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Lock it in and fuhgeddaboudit with an annual subscription to Culturedarm, which supports the site while providing access to special content including playlists and alternative tracks of the week. You get:

• The best new music from free jazz to noise to avant-pop
• Alternative playlists and tracks of the week
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• Bookmark your favourite or most hotly anticipated articles
• The satisfaction of supporting independent blah blah blah . . .

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Albums

Jugodefatuo – Bijù Bazar

A Principino whose body dissolves and recomposes perpetually, leads...

Patrick Shiroishi & Dylan Fujioka – Left up on the Tree

For several years now Patrick Shiroishi and Dylan Fujioka...

Nina Garcia – Bye Bye Bird

Working for almost a decade as Mariachi after getting...

Michael Bisio, Melanie Dyer, Marianne Osiel and Jay Rosen – NuMBq

Introduced by a deft clangour of gongs and chimes...

Michael Gordon & Theatre of Voices – A Western

Assailed by Howard Hawks and John Wayne for its...

Behind the Song

Behind the Song: ‘M’appari’ from Friedrich von Flotow’s Martha

'M'appari' is the best known name for the central...

Behind the Song: Robyn – ‘Be Mine!’

Beginning her career in pop music at the age...

Behind the Song: Chuck Berry – ‘You Can’t Catch Me’

'You Can't Catch Me', one of Chuck Berry's early singles, proved an unexpected commercial flop. It failed to chart upon its release at the onset of 1957 - despite being given prominence by the fledgeling rock and roll feature Rock, Rock, Rock!, which had opened in cinemas the previous month...

Behind the Song: Leonore Overture, ‘Farewell Amanda’, ‘One Night’

Ludwig van Beethoven - Leonore Overture No. 1, Op....

Behind the Song: Van Morrison – ‘Crazy Love’

https://www.youtube.com/watch?v=OIaKy1vM9hs 'Crazy Love' is the third track from Moondance, Van...

Tracks of the Week

Tracks of the Week 19.01.25

Benjamin Lackner plays the piano with a plangent grace...

Tracks of the Week 12.01.25

Not since Jerry Seinfeld groggily awoke to witness Tim...

Tracks of the Week 04.01.25

Fresh beginnings plus a few festive odds and ends...

Tracks of the Week 17.08.24

Allen Lowe's short bio says that the veteran saxophonist...

Tracks of the Week 10.08.24

David Lynch, the transcendental meditator and itinerant Eagle Scout...

At the Movies

Young Adult (2011)

★★★★ (4 out of 4 stars) - Mavis Gary (Charlize Theron), a 37-year-old ghostwriter for a series of young adult novels soon to be cancelled, returns to her small Minnesota hometown, angling to hook up with her old high school flame, who is married and has just become a father. Her attempts at seduction are already inappropriate, but prove much grosser than this, culminating in a blowout at a birthday party...

Cactus Flower (1969)

★★★½ (3.5 out of 4 stars) - More than mere confection, which by nature lies there enticingly and dwindles the more that we eat, and just like the titular cactus which sits on dental assistant Stephanie Dickinson's desk, cannily marking her transformation, Cactus Flower positively blossoms. The third film in three years from director Gene Saks - hot on the heels of two resounding Neil Simon success stories...

Million Dollar Baby (2004)

★½ (1.5 out of 4 stars) - Maggie Fitzgerald (Hilary Swank), from southwest Missouri, has worked as a waitress from her early teens. Stuck in grim poverty, she seeks a way beyond her circumstances, and determines to become a boxer. She turns up at a worn-down Los Angeles gym, owned and run by Frankie Dunn (Clint Eastwood) with the help of Eddie 'Scrap-Iron' Dupris (Morgan Freeman): a former boxer himself...

The Sunshine Boys (1975)

★★★ (3 out of 4 stars) - In The Sunshine Boys a pair of ageing and increasingly frail former comedians, Al Lewis and Willy Clark (George Burns and Walter Matthau), are brought together eleven years after their acrimonious separation in order to star one more time in a special for ABC. Veterans of the vaudeville circuit, their career together spanned forty-three years and six appearances on The Ed Sullivan Show...

