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• Alternative playlists and tracks of the week
• Culturedarm's weekly newsletter straight to your inbox
• Movie reviews, earthy anecdotes, seven of the best and more . . .
• Bookmark your favourite or most hotly anticipated articles
• The satisfaction of supporting independent blah blah blah . . .

Lock it in and fuhgeddaboudit with an annual subscription to Culturedarm, which supports the site while providing access to special content including playlists and alternative tracks of the week. You get:

• The best new music from free jazz to noise to avant-pop
• Alternative playlists and tracks of the week
• Culturedarm's weekly newsletter straight to your inbox
• Movie reviews, earthy anecdotes, seven of the best and more . . .
• Bookmark your favourite or most hotly anticipated articles
• The satisfaction of supporting independent blah blah blah . . .

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Albums

Jugodefatuo – Bijù Bazar

A Principino whose body dissolves and recomposes perpetually, leads...

Patrick Shiroishi & Dylan Fujioka – Left up on the Tree

For several years now Patrick Shiroishi and Dylan Fujioka...

Nina Garcia – Bye Bye Bird

Working for almost a decade as Mariachi after getting...

Michael Bisio, Melanie Dyer, Marianne Osiel and Jay Rosen – NuMBq

Introduced by a deft clangour of gongs and chimes...

Michael Gordon & Theatre of Voices – A Western

Assailed by Howard Hawks and John Wayne for its...

Behind the Song

Behind the Song: Charles Mingus – ‘Goodbye Pork Pie Hat’

Charles Mingus wrote 'Goodbye Pork Pie Hat' as an elegy for the pioneering jazz saxophonist Lester Young, who died in March 1959, two months prior to the recording sessions for what would become Mingus Ah Um. A darkly elegant ballad with a lone dissonant note full of pathos...

Behind the Song: Robyn – ‘Be Mine!’

Beginning her career in pop music at the age...

Behind the Song: ‘M’appari’ from Friedrich von Flotow’s Martha

'M'appari' is the best known name for the central...

Behind the Song: Van Morrison – ‘Crazy Love’

https://www.youtube.com/watch?v=OIaKy1vM9hs 'Crazy Love' is the third track from Moondance, Van...

Behind the Song: Animal Collective – ‘Summertime Clothes’

https://www.youtube.com/watch?v=GxhaRgJUMl8 Animal Collective's eighth studio album, Merriweather Post Pavilion, was...

Tracks of the Week

Tracks of the Week 19.01.25

Benjamin Lackner plays the piano with a plangent grace...

Tracks of the Week 12.01.25

Not since Jerry Seinfeld groggily awoke to witness Tim...

Tracks of the Week 04.01.25

Fresh beginnings plus a few festive odds and ends...

Tracks of the Week 17.08.24

Allen Lowe's short bio says that the veteran saxophonist...

Tracks of the Week 10.08.24

David Lynch, the transcendental meditator and itinerant Eagle Scout...

At the Movies

The Assassin (2015)

★★★★ (4 out of 4 stars) - In 9th century China, the weakened Tang Dynasty struggles to retain control over its militarised province of Weibo. Nie Yinniang (Shu Qi) has been trained by the nun Jiaxin (Fang-Yi Sheu) to assassinate corrupt government officials, but though she possesses all of the art, she cannot bring herself to kill a man as he sits cradling his sleeping son. So Jiaxin, who has raised Yinniang from the age of ten, sets her charge a more personal task...

October Sky (1999)

★★★ (3 out of 4 stars) - October Sky is a quaint coming-of-age picture utterly characteristic of this period in American cinema: polished but earnest, overtly sentimental, full of local colour, ostensibly presenting some hard-hitting themes without ever straying from the steely confines of quaint. It's in the same mould as films like The Cider House Rules and especially Billy Elliot, which it preceded by more than a year...

Big (1988)

★★ (2 out of 4 stars) - The last of a cluster of movies, all released within the space of a year between the autumn of 1987 and the summer of 1988, to depict youths turning into or swapping forms with adult men - the others were Like Father Like Son (1987), Vice Versa (1988), 18 Again! (1988), and the Italian film Da grande (1987), which is often cited as the inspiration for Big - in Big thirteen-year-old Josh Baskin...

