Anecdotes: Alex Ferguson, Mick Harford and The League That Got Away

In the winter of 1991, Manchester United stood atop...

Earthy Anecdotes: The Premiere of The Rite of Spring

On 29 May 1913, The Rite of Spring, the ballet and...

Earthy Anecdotes: Zola’s House at Médan by Paul Cézanne

In Banks of the Marne by the French artist...

Poetry

Pierrot Through the Arts

Pierrot, the sad clown in white face and loose...

Emily Dickinson – ‘I Can Wade Grief’ (1862)

Emily Dickinson was born on 10 December 1830 in...

Fyodor Sologub – ‘At Times There Comes a Strange Smell Wafting’

Fyodor Sologub was born Fyodor Kuzmich Teternikov on 1...

Alexander Blok – ‘Night, street, street-light, drugstore’ (1912)

Alexander Blok (Александр Блок) (1880-1921) was the foremost of...

James Joyce

Ignatius Loyola and the Jesuits; and the Jesuits and James Joyce

With the election yesterday evening in Rome of former...

Daily Visual 16.06.15: Bloomsday 2015

Bloomsday today in Dublin marks the culmination of a...

The Homeric Parallel in Ulysses: Joyce, Nabokov and Homer in Maps

When Ulysses was published on 2 February, 1922, it was the...

Joyce, Nabokov, and Dirty Books: The Publications of Ulysses, Haveth Childers Everywhere, and Lolita

With Ezra Pound acting as intermediary, from the spring of...

Obituaries

Juliette Gréco, Doyenne of the French Chanson, Dies at 93

https://www.youtube.com/watch?v=wvJSkGd-t6U Juliette Gréco, doyenne of the French chanson, died on...

Jean-Paul Belmondo, the Face of the French New Wave, Dies At the Age of 88

https://www.youtube.com/watch?v=NbAMIHLciGk Jean-Paul Belmondo, the actor whose crooked nose and raffish...

Norm Macdonald Used To Think His Life Was Incomplete. Now It’s Finished.

https://www.youtube.com/watch?v=L7K-kaelQEs Norm Macdonald, the comedian whose mischievous glint and deadpan...

Biz Markie, the Clown Prince of Hip Hop, Dies at 57 Years Old

https://www.youtube.com/watch?v=9aofoBrFNdg The rapper, DJ, and record producer Biz Markie died...

Culturedarm

Subscribe to Culturedarm

A monthly subscription supports Culturedarm while providing access to special content including playlists and alternative tracks of the week. You get:

• The best new music from free jazz to noise to avant-pop
• Alternative playlists and tracks of the week
• Culturedarm's weekly newsletter straight to your inbox
• Movie reviews, earthy anecdotes, seven of the best and more . . .
• Bookmark your favourite or most hotly anticipated articles
• The satisfaction of supporting independent blah blah blah . . .

Lock it in and fuhgeddaboudit with an annual subscription to Culturedarm, which supports the site while providing access to special content including playlists and alternative tracks of the week. You get:

• The best new music from free jazz to noise to avant-pop
• Alternative playlists and tracks of the week
• Culturedarm's weekly newsletter straight to your inbox
• Movie reviews, earthy anecdotes, seven of the best and more . . .
• Bookmark your favourite or most hotly anticipated articles
• The satisfaction of supporting independent blah blah blah . . .

placeholder text
3
25
0

Albums

Luciana Bass – Desatornillándonos

Luciana Bass establishes the twin poles of her new...

María Grand, Camila Nebbia, Marta Sánchez, Kanoa Mendenhall and Iago Fernández – Altered Visions

María Grand and Camila Nebbia engage in a wary...

Jakob Bro, Lee Konitz, Bill Frisell, Jason Moran, Thomas Morgan and Andrew Cyrille – Taking Turns

The Danish guitarist Jakob Bro keeps everything on a...

Squanderers – If a Body Meet a Body

The debut album by Squanderers brings David Grubbs and...

McCoy Tyner & Joe Henderson – Forces of Nature: Live at Slugs’

In the sixties Slugs' in the outer margins of...

Behind the Song

Themes and References in Joanna Newsom’s Sapokanikan

https://www.youtube.com/watch?v=ky9Ro9pP2gc In the music video for 'Sapokanikan', Joanna Newsom saunters...