Halloween (1978)

★★ (2 out of 4 stars) - In the suburban neighbourhood of Haddonfield, Illinois, on Halloween night, 1963, while other kids are out trick-or-treating, a six-year-old boy without any apparent motivation creeps up the stairs, slips on a mask, and slashes to death his near-nude teenage sister. Fifteen years later he's still confined to Smith's Grove, a sanatorium for psychiatric patients, but he breaks out and returns to Haddonfield...

World Cinema

Picnic at Hanging Rock (1975)

★★★½ (3.5 out of 4 stars) - On the morning of Saint Valentine's Day, 1900, the schoolgirls boarding at Appleyard College prepare for a day picnicking at Hanging Rock. In raptures they recite poetry from the Valentine's cards they have presumably sent one another; they put on their muslin dresses, and in a cross between a balletic embrace and an evolutionary procession, they awkwardly help each other with their corsets; and then they are off, but at the rock three of them vanish...

We’re the Millers (2013)

★★★ (3 out of 4 stars) - In what sounds like a riff on an old joke, a drug dealer, a stripper, a runaway, and a nerd climb into a camper van south of the border. David Clark (Jason Sudeikis) is a low-level marijuana dealer who finds himself beholden to his supplier, the sleazy businessman Brad Gurdlinger (Ed Helms), when a couple of street hoods make off with his stash. To cover the debt with a little added compensation, David reluctantly agrees to smuggle a 'smidge' of weed from Mexico...

Fast & Furious Presents: Hobbs & Shaw (2019)

★½ (1.5 out of 4 stars) - When it comes to the blockbuster action movie, three franchises remain. There is the Marvel Cinematic Universe and other assorted comic book pictures, y'know, for kids; Tom Cruise, most clearly for the ever stellar Mission: Impossible series, wilfully forgetting Jack Reacher but with shoutouts to American Made, Edge of Tomorrow, and the upcoming Top Gun sequel, sure to be a success; and then there's The Rock...

Virgin Mountain (2015)

★★★ (3 out of 4 stars) - Fúsi (Gunnar Jónsson) is forty-three years old and a virgin, still living at home with his mother. He spends his days working as a baggage handler at Keflavik airport, his evenings wargaming with his friend Mörður (Sigurjón Kjartansson), as together they painstakingly recreate the Battle of El Alamein, and each Friday he orders Pad Thai and eats cloistered in the same corner of the same restaurant...

The Assassin (2015)

★★★★ (4 out of 4 stars) - In 9th century China, the weakened Tang Dynasty struggles to retain control over its militarised province of Weibo. Nie Yinniang (Shu Qi) has been trained by the nun Jiaxin (Fang-Yi Sheu) to assassinate corrupt government officials, but though she possesses all of the art, she cannot bring herself to kill a man as he sits cradling his sleeping son. So Jiaxin, who has raised Yinniang from the age of ten, sets her charge a more personal task...

Earthy Anecdotes

Earthy Anecdotes: Katharine Hepburn Steals Stephen Sondheim’s Plant

By the turn of the twentieth century, the Turtle Bay neighbourhood on the east side of Midtown Manhattan was a 'riverside back yard' for the city of New York. Imposing brownstones and squalid tenement housing butted up against the breweries, gasworks, and slaughterhouses which lined the waterfront. Eventually the waterfront would be reshaped by the United Nations headquarters, with dozens of diplomatic missions...

Earthy Anecdotes: The Texas Chain Saw Massacre’s Hellish Dinner Scene

One of the most influential horror movies of all-time,...

Earthy Anecdotes: Alex Ferguson, Mick Harford and The League That Got Away

In the winter of 1991, Manchester United stood atop...

Earthy Anecdotes: The Premiere of The Rite of Spring

On 29 May 1913, The Rite of Spring, the ballet and...