The Rules of the Game (1939)

★★★★ (4 out of 4 stars) - Instead Renoir produced a bawdy comedy with French airs and graces, which seems to share much in common with so many American films of the late thirties with their loose morals, gender distortions, and hedonistic flushes of romance. The inspirations may have been Marivaux and Beaumarchais, but in style and temperament The Rules of the Game rubs up equally alongside The Philadelphia Story and the screwball comedies of Howard Hawks.

Once Upon a Time in Hollywood (2019)

★★★ (3 out of 4 stars) - In February 1969 in Hollywood, fading television star Rick Dalton (Leonardo DiCaprio) frequents bars and gets ferried around by his old stunt double, Cliff Booth (Brad Pitt). Booth lives in a trailer with his pit bull Brandy, in an empty lot behind the drive-in in Van Nuys, but Dalton keeps up appearances with a luxury home in Beverly Crest overlooking Beverly Hills...

World Cinema

Once Upon a Time in Hollywood (2019)

★★★ (3 out of 4 stars) - In February 1969 in Hollywood, fading television star Rick Dalton (Leonardo DiCaprio) frequents bars and gets ferried around by his old stunt double, Cliff Booth (Brad Pitt). Booth lives in a trailer with his pit bull Brandy, in an empty lot behind the drive-in in Van Nuys, but Dalton keeps up appearances with a luxury home in Beverly Crest overlooking Beverly Hills...

Cactus Flower (1969)

★★★½ (3.5 out of 4 stars) - More than mere confection, which by nature lies there enticingly and dwindles the more that we eat, and just like the titular cactus which sits on dental assistant Stephanie Dickinson's desk, cannily marking her transformation, Cactus Flower positively blossoms. The third film in three years from director Gene Saks - hot on the heels of two resounding Neil Simon success stories...

Fast & Furious Presents: Hobbs & Shaw (2019)

★½ (1.5 out of 4 stars) - When it comes to the blockbuster action movie, three franchises remain. There is the Marvel Cinematic Universe and other assorted comic book pictures, y'know, for kids; Tom Cruise, most clearly for the ever stellar Mission: Impossible series, wilfully forgetting Jack Reacher but with shoutouts to American Made, Edge of Tomorrow, and the upcoming Top Gun sequel, sure to be a success; and then there's The Rock...

How to Steal a Million (1966)

★★½ (2.5 out of 4 stars) - Nicole Bonnet (Audrey Hepburn) is the daughter of an art forger, who has gathered so many supposed masterpieces in his private collection that he has won considerable renown in the world of art. Approached by the Kléber-Lafayette Museum, he proudly loans to the illustrious Paris institution (which for the sake of the film occupies the building of the real-life Musée Carnavalet) his most prized possession, his Cellini 'Venus'...

Parasite (2019)

★★★★ (4 out of 4 stars) - A family of four live in a cramped and roach-infested banjiha, a semi-basement apartment in Seoul. They crib free Wi-Fi from unsuspecting neighbours and a nearby coffee shop, and their only source of income, procured by the mother Chung-sook via WhatsApp, comes from the folding of pizza boxes for a local delivery service, a task at which they are only moderately successful...

Earthy Anecdotes

Earthy Anecdotes: Katharine Hepburn Steals Stephen Sondheim’s Plant

By the turn of the twentieth century, the Turtle Bay neighbourhood on the east side of Midtown Manhattan was a 'riverside back yard' for the city of New York. Imposing brownstones and squalid tenement housing butted up against the breweries, gasworks, and slaughterhouses which lined the waterfront. Eventually the waterfront would be reshaped by the United Nations headquarters, with dozens of diplomatic missions...

Earthy Anecdotes: The Texas Chain Saw Massacre’s Hellish Dinner Scene

One of the most influential horror movies of all-time,...

Earthy Anecdotes: Alex Ferguson, Mick Harford and The League That Got Away

In the winter of 1991, Manchester United stood atop...

Earthy Anecdotes: The Premiere of The Rite of Spring

On 29 May 1913, The Rite of Spring, the ballet and...

Earthy Anecdotes: Zola’s House at Médan by Paul Cézanne

In Banks of the Marne by the French artist...