Behind the Song: Charles Mingus – ‘Goodbye Pork Pie Hat’

Charles Mingus wrote 'Goodbye Pork Pie Hat' as an elegy for the pioneering jazz saxophonist Lester Young, who died in March 1959, two months prior to the recording sessions for what would become Mingus Ah Um. A darkly elegant ballad with a lone dissonant note full of pathos...

Behind the Song: Animal Collective – ‘Summertime Clothes’

https://www.youtube.com/watch?v=GxhaRgJUMl8 Animal Collective's eighth studio album, Merriweather Post Pavilion, was...

Behind the Song: Leonore Overture, ‘Farewell Amanda’, ‘One Night’

Ludwig van Beethoven - Leonore Overture No. 1, Op....

Behind the Song: Chuck Berry – ‘You Can’t Catch Me’

'You Can't Catch Me', one of Chuck Berry's early singles, proved an unexpected commercial flop. It failed to chart upon its release at the onset of 1957 - despite being given prominence by the fledgeling rock and roll feature Rock, Rock, Rock!, which had opened in cinemas the previous month...

Tracks of the Week

Tracks of the Week 17.08.24

Allen Lowe's short bio says that the veteran saxophonist...

Tracks of the Week 10.08.24

David Lynch, the transcendental meditator and itinerant Eagle Scout...

Tracks of the Week 03.08.24

After a fulsome embrace of jazz and roots music...

Tracks of the Week 27.07.24

Usually navigating the nooks and crannies of South London...

Tracks of the Week 20.07.24

On the opening song 'Stella Maris' from his debut...

At the Movies

How to Steal a Million (1966)

★★½ (2.5 out of 4 stars) - Nicole Bonnet (Audrey Hepburn) is the daughter of an art forger, who has gathered so many supposed masterpieces in his private collection that he has won considerable renown in the world of art. Approached by the Kléber-Lafayette Museum, he proudly loans to the illustrious Paris institution (which for the sake of the film occupies the building of the real-life Musée Carnavalet) his most prized possession, his Cellini 'Venus'...

Three Men and a Little Lady (1990)

★½ (1.5 out of 4 stars) - Three Men and a Baby is more than a guilty pleasure, it's one of the defining movies of the 1980s for the easy chemistry between its three leads, and for the panoply of fashion, interior design, and architectural styles it affords, an unconstrained movement of plaids and pastels under the neon lights and glass hallways of their luxe apartment and out in the bustling parks and streets of New York...

Toni Erdmann (2016)

★★★★ (4 out of 4 stars) - Winfried Conradi is so given to practical jokes that he practically depends on them. When he opens the door of his home in the spa town of Aachen, he regales the postman with an elaborate deception featuring look-alike brothers, prison terms, erotic magazines, and mail bombs, tipping the postman for any distress accrued and to make amends for his own strange excesses. He carries a pair of false teeth...

John Wick: Chapter 2 (2017)

★½ (1.5 out of 4 stars) - The hotly anticipated follow-up to what has already become a cult classic, in John Wick: Chapter 2 our eponymous hero goes to Rome, as the series curiously begins taking cues from Dan Brown and all things Da Vinci. There's a dash of Underworld mixed in there too: this is a world where neon store fronts, modern art installations, subways and the original film's streamlined desire for vengeance butt up against cobbled streets and catacombs...

Young Adult (2011)

★★★★ (4 out of 4 stars) - Mavis Gary (Charlize Theron), a 37-year-old ghostwriter for a series of young adult novels soon to be cancelled, returns to her small Minnesota hometown, angling to hook up with her old high school flame, who is married and has just become a father. Her attempts at seduction are already inappropriate, but prove much grosser than this, culminating in a blowout at a birthday party...

World Cinema

The Texas Chain Saw Massacre (1974)

★★★½ (3.5 out of 4 stars) - Five teenagers take a road trip to visit an old family homestead in the musty heart of Texas. The radio plays the news, a grim recitation of industrial and environmental disasters and acts of wanton violence. They discuss astrology, retrograde planets and the malevolent influence of Saturn; stop off at the gravesite of a deceased grandfather amid reports of grave robbing; and after passing a slaughterhouse for beef cattle, they pick up a hitchhiker...

Teen Wolf (1985)

★½ (1.5 out of 4 stars) - It would be naive to suggest that things were simpler back in the 1980s, but when it came to the movie preferences of adolescent males, they were less demanding at least. True it was the era of high concept film, of space operas and extra-terrestrials and all-action archaeologists, of darkening or neon-clad dystopias, of robots and terminators, of zombies and ghosts and gremlins...