Earthy Anecdotes: Zola’s House at Médan by Paul Cézanne

In Banks of the Marne by the French artist...

Poetry

The Early Poetry of Mina Loy

When the first issue of Others: A Magazine of...

Rabindranath Tagore, E. E. Cummings; Bonnie ‘Prince’ Billy, Björk

Rabindranath Tagore (1861-1941) was a Bengali polymath, best known...

‘Silentium!’ by Fyodor Tyutchev

Silentium! Speak not, lie hidden, and conceal the way you dream,...

Fyodor Sologub – ‘At Times There Comes a Strange Smell Wafting’

Fyodor Sologub was born Fyodor Kuzmich Teternikov on 1...

James Joyce

Behind the Song: ‘M’appari’ from Friedrich von Flotow’s Martha

'M'appari' is the best known name for the central...

Daily Visual 16.06.15: Bloomsday 2015

Bloomsday today in Dublin marks the culmination of a...

Joyce, Nabokov, and Dirty Books: The Publications of Ulysses, Haveth Childers Everywhere, and Lolita

With Ezra Pound acting as intermediary, from the spring of...

The Homeric Parallel in Ulysses: Joyce, Nabokov and Homer in Maps

When Ulysses was published on 2 February, 1922, it was the...

Obituaries

Kenzo Takada, the Japanese Designer Who Revolutionised French Fashion, Dies at 81

https://www.youtube.com/watch?v=Q7E4bITT4t8 With the wet weather and surging coronavirus already putting...

Toots Hibbert, Reggae Pioneer and Lead Vocalist of the Maytals, Dies Aged 77

https://www.youtube.com/watch?v=ErQ2UB44k-o Toots Hibbert, the pioneering reggae musician who imbued his...

Dean Stockwell, Star of Blue Velvet and Quantum Leap, Dies at 85 Years Old

https://www.youtube.com/watch?v=vhPosL3UAN8 The actor Dean Stockwell died of natural causes on...

Biz Markie, the Clown Prince of Hip Hop, Dies at 57 Years Old

https://www.youtube.com/watch?v=9aofoBrFNdg The rapper, DJ, and record producer Biz Markie died...

Culturedarm

Subscribe to Culturedarm

A monthly subscription supports Culturedarm while providing access to special content including playlists and alternative tracks of the week. You get:

• The best new music from free jazz to noise to avant-pop
• Alternative playlists and tracks of the week
• Culturedarm's weekly newsletter straight to your inbox
• Movie reviews, earthy anecdotes, seven of the best and more . . .
• Bookmark your favourite or most hotly anticipated articles
• The satisfaction of supporting independent blah blah blah . . .

Lock it in and fuhgeddaboudit with an annual subscription to Culturedarm, which supports the site while providing access to special content including playlists and alternative tracks of the week. You get:

• The best new music from free jazz to noise to avant-pop
• Alternative playlists and tracks of the week
• Culturedarm's weekly newsletter straight to your inbox
• Movie reviews, earthy anecdotes, seven of the best and more . . .
• Bookmark your favourite or most hotly anticipated articles
• The satisfaction of supporting independent blah blah blah . . .

placeholder text
3
25
0

Albums

Jugodefatuo – Bijù Bazar

A Principino whose body dissolves and recomposes perpetually, leads...

Patrick Shiroishi & Dylan Fujioka – Left up on the Tree

For several years now Patrick Shiroishi and Dylan Fujioka...

Nina Garcia – Bye Bye Bird

Working for almost a decade as Mariachi after getting...

Michael Bisio, Melanie Dyer, Marianne Osiel and Jay Rosen – NuMBq

Introduced by a deft clangour of gongs and chimes...

Michael Gordon & Theatre of Voices – A Western

Assailed by Howard Hawks and John Wayne for its...

Behind the Song

Behind the Song: Leonore Overture, ‘Farewell Amanda’, ‘One Night’

Ludwig van Beethoven - Leonore Overture No. 1, Op....