Poetry

‘Silentium!’ by Fyodor Tyutchev

Silentium! Speak not, lie hidden, and conceal the way you dream,...

Alexander Blok – ‘Night, street, street-light, drugstore’ (1912)

Alexander Blok (Александр Блок) (1880-1921) was the foremost of...

Pierrot Through the Arts

Pierrot, the sad clown in white face and loose...

The Early Poetry of Mina Loy

When the first issue of Others: A Magazine of...

James Joyce

Ignatius Loyola and the Jesuits; and the Jesuits and James Joyce

With the election yesterday evening in Rome of former...

The Homeric Parallel in Ulysses: Joyce, Nabokov and Homer in Maps

When Ulysses was published on 2 February, 1922, it was the...

Behind the Song: ‘M’appari’ from Friedrich von Flotow’s Martha

'M'appari' is the best known name for the central...

Daily Visual 16.06.15: Bloomsday 2015

Bloomsday today in Dublin marks the culmination of a...

Obituaries

Jean-Paul Belmondo, the Face of the French New Wave, Dies At the Age of 88

https://www.youtube.com/watch?v=NbAMIHLciGk Jean-Paul Belmondo, the actor whose crooked nose and raffish...

Ruth Bader Ginsburg, Supreme Court Justice, Dies at the Age of 87

https://www.youtube.com/watch?v=VRlEFT-44Ik Ruth Bader Ginsburg, associate justice of the Supreme Court...

Kenzo Takada, the Japanese Designer Who Revolutionised French Fashion, Dies at 81

https://www.youtube.com/watch?v=Q7E4bITT4t8 With the wet weather and surging coronavirus already putting...

Stephen Sondheim, Who Reinvented the Musical Theatre, Dies at the Age of 91

The composer and lyricist Stephen Sondheim died on Friday...

Culturedarm

Subscribe to Culturedarm

A monthly subscription supports Culturedarm while providing access to special content including playlists and alternative tracks of the week. You get:

• The best new music from free jazz to noise to avant-pop
• Alternative playlists and tracks of the week
• Culturedarm's weekly newsletter straight to your inbox
• Movie reviews, earthy anecdotes, seven of the best and more . . .
• Bookmark your favourite or most hotly anticipated articles
• The satisfaction of supporting independent blah blah blah . . .

Lock it in and fuhgeddaboudit with an annual subscription to Culturedarm, which supports the site while providing access to special content including playlists and alternative tracks of the week. You get:

• The best new music from free jazz to noise to avant-pop
• Alternative playlists and tracks of the week
• Culturedarm's weekly newsletter straight to your inbox
• Movie reviews, earthy anecdotes, seven of the best and more . . .
• Bookmark your favourite or most hotly anticipated articles
• The satisfaction of supporting independent blah blah blah . . .

placeholder text
3
25
0

Albums

Jugodefatuo – Bijù Bazar

A Principino whose body dissolves and recomposes perpetually, leads...

Patrick Shiroishi & Dylan Fujioka – Left up on the Tree

For several years now Patrick Shiroishi and Dylan Fujioka...

Nina Garcia – Bye Bye Bird

Working for almost a decade as Mariachi after getting...

Michael Bisio, Melanie Dyer, Marianne Osiel and Jay Rosen – NuMBq

Introduced by a deft clangour of gongs and chimes...

Michael Gordon & Theatre of Voices – A Western

Assailed by Howard Hawks and John Wayne for its...

Behind the Song

Themes and References in Joanna Newsom’s Sapokanikan

https://www.youtube.com/watch?v=ky9Ro9pP2gc In the music video for 'Sapokanikan', Joanna Newsom saunters...

Behind the Song: ‘M’appari’ from Friedrich von Flotow’s Martha

'M'appari' is the best known name for the central...

Behind the Song: Animal Collective – ‘Summertime Clothes’

https://www.youtube.com/watch?v=GxhaRgJUMl8 Animal Collective's eighth studio album, Merriweather Post Pavilion, was...

Behind the Song: Leonore Overture, ‘Farewell Amanda’, ‘One Night’

Ludwig van Beethoven - Leonore Overture No. 1, Op....