How to Steal a Million (1966)

★★½ (2.5 out of 4 stars) - Nicole Bonnet (Audrey Hepburn) is the daughter of an art forger, who has gathered so many supposed masterpieces in his private collection that he has won considerable renown in the world of art. Approached by the Kléber-Lafayette Museum, he proudly loans to the illustrious Paris institution (which for the sake of the film occupies the building of the real-life Musée Carnavalet) his most prized possession, his Cellini 'Venus'...

Amazing Grace (2018)

★★★★ (4 out of 4 stars) - At the height of her powers, Aretha Franklin went to church: to the New Temple Missionary Baptist in Los Angeles for two nights in January 1972, where she intended to return to her roots with a live recording of gospel music. The ensuing double album, Amazing Grace, would go double platinum, and it remains the best-selling record of her long and storied career. The acclaimed film director Sydney Pollack was tasked with shooting the performance for a feature...

Rams (2015)

★★★★ (4 out of 4 stars) - Ageing, unmarried, and unkempt, brothers Gummi (Sigurður Sigurjónsson) and Kiddi (Theodór Júlíusson) work side by side as sheep farmers in a cold and desolate valley in Iceland's northeast. Each the master of their own flock, they have not spoken for forty years owing to a dispute over their father's inheritance: considering Gummi the more conscientious worker, their father left him the whole of the land...

Earthy Anecdotes

Earthy Anecdotes: Katharine Hepburn Steals Stephen Sondheim’s Plant

By the turn of the twentieth century, the Turtle Bay neighbourhood on the east side of Midtown Manhattan was a 'riverside back yard' for the city of New York. Imposing brownstones and squalid tenement housing butted up against the breweries, gasworks, and slaughterhouses which lined the waterfront. Eventually the waterfront would be reshaped by the United Nations headquarters, with dozens of diplomatic missions...

Earthy Anecdotes: The Texas Chain Saw Massacre’s Hellish Dinner Scene

One of the most influential horror movies of all-time,...

Earthy Anecdotes: Alex Ferguson, Mick Harford and The League That Got Away

In the winter of 1991, Manchester United stood atop...

Earthy Anecdotes: The Premiere of The Rite of Spring

On 29 May 1913, The Rite of Spring, the ballet and...

Earthy Anecdotes: Zola’s House at Médan by Paul Cézanne

In Banks of the Marne by the French artist...

Poetry

Fyodor Sologub – ‘At Times There Comes a Strange Smell Wafting’

Fyodor Sologub was born Fyodor Kuzmich Teternikov on 1...

‘Silentium!’ by Fyodor Tyutchev

Silentium! Speak not, lie hidden, and conceal the way you dream,...

Pierrot Through the Arts

Pierrot, the sad clown in white face and loose...

Rabindranath Tagore, E. E. Cummings; Bonnie ‘Prince’ Billy, Björk

Rabindranath Tagore (1861-1941) was a Bengali polymath, best known...

James Joyce

Ignatius Loyola and the Jesuits; and the Jesuits and James Joyce

With the election yesterday evening in Rome of former...

Daily Visual 16.06.15: Bloomsday 2015

Bloomsday today in Dublin marks the culmination of a...

Joyce, Nabokov, and Dirty Books: The Publications of Ulysses, Haveth Childers Everywhere, and Lolita

With Ezra Pound acting as intermediary, from the spring of...

The Homeric Parallel in Ulysses: Joyce, Nabokov and Homer in Maps

When Ulysses was published on 2 February, 1922, it was the...

Obituaries

Biz Markie, the Clown Prince of Hip Hop, Dies at 57 Years Old

https://www.youtube.com/watch?v=9aofoBrFNdg The rapper, DJ, and record producer Biz Markie died...

Stephen Sondheim, Who Reinvented the Musical Theatre, Dies at the Age of 91

The composer and lyricist Stephen Sondheim died on Friday...

Toots Hibbert, Reggae Pioneer and Lead Vocalist of the Maytals, Dies Aged 77

https://www.youtube.com/watch?v=ErQ2UB44k-o Toots Hibbert, the pioneering reggae musician who imbued his...

Michael K. Williams, Actor Who Illuminated the Lives of Marginal Black Men, Dies Aged 54

https://www.youtube.com/watch?v=50RJhOFDmiA Michael K. Williams, the actor who became known for...