Behind the Song: Van Morrison – ‘Crazy Love’

https://www.youtube.com/watch?v=OIaKy1vM9hs 'Crazy Love' is the third track from Moondance, Van...

Behind the Song: Robyn – ‘Be Mine!’

Beginning her career in pop music at the age...

Behind the Song: ‘M’appari’ from Friedrich von Flotow’s Martha

'M'appari' is the best known name for the central...

Behind the Song: Animal Collective – ‘Summertime Clothes’

https://www.youtube.com/watch?v=GxhaRgJUMl8 Animal Collective's eighth studio album, Merriweather Post Pavilion, was...

Tracks of the Week

Tracks of the Week 19.01.25

Benjamin Lackner plays the piano with a plangent grace...

Tracks of the Week 12.01.25

Not since Jerry Seinfeld groggily awoke to witness Tim...

Tracks of the Week 04.01.25

Fresh beginnings plus a few festive odds and ends...

Tracks of the Week 17.08.24

Allen Lowe's short bio says that the veteran saxophonist...

Tracks of the Week 10.08.24

David Lynch, the transcendental meditator and itinerant Eagle Scout...

At the Movies

Pickpocket (1959)

★★★ (3 out of 4 stars) - Michel the titular character of Robert Bresson's snappily downcast Pickpocket is a renegade, a nihilist, one of cinema's Nietzschean Übermensch and most of all a real churl. He is the surliest of apostates with the hint of a bad boy persona that might suggest Marlon Brando or James Dean in blocking or on the amateur stage, for as is Bresson's wont the lead Martin LaSalle was a rank novice...

Paris, Texas (1984)

★★★★ (4 out of 4 stars) - Travis Henderson (Harry Dean Stanton) was introduced against a backdrop of blue skies and sandstone buttes, but his brother Walt (Dean Stockwell) wears a yellow Stetson cap and stands in front of a commercial tower block, which turns out to be painted. He sells billboard signs for a living, but agrees to travel to Terlingua, South Texas, to pick up his brother...

Don Jon (2013)

★★★ (3 out of 4 stars) - In Japan grown adult men - thirty, forty, fifty years old or more - lie prostrate in their childhood bedrooms, which they never leave, as their ageing parents push parcels of food beneath the door. On their beds they clutch plush life-sized cartoon figures, somehow prepubescent but boasting ginormous boobs, and between the heaving and moaning they not only cry but orgasm into their pillowcases...

Adam’s Rib (1949)

★★★★ (4 out of 4 stars) - Adam and Amanda Bonner, a couple of happily married lawyers who live in an upper-floor apartment in New York, begin to clash when they land on opposite sides of a trial for attempted murder. Adam views the matter in black and white, believing that Doris Attinger broke the law and deserves to be punished, while Amanda delights in teasing out some of the nuances of the case, perceiving an opportunity to rail against gender imbalances...

Cactus Flower (1969)

★★★½ (3.5 out of 4 stars) - More than mere confection, which by nature lies there enticingly and dwindles the more that we eat, and just like the titular cactus which sits on dental assistant Stephanie Dickinson's desk, cannily marking her transformation, Cactus Flower positively blossoms. The third film in three years from director Gene Saks - hot on the heels of two resounding Neil Simon success stories...

World Cinema

Midsommar (2019)

★ (1 out of 4 stars) - Through a few snapshots of comforting mundanity - the boys' scenes could be from a Judd Apatow movie, minus the laughs - we come to learn of Dani and Christian, a young American couple whose long-term relationship has started to crack. Spurred on by his friends, who find her too needy, Christian has already begun separating himself from Dani, for her part made anxious by her bipolar sister...

Toni Erdmann (2016)

★★★★ (4 out of 4 stars) - Winfried Conradi is so given to practical jokes that he practically depends on them. When he opens the door of his home in the spa town of Aachen, he regales the postman with an elaborate deception featuring look-alike brothers, prison terms, erotic magazines, and mail bombs, tipping the postman for any distress accrued and to make amends for his own strange excesses. He carries a pair of false teeth...