Behind the Song: Robyn – ‘Be Mine!’

Beginning her career in pop music at the age...

Tracks of the Week

Tracks of the Week 19.01.25

Benjamin Lackner plays the piano with a plangent grace...

Tracks of the Week 12.01.25

Not since Jerry Seinfeld groggily awoke to witness Tim...

Tracks of the Week 04.01.25

Fresh beginnings plus a few festive odds and ends...

Tracks of the Week 17.08.24

Allen Lowe's short bio says that the veteran saxophonist...

Tracks of the Week 10.08.24

David Lynch, the transcendental meditator and itinerant Eagle Scout...

At the Movies

Kalifornia (1993)

★★½ (2.5 out of 4 stars) - Brian and Carrie plan to drive from their home of Louisville, Kentucky to the golden state of California, stopping off at renowned murder spots along the way. Brian hopes to gain material for his book, with Carrie providing the photographic illustration. To top up their gas-guzzling Lincoln Continental, their notice for a ride share is answered by a curious couple, the childlike Adele Corners and her ragged minder Early Grayce...

The Taking of Pelham One Two Three (1974)

★★★★ (4 out of 4 stars) - From a modern perspective, the original and best film version of The Taking of Pelham One Two Three almost seems to lack a final act: when the shakeout comes and the criminals attempt to make their getaway, there is no major chase sequence, limited gunfighting, and the villains for the most part - faced with the ambling steeliness of Walter Matthau's Lieutenant Zachary Garber - prove their own undoing...

Adam’s Rib (1949)

★★★★ (4 out of 4 stars) - Adam and Amanda Bonner, a couple of happily married lawyers who live in an upper-floor apartment in New York, begin to clash when they land on opposite sides of a trial for attempted murder. Adam views the matter in black and white, believing that Doris Attinger broke the law and deserves to be punished, while Amanda delights in teasing out some of the nuances of the case, perceiving an opportunity to rail against gender imbalances...

The Out-of-Towners (1970)

★★ (2 out of 4 stars) - Imagine Jack Lemmon at his most highly strung, for instance in The Odd Couple, a Neil Simon film from a couple of years earlier, when Oscar Madison arrives home late from work after stopping off at a bar and Felix Ungar's meatloaf has dried out, and Oscar thinks that gravy just comes, and then confuses a spoon with a ladle...

The Sunshine Boys (1975)

★★★ (3 out of 4 stars) - In The Sunshine Boys a pair of ageing and increasingly frail former comedians, Al Lewis and Willy Clark (George Burns and Walter Matthau), are brought together eleven years after their acrimonious separation in order to star one more time in a special for ABC. Veterans of the vaudeville circuit, their career together spanned forty-three years and six appearances on The Ed Sullivan Show...

World Cinema

Little Women (2019)

★★★★ (4 out of 4 stars) - Greta Gerwig imbues the seventh film adaptation of Louisa May Alcott's classic coming-of-age novel with deft characterisation and heady momentum, across and finally through the screen. Each scene bustles with gesture and intonation even when its components aren't rushing headlong through the streets of Manhattan, idling about the parks of Paris, or swirling the ballrooms and striding fields and beaches in the vicinity of Boston, Mass...

Chinatown (1974)

★★★★ (4 out of 4 stars) - Chinatown is a detective story, loosely inspired by the California water wars which took place between the fledgeling city of Los Angeles and the surrounding Owens Valley in the early twentieth century. The pivotal figure in those wars was William Mulholland, the chief architect of the Los Angeles Aqueduct, whose career came to an abrupt end with the failure of the St Francis Dam in 1928...

Paris, Texas (1984)

★★★★ (4 out of 4 stars) - Travis Henderson (Harry Dean Stanton) was introduced against a backdrop of blue skies and sandstone buttes, but his brother Walt (Dean Stockwell) wears a yellow Stetson cap and stands in front of a commercial tower block, which turns out to be painted. He sells billboard signs for a living, but agrees to travel to Terlingua, South Texas, to pick up his brother...