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Tems – Born in the Wild

With the release of her debut album just days before her 29th birthday, Tems already feels like something of the grand dame of Afropop. Even more than Tiwa Savage, who provided backing vocals for the likes of George Michael, Mary J. Blige and Chaka Khan before graduating from the Berklee College of Music, it is Tems the self-starter with a little bit of gravel and bass to her voice who the current generation of crossover stars cite in reverential terms when they talk about things like transgression and influence. Ayra Starr has been forced to fend off comparisons to Tems while handing the singer her flowers, and Tyla despite the barnstorming success of ‘Water’ last fall pushed back the release of her self-titled debut for the sake of a collaboration with Tems on the track ‘No. 1’, saying ‘Of our generation, she’s like the example. She’s been killing it and she’s been opening so many doors for us’.

After quitting her day job and taking to YouTube in a bid to learn how to self-produce, Tems saw her fledgeling effort ‘Try Me’ go viral and she released her first extended play For Broken Ears in September of 2020, shortly before her featuring role on the Wizkid single ‘Essence’ led her to stardom. As it grew over the spring and summer of 2021, the track became the first Nigerian song to chart on the Billboard Hot 100 in the United States then reached the top ten following a remix version with Justin Bieber, with the muggy and sultry ‘Essence’ soon heralded by everyone from Barack Obama to Kanye West before winding up atop the Rolling Stone best songs of 2021 list.

When stems from the For Broken Ears track ‘Higher’ were sampled on the Future and Drake tandem ‘Wait for U’, it was as though Tems had been carried to chart-topping and Grammy success although she was really the one doing the driving, and as ‘Free Mind’ from the same extended play also climbed the charts her songwriting prowess won acclaim, as the Tems and Ryan Coogler-penned ‘Lift Me Up’ by Rihanna was nominated for best original song at the 95th Academy Awards as the lead single from the Black Panther: Wakanda Forever soundtrack album.

Her long awaited full-length debut then might have served as a victory lap or an attempt to further stamp her authority on the scene, whether by way of genre diversions or grandiose balladry. So it’s all the more startling that Born in the Wild opens with the downcast strums of a guitar as Tems’ cracked and unadorned voice starts to lament news cycles and her own wandering focus, slipping readily into the arms of memory as she sings ‘When I was young, young and dumb, I was always running away’.

Beginning with the title track, Born in the Wild abounds in juxtapositions of her life before fame and a success which is not material but coded instead as something personal and hard-won, a steady and enduring process of self-realisation. Rife with both longing and defiance, the record carries echoes of the 13-year-old girl who fancied the calling of music but couldn’t see the path, and was beset by the sort of expectations and doubts and personal and financial insecurities typical of any young woman, especially growing up in a socially conservative country like Nigeria. Her voice, a model of resilience which it would be impossible to replicate, shifts easily between those dolorous tones and a tender butteriness, while her lyrics often take the guise of a dialogue which is really a form of self-address, wary yet philosophical and praiseful without being over-proud.

When on ‘Born in the Wild’ she sings ‘I grew up in the wilderness, didn’t know much about openness’ she is talking primarily about being open with herself, and when she repeats ‘The world is mine, the world is mine’ she is no Tony Montana from Scarface, instead of emblazoning herself and her music with boosterist odes to free will and avarice seeking to carve out her own little plot of land and settle into it, aware that there are more things in heaven and earth, and that feelings of self-love and self-respect inhabit their own fragile ecosystem.

After a spoken-word interlude over limpid piano keys, where Tems hums in thoughtful assent as another voice outlines her predicament, dealing in some of the criticisms she has faced over her rapid ascent and the ensuing self-doubt, the track ‘Burning’ is an inversion of the ‘Juicy’ high life, capturing the pitfalls of fame and how its web of deceit, sometimes sharp and sometimes sweet, almost inevitably impacts the capacity for self-knowledge. The driving and upbeat ‘Wickedest’ briefly recapitulates her rise with a vow to keep on trucking, which leads into ‘Love Me JeJe’, her take on Seyi Sodimu and Shaffy Bello’s late-nineties Afro-soul classic, the most buoyant moment on Born in the Wild as Tems solicits a tender touch through glowing beats and call-and-response choruses. The music video for ‘Love Me JeJe’ might find the singer in the karaoke bar but the song is pure summer sun, and when she sings ‘I’m on your wave right now’ it’s an invitation to get with the vibe and get on her level.