The Ballad of Buster Scruggs (2018)

★★★★ (4 out of 4 stars) - The Coen Brothers' first foray on Netflix feels curiously well suited to the format: curious because beyond the vagaries of the term 'anthology', which on film has sometimes meant multiple directors and is nowadays more often used for television shows whose series are self-contained, straddling the line between more conventional movie making and episodic or serialised television, what The Ballad of Buster Scruggs most resembles...

Halloween (1978)

★★ (2 out of 4 stars) - In the suburban neighbourhood of Haddonfield, Illinois, on Halloween night, 1963, while other kids are out trick-or-treating, a six-year-old boy without any apparent motivation creeps up the stairs, slips on a mask, and slashes to death his near-nude teenage sister. Fifteen years later he's still confined to Smith's Grove, a sanatorium for psychiatric patients, but he breaks out and returns to Haddonfield...

Pickpocket (1959)

★★★ (3 out of 4 stars) - Michel the titular character of Robert Bresson's snappily downcast Pickpocket is a renegade, a nihilist, one of cinema's Nietzschean Übermensch and most of all a real churl. He is the surliest of apostates with the hint of a bad boy persona that might suggest Marlon Brando or James Dean in blocking or on the amateur stage, for as is Bresson's wont the lead Martin LaSalle was a rank novice...

Earthy Anecdotes

Earthy Anecdotes: Katharine Hepburn Steals Stephen Sondheim’s Plant

By the turn of the twentieth century, the Turtle Bay neighbourhood on the east side of Midtown Manhattan was a 'riverside back yard' for the city of New York. Imposing brownstones and squalid tenement housing butted up against the breweries, gasworks, and slaughterhouses which lined the waterfront. Eventually the waterfront would be reshaped by the United Nations headquarters, with dozens of diplomatic missions...

Earthy Anecdotes: The Texas Chain Saw Massacre’s Hellish Dinner Scene

One of the most influential horror movies of all-time,...

Earthy Anecdotes: Alex Ferguson, Mick Harford and The League That Got Away

In the winter of 1991, Manchester United stood atop...

Earthy Anecdotes: The Premiere of The Rite of Spring

On 29 May 1913, The Rite of Spring, the ballet and...

Earthy Anecdotes: Zola’s House at Médan by Paul Cézanne

In Banks of the Marne by the French artist...

Poetry

Pierrot Through the Arts

Pierrot, the sad clown in white face and loose...

Alexander Blok – ‘Night, street, street-light, drugstore’ (1912)

Alexander Blok (Александр Блок) (1880-1921) was the foremost of...

Emily Dickinson – ‘I Can Wade Grief’ (1862)

Emily Dickinson was born on 10 December 1830 in...

Fyodor Sologub – ‘At Times There Comes a Strange Smell Wafting’

Fyodor Sologub was born Fyodor Kuzmich Teternikov on 1...

James Joyce

Behind the Song: ‘M’appari’ from Friedrich von Flotow’s Martha

'M'appari' is the best known name for the central...

Daily Visual 16.06.15: Bloomsday 2015

Bloomsday today in Dublin marks the culmination of a...

Ignatius Loyola and the Jesuits; and the Jesuits and James Joyce

With the election yesterday evening in Rome of former...

The Homeric Parallel in Ulysses: Joyce, Nabokov and Homer in Maps

When Ulysses was published on 2 February, 1922, it was the...

Obituaries

Charlie Watts, Steadfast Drummer of the Rolling Stones, Dies at the Age of 80

https://www.youtube.com/watch?v=M1_6z9oqet8 Charlie Watts, the backbone of the Rolling Stones for...

Dean Stockwell, Star of Blue Velvet and Quantum Leap, Dies at 85 Years Old

https://www.youtube.com/watch?v=vhPosL3UAN8 The actor Dean Stockwell died of natural causes on...