Pickpocket (1959)

★★★ (3 out of 4 stars) - Michel the titular character of Robert Bresson's snappily downcast Pickpocket is a renegade, a nihilist, one of cinema's Nietzschean Übermensch and most of all a real churl. He is the surliest of apostates with the hint of a bad boy persona that might suggest Marlon Brando or James Dean in blocking or on the amateur stage, for as is Bresson's wont the lead Martin LaSalle was a rank novice...

Punch-Drunk Love (2002)

★★★★ (4 out of 4 stars) - Barry Egan (Adam Sandler) owns a warehouse which manufactures and sells novelty goods - toilet plungers with supposedly non-breakable handles and so on - but channels all of his hopes into one venture: having carried out his research diligently, and as far as the vagaries of the promotion will allow, he has come to understand that by purchasing gross quantities of Healthy Choice pudding...

Earthy Anecdotes

Earthy Anecdotes: Katharine Hepburn Steals Stephen Sondheim’s Plant

By the turn of the twentieth century, the Turtle Bay neighbourhood on the east side of Midtown Manhattan was a 'riverside back yard' for the city of New York. Imposing brownstones and squalid tenement housing butted up against the breweries, gasworks, and slaughterhouses which lined the waterfront. Eventually the waterfront would be reshaped by the United Nations headquarters, with dozens of diplomatic missions...

Earthy Anecdotes: The Texas Chain Saw Massacre’s Hellish Dinner Scene

One of the most influential horror movies of all-time,...

Earthy Anecdotes: Alex Ferguson, Mick Harford and The League That Got Away

In the winter of 1991, Manchester United stood atop...

Earthy Anecdotes: The Premiere of The Rite of Spring

On 29 May 1913, The Rite of Spring, the ballet and...

Earthy Anecdotes: Zola’s House at Médan by Paul Cézanne

In Banks of the Marne by the French artist...

Poetry

Rabindranath Tagore, E. E. Cummings; Bonnie ‘Prince’ Billy, Björk

Rabindranath Tagore (1861-1941) was a Bengali polymath, best known...

‘Silentium!’ by Fyodor Tyutchev

Silentium! Speak not, lie hidden, and conceal the way you dream,...

Alexander Blok – ‘Night, street, street-light, drugstore’ (1912)

Alexander Blok (Александр Блок) (1880-1921) was the foremost of...

Fyodor Sologub – ‘At Times There Comes a Strange Smell Wafting’

Fyodor Sologub was born Fyodor Kuzmich Teternikov on 1...

James Joyce

Behind the Song: ‘M’appari’ from Friedrich von Flotow’s Martha

'M'appari' is the best known name for the central...

Joyce, Nabokov, and Dirty Books: The Publications of Ulysses, Haveth Childers Everywhere, and Lolita

With Ezra Pound acting as intermediary, from the spring of...

Daily Visual 16.06.15: Bloomsday 2015

Bloomsday today in Dublin marks the culmination of a...

Ignatius Loyola and the Jesuits; and the Jesuits and James Joyce

With the election yesterday evening in Rome of former...

Obituaries

Biz Markie, the Clown Prince of Hip Hop, Dies at 57 Years Old

https://www.youtube.com/watch?v=9aofoBrFNdg The rapper, DJ, and record producer Biz Markie died...

Ruth Bader Ginsburg, Supreme Court Justice, Dies at the Age of 87

https://www.youtube.com/watch?v=VRlEFT-44Ik Ruth Bader Ginsburg, associate justice of the Supreme Court...

Ned Beatty, Deliverance, Nashville, and Network Actor, Dies at the Age of 83

https://www.youtube.com/watch?v=1TwyrAS2lU8 The actor Ned Beatty died of natural causes on...

Juliette Gréco, Doyenne of the French Chanson, Dies at 93

https://www.youtube.com/watch?v=wvJSkGd-t6U Juliette Gréco, doyenne of the French chanson, died on...

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Tracks of the Week 06.04.24

When a caterpillar has stored up enough energy and is ready to make the transition from larva to pupa, it begins to draw silk from the spinneret on the lower lip of its mouth and forms a small pad which it hooks into with its cremaster, attaching its hind end to the pad as a sort of anchor. Through contortions the caterpillar then winds silk behind itself, creating a sling or hammock. While some caterpillars proceed to shed their skin to reveal a hardened chrysalis, most moth caterpillars will continue to draw silk around themselves until they are encased in a cocoon, which might be hard or soft, opaque or translucent and from which they begin the process of metamorphosis.