Though she is typically lumped in with the genre, which has become a byword for whole swathe of African artists with crossover appeal, Tems heartily eschews the Afrobeats label. Some of her earlier songs dabbled more with that amorphous blend of house music and hip hop, highlife, dancehall and soca or the airy synths and log drum basslines of amapiano, but Born in the Wild mostly delivers a shimmering mid-tempo R&B, with Tems again taking the lead on songwriting and production with support from GuiltyBeatz, while the prominent Nigerian producers Spax, Sarz, P2J and LONDON also make guest appearances. Conga polyrhythms and whistling winds both fortify and soften her sound, with shekere rattles showcasing her Yoruba heritage. And the song ‘Wickedest’ samples Magic System’s turn-of-the-century zouglou hit ‘1er Gaou’, while the elastic ‘why-oh-whys’ of the reggae and dancehall star Diana King are interpolated in the middle of ‘Gangsta’.

Insular and contemplative though always with a steely resolve, on some of the more uptempo tracks her stems can take on a throaty, glottal and percussive character. And while her voice carries the resonance and purity of a clarion, even the subtlest of bends or changes of pitch seem to imbue her words with layers of meaning, where ‘tunnel vision’ suggests a certain isolation as much as fearless self-drive, and ‘burning’ might indicate a fiery passion or something in the loins as well as anxietal dread or the flush of embarrassment. Tems spent most of her youth in Lagos and its watery surrounds, and while the city with its characters and locales plays an important part on Born in the Wild, as an aspiring artist she could gaze beyond the lagoon with its barrier islands and sand spits way out across the Atlantic, citing Céline Dion as one of her abiding loves for the jump-off-a-cliff emotional heft of her music.

‘Get It Right’ with Asake is slinkily seductive with a serpentine opening, and ‘Ready’ through a languorous stupor once more summons up a bit of that steely inner resolve. Occasionally as on ‘Gangsta’ we find Tems breaking out of her shell and hewing off the shackles of introversion and doubt, reaching out a hand for a companion who might muster the same sort of courage and make this thing click better. But then the song ‘Fortunate’ is about the good luck of being with a love rat whose emotional and physical infidelities are so brazen that parting becomes inevitable, an easy choice to make as an act of pride and self-care. Maintaining the same air of wistful acceptance, ‘Boy O Boy’ with its soft-strummed calypso guitar serves as a semi-fond farewell.

If several of the songs on Born in the Wild introduce themes of deceit and betrayal, still they tend to circle back round with a self-accusatory tone, realising that the road is long and if there’s unhappiness to bear, more often than not we may be complicit in our own unhappiness. ‘Forever’ is a hot-stepping paean to change, a blue-baller where Tems leans into the sexual frustrations of a former lover while she has already spread her wings. Beyond its cherubic opening, ‘Free Fall’ with J.Cole is another slinky strutter, and the album’s second interlude talks about being shaped by experience, through fragments of pep talks which broach themes of compassion and the need to find some semblance of good in the world despite a daily barrage of examples to the contrary. ‘Do it crying, but fucking do it’ the track concludes, ‘Cause that is what it actually means to live’.

‘Turn Me Up’ boasts a balmy and spectral quality, with muted keys and a sinking bass line, as though the song had been left out in the sun to accumulate roots and webs. Adopting reggae snarls and licks, Tems chews up and spits out politicians, critics, false lovers and other ne’er-do-wells, issuing admonitions and words of warning even for forces bigger than herself. Then the fathoms-deep ‘Me & U’ is an ontological treatise on faith and substance, the first of two singles which served as a prelude to Born in the Wild with the stellar ‘Not An Angel’ marked only by its absence.

Nodding to 50 Cent, with a hip hop bounce on ‘T-Unit’ the artist blows off the biters, a battle cry and victory march over crunching drums and roiling guitar riffs. With its claves keeping time, ‘You in My Face’ is a languid heart-to-heart, a late night communion with the person who glints back through the mirror, described by Tems as a song about the quest for inner peace by way of a conversation with her inner child, who is evoked through the song’s flickering, warbling, flamenco-flecked coda. Then ‘Hold On’ brings Born in the Wild to a close with a synth-pop shimmer, recapitulating the record’s themes about realising lifelong dreams, pushing through all of the mistakes and staying true to oneself. ‘This is for the girl in the dark’ Tems sings, as the first rays of daylight peek over the horizon.

Christopher Laws
Christopher Lawshttps://www.culturedarm.com
Christopher Laws is the writer and editor of Culturedarm, currently based in Umeå, Sweden.

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