Ruth Bader Ginsburg, Supreme Court Justice, Dies at the Age of 87

https://www.youtube.com/watch?v=VRlEFT-44Ik Ruth Bader Ginsburg, associate justice of the Supreme Court...

Michael K. Williams, Actor Who Illuminated the Lives of Marginal Black Men, Dies Aged 54

https://www.youtube.com/watch?v=50RJhOFDmiA Michael K. Williams, the actor who became known for...

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Van Gogh in Paris: The Radicalising of a Palette and a Brush

VanGoghFeltCut

A few weekends ago, I began what is intended as a short series, impelled by the selection of paintings by Vincent van Gogh which have been on show at the Hermitage Amsterdam. The exhibition there, entitled Vincent, comprised a thematic arrangement of seventy-five paintings whilst the Van Gogh Museum was undergoing refurbishment. It came to a close – having run since September – at the end of last week; with the Van Gogh Museum to reopen this Wednesday, 1 May.

The purpose of my series is to consider and draw out some of the aspects and juxtapositions which the thematic display at the Hermitage Amsterdam suggested. I gave the first piece in my series the title Gauguin’s Chair and La Berceuse: Conceptualising Red and Green in the Art of Van Gogh’. This is the second of the series; a third part will be published here over the next week.

Having essentially foregone an early career as an art dealer; then failing on his explicitly religious mission; Van Gogh turned to art around 1880, at the age of twenty-seven. He had drawn frequently while pursuing a religious ministry in the Borinage through 1879; dismissed from his post there by the authorities – due to his unkempt appearance and squalid living conditions, which rendered him indistinguishable from the miners and peasants he was supposed to be ministering to – Van Gogh embarked in earnest on an artistic pathway; and in 1880 was encouraged to travel to Brussels, where he enrolled, in November, at the Académie Royale des Beaux-Arts, to study drawing formally.

He was in Brussels only a few months before moving with his parents to Etten, where he resumed drawing the countryside and the locals. After a string of arguments with his family concerning his lifestyle, his prospects, and his forceful and hasty attempts to begin a relationship with his widowed cousin, Kee Vos-Stricker, Van Gogh departed from his family in late 1881, and moved to The Hague. It was here that Van Gogh began painting. He was instructed in oil and watercolour by his cousin-in-law, the realist painter Anton Mauve. Though he continued to admire Mauve, and held him as a model artist, the pair soon fell out – owing, Van Gogh believed, to Mauve discovering and disapproving of his nascent relationship with Clasina Maria Hoornik, ‘Sien’, a prostitute who was pregnant when she and Van Gogh first met. Van Gogh lived with Sien, her young daughter, and her infant son, from the middle of 1882 until the autumn of 1883 – when he abruptly left, moving to Drenthe, then soon on to Nuenen.

Van Gogh’s first acclaimed artistic compositions were painted in Nuenen. Commencing at the beginning of 1884, the numerous studies Van Gogh made of weavers, of still lifes, of peasants’ heads, culminated in The Potato Eaters, which he completed in April 1885. There are some consistencies in these early paintings with Van Gogh’s later works: shared compositional characteristics, for instance a perspective when painting buildings whereby the top and front of the building comes towards the viewer, appearing both sturdy and dynamic (compare The Cottage (1885) and Old Cemetery Tower at Nuenen (1885) with The Church at Auvers (1890)); and a thick application of paint. Yet these Nuenen scenes were dark, often dimly lit and with brown the predominant colour; there are none of the vivid colour combinations, bold lines and lively brushstrokes for which Van Gogh is most recognised.

Van Gogh’s art changed in stages and owing to key influences. He left Nuenen for Antwerp in November 1885. Immediately enthralled by Antwerp’s bustling docks, and by the Japanese woodcuts on sale there, he conflated the two in a letter to Theo soon after arriving, on 28 November. In this letter, he evocatively describes the mass of contrasting figures and scenes which have caught his eye on walks about the docks; and tellingly for his art explains:

One of De Goncourt’s sayings was ‘Japonaiserie for ever’. Well, these docks are one huge Japonaiserie, fantastic, singular, strange — at least, one can see them like that.