The phenomena has given its name to an assortment of music, from the girdled pop rock-cum-electroclash of the Japanese singer Anna Tsuchiya to the staggered swing and blocky chords of the Thelonious Monk scholar Pandelis Karayorgis to the glitching breathlessness and swirling gorgeousness of Björk. Yet perhaps nobody has cultivated or inhabited the materiality and processes of a cocoon more than S. Hollis Mickey, who suffers from severe myalgic encephalomyelitis which is sometimes known as chronic fatigue syndrome, and sat within a specially arranged recording setup which included a lap harp, flute, harmonium, kalimba, toy piano and various effects pedals as she spun her latest album Cocoon day by day.

Housebound and offered up as a space for connection, a shared meditation on the body in a transformative state of rest, the nine lengthy tracks of Cocoon were captured whenever Hollis felt able, tender and careful improvisations named in diaristic fashion after their recording dates. Her winding voice and variegated instruments sometimes summon medieval organum as plainsong splintered into the first strains of polyphony, as on the third track of the album, which is dated ‘February 16’. Sometimes her songs sound like warped ragas, where twining woodwinds saunter over distended synthetic drones, and sometimes they conjure the Japanese environmental genre of kankyō ongaku, which might be embedded within nature but can also encode a detached looking out. ‘March 30’ highlights the kalimba, while ‘April 7’ might echo the cooing vocals of Elizabeth Fraser as filtered through a contemporary loop machine, and ‘April 13’ briefly recalls the rebounding pluck of the harp on the foundational Joanna Newsom track ‘Bridges and Balloons’.

James Rushford’s new outing on Blank Forms includes a work in ten movements which was inspired by his study of the late medieval repertoire on portative organ, combining the interlocking winds and woodsy atmospherics of the instrument with crackles and glitches plus the vibrant yet vigilant sweep of the Yamaha CS-80, made famous by Vangelis as part of the dystopian soundtrack to the first Blade Runner film.

Succeeding the tentative keys, rushing winds and garbled English-to-German translations of ‘Fallaway Whisk’, an exploration of reticence, in bumbling Quixotic fashion the ten movements of ‘Quire’ sound like a chase through winding corridors, the portative organ on a wispy run from the serpentine coils of a machine, which is voiced by a naif artificial intelligence, the combined effort described as somewhat of a departure for Rushford, working in traces of the Tangerine Dream and Ash Ra Tempel member and prolific kosmische pioneer Klaus Schulze, aspects of concrete poetry and ars subtilior, an extension of the polyphonic music of the fourteenth century which was characterised by its rhythmic and notational complexity, flourishing in the French cities of Paris and Avignon before stretching to parts of northern Spain.

‘Piqueo’, an appetiser from Kenny Warren’s upcoming album Sweet World which will drop next month on Out Of Your Head Records, finds the trumpeter and pianist alongside the cellist Christopher Hoffman and drummer Nathan Ellman-Bell drawing inspiration from the beloved Ethiopian nun and intrepid piano stylist Emahoy Tsegué-Maryam Guèbrou. The beautifully time-worn resonances of Lamasz might spur to mind Gilles Deleuze’s concept of the ritournelle, through which he portrayed music as a ‘creative, active operation that consists in deterritorializing the refrain’. And the writer, Phantom Limb founder and musician James Vella shapes ghostly reveries and spectres of the liminal everyday, setting an archive of Maltese home recordings over his raga-like synth oscillations, with snippets of recreational għana sent by emigrants to their relatives back home providing an intimate snapshot of the sacred and the mundane.

Unveiling what he describes as his life’s work, the third track from the first part of The Crop Circle Suite finds the trumpeter, clarinetist and composer Matt Lavelle indulging in a little bit of ripe pastoralism, over almost nine minutes which ripen on the vine, still sloughing off the shackles of the old world, at moments redolent of Porgy and Bess or the Pharoah Sanders side ‘Harvest Time’, especially in last year’s rendition by Kahil El’Zabar and his Ethnic Heritage Ensemble.

The concept dawned on Lavelle way back in the nineties, when he forsook the straight-ahead jazz scene and decamped for Upstate New York, finding a spiritual mentor in Stephanie Gouveia and succour in the sacred geometry of crop circles. The six tracks which make up the first part of The Crop Circle Suite – from an intended twelve, which Lavelle found time and space to write only owing to the ‘maddening methodology’ of the coronavirus pandemic – draw their time signatures, bar lines, melody notes, chord and intervals from their respective numbers, one through six, with Lavelle bidding to unite natural phenomena, the sciences and the arts in search of a deeper understanding. A frequent collaborator of William Parker, Daniel Carter and Sabir Mateen who started out with the swing veteran Hildred Humphries and studied for a period under Ornette Coleman, it was 2010 when Lavelle established his 12 Houses Orchestra, which here divided into groups representing the seasons and elements features Lee Odom, Charles Waters, Ras Moshe, Claire Daly, Matt Lambiase, Nicole Davis, Art Baron, Ben Stapp, Mary Cherney, Cheryl Pyle, Claire De Brunner, Christopher Forbes, Hilliard Greene, Jeremy Carlstedt, Jose Luis Abreu, Jack DeSalvo and his ‘favourite sound’ which arrives in the piece courtesy of Stephanie Griffin in her lower register on the viola.

Promising to expound New Concepts in Piano Trio Jazz, the dauntless improviser Matthew Shipp hammers classical refrains like Pachelbel’s Canon in D Major into the roiling textures of ‘Non Circle’, whittling a sedimentary heap, while after opening on a more plaintive air the album closer ‘Coherent System’ steers in the direction of baroque counterpoint, as Shipp and Michael Bisio trade lines before the bandleader’s staggered piano runs bring the piece to a resounding climax in the middle section. Elsewhere creaking bass and lurching keys characterise ‘Tone IQ’ while on ‘Brain System’ the bows and scrapes of Bisio’s bass sound like the crack and heave of bow and stern, physical heft catching up with a more cerebral turbulence, and ‘The Function’ unrolls as an offbeat blues, whose walking bass pulls apart the space for plangent piano runs and Newman Taylor Baker’s dextrous rat-a-tat-tat percussion.

With the dazzling urbanity, the honeyed mellifluousness and even the caustic sway of the greats, Fay Victor presents for the first time a full programme of lyrics for the compositions of the jazz legend Herbie Nichols, who continues to resonate while remaining best known as the co-writer of the Billie Holiday standard ‘Lady Sings the Blues’. A decade in the making, the Herbie Nichols SUNG project features Michaël Attias on alto and baritone saxophones, Anthony Coleman on the piano, Ratzo Harris on bass and Tom Rainey on drums.

Ravishing odes, ambient drones and moments of ardent longing, clarion calls swept out over choppy seas and transport hubs, the disorientating swell of a new place or terminus chatter are some of the things which characterise the stunning new album by the sitar player Anoushka Shankar. From the thriving cultural centre of Dar es Salaam, the duo of Sisso and Maiko offer a playful and experimental take on the breakneck taarab of singeli, punctuating its interlocking rhythms with beats of an Afrohouse, hardstyle and footwork persuasion. And the two Lopezes in Cecilia and Brandon draw out the illest frequencies of electronics and bass, reuniting for a third time with a buzzsaw ode to the complexities of citizenship.

* * *

Anoushka Shankar – ‘Pacifica’

* * *

Kenny Warren – ‘Piqueo’

* * *

Sisso & Maiko – ‘Kivinje’

* * *

James Rushford – ‘Quire I’

* * *

LopezLopez – ‘G-28’

* * *

Matt Lavelle and the 12 Houses – ‘Crop Circle Three’

* * *

S. Hollis Mickey – ‘Cocoon (April 13)’

* * *

Lamasz – ‘Ritournelle’

* * *

A Lily – ‘Thallinix’

* * *

Fay Victor & Herbie Nichols SUNG – ‘Tonight’

* * *

Matthew Shipp – ‘Coherent System’

Christopher Laws
Christopher Lawshttps://www.culturedarm.com
Christopher Laws is the writer and editor of Culturedarm, currently based in Umeå, Sweden.

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