I’d like to walk with you there to find out whether we look at things the same way.

One could do anything there, townscapes — figures of the most diverse character — the ships as the central subject with water and sky in delicate grey — but above all — Japonaiseries.

I mean, the figures there are always in motion, one sees them in the most peculiar settings, everything fantastic, and interesting contrasts keep appearing of their own accord.

The overall effect of the port or of a dock — sometimes it’s more tangled and fantastic than a thorn-hedge, so tangled that one can find no rest for the eye, so that one gets dizzy, is forced by the flickering of colours and lines to look now here and now there, unable to tell one thing from another even after staring at a single spot for a long while.

Whilst in Antwerp, Van Gogh took exams at the city’s Academy of Fine Arts. However, he was drinking heavily and became sick, and in March moved to Paris where he stayed, despite his brothers’ reservations, with Theo. The two years Van Gogh spent in Paris before departing for Arles were full of experimentation; he was able to view the Impressionists and Cézanne, but was propelled most by his fervour for ‘Japonaiseries’, his introduction to the works of Monticelli, and his acquaintance with Paul Signac. His palette became progressively brighter and more colourful, and towards the end of 1886, and through the spring of 1887, his brush came to life.

van-gogh-large

A number of paintings from this period – the endpoints and focal paintings of this piece – demonstrate this conflux of influences. In late 1886 Van Gogh began a group of portraits which evince looser brushstrokes and highlights, resulting in more nuanced and energetic works of art. These include Self-Portrait with Grey Felt HatPortrait of a Man with a Skull Cap, the first two of three portraits of Père Tanguy (the first a typical portrait, the second highly colourised with Tanguy seated in front of a Japanese screen and Japanese prints – which Van Gogh reworked a year later for the third piece); and Portrait of the Art Dealer Alexander Reid.

vincent_van_gogh_-_in_the_cafc3a9_-_agostina_segatori_in_le_tambourin_-_google_art_project_2

Compared with these portraits, around March 1887, Agostina Segatori Sitting in the Café du Tambourin is less posed, Van Gogh capturing Agostina from a short distance, seemingly lost in thought, with a single Japanese print suggested on the wall behind. All of these paintings are radical extensions – in colour and in brushwork – upon the portraits Van Gogh had painted previously. Some of the street scenes and landscapes which Van Gogh produced in the same spring appear more radical departures than extensions in any linear sense.

boulevard-de-clichy-18871

Boulevard de Clichy is comprised of short, narrow, but consistent lines, and an almost neon palette with prominent greens and pink-purples. The thin application of paint, with the canvas apparent between brushstrokes, is quite unlike the impasto of Van Gogh’s later career. The colours and the dress and poise of the figures show the effects of the Japanese woodcuts Van Gogh was continuing to collect. View of Paris (or View of Paris from Vincent’s Room in the Rue Lepic) demonstrates a thicker application of paint, and the marked influence of the pointillism practiced by Seurat and Signac; quick lines are joined and overlaid by dots of paint, with juxtapositions of blue and yellow, green and red.

vincent_van_gogh_-_view_from_theo_s_apartment_-_google_art_project

The Stedelijk Museum recently altered those Van Goghs showing from its collection; La Berceuse has left the wall, and in its place has appeared one of a group of paintings Van Gogh made of vegetable gardens in Montmartre. Completed towards that summer, Vegetable Gardens in Montmartre (also known as Kitchen Gardens in Montmartre) shows the same utilisation of thin lines and vibrant colours, here moving rhythmically in all directions to produce a coherent composition. These paintings, as much as Van Gogh’s emerging qualities as a painter, emphasise his skill as a draughtsman; echoing his drawings, predating his revolutionary use of the reed pen in Arles.

vincent_willem_van_gogh_045

Christopher Laws
Christopher Lawshttps://www.culturedarm.com
Christopher Laws is the writer and editor of Culturedarm, currently based in Umeå, Sweden.

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